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Carl E Hazlewood and David Eichholtz Gallery Discussion - part 2

David Richard Gallery Podcasts

Release Date: 03/08/2022

Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 3 show art Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 3

David Richard Gallery Podcasts

David Richard Gallery is pleased to debut Heather McGill’s newest series of artworks in the presentation, Invisible Bloom, her second solo exhibition with the Gallery.   The presentation includes 10 new paintings produced over the past 30 months during the pandemic. The new paintings were created with the artist’s novel process as she describes in the statement below. The compositions are abstract while the imagery is from the natural world and specifically from readymade fabrics and lace mass produced for women’s clothing and draperies. Each painting has many layers of imagery...

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Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 2 show art Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to debut Heather McGill’s newest series of artworks in the presentation, Invisible Bloom, her second solo exhibition with the Gallery.   The presentation includes 10 new paintings produced over the past 30 months during the pandemic. The new paintings were created with the artist’s novel process as she describes in the statement below. The compositions are abstract while the imagery is from the natural world and specifically from readymade fabrics and lace mass produced for women’s clothing and draperies. Each painting has many layers of imagery...

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Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 1 show art Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 1

David Richard Gallery Podcasts

David Richard Gallery is pleased to debut Heather McGill’s newest series of artworks in the presentation, Invisible Bloom, her second solo exhibition with the Gallery.   The presentation includes 10 new paintings produced over the past 30 months during the pandemic. The new paintings were created with the artist’s novel process as she describes in the statement below. The compositions are abstract while the imagery is from the natural world and specifically from readymade fabrics and lace mass produced for women’s clothing and draperies. Each painting has many layers of imagery...

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Dee Shapiro and David Eichholtz Dee Shapiro and David Eichholtz "Redrawn and Redressed" galley discussion - part 3

David Richard Gallery Podcasts

David Richard Gallery is pleased to present an exhibition of new artworks by Dee Shapiro, Redrawn and Redressed, in her third solo presentation with the gallery. The new artworks are comprised of: original painting and ink renderings, collaging of found printed papers, textiles and sewing trims, appropriation of her own original artworks and human hair as well as appropriated published imagery. In the aggregate, these diverse media and methods create female figures that are mostly nude, bathing, or reclining, as her versions of classic female nudes presented over centuries of art history....

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Dee Shapiro and David Eichholtz Dee Shapiro and David Eichholtz "Redrawn and Redressed" galley discussion - part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to present an exhibition of new artworks by Dee Shapiro, Redrawn and Redressed, in her third solo presentation with the gallery. The new artworks are comprised of: original painting and ink renderings, collaging of found printed papers, textiles and sewing trims, appropriation of her own original artworks and human hair as well as appropriated published imagery. In the aggregate, these diverse media and methods create female figures that are mostly nude, bathing, or reclining, as her versions of classic female nudes presented over centuries of art history....

info_outline
Dee Shapiro and David Eichholtz Dee Shapiro and David Eichholtz "Redrawn and Redressed" galley discussion - part 1

David Richard Gallery Podcasts

David Richard Gallery is pleased to present an exhibition of new artworks by Dee Shapiro, Redrawn and Redressed, in her third solo presentation with the gallery. The new artworks are comprised of: original painting and ink renderings, collaging of found printed papers, textiles and sewing trims, appropriation of her own original artworks and human hair as well as appropriated published imagery. In the aggregate, these diverse media and methods create female figures that are mostly nude, bathing, or reclining, as her versions of classic female nudes presented over centuries of art history....

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Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 2 show art Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to present Violets are Blue, an exhibition by New York-based artist Claire Seidl and her first solo presentation with the gallery. The exhibit is comprised of 15 oil paintings, mostly on linen and a couple on canvas, painted during 2021 and the first part of 2022 with just a few included from 2018 to 2020 that resonate with the new paintings. The compositions created by the artist’s layering of drawn lines with a range of subtle to bold gestural strokes will be readily recognized. However, the surprise in this new body of work is the broader, more vivid color...

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Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 1 show art Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 1

David Richard Gallery Podcasts

David Richard Gallery is pleased to present Violets are Blue, an exhibition by New York-based artist Claire Seidl and her first solo presentation with the gallery. The exhibit is comprised of 15 oil paintings, mostly on linen and a couple on canvas, painted during 2021 and the first part of 2022 with just a few included from 2018 to 2020 that resonate with the new paintings. The compositions created by the artist’s layering of drawn lines with a range of subtle to bold gestural strokes will be readily recognized. However, the surprise in this new body of work is the broader, more vivid color...

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Thornton Willis and David Eichholtz studio discussion 2022 show art Thornton Willis and David Eichholtz studio discussion 2022

David Richard Gallery Podcasts

THORNTON WILLIS A Painting Survey, Five Decades: 1967 - 2017

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Heather Jones and David Eichholtz To Hold Tender This Land gallery discussion - part 2 show art Heather Jones and David Eichholtz To Hold Tender This Land gallery discussion - part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to present new geometric, color-based, abstract paintings by Heather Jones in her first solo exhibition with the Gallery. The presentation is comprised of 15 new works, all dynamic with hard-edge geometric shapes and patterns that wrap around the sides with high key and contrasting colors that yield a range of optical to trippy compositions and all made of sewn textiles stretched on stretcher bars. While they read as paintings, the artworks are rich with content, rooted in feminist concerns and as the artist stated, honoring “female narratives that are often...

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David Richard Gallery is pleased to present a series of abstract color paintings by Brooklyn-based artist Carl E. Hazlewood (born 1951, Guyana, South America) that have never been presented as a group until now. The paintings began initially by staining, then built up with layers of color, medium, and additions of metallic, fluorescent and mirrored materials that brought complexity, depth and texture. This exhibition, Demerara Dreaming: Triptych Paintings: 1996 – 2003, also debuts the Gallery’s opening of a new space in Chelsea, its second location in New York.

 

The Hazlewood presentation includes fourteen narrow horizontal paintings, each a triptych measuring from 10 x 37 to mostly 10 x 44 and 10 x 46 inches, up to one very long painting at 10 x 66 inches. The three canvases comprising each triptych are stretched on separate stretcher bars with a larger horizontal canvas in the center flanked by two smaller vertical rectangular canvases on either side. The canvases themselves are the salvaged edges and discarded portions from earlier and much larger canvases by Hazlewood that he painted as early as the 1980s and cut them down to the desired shape and dimensions at the time of their creation. Years later, from 1996 to 2003, these remnants became the source material for a series of roughly 25 small horizontal paintings, of which only these 14 remain and are presented now for the first time as a group. The other eleven paintings were gifted to various individuals and institutions.