Competing Interests: How Do You Workshop a New Opera?
Key Change: Creating Opera for All Voices
Release Date: 04/12/2023
Key Change: Creating Opera for All Voices
Seven years ago, Santa Fe Opera started a conversation that would reverberate throughout American Opera, shaping this celebrated art form into something more reflective of the world in which it's created. Today, Opera For All Voices (OFAV) commissions have surpassed even our wildest storytelling expectations. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia tuck into the time machine for a season-ending trip around the OFAV universe, revisiting the initiative's greatest hits and offering fans a glimpse at what's to come––with Ruth Nott, consultant, Opera for All Voices;...
info_outlineKey Change: Creating Opera for All Voices
Roadtrip! After many long months of necessary virtual collaboration, the creative team behind The Pigeon Keeper, a Santa Fe Opera Opera For All Voices (OFAV) commission, finally got to spread their wings for an emotional workshop in San Francisco. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia discover what it was like to have everyone (well, almost everyone) in the same room for the very first time––featuring composer David Hanlon, librettist Stephanie Fleischmann, stage director Mary Birnbaum, music director Kelly Kuo, dramaturg Cori Ellison, Ruth Nott, consultant for...
info_outlineKey Change: Creating Opera for All Voices
If a chorus of 12 teens can provide compelling commentary on immigration enforcement from the stage of a venerable performing arts center in Santa Fe, how might ten times that number of voices impact the debate? From a Broadway venue that has welcomed some of the twentieth century’s most influential social justice visionaries? Key Change co-hosts Andrea Fellows-Fineberg and Anna Garcia pilot the time machine east to find out, setting a course for the 2022 premiere of at New York’s storied . Adding their insights to this aural postcard are Hometown’s composer Laura Kaminsky...
info_outlineKey Change: Creating Opera for All Voices
What do you know about the life and legacy of Fannie Lou Hamer? Chances are, not much. That's about to change. Co-hosts Andrea Fellows Fineberg and Anna Garcia dust off the Key Change time machine for a trip back through time and place to the real-life inspiration for This Little Light of Mine (TLLoM), the modern operatic masterpiece commissioned by Santa Fe Opera's Opera For All Voices initiative. Good thing this ride is roomy because joining them are two women who can claim a direct connection to Mrs. Hamer: Jacqueline "Cookie" Hamer Flakes, Mrs. Hamer's last surviving daughter, and...
info_outlineKey Change: Creating Opera for All Voices
It’s October 28, 2022. As a brisk, still night settles over Santa Fe, things are heating up inside The Lensic Performing Arts Center. Longtime opera patrons mingle alongside never opera goers. Soon, the curtain will rise on This Little Light of Mine (TLLoM), a modern operatic masterpiece composed by Chandler Carter with libretto by Diana Solomon-Glover. The one-act production is an unflinching yet uplifting dramatization of the life of Fannie Lou Hamer, a Black woman born on the very lowest rung of the American caste system. A Black woman who nonetheless rose to speak at the 1964...
info_outlineKey Change: Creating Opera for All Voices
If you’re unfamiliar with Santa Fe Opera’s (POP), take a quick journey back in time for of this conversation. Go ahead; we’ll wait. In it, you’ll meet Renee Roybal and Claudene A. Martinez, both members of Pueblo of San Ildefonso. The pair recall the early days of POP and the formation of the (POCC). Now that you’re sufficiently caught up, join Andrea Fellows Fineberg as her time machine co-pilot Kyle Gray, SFO’s Manager of Community Relations & Government Affairs, wraps up the conversation (for now.) Renee and Claudene return to share recollections of their early...
info_outlineKey Change: Creating Opera for All Voices
All aboard the Key Change time machine for a two-part trip! On this half of the journey, we toggle back to the origins of a beloved community-based program and then forward to celebrate its exciting expansion. 2023 will mark the 50th anniversary of the , lovingly known around the Santa Fe Opera as POP. Key Change commemorates this momentous event by passing the mic to colleague Kyle Gray, SFO’s Manager of Community Relations & Government Affairs. Kyle and his guests discuss the POP legacy and (POCC), which blossomed out of an artistic collaboration between legendary director Peter...
info_outlineKey Change: Creating Opera for All Voices
Hurry up and wait. When your world premier is stopped in its tracks by forces beyond your control, “momentum” is measured a bit differently. Andrea Fellows Fineberg chats with composer David Hanlon and librettist Stephanie Fleischmann, the creative duo behind about maintaining artistic progress during the pandemic, the limits of virtual collaboration, and finally (finally!) preparing for live performances. All aboard the Opera For All Voices time machine for a quick review! The Pigeon Keeper was initially scheduled for a workshop in 2020 and its world premier in 2021. Best laid...
info_outlineKey Change: Creating Opera for All Voices
You’ve heard of main character energy? Well, get ready for youth chorus energy! Andrea Fellows-Fineberg connects with an optimistic, pragmatic, and empathetic mindset courtesy of the youth chorus members who participated in the December 2021 world premiere of Opera For All Voices’ Hometown To The World. Their insights and post-performance emotion speak to art's ability to foster community––with Ely Aguilar, Francesco Aimale, and Estevan Flórez-Mansi. We also hear post-show reactions from artists, creators, collaborators, and the audience buoyed by musical excerpts from the premiere at...
info_outlineKey Change: Creating Opera for All Voices
When an initiative is called Opera For All Voices, who’s the “all”? Key Change Season Four examines OFAV’s burgeoning legacy of co-creating new operatic works through a community-centric lens, beginning with an OG favorite, Hometown To The World. Host Andrea Fellows-Fineberg revisits the production with core members of its artistic team, young performers, and the most influential collaborator: the audience––featuring Ruth Nott, Composer Laura Kaminsky, Librettist Kimberly Reed, and a behind-the-scenes segment with Estevan Flórez-Mansi, youth chorus member. There’s perhaps no...
info_outlineRoadtrip! After many long months of necessary virtual collaboration, the creative team behind The Pigeon Keeper, a Santa Fe Opera Opera For All Voices (OFAV) commission, finally got to spread their wings for an emotional workshop in San Francisco.
Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia discover what it was like to have everyone (well, almost everyone) in the same room for the very first time––featuring composer David Hanlon, librettist Stephanie Fleischmann, stage director Mary Birnbaum, music director Kelly Kuo, dramaturg Cori Ellison, Ruth Nott, consultant for OFAV, plus Elinore (Ellie) Pett-Ridge Hennessy, Azaria Stauffer-Barney, and Ruby Recht-Appel, all members of the San Francisco Girls Chorus (SFGC).
"Stephanie and I really love working and responding in the moment," says David, excited to sit beside The Pigeon Keeper's librettist in real time and space.
For those unfamiliar with the process of developing new operatic works, workshops put the pieces and performers together for a rigorous, accelerated series of rehearsals, and what some may call a smash-through – the first time the piece is heard by the artists in person all the way through, without stopping (even if there are mistakes.) Then the piece is presented to an invited audience of folks who may be interested to produce or present the opera in the future. “We're always trying things out, which is really exciting. But,” David admits, “there's a lot of flux to that.”
Workshops are, by their nature, intense. Witnessing The Pigeon Keeper live, with its fairytale-like exploration of chosen family and mass migration, profoundly impacted participants of this workshop, especially members of the San Francisco Girls Chorus (SFGC), whose voices add poignant commentary to the storytelling. "I'm not gonna lie to you. I read through the music, and I started tearing up," recalls Ellie. "It just feels like home."
And it feels one step closer to realizing The Pigeon Keeper as a fully staged production.
FEATURING
David Hanlon - Composer, The Pigeon Keeper
Stephanie Fleischmann - Librettist, The Pigeon Keeper
Mary Birnbaum - Stage Director
Kelly Kuo - Music Director
Cori Ellison - Dramaturg
Ruth Nott - Consultant, Opera for All Voices
Elinore (Ellie) Pett-Ridge Hennessy, Azaria Stauffer-Barney, and Ruby Recht-Appel - Members, San Francisco Girls Chorus (SFGC) led by Artistic Director Valérie Sainte-Agathe
RELATED EPISODES
KCP0204: Hope Is the Thing With Feathers: A first look at The Pigeon Keeper
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes by Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation.
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.