loader from loading.io

Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 2

David Richard Gallery Podcasts

Release Date: 03/24/2022

Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 3 show art Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 3

David Richard Gallery Podcasts

David Richard Gallery is pleased to debut Heather McGill’s newest series of artworks in the presentation, Invisible Bloom, her second solo exhibition with the Gallery.   The presentation includes 10 new paintings produced over the past 30 months during the pandemic. The new paintings were created with the artist’s novel process as she describes in the statement below. The compositions are abstract while the imagery is from the natural world and specifically from readymade fabrics and lace mass produced for women’s clothing and draperies. Each painting has many layers of imagery...

info_outline
Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 2 show art Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to debut Heather McGill’s newest series of artworks in the presentation, Invisible Bloom, her second solo exhibition with the Gallery.   The presentation includes 10 new paintings produced over the past 30 months during the pandemic. The new paintings were created with the artist’s novel process as she describes in the statement below. The compositions are abstract while the imagery is from the natural world and specifically from readymade fabrics and lace mass produced for women’s clothing and draperies. Each painting has many layers of imagery...

info_outline
Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 1 show art Heather McGill and David Eichholtz “Invisible Bloom” Gallery Discussion - Part 1

David Richard Gallery Podcasts

David Richard Gallery is pleased to debut Heather McGill’s newest series of artworks in the presentation, Invisible Bloom, her second solo exhibition with the Gallery.   The presentation includes 10 new paintings produced over the past 30 months during the pandemic. The new paintings were created with the artist’s novel process as she describes in the statement below. The compositions are abstract while the imagery is from the natural world and specifically from readymade fabrics and lace mass produced for women’s clothing and draperies. Each painting has many layers of imagery...

info_outline
Dee Shapiro and David Eichholtz Dee Shapiro and David Eichholtz "Redrawn and Redressed" galley discussion - part 3

David Richard Gallery Podcasts

David Richard Gallery is pleased to present an exhibition of new artworks by Dee Shapiro, Redrawn and Redressed, in her third solo presentation with the gallery. The new artworks are comprised of: original painting and ink renderings, collaging of found printed papers, textiles and sewing trims, appropriation of her own original artworks and human hair as well as appropriated published imagery. In the aggregate, these diverse media and methods create female figures that are mostly nude, bathing, or reclining, as her versions of classic female nudes presented over centuries of art history....

info_outline
Dee Shapiro and David Eichholtz Dee Shapiro and David Eichholtz "Redrawn and Redressed" galley discussion - part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to present an exhibition of new artworks by Dee Shapiro, Redrawn and Redressed, in her third solo presentation with the gallery. The new artworks are comprised of: original painting and ink renderings, collaging of found printed papers, textiles and sewing trims, appropriation of her own original artworks and human hair as well as appropriated published imagery. In the aggregate, these diverse media and methods create female figures that are mostly nude, bathing, or reclining, as her versions of classic female nudes presented over centuries of art history....

info_outline
Dee Shapiro and David Eichholtz Dee Shapiro and David Eichholtz "Redrawn and Redressed" galley discussion - part 1

David Richard Gallery Podcasts

David Richard Gallery is pleased to present an exhibition of new artworks by Dee Shapiro, Redrawn and Redressed, in her third solo presentation with the gallery. The new artworks are comprised of: original painting and ink renderings, collaging of found printed papers, textiles and sewing trims, appropriation of her own original artworks and human hair as well as appropriated published imagery. In the aggregate, these diverse media and methods create female figures that are mostly nude, bathing, or reclining, as her versions of classic female nudes presented over centuries of art history....

info_outline
Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 2 show art Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to present Violets are Blue, an exhibition by New York-based artist Claire Seidl and her first solo presentation with the gallery. The exhibit is comprised of 15 oil paintings, mostly on linen and a couple on canvas, painted during 2021 and the first part of 2022 with just a few included from 2018 to 2020 that resonate with the new paintings. The compositions created by the artist’s layering of drawn lines with a range of subtle to bold gestural strokes will be readily recognized. However, the surprise in this new body of work is the broader, more vivid color...

info_outline
Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 1 show art Claire Seidl and David Eichholtz Violets are Blue Gallery Discussion 2022 - part 1

David Richard Gallery Podcasts

David Richard Gallery is pleased to present Violets are Blue, an exhibition by New York-based artist Claire Seidl and her first solo presentation with the gallery. The exhibit is comprised of 15 oil paintings, mostly on linen and a couple on canvas, painted during 2021 and the first part of 2022 with just a few included from 2018 to 2020 that resonate with the new paintings. The compositions created by the artist’s layering of drawn lines with a range of subtle to bold gestural strokes will be readily recognized. However, the surprise in this new body of work is the broader, more vivid color...

info_outline
Thornton Willis and David Eichholtz studio discussion 2022 show art Thornton Willis and David Eichholtz studio discussion 2022

David Richard Gallery Podcasts

THORNTON WILLIS A Painting Survey, Five Decades: 1967 - 2017

info_outline
Heather Jones and David Eichholtz To Hold Tender This Land gallery discussion - part 2 show art Heather Jones and David Eichholtz To Hold Tender This Land gallery discussion - part 2

David Richard Gallery Podcasts

David Richard Gallery is pleased to present new geometric, color-based, abstract paintings by Heather Jones in her first solo exhibition with the Gallery. The presentation is comprised of 15 new works, all dynamic with hard-edge geometric shapes and patterns that wrap around the sides with high key and contrasting colors that yield a range of optical to trippy compositions and all made of sewn textiles stretched on stretcher bars. While they read as paintings, the artworks are rich with content, rooted in feminist concerns and as the artist stated, honoring “female narratives that are often...

info_outline
 
More Episodes

David Richard Gallery is pleased to present Violets are Blue, an exhibition by New York-based artist Claire Seidl and her first solo presentation with the gallery. The exhibit is comprised of 15 oil paintings, mostly on linen and a couple on canvas, painted during 2021 and the first part of 2022 with just a few included from 2018 to 2020 that resonate with the new paintings. The compositions created by the artist’s layering of drawn lines with a range of subtle to bold gestural strokes will be readily recognized. However, the surprise in this new body of work is the broader, more vivid color palette that includes pinks, yellows, blues and reds.

 

The three paintings incorporating pink are the largest in the presentation and would even make De Kooning take pause. The variations in hues are from soft pink infused with yellow, thinly applied as ground colors, with overlays of thin, bold, linear strokes of black in The Big Picture that create an upbeat nod to spring. Another painting with pink, Believe You Me, is moodier with combinations of red and pink, overlayed with thicker, bolder, wider strokes of black and white. The third painting, Take it From Me, uses darker pink with smudges of red, infused with yellow, to generate an orange glow. Black is also extensively used in this work, but in two contrasting ways: dark, fine lines and thin, translucent swaths of black that read as dark gray revealing the warmer colors below.

 

The yellows are also very dynamic, ranging from large passages of sun-kissed lemon yellow in It Don’t Mean A Thing, to thick, short smudges of less vibrant, ocher yellow on a neutralized grey-green ground, accented with thin vertical strokes of bright yellow in This Must be the Place;  then, all the way to a darker painting derived from the surface-mixing of yellow with black that generates an olive green color with hints of bright yellow peeking through.