Fishing for Stars – The Casting Director: Tips for Getting That Part (with Wendy Kurtzman & Tori Hartley)
Release Date: 07/20/2022
My Creative Careers
Lyndon Barrois is an accomplished artist, award-winning director, animator, and visual effects professional. A native of New Orleans, Lyndon played a pivotal role in creating groundbreaking visual effects for critically-acclaimed feature films such as The Matrix Trilogy, Happy Feet, Tree of Life, and The Thing, for which he received a Visual Effects Society Award nomination. Lyndon is an active member of the Academy of Motion Picture Arts & Sciences, a Commissioner for the Smithsonian National Portrait Gallery in Washington DC, and a board member of the California...
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Jon Poll is a director, film editor, and producer. He attended the University of Southern California’s School of Cinematic Arts and graduated in 1981 with a major in film production. As an editor, Jon worked on 18 films between 1982 and 2004, including Weeds, Austin Powers: The Spy Who Shagged Me, Mystery, Alaska, Meet the Parents, Scary Movie 3, Forever Young, and Death to Smoochy. Jon made his directorial debut in 2007 with the comedy-drama Charlie Bartlett. He was also executive producer for The 40 Year Old Virgin and co-producer...
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Victoria Rose Sampson has been a renowned Feature Film Sound Editor who learned her craft by working alongside her mother, Kay Rose, the first woman to win an Oscar for sound editing on the Mark Rydell film, The River. Victoria’s credits include Pirates of the Caribbean: Curse of the Black Pearl, Speed, Donnie Darko and Return of the Jedi, and she now teaches post-production sound at Video Symphony in Burbank. She is a member of The Academy of Motion Picture Arts and Sciences, as well as the Motion Picture Editors Guild, Local 700 of the IATSE, and serves on the...
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Krystina Figg has worked with some of the most notable directors in film today, including Quentin Tarantino on Once Upon a Time in Hollywood and the Hateful Eight, Christopher Nolan on Tenet and Dunkirk, and Tom Ford on Nocturnal Animals. She got her start on The Bernie Mac Show and since then has worked on several big-budget and independent films. Krystina is also known far and wide as the ‘Badass Grip Girl!’ On My Creative Careers show this week, we talk with Krystina Figg, who shares the details of how she became interested in the film...
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Wendy is an Emmy-nominated casting director with more than 25 years of experience in feature films, movies for television, mini-series, and theater and has worked with many distinguished directors such as Paul Schrader, Diane Keaton, Sally Field, and Roland Emmerich, for whom she cast the blockbuster “Independence Day,” starring Will Smith. In 2013 Wendy launched College to Career Acting to help emerging BFA/MFA artists navigate the transition from Academia into the Entertainment Industry. Recently, Wendy joined PhilmCo Media as Head of Casting while also serving as Faculty at UCLA and...
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On this episode of My Creative Careers, Eric discusses the differences between his role and the responsibilities of the Props Department and where it sometimes overlaps. He gives us the lowdown on how he got into the film business (spoiler - show up and be persistent) and how he subsequently progressed in his career. Eric also gives his advice and insights to people interested in building a creative career in his area of the industry.
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Isis joins us to share her insights into character development and telling stories through clothes and costume. She discusses how she came to be the first costume designer credited on an animated film and describes the intricacies of what she does as a costume designer, particularly the differences between working with human actors versus animated characters. Isis also shares how she became interested in costume design and dives into the details of some of her favorite recent projects.
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On the podcast this week we welcome Star Victoria. Star dives into what the role of the 1st AD involves, how it differs from the director’s job, and why it is such a key position in filmmaking. She discusses potential routes into becoming a 1st AD, the key skills and qualities needed, and gives tips and advice on getting a foot in the door. Star also shares her story of the experiences in her early life that brought her to take on behind-the-camera roles rather than pursue her initial passion for acting.
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On the My Creative Careers podcast, we are going to be talking to a vast range of people who have all kinds of careers in the film industry. But today we’ll start with a short introduction to us, your hosts Adam and Tamika, and give you a brief insight into how our own creative careers have developed over the years.
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My Creative Careers (because creative people never have only one career!) showcases the diversity of people, arts, and professions in the entertainment industry, and shares behind-the-scenes insights so listeners can deepen their knowledge and activate their aspirations. Produced by MediaU.com – your online career accelerator.
info_outlineWendy is an Emmy-nominated casting director with more than 25 years of experience in feature films, movies for television, mini-series, and theater and has worked with many distinguished directors such as Paul Schrader, Diane Keaton, Sally Field, and Roland Emmerich, for whom she cast the blockbuster “Independence Day,” starring Will Smith. In 2013 Wendy launched College to Career Acting to help emerging BFA/MFA artists navigate the transition from Academia into the Entertainment Industry. Recently, Wendy joined PhilmCo Media as Head of Casting while also serving as Faculty at UCLA and Pace University, where she teaches personal narrative, audition technique, and transition to the Industry.
We’re excited to have Wendy on the podcast today to share what a casting director really does and how they liaise with agents, managers, producers, and directors. We dive into how the pandemic has changed the landscape for casting directors, and Wendy gives some actionable tips, coaching, and guidelines for actors who are self-taping auditions so they can be at their best. Wendy also shares her insights into what makes a successful in-person audition and adds a few secrets for success that actors could adopt when they’re meeting casting directors.
“We create a vision of what a script is going to look like in our mind and the way we hear the voices of the characters coming out through the actors that we know. Then we filter that vision between what the producers and directors are looking for.” - Wendy Kurtzman
“I think the way people approach casting is completely individual.” - Wendy Kurtzman
“I've always been somebody that thought it's worth opening the door, just to take a quick peek, no matter what you're doing, because you never know what you're going to learn.” - Wendy Kurtzman
Highlights This Week:
- How Wendy’s interest in theatre has informed her taste and her casting
- Wendy’s thoughts on whether there is a difference in style in casting in LA versus New York
- The importance of building relationships with managers and agents
- How the business has changed over the years — including some of the high profile characters Wendy used to know
- Wendy’s tips for Zoom interviews, including where to focus and position your reader
- What inspired Wendy to be a casting director and how she transitioned from acting to casting
- Casting directors and producers who really believed in Wendy and gave her the opportunities that gave her a start in the business
- Actors that Wendy immediately saw the hit factor in, and what they went on to do
- Wendy’s advice for aspiring and emerging person casting directors
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