Hyperspace Theories
On January 15, 2026, Lucasfilm that Kathleen Kennedy is “stepping down” as president of the company. Dave Filoni will take on the role of President and Chief Creative Officer. Lynwen Brennan, who for the past two years has held the title of “President & General Manager, Lucasfilm Business” alongside Kennedy, will continue in that role as “Co-President” with Filoni. On this episode of Hyperspace Theories, recorded days later, Tricia Barr and B.J. Priester discuss the implications of this long-anticipated transition in the highest levels of Lucasfilm’s leadership. We...
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The year 2025 marked the sixth without a new Star Wars movie in theaters since The Rise of Skywalker concluded the Sequel Trilogy. In the past few years, the Marvel Cinematic Universe and DC superhero films have struggled with consistency at reaching their prior levels of box-office earnings and fan satisfaction. We found it interesting, then, that two 2025 superhero movies – the MCU’s rebooted The Fantastic Four: First Steps and DC’s new iteration of Superman – showcased several prominent storytelling elements that we wish Lucasfilm had been able to...
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A year after Part I, the Wicked movie franchise returns with For Good, an adaptation of the second act of the Broadway musical. In this episode of Hyperspace Theories, Tricia Barr and B.J. Priester examine how Wicked: For Good takes advantage of the movie format, and the passage of time since the original musical was written, to strengthen the character arcs of Elphaba, Glinda, and Fiyero in tandem with the story’s themes. Like Part I, For Good also maximizes the opportunity to include locations, action sequences, and other visual elements which...
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In a matter of weeks, the Sony-produced animated movie K-Pop Demon Hunters became the all-time most-viewed original title on Netflix. A limited-release theatrical run of the sing-along version of the film, for two days on fewer than two thousand screens after it had been available on streaming for two months, was the #1 movie at the box office for that weekend. With four songs in the Billboard Hot 100 chart, including “Golden” reaching #1, K-Pop Demon Hunters has attained soundtrack feats not seen since Purple Rain (1984) and Saturday Night...
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For our third episode of Hyperspace Theories podcast discussing the second season of Andor, Tricia Barr and B.J. Priester examine how the series portrays characterization through the use of point of view in its writing and visual imagery. Although prose fiction Star Wars usually relies upon third-person limited storytelling, only revealing to the reader what the characters themselves know or understand, cinematic Star Wars sometimes gives the impression of a third-person omniscient perspective, with the audience as an external observer watching a "true" version of events unfold. In Andor,...
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On the latest episode of Hyperspace Theories, Tricia Barr and B.J. Priester continue their analysis of Season Two of the Disney+ streaming series Andor: A Star Wars Story with a discussion centered on the Ghorman storyline heavily featured across Episodes 4 to 8 and culminating in the eighth episode focused entirely on the the tragedy of the Ghorman Massacre. One major theme of this storyline is the power of propaganda, introduced in the first Imperial scenes of the season’s first episode. We then consider other forms of Imperial manipulation of the events on Ghorman, and the...
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Beginning immediately on the heels of Star Wars Celebration Japan 2025, the second season of the Disney+ streaming series Andor, now carrying the same A Star Wars Story subtitle as Rogue One, kicked off its four-week run with its first trio of episodes. The premiere and its title, "One Year Later," sets the framework for Season Two: as each "a movie a week" batch of three episodes brings us a year closer to Rogue One, several interweaving plots advance the characters arcs of Andor's expansive cast. On this episode of Hyperspace Theories podcast, Tricia Barr and B.J. Priester analyze the...
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On the latest episode of Hyperspace Theories podcast, hosts Tricia Barr and B.J. Priester report from Star Wars Celebration Japan on the latest news and happenings. Highlights from key panels - The Mandalorian and Grogu, Andor Season 2, Ahsoka, Star Wars Animation 25th Anniversary - are discussed. Let's celebrate Star Wars!
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On this episode of Hyperspace Theories podcast, Tricia Barr and B.J. Priester detour from our usual focus on fictional storytelling to discuss an instance of real-world events and surrounding narratives in the form of journalistic coverage of the upcoming retirement of Kathleen Kennedy from her current role as president of Lucasfilm. On February 24, 2025, experienced Hollywood journalist Matt Belloni at Puck reported that “Kathleen Kennedy has informed Disney, as well as friends and associates, that she will exit as Lucasfilm president by the end of the year, per three sources.”...
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Ahoy, mateys! Pirates, pirate ships, and a search for lost treasure have returned to Star Wars – and so has the familiar story structure, complete with a boring home planet (A New Hope) and ten-year-old (The Phantom Menace) protagonists flung into a very unexpected adventure in the wider galaxy. On this episode of Hyperspace Theories, Tricia Barr and B.J. Priester examine the first four episodes of Skeleton Crew to unpack the story structure, character arcs, and themes unfolding in the first half of the new Disney+ streaming series. Although the story structure of Skeleton...
info_outlineOn the latest episode of Hyperspace Theories, Tricia Barr and B.J. Priester consider the second set of three episodes in Season Two of The Bad Batch. These episodes – “Faster,” “Entombed,” and “Tribe” – present a trio of independent, self-contained missions for Omega and her brothers: accompanying Cid for an ill-fated gambling excursion involving riot racing, a dangerous adventure to seek an artifact in an ancient tomb with Phee, and an unexpected encounter with Gungi, a young Wookiee Jedi survivor of Order 66, that leads Clone Force 99 to conflict-scarred Kashyyyk.
Although some fans have expressed confusion about the purpose of these episodes in The Bad Batch Season Two, we discuss how classic elements of Star Wars story structure help to explain the character development goals underlying these episodes – and why our protagonists seem to meet less than successful outcomes for their endeavors. As Clone Force 99 struggles to find a new identity and purpose in the galaxy, these episodes provide them with important information and experiences that can influence their thinking and decisions going forward. Along the way, we also describe why these episodes of The Bad Batch are not “filler episodes” or “bottle episodes” as those terms are used in serial television storytelling, drawing on Tricia’s post about “Faster” and filler and an insightful post by Kathryn VanArendonk at Vulture. Finally, we use B.J.’s post about “Tribe” to briefly step back into the storytelling origins of The Clone Wars with George Lucas and examine how The Bad Batch pulls forward some decade-old unused ideas.
This episodes concludes with our reactions to the recently released trailer for Season Three of The Mandalorian, which premieres on March 1st.
Related Links:
- REVIEW: The Bad Batch Season Two
- Hyperspace Theories: The Separatists in The Bad Batch
- Is “Faster” Filler?
- The Bad Batch “Tribe” and The Clone Wars Tales Told and Untold
- It’s Time for a Departure From ‘Bottle Episode’ (Vulture)
- The Hero’s Journey (discussing Campbell and Vogler story structures)
- The Mandalorian Season Three trailer (YouTube)
- The Mandalorian Season Three featurette “Phenomenon” (YouTube)
Contact Information:
- Hyperspace Theories: Twitter @HyperspacePod
- Tricia Barr: Twitter @FANgirlcantina; email Tricia@fangirlblog.com
- B.J. Priester: Twitter @RedPenofLex; email Lex@fangirlblog.com