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A Thief in the Night - 014

Divine Cinema

Release Date: 10/25/2018

Dogma - 016 show art Dogma - 016

Divine Cinema

Dogma is a welcome change of pace for the films usually reviewed on Divine Cinema.  Jeff, Dylan and Adam all agree that this movie was fun to watch. It is a good hearted film wrapped in a health dose of adolescent humor and Biblical mythology.  Of course the real question is where does this movie stack up on the pieces of silver scale?  Listen and find out if Jeff, Dylan and Adam think murderous angels, Alanis Morissette as God and a poop demon make Dogma worth the price of eternal damnation.

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Divine Cinema

Come Sunday is a film that finally tells the story of the journey into a type of Christianity that Divine Cinema and it’s hosts abide in. However, is it a good film? Does the filmmaking bring to life the struggle in challenging a tenant of Evangelical theology and all the loss that comes with that, or does it just make you wish hell actually exists?

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Divine Cinema

A Thief in the Night may not be the first rapture film, but it is certainly the blueprint for many of the ones we’ve seen since its inception.  Including, of course, Left Behind. On this week’s episode Jeff, Dylan and Adam dissect this 1972 ‘classic’. Although there are some surprising bright spots in the film making this film falls so short of being a quality film.

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Divine Cinema

In a surprising turn of events, The Case for Christ is not that bad a movie.  The story is decent, the acting is good and the cinematography is solid. They even manage to pull off a pretty accurate period piece, as the movie takes place in the early 1980s.  However, how does it do on the pieces of silver scale? Listen to find out what Jeff, Dylan and Adam have to say about the spiritual themes in this 2017 film, The Case for Christ.

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Divine Cinema

On International Podcast Day 2018 Jeff, Dylan and Adam return to catch everyone up on where the heck they’ve been.  Also, in what may very well be an International Podcast Day bonus episode tradition, they break format to share what they are watching and listening to.  They talk movie, tv, and of course podcasts. There are enough recommendations in this episode to tide you over until next year’s edition of A Few of Our Favorite Things.

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Divine Cinema

While all are hosts are in agreement that Silence is a well made film, this episode highlights once again some difference of opinion in terms of its faith aspects.  One host thinks it's too problematic, another thinks it’s too ambiguous and the other thinks it’s just right. Listen to find out who’s porridge bowl of cinematic faith goodness hits the spot.

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Divine Cinema

This review of Don Verdean marks the first intentional comedy reviewed on Divine Cinema.  Jeff, Adam and Dylan lament the potential of this movie to be a classic. Sadly, the cast is wasted on a lackluster script that leaves a lot to be desired.  Listen to the episode to find out if there were any redeeming qualities of this film and how many pieces of silver Don Verdean earns.

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Divine Cinema

How does The Sunset Limited hold up as a play turned film?  Find out how Jeff, Dylan and Adam think this movie does in using the medium of film to enhance (or take away from) the limited settings and characters.  In terms of faith, will this movie be another God’s Not Dead or will it provide the nuance necessary to earn a small stack of silver?

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Divine Cinema

The Shack is a cinematic attempt at answering the age old question of, “Where is God when bad things happen to good people?”.  Jeff, Dylan and Adam discuss how this film does in approaching such a complex issue.  Does The Shack sell out the gospel with over simplified answers to complex questions or does it provide a solid foundation of theological discovery?

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Divine Cinema

During this review of Last Days in the Desert, Jeff, Dylan and Adam dive deep into their own Christologies as they debate this film’s intentions and portrayal of Jesus. Specifically the humanity of Jesus. Is this film compelling enough to be on the upper tier of Jesus films, or does it fail to reach divine status? Find out on this episode of Divine Cinema.

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More Episodes

A Thief in the Night may not be the first rapture film, but it is certainly the blueprint for many of the ones we’ve seen since its inception.  Including, of course, Left Behind. On this week’s episode Jeff, Dylan and Adam dissect this 1972 ‘classic’. Although there are some surprising bright spots in the film making this film falls so short of being a quality film.

Film making aspects aside however, the real question is how does it measure on the silver meter.  Does rapture theology hold up as a true expression of progressive theology or does it leave us all left behind to pick of the pieces of our deconstructed past?  Listen and find out.

A Thief in the Night Review (03:28)
Ratings and Redeemed Perspectives for A Thief in the Night (30:02)

 

PLOT SUMMARY

Despite several opportunities to accept Jesus in her heart, Patty Myers wakes to find that her husband along with millions of others have gone missing in the blink of an eye.  Patty struggles with her place in this new post rapture world. All the things she was told would happen are happening now before her eyes, however, despite not wanting to take on the mark of the beast she is still reluctant to accept Jesus as her Savior.  Will she give into this new world order or suffer the consequences of becoming a new Christian?


RELEVANT LINKS

From Our Review of A Thief in the Night

 

Staff Picks


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