Make-Believe
LAKE SONG makes its debut today on the Tribeca Audio Premieres podcast! Listen . Starting on October 13, listen to LAKE SONG on its own podcast feed. Available everywhere, including , , , and on the web at . Follow or subscribe to LAKE SONG to hear new episodes as they appear each week.
info_outline Trailer 2: Chicago Poets--Past, Present, FutureMake-Believe
co-creator Nate Marshall talks about what Chicago poets have always done. . . and what they're *going* to do. Lake Song, the epic new audio-drama series from , will debut October 12 as an official selection of . For more, visit .
info_outline Trailer: Lake SongMake-Believe
OFFICIAL SELECTION - Tribeca Festival Audio Premieres. It's 2098 and the Republic of Chicago has what the world needs: fresh water. But with new opportunities come new threats, especially for a pair of siblings on the South Side. Can the people come together to save their city--and each other? LAKE SONG is the joint creation of seven multidisciplinary Chicagoans. Combining sci-fi and music, politics and poetry, it's a collective response to our times, and a shared dream of our future. Go to the new LAKE SONG feed to subscribe. Coming in mid-October.
info_outline Our Decameron: Shakespeare in UtopiaMake-Believe
Following the cancellation of Shakespeare in the Park, Oskar Eustis talks about a utopian story in one of Shakespeare's plays. A practical guide to what a vision of the future can do--and what it can't.
info_outline Our Decameron: Lorraine Hansberry at the End of the WorldMake-Believe
Can a new society arise from a cataclysm? Does humanity deserve a second chance? Chicago author and journalist Natalie Moore joins a virtual audience to explore utopia, dystopia, and the radical imagination while discussing the great Chicago dramatist's "What Use Are Flowers?".
info_outline Our Decameron: The Tortoise, the Hare, and Will LeitchMake-Believe
To tide us over until baseball returns, sportswriter Will Leitch breaks down the most famous athletic contest of all time, and a lively virtual audience debates its moral today.
info_outline Our Decameron: Chicken LittleMake-Believe
The sky might or might not be falling, but the story that gave rise to that phrase is everywhere. In episode two of our series inspired by Boccaccio, Stephanie Ybarra and fascinating people from all over the country reconsider the tale of the moment.
info_outline Our Decameron: Zen in SeattleMake-Believe
Inspired by Boccaccio, a new series of conversations in which we share a story and invite a fascinating person to talk about what it means. In episode one, Martin Edlund of Malaria No More talks about the Zen fable about the tiger and the strawberry.
info_outline City on Fire: Chicago Race Riot 1919Make-Believe
A docudrama about the summer that ravaged a city--and remade it. Co-produced with WBEZ.
info_outline Lost Books of the OdysseyMake-Believe
Odysseus, the "man of twists and turns", goes on five new adventures, portrayed by five amazing actors. Performed and recorded live in Chicago, plus audience conversation.
info_outlineCan a new society arise from a cataclysm? Does humanity deserve a second chance? Chicago author and journalist Natalie Moore joins a virtual audience to explore utopia, dystopia, and the radical imagination while discussing the great Chicago dramatist's "What Use Are Flowers?".
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Listen to Lorraine Hansberry’s What Use Are Flowers?:
https://makebelieve.fm/flowers
Listen to Natalie Moore and Jeremy McCarter’s City on Fire: Chicago Race Riot 1919:
https://makebelieve.fm/city-on-fire
Credits for this episode:
Hosted by Jeremy McCarter
Music, mixing, and mastering by Mikhail Fiksel
Graphics and social media by Carly Pearlman
Credits for What Use Are Flowers?:
Directed by Daniel Kyri
Music by Mikhail Fiksel
Sound by Erisa Apantaku and Mikhail Fiksel
Production manager - Madeleine Borg
Stage manager - JC Widman
Cast:
Hermit – Billy Branch
Charlie – Daniel Kyri
Lily – Khloe Janel
William – Tevion Lanier
Narration read by Kiayla Ryann
Thank you to the Lorraine Hansberry Literary Trust for allowing us to produce the audio drama; and to the Chauncey and Marion Deering McCormick Foundation and the Poetry Foundation for making season one possible