Hyperspace Theories
In a matter of weeks, the Sony-produced animated movie K-Pop Demon Hunters became the all-time most-viewed original title on Netflix. A limited-release theatrical run of the sing-along version of the film, for two days on fewer than two thousand screens after it had been available on streaming for two months, was the #1 movie at the box office for that weekend. With four songs in the Billboard Hot 100 chart, including “Golden” reaching #1, K-Pop Demon Hunters has attained soundtrack feats not seen since Purple Rain (1984) and Saturday Night...
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For our third episode of Hyperspace Theories podcast discussing the second season of Andor, Tricia Barr and B.J. Priester examine how the series portrays characterization through the use of point of view in its writing and visual imagery. Although prose fiction Star Wars usually relies upon third-person limited storytelling, only revealing to the reader what the characters themselves know or understand, cinematic Star Wars sometimes gives the impression of a third-person omniscient perspective, with the audience as an external observer watching a "true" version of events unfold. In Andor,...
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On the latest episode of Hyperspace Theories, Tricia Barr and B.J. Priester continue their analysis of Season Two of the Disney+ streaming series Andor: A Star Wars Story with a discussion centered on the Ghorman storyline heavily featured across Episodes 4 to 8 and culminating in the eighth episode focused entirely on the the tragedy of the Ghorman Massacre. One major theme of this storyline is the power of propaganda, introduced in the first Imperial scenes of the season’s first episode. We then consider other forms of Imperial manipulation of the events on Ghorman, and the...
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Beginning immediately on the heels of Star Wars Celebration Japan 2025, the second season of the Disney+ streaming series Andor, now carrying the same A Star Wars Story subtitle as Rogue One, kicked off its four-week run with its first trio of episodes. The premiere and its title, "One Year Later," sets the framework for Season Two: as each "a movie a week" batch of three episodes brings us a year closer to Rogue One, several interweaving plots advance the characters arcs of Andor's expansive cast. On this episode of Hyperspace Theories podcast, Tricia Barr and B.J. Priester analyze the...
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On the latest episode of Hyperspace Theories podcast, hosts Tricia Barr and B.J. Priester report from Star Wars Celebration Japan on the latest news and happenings. Highlights from key panels - The Mandalorian and Grogu, Andor Season 2, Ahsoka, Star Wars Animation 25th Anniversary - are discussed. Let's celebrate Star Wars!
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On this episode of Hyperspace Theories podcast, Tricia Barr and B.J. Priester detour from our usual focus on fictional storytelling to discuss an instance of real-world events and surrounding narratives in the form of journalistic coverage of the upcoming retirement of Kathleen Kennedy from her current role as president of Lucasfilm. On February 24, 2025, experienced Hollywood journalist Matt Belloni at Puck reported that “Kathleen Kennedy has informed Disney, as well as friends and associates, that she will exit as Lucasfilm president by the end of the year, per three sources.”...
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Ahoy, mateys! Pirates, pirate ships, and a search for lost treasure have returned to Star Wars – and so has the familiar story structure, complete with a boring home planet (A New Hope) and ten-year-old (The Phantom Menace) protagonists flung into a very unexpected adventure in the wider galaxy. On this episode of Hyperspace Theories, Tricia Barr and B.J. Priester examine the first four episodes of Skeleton Crew to unpack the story structure, character arcs, and themes unfolding in the first half of the new Disney+ streaming series. Although the story structure of Skeleton...
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Continuing our recent witchy trend on Hyperspace Theories alongside our discussion of Agatha All Along, this episode discusses the movie Wicked: Part I, which broke box office records in its first week of release. Tricia Barr and B.J. Priester begin with a common focus of the podcast: the storytelling structure of the movie, and how it compares and contrasts with the Broadway musical that the films adapts. Director Jon M. Chu maximizes the opportunity of the movie medium to broaden the visual storytelling for the characters, themes, and world-building beyond what is possible on a Broadway...
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In this podcast episode, Tricia Barr and B.J. Priester consider the recently released MCU Disney+ series Agatha All Along from the perspective of long-running themes at FANgirl Blog and Hyperspace Theories: the influence of myth and heroic journeys on contemporary storytelling and how contemporary storytelling is evolving those ideas, especially in stories told by women and other creators from diverse and marginalized backgrounds. The story structure of Agatha All Along itself is built around the idea of an evolving myth, the “Ballad of the Witches’ Road” song, which...
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It’s been ten years since FANgirl Blog launched the Hyperspace Theories podcast. On the latest episode, Tricia Barr and B.J. Priester look back on the podcast’s evolution from its origin in discussing how to speculate wisely on upcoming Star Wars stories to a broader consideration of storytelling, character arcs and the Hero’s Journey, and franchise management. We reminisce about our favorite episodes of the podcast over the years. After looking back, we turn to the present and future of the franchise through the lens of two recent articles in major Hollywood trade publications. James...
info_outlineIn a matter of weeks, the Sony-produced animated movie K-Pop Demon Hunters became the all-time most-viewed original title on Netflix. A limited-release theatrical run of the sing-along version of the film, for two days on fewer than two thousand screens after it had been available on streaming for two months, was the #1 movie at the box office for that weekend. With four songs in the Billboard Hot 100 chart, including “Golden” reaching #1, K-Pop Demon Hunters has attained soundtrack feats not seen since Purple Rain (1984) and Saturday Night Fever (1978). And the social media fandom for the movie shows no signs of slowing down.
On this episode of Hyperspace Theories, Tricia Barr and B.J. Priester discuss the multi-layered success of K-Pop Demon Hunters in its storytelling and in its appeal to fans. Building on longstanding themes of the blog and podcast, we examine the story structure of K-Pop Demon Hunters as a movie that isn’t a heroic origin story for its protagonists, and how the character-driven narrative modifies some classic plot beats and character archetypes. Although it isn’t an origin story, K-Pop Demon Hunters shares features in common with contemporary Heroine’s Journey stories, in contrast to tales based on the older monomyth of the Hero’s Journey, particularly its climax in a victory based on democratic collective participation rather than a triumph in combat by Rumi or Huntrix. In many ways, K-Pop Demon Hunters succeeds at developing the core narrative and world-building elements that the Star Wars Sequel Trilogy should have used, but didn’t.
We also consider other successful aspects of K-Pop Demon Hunters in resonating with so many people. The movie draws not only from its creator’s Korean heritage and folklore to tell a story with universal themes like shame and trauma, but also from her experience as a lifelong K-Pop fan to weave in moments and ideas that ring true to twenty-first century pop-culture fandom. The soundtrack itself is excellent, of course, but the progression of lyrics and musicality mirrors the plot and character development throughout the arc of the film. And of course it has an adorable animal sidekick, whose role is actually far more significant and impactful than first appears.
Related Links:
- The Hero’s Journey – discussing Campbell and Vogler (FANgirl Blog)
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