Cori Nakamura Lin (she/her) is a Japanese, Taiwanese, Okinawan-American multimedia visual artist based in Chicago. By painting, documenting, and weaving, Cori is finding her way to a world that prioritizes ecological and community care.
Descended from East Asian island peoples and born and raised in the midwest, Cori’s art practice is an ongoing self-archive where she examines her own multiple identities as a story of self.
Cori’s work asks: How do we dream beyond our fears in the face of climate collapse? How do we carry multiple legacies, multiple ancestors, through the generations? How do we honorably re-root as unmoored people on occupied lands?
Primarily using gouache, watercolor, and paper-cutting when making images, Cori layers fluid washes with sharp paper edges to create dreamy, textured paintings that investigate liminal spaces in the natural world and her cultural identities.
She is inspired by Japanese records of yōkai, kawaii visual culture, and Okinawan textile practices, and she is currently learning basket making practices to help her process her relationship to the lands that she lives on. Learning from the work of Black and Indigenous feminist abolitionists — like Mariame Kaba, Kelly Hayes, and Ruth Wilson Gilmore — and Afro-diasporan and Indigenous futurists —like Octavia Butler, NK Jemisin, and Grace Dillon—Cori Nakamura Lin aims to create art that will outlive her into the next seven generations.
corilin.co
Tori Hong (she/they) pursues an interdisciplinary art practice expressed through illustration, textiles, printmaking, and installation. Positioned within queer theory and praxis, her work explores the concepts of ritual, pleasure, self-determination, and political resistance. Hong endeavors to bring the past into the present — and the present into the future — by incorporating Hmong and Korean aesthetics into their practice. Expressed through repetition, saturated colors, and confident lines, Hong’s art embodies and expresses their authentic self, encouraging her audience to do the same.
Born in 1992 in Minneapolis, MN, Hong is currently based in Providence, RI working toward her MFA in Illustration at the Rhode Island School of Design. Hong has been awarded the Everwood Artist Retreat (2024), Springboard for the Arts Hinge Arts Residency (2021), MRAC Next Step Fund (2020), Forecast Public Art Early Career Research and Development Grant (2020), and more.
Ntxoo Art reclaims the name Hong shares with her mother and sister: Ntxoo [“un-Zong”] meaning “shade” or “shadow”.
ntxoo.art