Rhythmic Confidence: It’s Not About the Math - PHH 202
Release Date: 03/31/2025
Celebrating of Summer - 20+ Pieces Just For Fun - PHH 216
Practicing Harp Happiness
This week I started my yearly ritual of going through my drawers of music and pulling out new pieces to play. Actually they aren’t all new; some are old friends that I haven’t played in years. Others are pieces that have been sitting around waiting for me to get to them. Others are favorites that I seem to pull out every summer and play for a while. It’s a summer thing for me. Perhaps because my playing schedule is a little lighter, I don’t feel as pressured or as driven. Also, though, I just want to play music, music that fits my vacation mindset. So this week as I was...
info_outline
The Superpower of Shortcuts and Why You Need Them Now - PHH 215
Practicing Harp Happiness
There’s a third kind of shortcut, though, that I want us to think about today. It’s the kind of shortcut that comes with experience. I remember when I was learning to sew and following all the directions very carefully so that I wouldn’t mess up. I even learned which pattern companies had the clearest directions, and which seemed to presume that I knew more than I did, so there were steps missing. Those missing steps weren’t shortcuts, per se; they were just knowledge that a more experienced sewer would have. One day, I watched a professional seamstress start to cut out a dress....
info_outline
Recovering from Burnout - the 5R Framework to Recover and Reset - PHH 214
Practicing Harp Happiness
It’s summer time here and time for a little R and R, rest and relaxation, maybe even time away. You might be feeling like you need some time away from whatever stress you’ve been experiencing. I hope it isn’t your harp playing that’s been causing the stress, but even playing and practicing the harp can cause frustration and burnout. If you’re feeling like you need a break from your harp playing, I’m here to help and to make sure you take that break in a way that will bring you more confidence and more joy in your harp playing again. Actually, at the time you are listening to this,...
info_outline
Freedom to Choose - How to Make Any Piece Sound Right - PHH 213
Practicing Harp Happiness
Have you ever made something and it turned out ok, but somehow it just didn’t look right? Maybe you thought those two paint colors would go together, but now you’re not sure. Or maybe the furniture arrangement in the living room looked great on paper but it sort of doesn’t work now that you see everything in place. I think we’ve all had those moments. I had one not long ago with a photo I was doing. It wasn’t quite right, but since I had to get it done, all I could do was to shrug and sign off on it, whether it was right or not. But if a piece of music we’re working on doesn’t...
info_outline
3 Exercise Books You Should Know and How to Use Them - PHH 212
Practicing Harp Happiness
Since you’re here with me today, I know you are the kind of harpist who knows that technique matters. You take your warm-up seriously. You have exercises and etudes that you play regularly, maybe even religiously. You subscribe to the motto, “If your fingers can’t play it, you can’t play it.” But there may be times when you, even as dedicated to your technique work as you are, need a new direction, some more motivation, inspiration and know-how to move your technique to the next level. Here’s the thing we don’t want to think about. We have our favorite exercises and...
info_outline
Could Your Practice Today Actually Be More Fun? - PHH 211
Practicing Harp Happiness
Every time I talk about putting more fun into your practice, I hear feedback like, “I enjoy my practice,” or “I really like doing the challenging work,” or “My favorite part of practice is my exercises and etudes.” All of those harpists are enjoying their practice, and that’s terrific. But that’s not what I mean. Much of what we do in our practice can accidentally disconnect us from the music we want to make. We identify and correct mistakes. We drill our technique. We repeat passages over and over again. That’s all part of practice, and it is part of what enables us to play...
info_outline
Do You Hear What I Hear? Listening with Your Ears Open - PHH 210
Practicing Harp Happiness
Four friends went to an orchestra concert. Afterward, they went out for dessert and compared notes on the concert, talking about what they heard. Here is what they said: One person heard the person in the row behind crackling a cough drop wrapper.One person, a flutist, heard that the clarinet wasn’t in tune with the flute.One person, a harpist, heard that the orchestra drowned out the harp solo.One person heard that the piano soloist was humming to himself while he played. Oddly enough, when the review of the concert appeared in the newspaper the next day, it seemed the critic had gone to a...
info_outline
Is Your Practice Not Working? Maybe Hard Work Isn’t the Answer - PHH 209
Practicing Harp Happiness
Today I want to talk with you about hard work. I don’t mean how to buckle down and do the hard work. We all know that playing the harp is hard, and we spend a lot of time working out practice techniques, strategies and routines to help us play the music we want in spite of the difficulties. No, what I want to talk about today is how to get out of the “just buckle down and do it” mindset. The truth is that when it comes to playing the harp or even music in general, sometimes trying harder is counter-productive. For instance, the harder we try to get that harmonic to ring, the more it just...
info_outline
Is Music Theory Really Useful? Turning Theory Into Practice - PHH 208
Practicing Harp Happiness
Is studying music theory really useful? Yep. You heard right. I really said that, and I’m a total theory nerd. I’m not going to leave you in suspense. Of course, knowing music theory is useful and helpful and part of being a good musician. But only - and this is a big “only” - if you know how it’s useful. Did you ever take a class in school and the whole time you were sitting in class you were thinking, “I’m never going to use this stuff”? Of course, you did. I remember sitting in my calculus class in high school - which, incidentally, I really enjoyed - knowing...
info_outline
How to Choose Your Next Piece - PHH 207
Practicing Harp Happiness
Shel Silverstein wrote a beautiful and supremely short poem that perfectly fits today’s topic. The poem is called “Woulda-Coulda-Shoulda,” and in just seven short lines, Silverstein sums up the ultimate way to prevent regret. He tells us that all those woulda-coulda-shouldas vanish with one little “did.” Doing beats wishing every day. So if we were sitting in the same room together, sharing a cup of tea, and you asked me what I thought your next piece should be, I’d have to ask you a question right back, “What do you think you want to do?” Life is filled with...
info_outlineIf I had the opportunity to teach music to an absolute music newbie, someone without any previous musical instruction or experience, I know exactly how I would begin. I would start without printed music.
That’s hardly revolutionary. The German composer Carl Orff is known today not only for his most famous work, Carmina Burana, but for the innovative methods he brought to musical education. Émile Jaques-Dalcroze created Eurhythmics, not the 1980’s pop band with Annie Lennox, but a system for teaching music through movement. Music schools throughout the world have been teaching young children with the method developed by Shinichi Suzuki which begins by emphasizing learning by ear rather than by printed music.
All of these educators believed, as I do, that music is within us and that by learning without the printed page, we can create connections that allow us to develop our natural instinct for how music is organized, in notes and rhythms and chords and more. Our musical notation system is really just a code that we use to transmit and share musical ideas between composer and performer. The actual music doesn’t live there.
Please understand; I’m not suggesting that we should all learn exclusively by ear. My meaning is that when we become so accustomed to using the page as our only path into the music, when we sublimate our instinctive musical understanding to deciphering the dots on the staff, we make playing harder. In short, we ignore the very innate connection that brought us to music and to the harp in the first place.
Today we are going to explore some very fundamental rhythm concepts through this lens, focusing on the experience first, then the notation, rather than the other way around. I promise I won’t ask you to try playing by ear or to memorize everything or to light candles and repeat affirmations. What I want to do is to give you some very simple ways to change how you think about rhythm. We’ll do a couple of small experiments that I designed to help relieve any confusion or uncertainty you have about basic rhythmic concepts. Even if you feel totally confident about your skill in deciphering and playing complex rhythms, these little drills will help you reconnect to what is truly important about the rhythmic element of our playing.
Links to things I think you might be interested in that were mentioned in the podcast episode:
- Get more rhythmic confidence with our April Seminar, “Rhythm Makeover.” Join now!
- Join the Live Monday Warm-Ups in the Harp Mastery® Hub.
- Harpmastery.com
Get involved in the show! Send your questions and suggestions for future podcast episodes to me at [email protected]
Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode?
LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-202