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What Japanese Presenters Get Wrong

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Release Date: 07/14/2025

Handling The Q&A show art Handling The Q&A

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Q&A isn’t the awkward add-on after your talk — it’s where you cement your message, clarify what didn’t land, and build trust through real interaction. Why is the Q&A the most important part of your presentation? Because Q&A is your second chance to make your best points land — and to fix any confusion in real time. It’s also the moment the audience decides if you’re credible, calm under pressure, and worth listening to beyond the slides. In a post-pandemic world of hybrid keynotes, Zoom webinars, and town-hall style sessions (especially since 2020),...

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Presenting Complex Information show art Presenting Complex Information

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Complex doesn’t mean “technical”. Complex means your audience can’t quickly connect what you’re saying to what they already know. In a post-pandemic, hybrid-meeting world (Zoom, Teams, half the room on mute), that gap gets bigger fast—especially when you pile on jargon, acronyms, and dense slides. This guide turns complex topics into clear, persuasive presentations without turning them into kindergarten stories. We’ll keep it logical, visual, and human—because nobody ever said, “That was a wonderfully confusing briefing, let’s do it again.” What makes a subject...

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Persuasion Power Eats Everything For Breakfast show art Persuasion Power Eats Everything For Breakfast

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Most business careers don’t stall because people lack IQ or work ethic — they stall because people can’t move other humans. If you can command a room, energise a team, excite customers, and secure decisions, you compound your influence fast — especially in the post-pandemic world of hybrid meetings, Zoom pitches, and global audiences.  Does persuasion power matter more than technical skill for promotion? Yes — technical skill gets you into the conversation, but persuasion power wins you the job. In most organisations, the higher you climb, the more the work becomes...

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Designing The Close show art Designing The Close

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

When you present—whether it’s a Toyota leadership offsite in Japan, a Canva all-hands in Australia, or a Series A pitch in San Francisco—you don’t just need a close. You need two. One to wrap your talk, and one to reclaim the room after Q&A, when the conversation can veer off into the weeds. Why do I need two closes in a presentation? Because Q&A can hijack your final impression, and your final impression is what people remember. You finish your talk, you open the floor, and suddenly you’ve lost control of the narrative—especially in post-pandemic...

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The Use Of Evidence In Your Presentations show art The Use Of Evidence In Your Presentations

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

We flagged this last episode—now let’s get practical about evidence. Modern presenters face two problems at the same time: we’re in an Age of Distraction (people will escape to the internet, even while “listening”), and an Era of Cynicism(audiences are more sensitive than ever to whether information is valid).  Why is evidence more important now than ever? Because opinion won’t hold attention—and it won’t survive cynicism. If your talk is mostly “editorial” (your views), people either disengage or multitask. If you don’t provide concrete insights...

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Designing The Main Body Of Our Talk show art Designing The Main Body Of Our Talk

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

In the last episodes we looked at how to open the presentation. Now it’s time for the part that does the heavy lifting: the main body. Most people design talks the wrong way around. This process is counterintuitive but far more effective: start with the close, then build the main body, and only then design the opening. The close defines the key message, the opening breaks through the competition for attention, and the body provides the proof.  What’s the best way to design the main body of a presentation? Build the main body as chapters that prove your key message, using...

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How To Be That Charismatic Presenter show art How To Be That Charismatic Presenter

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Some speakers have “it”. Even from the back of the room you can sense their inner energy, confidence, and certainty — that compelling attractiveness we call charisma.   This isn’t about being an extrovert or a show pony. It’s about building presence and appeal in ways that work in boardrooms, conferences, online presentations (Zoom/Teams), and hybrid rooms where attention is fragile and cynicism is high.  What is “presenter charisma” in practical terms? Presenter charisma is the audience feeling your energy, certainty, and credibility — fast. You can be...

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How An Expert Prepares For A TED Talk show art How An Expert Prepares For A TED Talk

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

TED and TEDx look effortless on stage, but the behind-the-scenes prep is anything but casual. In this talk, I pulled back the velvet curtain on how I prepared for a TEDx talk—especially the parts most people skip: designing the ending first, engineering a punchy opening, and rehearsing like a maniac so tech issues don’t derail you.  Is TED/TEDx preparation really different from a normal business presentation? Yes—TED/TEDx forces ruthless compression, because you’ve got a hard time cap and a global audience. In my case, I had up to thirteen minutes, with restrictions on topic...

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Opening Our Presentation (Part Two) show art Opening Our Presentation (Part Two)

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

If your opening drifts, your audience drifts. In a post-pandemic, hybrid-work world (Zoom, Teams, in-person, and everything in between), attention is brutally expensive and “micro concentration spans” feel even shorter than they used to. So in Part Two, we’ll add two more high-impact openings you can apply straight away: storytelling and compliments—done in a way that feels human, not salesy, and definitely not like propaganda.  How do you open a presentation so people actually listen (especially in 2025)? You earn attention in the first 30–60 seconds by giving...

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Opening Our Presentation (Part One) show art Opening Our Presentation (Part One)

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

In the first seconds of any presentation, your audience decides whether to lean in or tune out. This guide shows you how to design those opening moments—before you speak and through your first sentence—so you command attention, create immediate relevance, and set up the rest of your message to land. What makes a powerful presentation opening in 2025? Your opening starts before you speak—and the audience decides in seconds. In a smartphone-first era, those first seven seconds determine whether people lean in or drift off. The “silent opening” (walk, posture, eye contact) forms a...

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What Japanese Presenters Get Wrong

Clients have some common problems with their Japanese leaders.  I know this because the same requests keep coming up.  This is across industries and companies and it is consistent.  Usually Japanese presenters are excellent at assembling lots of data and information.  They can really pack a lot into a few slides.  When they present it is like a waterfall of wonderous content, just flowing forth, without much structure or clarity.  Somehow the bosses have to work out the key points for themselves, because the staff’s job focuses on accumulating hoards of data and then putting it all up on screen.  The presenter is almost invisible, has low energy, speaks in a quiet voice you can struggle to hear and blends well into the wall paper. This doesn’t work so well in international meetings and Japan looks weak and ineffectual to the rest of the far flung company world.

We are battling two giants here.  One is the educational system and the other is Japanese culture.  I earned my Masters Degree here in Tokyo, so I have seen up close and personal what a high school education prepares you for and what universities do with that raw clay.  An argument could have been made, prior to the advent of the internet, that the ability to memorise vast quantities of information and regurgitate it on command was a serious capability.  We can find any thing very quickly today thanks to search engines, so having to memorise gobs of stuff isn’t as important as it once may have been.

I see it in my son’s education when he was at international High School here.  They were required to have laptops and everything was done online.  His generations’ issue is there is too much information. How do you find the best and correct data, how do you sort the wheat from the chaff?  Young people are digital natives, but they are all drinking from the firehose of all data every recorded, sitting just a few clicks away.

We teach our students to start at the end.  Define in as short a sentence as possible, the most important key message you want to impart.  This is not as easy as it sounds. You have to be brutal with yourself.  You have to eliminate all the nice to have, all the interesting to have and refine it down to the must have.  Just throwing up a lot of data on screen doesn’t require as much thinking, as refining the data into the gold nuggets for the audience.  Discerning the key message then allows us to build the structure for the argument and to align the necessary evidence in order to be convincing to our audience.

The first words coming out of our mouth have a powerful role.  Everyone seems easily distracted today, have miniscule concentration spans and are quickly bored.  So we need to say something that really breaks through that wall of indifference and grab their attention.  There is no point launching that blockbuster opening in a squeaky, unsure, timid little voice.  People will be flying for their phones to escape you.  No, we need a strong voice, standing or sitting tall if online, when we kick things off.  We have to be oozing confidence.

“But Story san, my English is so poor, I have no confidence”.  This is another trope we often hear.  Here we have Japanese perfectionism, no defect, no errors and no mistake culture colliding with the Education Department’s failed efforts to teach the population English.  Don’t accept that excuse.  No one cares about linguistic perfection in business meetings, except the Japanese staff when they have to speak in English.  Give them the “no grammar needed” escape jail card for the meetings, to give them permission to speak without fear and let the rest of us work out what it is they want to say.  We are used to this and are all pretty good at it.

Just being able to isolate the key take away and deliver that in a confident manner will be a revolution to business meetings where Japanese have to present.  Not having to wade through all the dross to understand the key point will be a relief.  Having one idea per slide will be a life saver for everyone – make this the iron rule for Japanese presenters.  This forces the selection of only the most important information to be shown.  The result will be a much clearer messaging effort and greater clarity around what exactly is that message.  Confidence sells the message, so the delivery has to be sold in that manner. 

Rehearsal is critical for Japanese speakers and so is coaching.  This applies to whatever language they are presenting in, because you can guarantee the issues will be present in both languages to a great extent.  When giving feedback to anyone, only look at two elements and tell them what they are doing well and then tell them how they can do it even better.  This will build confidence and create a momentum that will maximise capability.  What does all of this cost?  Nothing, so let’s get to it.