Spirituality as Quest, Pt. 11 -- Hermann Hesse's "Siddhartha"; Reading a Story, Pt. 15 -- John Updike's "A&P"

Our passage from the Word of God today is Exodus 32:15-16 which reads: "And Moses turned, and went down from the mount, and the two tables of the testimony were in his hand: the tables were written on both their sides; on the one side and on the other were they written. And the tables were the work of God, and the writing was the writing of God, graven upon the tables."

Our quote today is from Lawrence Clark Powell. He said: "To achieve lasting literature, fictional or factual, a writer needs perceptive vision, absorptive capacity, and creative strength."

Our first topic for today is "Spirituality as Quest, Part 11" from the book, "Literature and Spirituality" by Yaw Adu-Gyamfi and Mark Ray Schmidt.

We are continuing our selection from Hermann Hesse's Siddhartha:

The Ferryman (Part 4)

And once again, when the river had just increased its flow in the rainy season and made a powerful noise, then said Siddhartha: "Isn't it so, oh friend, the river has many voices, very many voices? Hasn't it the voice of a king, and of a warrior, and of a bull, and of a bird of the night, and of a woman giving birth, and of a sighing man, and a thousand other voices more?"

"So it is," Vasudeva nodded, "all voices of the creatures are in its voice."

"And do you know," Siddhartha continued, "what word it speaks, when you succeed in hearing all of its ten thousand voices at once?"

Happily, Vasudeva's face was smiling, he bent over to Siddhartha and spoke the holy Om into his ear. And this had been the very thing which Siddhartha had also been hearing.

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Our second topic for today is "Reading a Story, Part 15" from the book, "Literature: An Introduction to Fiction, Poetry, Drama, and Writing" by X. J. Kennedy and Dana Gioia.

Now, let's begin reading John Updike's short story, "A & P":

A & P (Part 1)

In walks these three girls in nothing but bathing suits. I'm in the third check-out slot, with my back to the door, so I don't see them until they're over by the bread. The one that caught my eye first was the one in the plaid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs. I stood there with my hand on a box of HiHo crackers trying to remember if I rang it up or not. I ring it up again and the customer starts giving me hell. She's one of these cash-register-watchers, a witch about fifty with rouge on her cheekbones and no eyebrows, and I know it made her day to trip me up. She'd been watching cash registers forty years and probably never seen a mistake before.

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