Back to the Harp—Without Killing the Vacation Vibe - PHH 219
Release Date: 07/28/2025
How Not to be a Control Freak Harpist - PHH 247
Practicing Harp Happiness
Today we’re talking about control. Control is a word that comes up a lot in our harp playing, whether it’s about controlling our fingers, our dynamics, tempo, tone, focus, or a hundred other relevant things. It feels like we’re always trying to gain control over something in our playing, or over ourselves. But the path to mastery isn’t about asserting control; it’s actually about letting go of control. If you search, you can easily find dozens of books that explore the idea of control in music, and nearly all of them start out with the idea - sometimes it’s even written...
info_outline
Next Level Repertoire: Turning Baby Steps into Giant Strides - PHH 246
Practicing Harp Happiness
Have you ever started learning a piece that seemed like it should be relatively easy to learn, and then discovered it was actually much harder than you thought? Of course you have; it happens to all of us. In this situation, we have a choice. We could persist, digging our heels in and fighting our way through the piece anyway. Or we could put the piece aside for the time when we are ready for it. (By the way, that time only comes when we are very focused on leveling up our skills.) Neither choice feels good, mainly because we feel like we aren’t growing. We feel like our playing is...
info_outline
Next Level Musicianship: The Sensory Triangle - PHH 245
Practicing Harp Happiness
If you’ve listened to me for a while or taken any of my classes or workshops, you know that I love finding the solutions to problems we harpists face and creating the step by step plans to take action to solve them. I’ve discovered over my years of teaching that it’s not hard to define the problem, at least the surface problem. For instance, if your left hand can’t play the notes in two specific measures of your piece, then that’s the problem, and the solution is easy: drill the notes. Sometimes, however, the real issue lies a few layers down. Maybe the reason the left hand can’t...
info_outline
Next Level Technique: 3 Myths You Need to Bust - PHH 244
Practicing Harp Happiness
If you heard last week’s podcast, you may remember that this month’s podcast episodes are all about growth, your growth as a harpist and the systems and skills that are necessary for that growth. Last week, we talked about three key systems that you need to have in place for growth. This week is all about technique. I know it may sound like a dry as dust topic to some of you. Harpists generally fall into two distinct camps: those who hate doing technique exercises and those who love them. So if you love your Grossi and LaRiviere or whatever exercise book you use, this podcast is going to...
info_outline
Architect Your Harp Playing Growth with 3 Key Systems - PHH 243
Practicing Harp Happiness
A system is comfort. When we have and follow a system, whether it’s for completing tasks, or crafting, or making a grocery list, our mind can be at ease. Why? Because we know we have the steps to complete our task, and all we have to do is to follow the steps and the task will be done. When it comes to harp playing, people frequently make one of two mistakes. One is thinking that harp playing is inherently creative, and therefore a system is not only unnecessary, but it will rob your music of its soul. The other is trying to systematize everything about your playing in an attempt to get...
info_outline
My New Vocabulary for 2026 - PHH 242
Practicing Harp Happiness
For me, and I think for many people, this last week of the year is a supremely hopeful one. The rush to get ready for Christmas is behind us and the promise of a new year is finally in focus. We’re faced with possibilities for a change, instead of pressure. I realize, of course, that for many of us those possibilities for the new year include uncertainty, worry and fear which are beyond any assistance I could give on this podcast. I can merely offer prayers that the universe grants us all the courage and resources we need to face the circumstances before us. And I will stick to what I know...
info_outline
Classics for a Relaxing Holiday Playlist
Practicing Harp Happiness
Playlist Program: All selections performed by Anne Sullivan All selections arranged for harp by Anne Sullivan Largo, from Winter by Vivaldi from Two from Messiah by Handel Mozart in a Minute Ave Maria by Schubert from Jesu, Joy of Man's Desiring (Bach)/Ode to Joy (Beethoven) Peace, a Fantasy on Dona Nobis Pacem
info_outline
Classics for a Relaxing Holiday - PHH 240
Practicing Harp Happiness
It’s Christmas week, and for me, this is a week to finally settle into the holiday mood. This is the time we decorate our tree, get in touch with friends and family, and start reveling in the spirit of joy and peace that feels so elusive other times of the year. So this is not the week I want to dive into a heavy teaching topic here on the podcast. What I want to do today is spread a little holiday harp happiness with a short musical program for you to enjoy. The theme of the program is “Classics for a Relaxing Holiday,” classical music that is appropriate for the holidays, but...
info_outline
The Stories Behind the Songs: Three Carols Revisited - PHH 239
Practicing Harp Happiness
I’m kind of a Christmas carol geek, if there is such a thing. I’ve always enjoyed playing them and even as a young person, I was fascinated by where they came from: their origins, translations, composers, text sources, etc. For me, the stories behind the carols were a kind of history and geography lesson rolled up into the magic and meaning of Christmas. I think the origin stories are what really held my interest. The writing of “Silent Night” because a church organ in Austria was damaged, or the composition of “O Holy Night” as a dedication piece to a renovated organ in France are...
info_outline
How Purpose Fuels Progress: The Map You’ve Been Missing - PHH 238
Practicing Harp Happiness
My first ocean cruise was a cruise from New York City to Bermuda. I’d never been on a big ocean liner before. Although I’ve done a couple other ocean cruises since then, I’m not really a fan. I love exploring, and there is only so much exploring you can do on a ship in the middle of the ocean. But on this first cruise, I did love the feeling of being in the middle of the vastness of the ocean with nothing but water all around. The feeling of not having any landmarks - literally - was a little exhilarating and more than a little awe-inspiring. Naturally, I wasn’t really frightened; I...
info_outlineI know I’m dating myself, but here goes…
Back in the 1960’s there was a television show called “Sea Hunt.” The show centered around a free-lance scuba diver named Mike Nelson, played by Lloyd Bridges. Mike Nelson was a former Navy diver and a member of the Coast Guard Auxiliary. As a free-lance diver, he was hired for all kinds of dangerous underwater work, everything from salvaging precious cargo from wrecked ships to rescuing people trapped in caves. Each episode had dangerous situations and villains who were ready to slash the hoses on Mike’s air tanks.
In nearly every episode, Mike would have to make a hasty ascent from the depths, which he would attempt to time carefully to avoid “the bends,” a potentially fatal condition more formally called decompression sickness. On occasion. Mike would have to spend time in a decompression chamber.
Watching this as a child, I was fascinated by the danger of too hasty a return to the surface. On the one hand, Mike would be running out of oxygen and would need to get back on the boat quickly. But on the other hand, making his return too quickly could prove fatal. Talk about a dilemma.
Today’s show is not about the bends, but it is about the possible downside, although not a potentially fatal one, of returning to your regular practice routine too quickly after your vacation. If you’re like me, you may come back from vacation with your fingers itching to get back on the harp strings. If you run right to the harp however, you might find it more challenging or even frustrating than you expected. Broken strings and creaky fingers are annoying enough to deal with, but the real issue is that the pieces we were working on seem so far from where we left them. In my experience, diving right into your usual kind of practice can instantly deflate your post-vacation high. Instead of being able to keep that feeling of freshness, relaxation and renewal, you’re right back into the practice grind you left.
What’s the fix? The good news is that we don’t need a decompression chamber. All we need is the right mindset and a plan, and I have both of those for you today.
Links to things I think you might be interested in that were mentioned in the podcast episode:
-
Calling all Harp Teachers! Registration for our Teachers’ Retreat is open!
-
Listen to Episode 60: Enjoy a Guilt-Free, Harp-Free Vacation with the Perfect Re-Entry Plan
Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com
Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode?
LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-219