Music in the Round
Adrian Wilson plays 'Scotland' from Tomas's Evocations;
info_outline Up Close: Episode FiveMusic in the Round
Viola player Ruth Gibson plays the Prelude and Sarabande from JS Bach's second cello suite, and talks with Horatio Clare;
info_outline Up Close: Episode FourMusic in the Round
Horn players Naomi Atherton and Jo Towler ask 'why do horns hunt in pairs?' plus alphorn call; Claudia Ajmone-Marsan reads Beethoven's letters; Bernard Gregor Smith reads from A Quintessential Quartet; and Ensemble 360 perform Dvořák's Piano Quartet No 2, Op.87 recorded in Sheffield, December 2020.
info_outline Up Close: Episode ThreeMusic in the Round
Clarinetist Matthew Hunt is quizzed by Sheffield Music Hub and performs New York Counterpoint by Steve Reich.
info_outline Up Close: Episode TwoMusic in the Round
Composer Ellen Sargen in conversation with Tim Horton and Laurène Durantel, discussing Passau recorded in SMCF 2018; Claudia Ajmone-Marsan continues her readings from Beethoven's letters; Bernard Gregor Smith reading from his memoir; Ellen returns, with Lawrence Osborne and Emily Howard to discuss composing for chamber ensemble.
info_outline Up Close: Episode OneMusic in the Round
Welcome to our first episode presented by Tom McKinney, featuring:
info_outline Up Close: Coming SoonMusic in the Round
Coming soon from Music in the Round: Up Close, a brand new podcast presented by Tom McKinney.
info_outlineWelcome to the second episode of Up Close: A Music in the Round podcast, presented by Tom McKinney.
This episode features:
- Composer Ellen Sargen in conversation with Tim Horton and Laurène Durantel, of Ensemble 360, discussing Ellen's composition Passau;
- A recording of that piece, from its world premiere in Sheffield Chamber Music Festival 2018;
- Violinist Claudia Ajmone-Marsan continuing her series of readings from Beethoven's letters;
- Bernard Gregor Smith of the Lindsay String Quartet discussing and reading from his memoir, A Quintessential Quartet;
- Ellen returns, alongside Lawrence Osborne and Emily Howard to discuss contemporary composition for chamber ensemble and beyond.
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