Malick’s humble camera: The New World (2005)
Criteria: The Catholic Film Podcast
Release Date: 05/17/2024
Hitchcock's I Confess and the world's failure to understand priesthood
Criteria: The Catholic Film Podcast
In Alfred Hitchcock’s 1953 film I Confess, a young priest in Quebec City is suspected of murder because of his unwillingness to break the seal of confession. A major theme of the film is the incomprehension with which the world sees the priesthood, such that people project their own sins onto the priest, resulting in a kind of white martyrdom. SIGN UP for Catholic Culture's newsletter: DONATE to keep this podcast going: Music is The Duskwhales, “Take It Back”, used with permission.
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The Ritual portrays exorcism accurately, but is stuck in genre cliches
Criteria: The Catholic Film Podcast
The new exorcism film The Ritual, starring Al Pacino and Dan Stevens, is based on the famous 1928 exorcism of Emma Schmidt, which also partially inspired The Exorcist. The Ritual is touted as more realistic and meticulously researched than most exorcism films, and it does seem to portray the rite of exorcism accurately (as the title indicates, most of the film is focused on the ritual itself). The film avoids many of the worst pitfalls of exorcism movies, such as fascination with the glamor of evil, sadism, etc. It is a Catholic-approvable treatment of the subject in that it avoids theological...
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Fragmented sexuality in Malick's To the Wonder, Knight of Cups, & Song to Song
Criteria: The Catholic Film Podcast
00:00 Introduction 12:44 Form 1:04:15 Themes 1:28:17 Moral problems 1:52:00 Favorite sequences After the artistic triumph of his magnum opus The Tree of Life, Terrence Malick had an unwontedly prolific period, releasing To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017). In these films, known informally as the "Weightless Trilogy", Malick took his previous formal experimentation even further, relying heavily on improvisation stitched together with a stream-of-consciousness editing style evoking the fragments of memory. The results are undeniably aesthetically exciting,...
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Crucifixion darkness: Barabbas (1961)
Criteria: The Catholic Film Podcast
Barabbas is an unusual specimen of the midcentury Hollywood Biblical epic, more spiritually searching (and edgier) than its peers. Starring Anthony Quinn as the criminal released by Pilate in place of Christ, Barabbas is based on a 1950 novel by Nobel winner Pär Lagerkvist (recently by Anthony Esolen among the greatest religious novels of the 20th century). It follows Barabbas through a long life in the shadow of the Cross, haunted and struggling to comprehend the meaning of having had his life exchanged for Christ’s. He becomes almost an archetype of human resistance to grace – but in...
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A holy fool: The Island (2006)
Criteria: The Catholic Film Podcast
James and Thomas discuss a minor classic of religious cinema, the spiritually edifying (and humorous!) Russian film The Island, about a fictional Orthodox monk and “holy fool” who has special spiritual gifts, but remains racked with guilt over a terrible crime he committed in his youth. The Island can be viewed on YouTube (the subtitles are a different translation from the ones on Amazon): SIGN UP for Catholic Culture's newsletter: DONATE to keep this podcast going: Music is The Duskwhales, “Take It Back”, used with permission.
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Terrence Malick and the Knights of Columbus: Voyage of Time (2016)
Criteria: The Catholic Film Podcast
The Criteria crew continues its series on the films of Terrence Malick, jumping ahead to the experimental documentary Voyage of Time, which was co-produced by the Knights of Columbus! Voyage of Time portrays the history of the cosmos, the Earth, and the living creatures on it from the beginning of the universe to its end. The main point of the film is simply to evoke wonder at creation with its gorgeous photography, sound design and music. The film exists in two versions: a 45-minute version narrated by Brad Pitt (Voyage of Time: The IMAX Experience), and a 90-minute version narrated by Cate...
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The Marx Brothers w/ James Matthew Wilson
Criteria: The Catholic Film Podcast
Poet and philosopher James Matthew Wilson joins the podcast to discuss two films by the Marx Brothers (Duck Soup, A Night at the Opera). Wilson also reads one of his poems featuring allusions to the Marx Brothers, and talks about the letters written between Groucho Marx and T.S. Eliot. James Matthew Wilson, The Strangeness of the Good SIGN UP for Catholic Culture's newsletter: DONATE to keep this podcast going: Music is The Duskwhales, “Take It Back”, used with permission.
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"I am a human being": The Elephant Man (1980), w/ Andrew Petiprin
Criteria: The Catholic Film Podcast
On the latest episode of Criteria: The Catholic Film Podcast, Andrew Petiprin joins James and Thomas to discuss the late David Lynch's most uplifting film, The Elephant Man. The film is based on the real Victorian-era life of Joseph Merrick, a man who suffered terrible abuse because of his extreme deformities, yet whose human dignity was ultimately recognized and allowed to flourish by those who rescued him and cared for him with Christian compassion. Panel on film at Notre Dame with Thomas Mirus, Andrew Petiprin, and Nathan Douglas Andrew's book Popcorn with the Pope: A Guide to...
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In a Lonely Place (1950)
Criteria: The Catholic Film Podcast
James and Thomas discuss Nicholas Ray's thrilling 1950 film noir In a Lonely Place. In an outstanding, nuanced performance, Humphrey Bogart plays quick-tempered screenwriter Dixon Steele, who enters into a fast-moving relationship with Laurel Gray (Gloria Grahame) just as he is under suspicion for the murder of another young woman. The investigation puts a strain on their romance, revealing the problems of relationships without the requisite mutual trust. SIGN UP for Catholic Culture's newsletter: DONATE to keep this podcast going: Music is The Duskwhales, “Take It Back”, used with...
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New birth for humanity: Children of Men (2006) w/ Timothy Reckart
Criteria: The Catholic Film Podcast
Oscar-nominated writer and director Timothy Reckart rejoins the podcast to discuss a movie that has a marked resonance with the Nativity story, Alfonso Cuaron’s brilliantly crafted dystopian thriller Children of Men. Set in 2027, it depicts a world that has fallen into despair and chaos because of a worldwide infertility crisis: no one has been able to have a baby in eighteen years. The film, made in 2006, depicts a future England looks in many ways like today’s: childlessness, terrorism, and state-provided euthanasia. In the midst of all this, jaded protagonist Theo (Clive Owen) is given...
info_outlineThe Criteria crew continue their journey through the works of today's most significant Christian filmmaker, Terrence Malick. The New World is an underrated masterpiece about Pocahontas and the founding of Jamestown in 1607. Starring the 14-year-old Q'orianka Kilcher as Pocahontas, Colin Farrell as John Smith, and Christian Bale as John Rolfe, Malick's retelling of the story remarkably combines realism and historical accuracy with poetry and romance, as all three protagonists explore not just one but multiple new worlds, geographical and interior.
With The New World, Malick definitively entered a new stage in his career, particularly in his unforgettable collaboration with cinematographer Emmanuel Lubezki. The result is an aesthetic that is humble and receptive rather than magisterial. Rather than dominating reality, the camera seems to enter into it, so that we can contemplate something the camera cannot exhaust.
James, Thomas, and Nathan discuss Malick's style extensively in this episode, and make the case for why Catholics studying or making art should not focus only on "themes" to the neglect of form, because style itself conveys a vision of reality.
Note: make sure you watch the extended cut or the 150-minute "first cut", not the theatrical cut.
This film contains brief ethnographic nudity.
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Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com