Episode 129 - Horror Through the Decades: 1920s
Release Date: 08/18/2026
Discover the Horror Podcast
We know this isn’t the first time we’ve preached the wonders of silent films, but there are so many amazing movies from that era. As the horror historians that we all are, it’s always fascinating to look back at where it all began. Fans often point to the 1930s and the Universal Studios classics as “the beginning,” but horror was already there long before then—even if no one was necessarily calling these movies horror films yet. In this episode, we’re going to dig into the 1910s and 1920s to look not only at the films being made, but also at what was happening in the world around...
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The Hallow (2015), The Ritual (2017), and Antlers (2021) Cryptids occupy a couple of different categories in modern life. One of them is fun, if a bit kitschy and silly: think concrete bigfoot statues sitting in whimsical gardens or funny little Mothman plaques hanging on the wall. But another is truly terrifying, buried down deep below the surface of our culture and our geography, a place where most people refuse to even touch the soil, much less dig. On this episode, we are going to dig deeply into those terrifying cryptid myths and uncover some wonderful horror films. Because in the last...
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Believe it or not, there was a time when instant access to hundreds of horror movies didn't exist. Scary thought, huh? Before the late 1950s, unless you caught a movie in the theater, you probably weren't going to see it again, especially when it came to the classic monster films like Dracula and Frankenstein. But in October 1957, Universal released 52 of its horror films to television in what became known as the Shock Theater package. To help promote the broadcasts, television stations were encouraged to create "horror hosts" to introduce the films. Simply put, it exploded, and helped...
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The Toolbox Murders (1978) and Toolbox Murders (2004) In this Twice Told Tales episode, we examine a film and its "remake," though few pairs could be more different. Some would argue that the 2004 film is a remake in name only. Even so, in addition to the name, the two share enough connections, both on screen and behind the scenes, to make for an interesting comparison. On one side is an unflinching exploitation film; on the other, a more modern story infused with supernatural elements—or is it? Both films are unmistakably products of their respective eras, reflecting the cultural anxieties,...
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Rigor Mortis (2013), When Evil Lurks (2023), and Vicious (2025) Pretty much from the very beginning of horror cinema—or cinema in general—supernatural horror has been part of the storytelling tradition. Granted, many of those early films were adaptations of famous works of literature dealing with ghosts, vampires, and other unworldly creatures, but more than a century later, the supernatural remains a huge gateway for creative filmmakers to walk through in order to create something interesting, and sometimes something genuinely new. Many modern supernatural horror films deal with grief and...
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The Fly (1958), Return of the Fly (1959), and Curse of the Fly (1965) Among the many films in which deviant mad scientists pay the price for meddling with forces beyond human understanding, The Fly stands apart. Released in 1958, it presents a scientist whose intentions are genuinely noble: someone striving to create something that could benefit humanity. Unfortunately, an unforeseen accident turns his dream into a nightmare, and tragedy soon follows. While the film ultimately becomes a monster story, it offers far more than a typical 1950s creature feature. And, of course, when a film...
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The Shiver of the Vampire (1972), Lips of Blood (1975), and The Living Dead Girl (1982) The films created by director Jean Rollin are unlike anything else in the history of cinema. If you make your way into his incredible filmic world, you will be entranced by its beauty, cinematic landscapes, and unique horrors. And the more you venture down this path, the more you'll start to pick up on repeating themes and motifs. Like Rollin, liminality, memory and nostalgia, families, surrealism and expressionism, might become your obsessions- they were certainly his. If it is carefully...
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Suspiria (1977), Inferno (1980), and Mother of Tears (2007) There are very few horror fans out there who don’t know the work of Dario Argento, especially the giallo films he’s most famous for. While he only occasionally ventured into supernatural horror, whenever he did, he approached it with the same unmistakable style that defines all of his work. After helping define the giallo genre with Deep Red, Argento shifted gears and gave us Suspiria, a film that presented violence through a blinding explosion of color and an intense soundtrack that pounds through the speakers. It looked unlike...
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The Night Stalker (1972), Dracula (1973), and Trilogy of Terror (1975) Horror fans from the 1970s may not have known the name Dan Curtis, but they certainly knew his work. From his early gothic soap opera Dark Shadows, where one of the main characters just happened to be a vampire, to the countless adaptations of classic novels, such as Dracula, Frankenstein, and Jekyll and Hyde, to even more throughout the ’70s. Curtis continued to give TV viewing audiences plenty of nightmares during that time, blending classic monsters with new and unique ones and delivering all of them to the...
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StageFright (1987), The Church (1989), and Dellamorte Dellamore (1994) Most horror fans are at least familiar with the Italian horror tradition, even if they aren’t deeply immersed in it. Directors like Mario Bava, Lucio Fulci, Dario Argento, and Joe D'Amato helped define one of the most prolific and influential horror movements in cinema history, producing a remarkable run of classic films over more than three decades. By the mid-1990s, however, that wave had largely collapsed. Yet, in the final stretch of that “era of terror,” horror fans were given something special: four films from a...
info_outlineWe know this isn’t the first time we’ve preached the wonders of silent films, but there are so many amazing movies from that era. As the horror historians that we all are, it’s always fascinating to look back at where it all began. Fans often point to the 1930s and the Universal Studios classics as “the beginning,” but horror was already there long before then—even if no one was necessarily calling these movies horror films yet.
In this episode, we’re going to dig into the 1910s and 1920s to look not only at the films being made, but also at what was happening in the world around them and how those events may have influenced and changed what audiences were seeing on screen. Even if silent films aren’t necessarily your favorites, maybe hearing some of this horror history will make you want to give them another try. Who knows? Maybe this time around you’ll see something different—or, at the very least, learn a little more about the genre we all love.
Movies Mentioned in this Episode:
Cabinet of Dr. Caligari (1920), The Cat and the Canary (1927), Un chien andalou (1929), Dante’s Inferno (1911), Dracula (1931), Dr. Jekyll and Mr. Hyde (1908), Dr. Jekyll and Mr. Hyde (1920), Frankenstein (1931), The Golem (1920), Häxan (1922), House of the Devil (1896), The Hunchback of the Morgue (1973), The Hunchback of Notre Dame (1923), The Hunchback of Notre Dame (1939), Frankenstein (1910), King Kong (1933), Life Without a Soul (1915), London After Midnight (1927), The Man Who Laughs (1928), The Mummy (1932), Nosferatu (1922), The Penalty (1920), The Phantom Carriage (1921), The Phantom of the Opera (1925), The Student of Prague (1926), A Trip to the Moon (1902), The Unholy Three (1925 & 1930), The Unknown (1927), West of Zanzibar (1928)