How Philadelphia Ballet Does Summer: Three Unique Programs
Release Date: 12/19/2025
Ballet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: Every ballet company's tax return is public record. Most dancers have never seen one. Liza Yntema, founder of the Dance Data Project, and Griff Braun, National Organizing Director at the American Guild of Musical Artists, walk us through what the numbers reveal. We start with the 990, how to read it, and what a company's revenue structure tells you about its priorities. From there we get into the funding landscape, leadership compensation, and why the gap between what artistic directors make and what dancers make is worth paying attention to. On...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: What does ballet training look like when it's housed inside a 100-year-old university, with the Semperoper Ballet as your next-door neighbor? We sat down with Rector and Vice-Rector of in Dresden, Germany, for a close look at one of Europe's most distinctive training models. Students can enter as young as 10, earn a bachelor's degree by 18, and perform side-by-side with professional dancers at Semperoper Ballet while still enrolled. We covered how ballet training works in Germany versus the U.S., what the BA program looks like day-to-day, how...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: What happens when a dancer who traded pre-professional ballet training at the John Cranko School and the Joffrey Ballet Studio Company for a Harvard degree? Or when a dancer who received offers from the training programs at Joffrey, Colorado Ballet, and Philadelphia Ballet decides that college was always the plan? We sat down with and , co-directors of the , to explore one very compelling way to keep ballet in your life without a professional contract and the decisions that brought them to Cambridge and what they found when they got there....
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: Jason Beechey has spent his career shaping pre-professional ballet training. After 18 years as rector of Palucca University of Dance in Dresden, he now serves as Director of and Head of Dance at the Zurich University of the Arts. He walks us through how Zurich Dance Academy actually works: the rotating teacher model, the health team, and how mental resilience, nutrition, and career management are woven directly into the curriculum as graded work, not afterthoughts. He also talks honestly about what happens after graduation, and how the school is...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: What happens when a dancer skips the postgrad route entirely and still lands a professional contract? Paityn Lauzon, now in her fourth season as a company artist with Nevada Ballet Theatre, did exactly that. She grew up at a small competition studio in Arizona, turned down a spot at Joffrey New York at 14, and later chose Indiana University so she could study astrophysics alongside ballet. She dropped out during COVID, moved back home to Arizona, and used the year to fall back in love with ballet before returning to finish her degree. In this...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: Timothee Chalamet said no one cares about ballet anymore. Fran Veyette disagrees. He's back on #NoThirds, and this episode goes deep into one of the most debated questions in the ballet world right now: are the classical, full-length ballets still relevant? Swan Lake. Giselle. Sleeping Beauty. Romeo and Juliet. These are the stories that have filled theaters for over a century. But in a world where audiences have shorter attention spans and higher expectations, do they still have something to say? Fran, a former principal dancer, choreographer,...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: How long can your dancer stay home before it starts to matter? It's one of the most common questions ballet parents face, and one of the most consequential. Jen Sommers, Director of joins us to talk through exactly that, along with everything else families need to understand about the road from pre-professional training to a professional dance career. Jen is refreshingly direct about how much a company-affiliated environment matters, and it goes well beyond technique. We talk about what dancers gain from being adjacent to a professional...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: Author, teacher, and former principal dancer Gavin Larsen has spent her post-performance life doing something she loves just as much as dancing: drawing stories out of other people. Her new book, Infinite Steps: 33 Dancers and Their Lives in Ballet, grew out of a collaboration with longtime ABT staff photographer Gene Schiavone, who wanted the dancers behind his archive of images to be truly known, not just catalogued. In this conversation, Gavin sits down with us to talk about what surprised her while interviewing 33 dancers across generations...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: What does it really take to go from pre-professional student to professional ballet dancer? Charlotte Junge, a company member with Madison Ballet, shares the unfiltered version of her journey from competition dance roots in Houston to training at Boston Ballet School through the height of COVID, to landing her contract via an Instagram DM from Artistic Director Ja' Malik. But the conversation doesn't stop at the audition story. Charlotte gets refreshingly honest about the financial realities of dancing at a smaller non-union company, the side...
info_outlineBallet Help Desk
Listen to Ballet Help Desk ad-free on Patreon: Madison Ballet's Ja'Malik didn't arrive to tinker around the edges. He came to change things, and four years in, it's working. He shares a journey that started with Michael Jackson's Thriller in his front yard and led him through the Joffrey Ballet School, the Ailey school, and North Carolina Dance Theater before landing him in the director's chair in Wisconsin. He talks about what it was like to grow up in ballet without seeing anyone who looked like him on stage, what finally changed that, and why he's determined to make sure the next...
info_outlineListen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/
Davit Karapetyan and Laura Bowman Goldstein from Philadelphia Ballet break down three focused summer programs designed for dancers considering specialized training: the Pas de Deux Intensive, Variations Intensive, and Company Experience.
They start with partnering, an essential skill that many students cannot get in their local schools. Davit and Laura talk about how much partnering really matters in today’s job market, what experience dancers need going in, and how this intensive tackles the challenges students struggle with most.
Next, they dive into the Variations Intensive, where dancers receive targeted competition coaching and individualized feedback. They explain why dedicated variation work matters, how pieces are chosen, and what dancers can expect from the final showing.
Finally, the Company Experience offers a taste of professional life, with daily training and direct access to Philadelphia Ballet’s artistic staff. The conversation covers schedules, repertoire, and how often students move from this program into trainee, second company, or even the main company.
Davit and Laura also share guidance for dancers and parents trying to decide which program makes the most sense, and what sets Philadelphia Ballet’s summer training apart. If you are looking beyond a traditional summer intensive, this episode lays out three distinct options and who each one is really for.
Learn more about Philly's summer programs.
- Read Our Ballet School Summer & Year-Round Reviews: https://reviews.ballethelpdesk.com/
- Buy Corrections Journals
- Support Ballet Help Desk
- Instagram: @BalletHelpDesk
- Facebook: BalletHelpDesk
- TikTok:
Music from #Uppbeat:
https://uppbeat.io/t/ian-
License code: MGAW5PAHYEYDQZCI