Out of the Past: Investigating Film Noir
Miguel Rodriquez of and Will McKinley of interview Clute and Edwards on the topic of , a free multimedia online course presented by Turner Classic Movies (TCM) and Ball State University. This course is the latest collaboration by the creators of the Out of the Past: Investigating Film Noir podcast series and will benefit from the promotional and social media support of TCM, where Clute now serves as head of Marketing and Editorial, and the innovative multimedia course materials created by Ball State University, where Edwards is Executive Director of iLearn Research. The...
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Leave a comment here about your favorite films noir for the Out of the Past community. Whether you are a long-time fan or just discovering the great films of the noir tradition, browse through these comments to get viewing suggestions based on what listeners to Out of the Past recommend. These comments create a great crowd-sourced list of film noir titles.
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Clute and Edwards are pleased to announce that the Out of the Past podcasts were broadcast by the Australian Broadcasting Corporation, ABC Radio National, as part of their Top of the Pods programming--their selection of the world's best podcasts. ()
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OUT OF THE PAST is perhaps the most carefully structured of all films noir--a narrative divided (like protagonist Jeff Markum/Bailey) between an inescapable past and an impossible future, teetering on the slimmest hope for the present such that any action taken by its poor players tips them down into the abyss. Director Jacques Tourneur, cinematographer Nicholas Musuraca and screenwriter Daniel Mainwaring perfectly synchronized their efforts on this film, creating a narrative masterpiece where every image perfectly accompanies or contrasts every line of dialogue, where the whole is so...
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Appearances can be deceiving. On the surface, INVASION OF THE BODY SNATCHERS is pure science fiction, the tale of seed pods from outer space that produce emotionless body doubles of each citizen in the small town of Santa Mira. Often read as an allegory of either Communism or McCarthyism, where every person who becomes "one of them" loses autonomy by willingly buying into the unthinking collective, the film in fact plumbs questions of humanity in the modern era with subtlety and nuance more common to films noir than to science fiction movies. As Dr. Miles Bennell (Kevin McCarthy) and Becky...
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A product of Clute and Edwards' longstanding fascination with film noir and hard-boiled literature, this podcast investigates how certain mid-century visual and storytelling conventions evolved into Rockstar Games/Team Bondi's new video game L.A. NOIRE. To some degree, noir and hard-boiled themselves evolved from a 19th-century literary tradition that involved contests of deduction and linear modes of problem-solving (a tradition established by Edgar Allan Poe), but in the wake of two world wars and other evidence of the havoc wreaked by modern "progress" those storytelling traditions...
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While many scholars have focused on noir as a dark visual style, or a worldview marked by the anxieties and stark realities of modernity, few have addressed noir's high degree of self-consciousness or its profoundly quirky humor. In their new book,The Maltese Touch of Evil: Film Noir and Potential Criticism, Clute and Edwards focus on these underappreciated characteristics of noir to demonstrate how films noir frame their "intertextual" borrowings from on another and create visual puns, and how these gestures function to generate both compelling narratives and critical reflections upon those...
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info_outlineOut of the Past: Investigating Film Noir
A script by Raymond Chandler. Veronica Lake, Alan Ladd, and William Bendix in leading roles. Costumes by the great Edith Head, and cinematography by Lionel Lindon, who had been nominated for best cinematography just the year before for the Oscar sensation GOING MY WAY. In short, THE BLUE DAHLIA seems to have everything going it’s way. Why, then, does the film fail to deliver the emotional impact of near contemporary titles like THE KILLERS or THE BIG SLEEP? To frame an answer to this question, we must first displace the many frames through which we have become accustomed to viewing the...
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In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson,...
info_outlineWhile many scholars have focused on noir as a dark visual style, or a worldview marked by the anxieties and stark realities of modernity, few have addressed noir's high degree of self-consciousness or its profoundly quirky humor. In their new book,The Maltese Touch of Evil: Film Noir and Potential Criticism, Clute and Edwards focus on these underappreciated characteristics of noir to demonstrate how films noir frame their "intertextual" borrowings from on another and create visual puns, and how these gestures function to generate both compelling narratives and critical reflections upon those narratives. Drawing on the on the concept of "constraint" articulated by the Oulipo (a French acronym for "Ouvroir de Litterature Potentielle," or "Workshop of Potential Literature"), Clute and Edwards demonstrate that noir was the most constrained of film styles, and the constraints noir embraced gave rise to its infinite variability and unprecedented self-reflexivity--the very characteristics that have often forced scholars to bracket off noir, framing it as an exception to the otherwise tidy world of studio-era American cinema. In this video essay, Clute and Edwards use the simple constraint of run time percentage to recombine iconic moments from 31 films noir and neo-noir, and in the process create a short film that is at once a noir narrative and an investigation into the narrative constraints embraced by noir.