Is Appearing Too Slick A Negative When Presenting?
THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
Release Date: 06/23/2025
THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
Q&A isn’t the awkward add-on after your talk — it’s where you cement your message, clarify what didn’t land, and build trust through real interaction. Why is the Q&A the most important part of your presentation? Because Q&A is your second chance to make your best points land — and to fix any confusion in real time. It’s also the moment the audience decides if you’re credible, calm under pressure, and worth listening to beyond the slides. In a post-pandemic world of hybrid keynotes, Zoom webinars, and town-hall style sessions (especially since 2020),...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
Complex doesn’t mean “technical”. Complex means your audience can’t quickly connect what you’re saying to what they already know. In a post-pandemic, hybrid-meeting world (Zoom, Teams, half the room on mute), that gap gets bigger fast—especially when you pile on jargon, acronyms, and dense slides. This guide turns complex topics into clear, persuasive presentations without turning them into kindergarten stories. We’ll keep it logical, visual, and human—because nobody ever said, “That was a wonderfully confusing briefing, let’s do it again.” What makes a subject...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
Most business careers don’t stall because people lack IQ or work ethic — they stall because people can’t move other humans. If you can command a room, energise a team, excite customers, and secure decisions, you compound your influence fast — especially in the post-pandemic world of hybrid meetings, Zoom pitches, and global audiences. Does persuasion power matter more than technical skill for promotion? Yes — technical skill gets you into the conversation, but persuasion power wins you the job. In most organisations, the higher you climb, the more the work becomes...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
When you present—whether it’s a Toyota leadership offsite in Japan, a Canva all-hands in Australia, or a Series A pitch in San Francisco—you don’t just need a close. You need two. One to wrap your talk, and one to reclaim the room after Q&A, when the conversation can veer off into the weeds. Why do I need two closes in a presentation? Because Q&A can hijack your final impression, and your final impression is what people remember. You finish your talk, you open the floor, and suddenly you’ve lost control of the narrative—especially in post-pandemic...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
We flagged this last episode—now let’s get practical about evidence. Modern presenters face two problems at the same time: we’re in an Age of Distraction (people will escape to the internet, even while “listening”), and an Era of Cynicism(audiences are more sensitive than ever to whether information is valid). Why is evidence more important now than ever? Because opinion won’t hold attention—and it won’t survive cynicism. If your talk is mostly “editorial” (your views), people either disengage or multitask. If you don’t provide concrete insights...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
In the last episodes we looked at how to open the presentation. Now it’s time for the part that does the heavy lifting: the main body. Most people design talks the wrong way around. This process is counterintuitive but far more effective: start with the close, then build the main body, and only then design the opening. The close defines the key message, the opening breaks through the competition for attention, and the body provides the proof. What’s the best way to design the main body of a presentation? Build the main body as chapters that prove your key message, using...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
Some speakers have “it”. Even from the back of the room you can sense their inner energy, confidence, and certainty — that compelling attractiveness we call charisma. This isn’t about being an extrovert or a show pony. It’s about building presence and appeal in ways that work in boardrooms, conferences, online presentations (Zoom/Teams), and hybrid rooms where attention is fragile and cynicism is high. What is “presenter charisma” in practical terms? Presenter charisma is the audience feeling your energy, certainty, and credibility — fast. You can be...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
TED and TEDx look effortless on stage, but the behind-the-scenes prep is anything but casual. In this talk, I pulled back the velvet curtain on how I prepared for a TEDx talk—especially the parts most people skip: designing the ending first, engineering a punchy opening, and rehearsing like a maniac so tech issues don’t derail you. Is TED/TEDx preparation really different from a normal business presentation? Yes—TED/TEDx forces ruthless compression, because you’ve got a hard time cap and a global audience. In my case, I had up to thirteen minutes, with restrictions on topic...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
If your opening drifts, your audience drifts. In a post-pandemic, hybrid-work world (Zoom, Teams, in-person, and everything in between), attention is brutally expensive and “micro concentration spans” feel even shorter than they used to. So in Part Two, we’ll add two more high-impact openings you can apply straight away: storytelling and compliments—done in a way that feels human, not salesy, and definitely not like propaganda. How do you open a presentation so people actually listen (especially in 2025)? You earn attention in the first 30–60 seconds by giving...
info_outlineTHE Presentations Japan Series by Dale Carnegie Training Tokyo Japan
In the first seconds of any presentation, your audience decides whether to lean in or tune out. This guide shows you how to design those opening moments—before you speak and through your first sentence—so you command attention, create immediate relevance, and set up the rest of your message to land. What makes a powerful presentation opening in 2025? Your opening starts before you speak—and the audience decides in seconds. In a smartphone-first era, those first seven seconds determine whether people lean in or drift off. The “silent opening” (walk, posture, eye contact) forms a...
info_outlineToo smooth politicians, silky salespeople, urbane company thrusters all set off alarm bells. We can meet impressive people and we can meet impressive looking people. Over time we have learnt how to plumb the difference. The world of presenting is made up of the top 1% who know what they are doing and the 99% who have no real clue. The 99% group are often card carrying sceptics, who have finely tuned radar for anything that looks different to what they know. Also, by definition this clueless 99% are our audience when we present. Are we in danger of turning them off if we come across as too professional?
This is certainly the case in Japan. Standing out and being outstanding are not welcomed here. The most insightful cultural norm in Japan is captured in the traditional wisdom of “the nail that sticks out gets hammered down”. Owning the auditorium, dominating the podium, being a powerful stage presence are all “nail sticking out” issues. Looking supremely confident, being Mr. or Ms. Smooth, operating at a high level, are all viewed with suspicion. We have a similar idea in the West. When we meet a “smooth talking salesperson” we get worried about them taking our money.
Japanese culture appreciates humility, harmony, group consensus, not putting yourself forward and modesty. Hello to all of our American fans out there. This Japanese viewpoint is absolutely the formula for not getting ahead in aggressive, competitive societies. Interestingly enough, as an Aussie, I think this Japanese approach is close to our cultural norms too. In Australian parlance, someone who “big notes” themselves is a self aggrandising, big talker and they won’t get very far Down Under. A Donald Trump telling everyone how rich he is, how smart he is, would be impossible for an Australian politician to replicate. As presenters, we operate within the bounds of our cultural rules and limits.
So how do we do a professional job of presenting in Japan, when the whole ethos is against the display of high levels of professionalism? There is a difference between being very professionally prepared and being a boring oaf on stage. Talking about yourself, except in terms of self-degradation, is out. That means we frame what we say about ourselves from a more humble lens. We do design a blockbuster opening though, to capture audience attention. We do set up the flow of the talk, so that the navigation is simple and easy to follow. We do provide evidence to back up any assertions we make. We do prepare two closes, one for before and one for after Q&A. We do rehearse numerous times to perfect the content, polish the cadence and make sure we are on time. In other words, we are a total professional in the way we prepare the presentation.
The friction points arise by the way we carry ourselves. I have lived here for 36 years and I have never seen a Japanese presenter stride confidently to the podium or the microphone. They walk slowly and hesitantly to the stage centre, stooping, wearing the greyest of the grey clothing, so they can be as boring as possible. They open up immediately with a series of apologies, to establish that they are not superior to anyone in the audience, even if they are.
I can’t see me doing any of that when I am presenting. I will be a little more conservative in my dress, only because I don’t want a pocket chief or tie or shirt ,to compete with my message. I won’t be bounding up on to the stage like a panther ready to devour my audience. I will walk tall, with subdued confidence and go straight into my opening, without any time wasted on getting the tech right. There will be no microphone thumping because I will have tested it all before the event started. I won’t be fiddling around to get my slide deck up, because I will have someone else doing that for me, while I use those first few vital seconds to engage my audience.
I won’t be making any faux apologies for my poor preparation or poor public speaking ability, because I will be moving straight into explaining the value the talk will bring to the listeners. I won’t be making flamboyant gestures or utilising any thespian artifices. I will be business like and focused on helping people through the messages I am delivering. The way I deliver the talk will be congruent with the content. It won’t feel slick, but it will feel competent and that is what I want, in order to have my messages accepted. I won’t attempt to be sardonic, cynical, use any idioms or try to be an amateur stand up comic. By Western standards, I will come across, as an understated expert in my topic. By Japanese standards, I will come across as a confident, but business like person, dedicated to their message for the audience. I will have threaded the needle between the two extremes and that will be a good result.