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416 Unlocking The Vortex. How to Engage and Inspire Any Audience In Japan

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Release Date: 12/16/2024

The Use Of Evidence In Your Presentations show art The Use Of Evidence In Your Presentations

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

We flagged this last episode—now let’s get practical about evidence. Modern presenters face two problems at the same time: we’re in an Age of Distraction (people will escape to the internet, even while “listening”), and an Era of Cynicism(audiences are more sensitive than ever to whether information is valid).  Why is evidence more important now than ever? Because opinion won’t hold attention—and it won’t survive cynicism. If your talk is mostly “editorial” (your views), people either disengage or multitask. If you don’t provide concrete insights...

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Designing The Main Body Of Our Talk show art Designing The Main Body Of Our Talk

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

In the last episodes we looked at how to open the presentation. Now it’s time for the part that does the heavy lifting: the main body. Most people design talks the wrong way around. This process is counterintuitive but far more effective: start with the close, then build the main body, and only then design the opening. The close defines the key message, the opening breaks through the competition for attention, and the body provides the proof.  What’s the best way to design the main body of a presentation? Build the main body as chapters that prove your key message, using...

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How To Be That Charismatic Presenter show art How To Be That Charismatic Presenter

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Some speakers have “it”. Even from the back of the room you can sense their inner energy, confidence, and certainty — that compelling attractiveness we call charisma.   This isn’t about being an extrovert or a show pony. It’s about building presence and appeal in ways that work in boardrooms, conferences, online presentations (Zoom/Teams), and hybrid rooms where attention is fragile and cynicism is high.  What is “presenter charisma” in practical terms? Presenter charisma is the audience feeling your energy, certainty, and credibility — fast. You can be...

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How An Expert Prepares For A TED Talk show art How An Expert Prepares For A TED Talk

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

TED and TEDx look effortless on stage, but the behind-the-scenes prep is anything but casual. In this talk, I pulled back the velvet curtain on how I prepared for a TEDx talk—especially the parts most people skip: designing the ending first, engineering a punchy opening, and rehearsing like a maniac so tech issues don’t derail you.  Is TED/TEDx preparation really different from a normal business presentation? Yes—TED/TEDx forces ruthless compression, because you’ve got a hard time cap and a global audience. In my case, I had up to thirteen minutes, with restrictions on topic...

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Opening Our Presentation (Part Two) show art Opening Our Presentation (Part Two)

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

If your opening drifts, your audience drifts. In a post-pandemic, hybrid-work world (Zoom, Teams, in-person, and everything in between), attention is brutally expensive and “micro concentration spans” feel even shorter than they used to. So in Part Two, we’ll add two more high-impact openings you can apply straight away: storytelling and compliments—done in a way that feels human, not salesy, and definitely not like propaganda.  How do you open a presentation so people actually listen (especially in 2025)? You earn attention in the first 30–60 seconds by giving...

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Opening Our Presentation (Part One) show art Opening Our Presentation (Part One)

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

In the first seconds of any presentation, your audience decides whether to lean in or tune out. This guide shows you how to design those opening moments—before you speak and through your first sentence—so you command attention, create immediate relevance, and set up the rest of your message to land. What makes a powerful presentation opening in 2025? Your opening starts before you speak—and the audience decides in seconds. In a smartphone-first era, those first seven seconds determine whether people lean in or drift off. The “silent opening” (walk, posture, eye contact) forms a...

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The “Impress Your Audience” Speech show art The “Impress Your Audience” Speech

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

  Your audience buys your message only after they buy you. In today’s era of cynicism and AI summaries, leaders need crisp structure, vivid evidence, and confident delivery to represent their organisation—and brand—brilliantly. How much does speaker credibility matter in 2025 presentations? It’s everything: audiences project their judgment of you onto your entire organisation. If you’re sharp, fluent and prepared, stakeholders assume your firm operates the same way; if you’re sloppy or vague, they infer risk. As of 2025, investor updates in Tokyo,...

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What Is Your Message show art What Is Your Message

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Great presentations in Tokyo, Sydney, or San Francisco share one trait: a razor-sharp, single message audiences can repeat verbatim. Below is an answer-centred, GEO-optimised guide you can swipe for your next keynote, sales pitch, or all-hands. The biggest fail in talks today isn’t delivery—it’s muddled messaging. If your core idea can’t fit “on a grain of rice,” you’ll drown listeners in detail and watch outcomes vanish. Our job is to choose one message, prove it with evidence, and prune everything else.  Who is this for and why now Executives and sales leaders need...

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The Purpose of Our Presentation show art The Purpose of Our Presentation

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Before you build slides, get crystal clear on who you’re speaking to and why you’re speaking at all. From internal All-Hands to industry chambers and benkyōkai study groups in Japan, the purpose drives the structure, the tone, and the proof you choose.  What’s the real purpose of a business presentation? Your presentation exists to create a specific outcome for a specific audience—choose the outcome first. Whether you need to inform, convince, persuade to action, or entertain enough to keep attention, the purpose becomes your design brief. In 2025’s...

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Who Is Our Audience? show art Who Is Our Audience?

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Before you build slides, build a picture of the people in the seats. If you don’t know who’s in the room, you’re guessing—and guesswork kills relevance. This practical, answer-centric guide shows how to identify audience composition (knowledge, expertise, experience), surface needs and biases, and adjust both your content and delivery—before and during your talk. It’s tuned for post-pandemic business norms in Japan and across APAC, with comparisons to the US and Europe, and it’s written for executives, sales leaders, and professionals who present weekly.  How do I...

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Think about the business presentations you have attended over the years.  How many speakers were really engaging you during their talk.  How many speakers can you even recall?  One of the problems is that most business presentations are the “inform” type and are downloads of a whole bunch of data about the topic they are covering. 

Numbers don’t have to be dry and boring.  The mantra is “Stories need data and data needs stories”.  Do we get any stories though?  No, and that is why we cannot remember the person or what they said. 

There is another problem with why we can’t remember the person, which when you think about it, is a disaster from the presenter’s point of view.  What a waste of time to be a speaker and no one remembers what you said or you yourself.  That means that their personal and professional brands are not being built through this activity.

To get engagement we need to use the Persuasion Power Vortex.  We combine eyes, face, voice, gestures and “ki” or our intrinsic energy and we focus all of this power on one point of concentration - on the single, left eye of the audience member.  Here is what we are aiming for:

1.        Eyes

Normally in Japan, we don’t make eye contact, but our role as a presenter gives us permission to do so.  By staring straight into the left eye of the listeners we create a powerful bond with that person, such that they feel there are only the two of us in this venue and the speaker, the authority power figure in the room, is talking directly to me.  We choose the left eye as a single point of concentration, because looking at two things at once is difficult and because most people are right-handed. The right side of the body tends to be the most powerful, so we choose their softer side to concentrate our power, to have the most impact.

The intensity of the eye power is such that we can only turn it on for around six seconds at a time or it is too intrusive. Longer and we make the person we are looking at feel very uncomfortable.

2.        Face

Our face can be a million watt power source because we can project our emotions.  Sad, surprised, shocked, happy, inquisitive, puzzled, excited, dubious, opposed, in agreement – the list is long and we should be using these expressions during our talk.  The secret is to match the facial expression with the content of what we are saying, so that we are congruent. When we combine one of these expression with a direct look into the eye of the audience member the impact is strong.  That facial expression doesn't have to look mean and scary - we can lock on with a warm smile – it just depends on the congruency with the content of what we are saying.

3.        Voice

We don’t have to have that silky smooth, deep baritone DJ voice to be an effective communicator.  We go with what we have regardless of how unhappy we may be with it.  My husky voice is the product of thousands of karate kiai over five decades of training in the dojo.  I can’t change that, so I ignore how I feel about it and just get on with it. You should do the same thing too.

The tool has power when we know how to use it.  Most people have one setting – the monotone and so the tool is ineffective.  Like classical music we want to employ crescendos and lulls to create variety.  Too soft or too strong all of the time defeats our aim of capturing the attention of our audience. 

When he hit the audience member with a power stare straight into their left eye, combine it with a strong facial expression and then use our voice to emphasise key words, the effect is instant and tremendous.

4.        Gestures are silent, powerful amplifiers of what we are saying.  We know that any gesture held longer than 15 seconds loses all power, so like a faucet, we turn the gesture on and off to have the most effect. When I gesture directly to you in the crowd, lock on to your left eye with my power stare, coordinate my facial expression with what I am saying and then hit a key word at the same time, you will really feel the power of what I am saying.  The hitting of the key word doesn't have to be loud – it could be a conspiratorial whisper and still be highly effective.

5.        Ki – intrinsic energy

When we are presenting, our aim to is to project our body language energy right to the back wall, rather than letting it get trapped within our body.  We create an electric current with our ki energy and we zap our audience members, one at a time, as we move our gaze around the room, covering ten people a minute.

Hitting someone in the audience with this amount of ki energy, and combining our six second power stare, strong facial expression, voice coordination with the key words in our message and indicating directly to them with our gesture, brings everything to the single vortex of their left eye. They get zapped and feel total engagement, almost hypnotic, with us and what we are saying.  We will never be forgotten by the people in that venue, as a powerful and professional speaker.  This is what we want, isn’t it?