Andrea Brown - Episode 40
Directors Circle
Dr. Andrea Brown is the Associate Director of Bands at the University of Maryland in College Park, MD. At UM, Dr. Brown conducts several ensembles including the University of Maryland Wind Ensemble and the Mighty Sound of Maryland Marching Band.
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Timothy Holtan - Episode 39
Directors Circle
In this episode, I had the pleasure of speaking with Colonel Timothy Holtan. Col. Holtan holds the distinction of being the first officer to command all three of the U.S. Army’s premier bands. Since retiring in 2017, he currently serves as Artistic Director and Conductor of the Maryland Winds.
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Timothy Holtan - Episode 39
Directors Circle
In this episode, I had the pleasure of speaking with Colonel Timothy Holtan. Col. Holtan holds the distinction of being the first officer to command all three of the U.S. Army’s premier bands. Since retiring in 2017, he currently serves as Artistic Director and Conductor of the Maryland Winds.
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Peter Boonshaft - Episode 38
Directors Circle
This episode features my interview with Dr. Peter Boonshaft. Dr. Boonshaft, Director of Education for Jupiter Brand Instruments and KHS America Academic Alliance, is the author of the critically acclaimed best-selling books Teaching Music with Passion, Teaching Music with Purpose, and Teaching Music with Promise. Dr. Boonshaft is currently on the faculty of Hofstra University in Hempstead, New York, where he is Professor of Music. Dr. Boonshaft is also a Spokesperson for Alfred Music.
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Ryan Nowlin - Episode 37
Directors Circle
This episode features my interview with Mr. Ryan Nowlin who is a well-regarded composer, educator, and conductor. Ryan is the Assistant Director for “The President’s Own” United States Marine Band and is a co-author of the famous “Tradition Of Excellence” method series. In our conversation, Ryan talks about his work as a composer and how he approaches working with ensembles.
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Michael Haithcock - Episode 36
Directors Circle
In this episode, I had the pleasure of speaking with Mr. Michael Haithcock who is the Director of Bands at the University of Michigan. During our conversation, Michael shares his thoughts on ways to engage students in rehearsal and leading a program to musical excellence.
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Dennis Glocke - Episode 35
Directors Circle
This episode features my interview with my friend and mentor, Mr. Dennis Glocke. Dennis has recently retired as the Director of Concert Bands at Penn State University where he has led several ensembles and taught courses in conducting. In our conversation, Dennis shares many lessons on music-making and teaching that he has learned over his career as a music educator.
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Lori Schwartz Reichl - Episode 34
Directors Circle
In this episode of the podcast, I had the pleasure of sitting down with Lori Schwartz Reichl. Lori is an author, clinician, and music educator who is well known for her contributions to publications such as In Tune Magazine and Making Music Magazine. In this interview, Lori shares her ideas on setting up students for success and incorporating diversity into musical experiences.
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Theresa Hoover Ducassoux - Episode 33
Directors Circle
This episode features my interview with Theresa Hoover Ducassoux. Theresa is a well-known music educator and writer with her blog, Off the Beaten Path: A Music Teacher’s Journey. In our conversation, Theresa shares many of her ideas on integrating technology into the classroom and student empowerment.
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Scott Watson - Episode 32
Directors Circle
This episode features my conversation with Dr. Scott Watson. In addition to being an acclaimed composer for band and orchestra, Scott is well known for his work as an educator, author, and clinician.
info_outlineIt is my pleasure to bring you one of my favorite interviews featuring Mr. Jamey Aebersold. Jamey is recognized as a foremost authority in jazz education with his work as an author and publisher of many major publications including his famous Jazz Play-A -Long series. In this episode, we talk about the importance of improvisation and ways to encourage students to create their own music.
Topics include:
(04:55) Jamey talks about his professional background
(0711) Jamey discusses how he started his business and the Jazz Play-A-Long series
(10:10) Having a major influence on jazz education
(12:58) Starting a jazz program
(16:25) Encouraging students to improvise music
(18:37) Getting students to LISTEN
(21:23) The importance of improvisation
(24:20) The future of jazz education
(29:30) Programming jazz selections
(32:52) Favorite rehearsal tactics
(35:40) Why do we teach music?
(39:16) Jamey discusses leaders that have made an impact on his life
(43:34) Advice for music educators
Links:
Jamey Aebersold Jazz: http://www.jazzbooks.com/
JA Jazz Play-A-Long Series: http://www.jazzbooks.com/jazz/category/aeball
Jamey’s FREE Jazz Handbook (a.k.a “The Red Book”): http://www.jazzbooks.com/mm5/download/FQBK-handbook.pdf
(This book can also be obtained by writing to: Jamey Aebersold Jazz, PO Box 1244, New Albany, IN, 47151-1244, U.S.A.)
JAZZ at Lincoln Center feature on Jamey: https://www.youtube.com/watch?v=An8X9jDuMg4
Jamey performing with the Jamey Aebersold Jazz Quintet: https://www.youtube.com/watch?v=fk_SzlfI6sU
Bio:
Jamey Aebersold was born July 21, 1939, in New Albany, Indiana. He attended college at Indiana University and graduated in 1962 with a Masters Degree in Saxophone. He was awarded an Honorary Doctorate of Music by Indiana University in 1992. He also plays piano, bass and banjo.
In 1989, the International Association of Jazz Educators inducted Jamey into their Hall of Fame at the San Diego convention. With this award, Jamey joins other jazz luminaries such as Count Basie, Duke Ellington, Charlie Parker, Louis Armstrong and others.
Jamey is a internationally-known saxophonist and authority on jazz education and improvisation, and has developed a series of Jazz Play-A-Longs (book and cd sets (now numbering almost 130 volumes) as well as various other supplemental aids for the development of improvisational skills. The Aebersold book and recording sets allow a musician the opportunity to practice and improvise with well-known jazz personalities at home as well as in the classroom. The recordings employ some of the best jazz musicians in the world. This concept has been responsible for changing the practice habits of thousands of musicians around the world.
Jamey was one of the first to encourage small group classes which concentrate on jazz improvisation, and he is the director of the Summer Jazz Workshops which now have 40+ years on record. Jamey feels that improvisation is something all people can do—and his clinics and lectures concentrate on demonstrating how the creative and spontaneous nature of each person can be brought to light.
These week-long Summer Jazz Workshops are having a profound effect on musical communities around the world. The Workshops have traveled to Australia, New Zealand, Germany, England, Scotland, Denmark and Canada. Every summer there are at least two week-long Workshops in the U.S. These camps employ many of the finest player/teachers in jazz and are open to any serious jazz student regardless of ability or age.
In 2007, Jamey was awarded the Indiana Governor's Arts Award by Mitch Daniels, the Governor of Indiana.
On October 4, 1987, CBS' "Sunday Morning" with Charles Kuralt and Billie Taylor featured Jamey with the Summer Jazz Workshops in an exciting jazz educational segment.
Jamey has taught at three colleges and universities in the Louisville, Kentucky area and has made guest appearances in dozens of cities around the world. While conducting a jazz clinic in Brazil he produced a 110-minute DVD/video appropriately titled "Anyone Can Improvise" which has become a best-seller.
Jamey's hobby is listening to jazz, especially new young players. He also enjoys playing basketball (he has hit 50 free throws in a row!) and is very much interested in Metaphysics and spiritual pursuits as they apply to the growth of the individual. In December 2004, the Jazz Midwest Clinic bestowed upon Jamey the "Medal of Honor" in Jazz Education.
In 2014, Jamey was awarded The National Endowment for the Arts Jazz Master Award, the nation's highest honor in jazz. Jamey Aebersold is the recipient of the 2014 A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy, which is bestowed upon an individual who has contributed significantly to the appreciation, knowledge, and advancement of the art form of jazz.
Jamey has been a driving force in America's native art form, Jazz, and continues to kindle the fires of musical imagination in those with whom he comes in contact.