7 Quick Fixes so You Can Play Your Stress-Free Best - PHH 236
Release Date: 11/24/2025
Practicing Harp Happiness
Today we’re talking about control. Control is a word that comes up a lot in our harp playing, whether it’s about controlling our fingers, our dynamics, tempo, tone, focus, or a hundred other relevant things. It feels like we’re always trying to gain control over something in our playing, or over ourselves. But the path to mastery isn’t about asserting control; it’s actually about letting go of control. If you search, you can easily find dozens of books that explore the idea of control in music, and nearly all of them start out with the idea - sometimes it’s even written...
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Have you ever started learning a piece that seemed like it should be relatively easy to learn, and then discovered it was actually much harder than you thought? Of course you have; it happens to all of us. In this situation, we have a choice. We could persist, digging our heels in and fighting our way through the piece anyway. Or we could put the piece aside for the time when we are ready for it. (By the way, that time only comes when we are very focused on leveling up our skills.) Neither choice feels good, mainly because we feel like we aren’t growing. We feel like our playing is...
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If you’ve listened to me for a while or taken any of my classes or workshops, you know that I love finding the solutions to problems we harpists face and creating the step by step plans to take action to solve them. I’ve discovered over my years of teaching that it’s not hard to define the problem, at least the surface problem. For instance, if your left hand can’t play the notes in two specific measures of your piece, then that’s the problem, and the solution is easy: drill the notes. Sometimes, however, the real issue lies a few layers down. Maybe the reason the left hand can’t...
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If you heard last week’s podcast, you may remember that this month’s podcast episodes are all about growth, your growth as a harpist and the systems and skills that are necessary for that growth. Last week, we talked about three key systems that you need to have in place for growth. This week is all about technique. I know it may sound like a dry as dust topic to some of you. Harpists generally fall into two distinct camps: those who hate doing technique exercises and those who love them. So if you love your Grossi and LaRiviere or whatever exercise book you use, this podcast is going to...
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A system is comfort. When we have and follow a system, whether it’s for completing tasks, or crafting, or making a grocery list, our mind can be at ease. Why? Because we know we have the steps to complete our task, and all we have to do is to follow the steps and the task will be done. When it comes to harp playing, people frequently make one of two mistakes. One is thinking that harp playing is inherently creative, and therefore a system is not only unnecessary, but it will rob your music of its soul. The other is trying to systematize everything about your playing in an attempt to get...
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For me, and I think for many people, this last week of the year is a supremely hopeful one. The rush to get ready for Christmas is behind us and the promise of a new year is finally in focus. We’re faced with possibilities for a change, instead of pressure. I realize, of course, that for many of us those possibilities for the new year include uncertainty, worry and fear which are beyond any assistance I could give on this podcast. I can merely offer prayers that the universe grants us all the courage and resources we need to face the circumstances before us. And I will stick to what I know...
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Playlist Program: All selections performed by Anne Sullivan All selections arranged for harp by Anne Sullivan Largo, from Winter by Vivaldi from Two from Messiah by Handel Mozart in a Minute Ave Maria by Schubert from Jesu, Joy of Man's Desiring (Bach)/Ode to Joy (Beethoven) Peace, a Fantasy on Dona Nobis Pacem
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It’s Christmas week, and for me, this is a week to finally settle into the holiday mood. This is the time we decorate our tree, get in touch with friends and family, and start reveling in the spirit of joy and peace that feels so elusive other times of the year. So this is not the week I want to dive into a heavy teaching topic here on the podcast. What I want to do today is spread a little holiday harp happiness with a short musical program for you to enjoy. The theme of the program is “Classics for a Relaxing Holiday,” classical music that is appropriate for the holidays, but...
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I’m kind of a Christmas carol geek, if there is such a thing. I’ve always enjoyed playing them and even as a young person, I was fascinated by where they came from: their origins, translations, composers, text sources, etc. For me, the stories behind the carols were a kind of history and geography lesson rolled up into the magic and meaning of Christmas. I think the origin stories are what really held my interest. The writing of “Silent Night” because a church organ in Austria was damaged, or the composition of “O Holy Night” as a dedication piece to a renovated organ in France are...
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My first ocean cruise was a cruise from New York City to Bermuda. I’d never been on a big ocean liner before. Although I’ve done a couple other ocean cruises since then, I’m not really a fan. I love exploring, and there is only so much exploring you can do on a ship in the middle of the ocean. But on this first cruise, I did love the feeling of being in the middle of the vastness of the ocean with nothing but water all around. The feeling of not having any landmarks - literally - was a little exhilarating and more than a little awe-inspiring. Naturally, I wasn’t really frightened; I...
info_outlineIt’s time for a confidence boost.
You’ve been practicing your holiday music and feeling like you’re making good progress, but it’s not quite there and the performance date is coming up soon.
Your music is mostly fine. It has up days when everything goes perfectly and down days when it feels like you’ve never played the piece before. Maybe it’s not quite up to tempo. Or maybe there are just a few measures - or maybe more than a few - that are resisting all your attempts to learn them and play them smoothly. Whatever the issue is, it’s starting to be a little concerning because time is getting short.
We never want to feel unprepared or less ready than we would like for a performance, but sometimes it happens, despite all our planning and preparation. Believe me, I am the last person who would try to tell you that you should have started learning the piece sooner, or practiced more. I know all too well from my own experience that sometimes music just takes longer to come together than we expect.
But since we can’t change the performance date, we can’t wait for the issues to resolve themselves. We have to figure out a way to make everything work. That’s something every professional harpist knows. There’s a time when more practice is not an option. You have to look at where the music is today and make some choices. It’s not giving up and it’s definitely not staying up late to cram practice. Trust me - that never works.
What I want to share with you today are seven things I have done when I have needed to pull the proverbial rabbit out of the hat. These are things you can do which will save you stress and worry and allow you take a breath and relax. Even better, they will let you play beautifully, with confidence. You may have tried some of these, or maybe even all of them, yourself, but if you have a performance date coming up a little sooner than you feel ready for, consider this a reminder.
It’s also permission. You don’t have to make this hard on yourself. That’s not what music should be about, and it certainly isn’t what harp happiness is about.
So sit back, take a sip of tea and let’s dive in.
Links to things I think you might be interested in that were mentioned in the podcast episode:
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