loader from loading.io

Suspicion (Alfred Hitchcock Deep Dive #27)

Film School

Release Date: 04/29/2024

Advice For An Aspiring Writer (Cutting Room Floor #206) show art Advice For An Aspiring Writer (Cutting Room Floor #206)

Film School

What advice would you give to someone who was interested in a life as a storyteller?

info_outline
Shadow of a Doubt (Alfred Hitchcock Deep Dive #28) show art Shadow of a Doubt (Alfred Hitchcock Deep Dive #28)

Film School

The cities are full of women... Alfred transports us to small-town America this time, a land of unlocked doors, everyone knows everyone, and the world is full of innocence. But then Uncle Charlie comes home, and all that idealism starts to unravel. Uncle Charlie is hiding something. He might not be who young "Charlie" (Charlotte) thought he was. Hitchcock is on record as saying this is his personal favorite of his films. We watch and discuss!

info_outline
A Good Kick In The Ass (Cutting Room Floor #205) show art A Good Kick In The Ass (Cutting Room Floor #205)

Film School

An ass-kicking never feels good! It hurts every time. And yet, especially in the creative sense, we all need to be told when we're doing something wrong; we all need to be humbled. So...how can getting your ass kicked be a good thing? If the pain is the same either way, how can you tell constructive criticism from just a plain whoopin'? We discuss! Also, Josh recommends Rifftrax on Pluto TV, and Ira recommends Fallout on Prime.

info_outline
Saboteur (Alfred Hitchcock Deep Dive #28) show art Saboteur (Alfred Hitchcock Deep Dive #28)

Film School

Must I remind you that *you* are the fugitive from justice and not I? It's The 39 Steps: Part 2! Hitchcock returns to what is clearly a favorite premise: an innocent man on the run from a criminal conspiracy with the fate of the country at stake. This time, we're in American, and there's a real-world war going on. So...how does it shake out? Does Alfred raise the bar from his first go-round? What has he learned since the last time he did this story? We watch and discuss!

info_outline
Remembering Greatness, Forgetting the Rest (Cutting Room Floor #204) show art Remembering Greatness, Forgetting the Rest (Cutting Room Floor #204)

Film School

400 episodes! Wild. This week, we're tackling the question of bad vs good vs great from the angle of seeking out new books, TV, and Film. It can be a hard road! Most stuff out there isn't great...so, how does one keep going, keep up the enthusiasm? We discuss what's worked for us. Also, Josh recommends Robodoc, which is currently on Tubi, and Ira recommends The Terror on AMC+ (and Blu-Ray/DVD).

info_outline
Suspicion (Alfred Hitchcock Deep Dive #27) show art Suspicion (Alfred Hitchcock Deep Dive #27)

Film School

There was something strange about Johnny Asgarth... We're back to the realm of suspense, paranoia, and murder. Or...is it? That's the question Joan Fontaine must answer when she marries the charming but mysterious Cary Grant: IS he trying to kill her? A return to form, perhaps, after Hitchcock's last jaunt through screwball comedy, and it's the first hook up between Hitch and Grant, doubly interesting because Grant--up to this point--was mostly known for comedy. So, how do they do? We watch and discuss.

info_outline
Commanding Intelligence (Cutting Room Floor #203) show art Commanding Intelligence (Cutting Room Floor #203)

Film School

Can you fall in love, deeply in love love, with somebody you know isn't as smart as you are? We're not talking about pets, or kids, inanimate objects, or even sexual attraction. We're talking about grown-up, head over heels, enduring, inspiring LOVE. Can you? Interesting, huh? You can't, can you? Stories are the same way. All the best stories open our minds, expand our worlds, and command our intelligence. So...how do you do that? Also, Josh again recommends South Park currently available on Prime, and Ira recommends the aughts' Battlestar Galactica.

info_outline
Mr. and Mrs. Smith (Alfred Hitchcock Deep Dive #26) show art Mr. and Mrs. Smith (Alfred Hitchcock Deep Dive #26)

Film School

If you had it all to do over again, would you have married me? Hitch takes on married life in its screwball form! These comedies were very popular at the time (see: Grant and Hepburn in Bringing Up Baby), so it's not surprising that our British Director, fresh in Hollywood, would take on such a project. Given his hit and (mostly) miss track record with comedy, how does this effort shake out? We dive in and discuss!

info_outline
The Wrong Direction (Cutting Room Floor #202) show art The Wrong Direction (Cutting Room Floor #202)

Film School

How do you know when you've gone in the wrong direction? What are the signs? And when you realize that you have, what do you do? Josh and Ira share their own personal insights on this question, covering the spectrum of a chronic over-planner to leaping-before-looking impulsiveness. Also, Josh recommends South Park currently available on Prime, and Ira recommends Constellation on Apple TV+.

info_outline
Foreign Correspondent (Alfred Hitchcock Deep Dive #25) show art Foreign Correspondent (Alfred Hitchcock Deep Dive #25)

Film School

There's a crime hatching on that bedeviled continent... World War II is in full swing when this movie releases. Or, at least it is in Europe. London is being bombed, and Hitchcock can't help but feel, well, helpless. And guilty for not being there. This film, more than any he's made to this point, truly reflects the time in which it was made: an American reporter is sent overseas to report on the brewing political situation and becomes embroiled in an assassination plot. We discuss!

info_outline
 
More Episodes

There was something strange about Johnny Asgarth...

We're back to the realm of suspense, paranoia, and murder. Or...is it? That's the question Joan Fontaine must answer when she marries the charming but mysterious Cary Grant: IS he trying to kill her? A return to form, perhaps, after Hitchcock's last jaunt through screwball comedy, and it's the first hook up between Hitch and Grant, doubly interesting because Grant--up to this point--was mostly known for comedy. So, how do they do? We watch and discuss.