loader from loading.io

The Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960’s era film

Go Creative Show

Release Date: 01/13/2025

The Bear's Filmmaking Secrets with Cinematographer Drew Wehde show art The Bear's Filmmaking Secrets with Cinematographer Drew Wehde

Go Creative Show

Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos and beauty of shooting one of the most creatively daring shows on TV. From the philosophy of forgetting your work to designing lighting systems with 18Ks and Infinimats, Drew breaks down how The Bear achieves its raw, immersive style—and why sometimes, there’s no storyboard at all. Whether you're a seasoned DP, an indie filmmaker, or a Bear superfan, this is a must-listen. 🎬 Topics Covered How to be present — stay focused on the moment while...

info_outline
Filming Black Mirror’s Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire) show art Filming Black Mirror’s Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire)

Go Creative Show

In this episode of the Go Creative Show, cinematographer Stephan Pehrsson returns to discuss his visual approach to the latest Black Mirror episodes, including 'USS Callister: Into Infinity' and 'Bête Noire'. We dive into lighting technology, camera choices, in-camera effects, and the psychological tension behind every frame. 🎬 Topics Covered How Black Mirror’s Visual Style Has Evolved Since Season 4 The LED Lighting Revolution: What’s Changed Behind the Scenes Green Screen vs LED Wall: The Battle for Better Sci-Fi Keeping a Consistent Look Across Alien Worlds and Realities ...

info_outline
Filming Incredible Oners with Adam Newport-Berra of The Studio show art Filming Incredible Oners with Adam Newport-Berra of The Studio

Go Creative Show

The Art of the Oner: In this episode of the Go Creative Show, acclaimed cinematographer Adam Newport-Berra joins us to discuss his work on the hit series 'The Studio'. Adam opens up about his process, the pressure and passion behind one-take sequences, lighting approaches, camera builds, and the philosophy that drives his visual choices. If you're into cinematography, collaboration, or breaking into the industry, this conversation offers both inspiration and tactical insight. 🎬 Topics Covered The storytelling power of long takes and why The Studio committed to the oner format Prepping...

info_outline
AI in Filmmaking: The Good, The Bad, and What You Really Need to Know with Caleb Ward show art AI in Filmmaking: The Good, The Bad, and What You Really Need to Know with Caleb Ward

Go Creative Show

Are filmmakers right to fear AI? Not exactly. In this episode, Ben Consoli sits down with Caleb Ward, co-founder of Curious Refuge, the leading platform for AI storytelling, to break down the real impact of AI on the filmmaking industry. They dive into how AI can enhance—not replace—human creativity, streamline production, and even open the door to entirely new job roles. From ethical concerns to wild possibilities like generating full films from a single prompt, this conversation explores the exciting (and sometimes misunderstood) intersection of technology and storytelling. Whether...

info_outline
Directing & Shooting Severance Season 2 with Jessica Lee Gagné show art Directing & Shooting Severance Season 2 with Jessica Lee Gagné

Go Creative Show

In this episode of the Go Creative Show, Jessica Lee Gagné returns to discuss her experience filming Severance Season two, plus her Episode 7 directorial debut. She shares insights into her creative process, the challenges of shooting in unique environments, and the evolution of cinematography from Season One to Season Two. Jessica emphasizes the importance of collaboration, the emotional journey of directing, and the innovative techniques used in the series, including transitions and lighting choices. The conversation highlights her growth as a filmmaker and her aspirations for future...

info_outline
Anora Cinematographer Drew Daniels on Embracing Imperfection and Shooting on Film show art Anora Cinematographer Drew Daniels on Embracing Imperfection and Shooting on Film

Go Creative Show

In this episode of the , cinematographer Drew Daniels discusses his work on the film Anora, exploring the choices made in shooting on film, the challenges of balancing family life with a demanding career, and the unique lighting techniques that evoke a 70s aesthetic. He shares insights into the language of film, the importance of capturing authenticity, and how chaos can enhance the storytelling process. Drew reflects on his evolving collaboration with director Sean Baker and the milestones in his career that have shaped his approach to cinematography. Takeaways Shooting on film was a given...

info_outline
The Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960’s era film show art The Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960’s era film

Go Creative Show

In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses his work on the film A Complete Unknown, exploring the visual style, character development, and innovative techniques used throughout the production. He shares insights into the evolution of cinematography as it relates to Bob Dylan's journey, the importance of texture and authenticity in the film's aesthetic, and the collaborative process with director James Mangold. We also discuss his innovative techniques for shooting night exteriors, the importance of location filming, and the dynamic control of lighting...

info_outline
Nosferatu Cinematography Secrets: Jarin Blaschke on Crafting a Haunting Look with Robert Eggers show art Nosferatu Cinematography Secrets: Jarin Blaschke on Crafting a Haunting Look with Robert Eggers

Go Creative Show

In this episode of the Go Creative Show, cinematographer Jarin Blaschke discusses his work on the new film Nosferatu, reflecting on his journey in cinematography and the collaborative process with director Robert Eggers. He delves into the unique visual style of Nosferatu, including the use of moonlight and lighting techniques, as well as the challenges faced during production. Jarin shares insights on camera movement, framing choices, and the emotional impact of the film on viewers. He also hints at future projects and his aspirations in the film industry. Takeaways The journey to becoming a...

info_outline
WICKED Cinematography and Return of Practical Effects with Alice Brooks show art WICKED Cinematography and Return of Practical Effects with Alice Brooks

Go Creative Show

In this episode of the Go Creative Show, cinematographer Alice Brooks discusses her work on the film Wicked, exploring its visual aesthetic, the return of practical effects in cinema, and the challenges of lighting large sets. She emphasizes the importance of collaboration and trust within her crew, the role of nature in storytelling, and the innovative use of Unreal Engine for pre-visualization. The conversation also touches on female representation in the film industry and the personal journeys of women in cinematography.   Takeaways Wicked is a friendship love story  Classic...

info_outline
Best Organization Tools for Filmmakers, New FCPX, Nosferatu Reactions show art Best Organization Tools for Filmmakers, New FCPX, Nosferatu Reactions

Go Creative Show

In this episode of the Go Creative Show, hosts Ben Consoli and Connor Crosby celebrate the recent rebranding of BC Media Productions and emphasizing the importance of organization in the filmmaking process. They share their top organizational tools, including Notion, for project management and staying organized amidst a busy production schedule. The conversation also touches on the significance of project codes for high-level organization.  They discuss early reactions to the Final Cut Pro 11 release, and their excitement for upcoming films like Nosferatu and Wicked. PLUS, Ben's reactions...

info_outline
 
More Episodes

In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses his work on the film A Complete Unknown, exploring the visual style, character development, and innovative techniques used throughout the production. He shares insights into the evolution of cinematography as it relates to Bob Dylan's journey, the importance of texture and authenticity in the film's aesthetic, and the collaborative process with director James Mangold.

We also discuss his innovative techniques for shooting night exteriors, the importance of location filming, and the dynamic control of lighting on set. He reflects on the musicality of filmmaking and the collaborative process with actors and directors. Additionally, he shares his thoughts on the impact of AI on the future of cinematography and the importance of maintaining creative integrity in filmmaking.

 

Takeaways

This film is about capturing the protagonist's interior doings.
The visual style evolved to reflect Bob Dylan's transformation.
Using period photography as inspiration helped shape the film's look.
The cinematography aimed for a more intimate character study.
The film's texture was intentionally rough and less polished.
Cinematography evolved with the character's journey and energy.
Innovative low light techniques were explored for authenticity.
Collaboration with the director was key to achieving the film's vision.
The use of multiple cameras allowed for a dynamic shooting style.
The final look was carefully calibrated to match the intended aesthetic. Shooting at high ISO allows for creative night exteriors.
Controlling light is more about subtraction than addition.
Location filming enhances the authenticity of a film.
Dynamic lighting can create a more organic feel on set.
Collaboration with actors can lead to unexpected creative choices.
The use of technology can streamline the filmmaking process.
AI poses challenges but also opportunities for filmmakers.
Maintaining communication on set is crucial for success.
Filmmaking should remain a human-centered process.
Finding the right collaborators is key to creative filmmaking.