s3e77 documenting the printmaking ecosystem with Susan Goldman
Platemark: Prints and the Printmaking Ecosystem
Release Date: 03/25/2025
s3e104 carborundum collagraphy with Betty Winkler
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann sits down with Betty Winkler to explore her dual career as a master of carborundum collagraphy and a dedicated art therapist. They dive into her technical innovations—such as her preference for plexiglass plates—and discuss her book, which aims to demystify this tactile, non-toxic printmaking method. Betty shares how her background in the collaborative world of the print studio seamlessly informs her work in therapy, viewing both as powerful tools for communication and healing. From the grit of the carborundum to the deep emotional layers of trauma...
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s3e103 release the Wolfbat with Dennis McNett
Platemark: Prints and the Printmaking Ecosystem
Get ready to leave the white-cube gallery behind. In our latest episode, we’re stepping into the wild, mythic world of Dennis McNett (AKA Wolfbat). For over 30 years, Dennis has been carving out a career that defies every "standard" artistic path. Dennis doesn't just make art—he builds universes. He is a modern-day storyteller who reminds us that when you combine woodcuts with community and a bit of "Wolfbat" energy, art has the power to transform entire towns. IG: @wolfbat Show me the !!
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s3e102 Seoul to West Texas with Sangmi Yoo
Platemark: Prints and the Printmaking Ecosystem
In this episode, Ann sits down with Sangmi Yoo—artist, educator, and Professor of Printmaking at Texas Tech—to discuss how she navigates the "in-between." Her work isn't just about ink on paper; it’s about how we build our identities out of architecture, memory, and the ghosts of colonial history. IG: Show me the !!
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s3e101 the science and art of ink with Stephen Hoskins
Platemark: Prints and the Printmaking Ecosystem
What is the "secret sauce" that gives a print its soul? In this episode, Ann sits down with Professor Stephen Hoskins to decode the complex chemistry and 500-year history of printmaking inks. From Old Master soot to the cutting edge of 3D-printed textures, we’re diving deep into the science, sustainability, and tactile future of our craft’s most foundational element. Stephen Hoskins’s website: University of the West of England: CFPR Editions: Top 10 Printing Museums in Europe: Show me the !!
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s3e100 celebrating 100 interviews
Platemark: Prints and the Printmaking Ecosystem
Celebrating her 100th interview in the third series, Ann is in the hotseat and is being interviewed by her friend Stacy Kincaid. The discussion covers the podcast's origins, challenges, and key moments. Ann reflects on her diverse career and shares insights into the technical and creative aspects of podcasting, including her commitment to providing visual references for listeners. The conversation spans personal anecdotes, professional highlights, and future aspirations for the podcast and printmaking community.
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s3e99 simultaneous color printing and Krishna Reddy's legacy with artist Mark Johnson
Platemark: Prints and the Printmaking Ecosystem
"It’s not just about the mechanics; it’s about the way the colors breathe together on the metal." — Mark Elliott Johnson In this episode of Platemark, host Ann Shafer talks with artist Mark Johnson who shares his extensive experiences working with Krishna Reddy, a master in simultaneous color printing (viscosity printing). The conversation reveals insights into Reddy's creative process, his philosophical approach to art and teaching, and the technical intricacies of his printmaking methods. The episode also touches on Johnson's own journey, the influence of Reddy's teachings on his...
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S3e98 the Society of American Graphic Artists with Diego Briceno, DeAnn Prosia, and Esther Schwalb
Platemark: Prints and the Printmaking Ecosystem
Since 1915, the Society of American Graphic Artists (SAGA) has survived world wars, the Great Depression, and the digital revolution by doing one thing: keeping the press rolling. In this episode of Platemark, we’re going behind the scenes of the cornerstone of American printmaking with three powerhouses who have steered the ship—Diego Briceno, DeAnn Prosia, and Esther Schwalb. We dive into SAGA’s gritty 110-year evolution, from its origins as a Brooklyn etching club to its current status as a national titan championing inclusivity and technical mastery. Discover the secrets behind...
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S3e97 the impulsivity and expressionism of artist Chuck Webster
Platemark: Prints and the Printmaking Ecosystem
Welcome to Platemark, where we dive into the creative minds shaping the art world. This week, we connect with Chuck Webster, an exceptional artist whose deep and impulsive connection to drawing is both therapeutic and transformative. From publishing his own childhood sketches to constantly finding inspiration in sources ranging from Russian folk art to urban graffiti, Chuck's work is a fascinating dialogue between instinct and refinement. Join us as he opens up about his cathartic process, how content magically emerges from form, his love for experimenting with vintage materials, and how his...
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s3e96 directing David Krut Projects with Amé Bell
Platemark: Prints and the Printmaking Ecosystem
Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with artists, how digital spaces are rewriting the rules of curating, and even get a peek at Amé's other passion: podcasting! Find out what it takes to make a moment in art history and the enriching impact...
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s3e95 collaging identity with Yashua Klos
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann converses with Yashua Klos, a passionate artist finding new connections through collaborative printmaking. They discuss his unique woodblock collage technique, his journey of self-discovery, and the impact of reuniting with family. We talk about the nuances of his artistic process, the emotional resonance of his work, and the importance of representation in the art world. Don't miss this insightful conversation that intertwines personal growth, artistic expression, and the vibrant community of printmaking. Cover image: Sean Pressley Artist’s IG:...
info_outlineIn this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentors, and the vibrant printmaking community she's built over time. Goldman also delves into her personal work, her love for screenprinting, and the balance of managing a studio while collaborating with renowned artists like Sam Gilliam. Her current projects include documentaries on Lloyd Menard and Rochelle Toner and exploring the evolution and impact of digital printmaking. Susan's reflections on the importance of documenting printmaking history and incorporating community and teaching into her work provide a comprehensive view of her dedication to the art form.
Episode image: Erwin Thamm
Midwest Matrix film: https://www.midwestmatrix.info/index.html
Printmaking Legacy Project: https://printmakinglegacyproject.org/index.html
IG: lily_press_studio
IG: goldmansusan
Spread from Journal of the Print World on Midwest Matrix.
Rudy Pozzatti.
Tracey Templeton, Wendy Calman, and Susan Goldman at Indiana University, Bloomington.
John Whitesell. Circus, 1981. Three-color lithograph. 19 x 25 in. Published by Normal Editions.
Susan Goldman. Squaring the Flower II, #15. Screenprint. 30 x 30 in. Printed and published by Lily Press, Rockville, MD.
Installation shot of Susan Goldman’s Squaring the Flower, McLean Project for the Arts, McLean, VA.
Cory Oberndorfer inspects proofs of Six Frozen Treats (after Dine) at Lily Press, Rockville, MD.
Elizabeth Martin Brown working on a Sam Gilliam edition at Lily Press, Rockville, MD.
Renee Stout. The Secret Keeper, 2010. Etching. Plate: 7 x 5 in.; sheet: 15 x 11 in. Printed and published by Lily Press, Rockville, MD.
Renee Stout working at Lily Press, Rockville, MD.
Viktor Ekpuk. Hip Sista, 2027. Screenprint. 30 x 22 in. Printed and published by Lily Press, Rockville, MD.
Victor Ekpuk and Susan Goldman at Lily Press, Rockville, MD.
Susan Goldman and Sam Gilliam at Lily Press, Rockville, MD.
Dennis O’Neill in the shop at the Corcoran College of Art and Design, Washington, D.C.
Lily Press booth at the Baltimore Fine Art Print Fair, 2023.
Cory Oberndorfer. Six Frozen Treats (after Dine), 2023. Intaglio. Plate: 10 ¼ x 14 ½ in.; sheet: 21 x 15 in. Printed and published by Lily Press, Rockville, MD.
Eve Stockton. Woodland Skyscape. Woodcut with watercolor. Sheet: 36 x 36 in. Printed and published by Lily Press, Rockville, MD.
Eve Stockton working at Lily Press, Rockville, MD.
Percy B. Martin at Lily Press, Rockville, MD. Photo: Duane Winfield.
Lloyd Menard, founder of Frogman’s Print Workshops.
Rochelle Toner. Boost, 2009. Etching. 12 x 16. Courtesy of the Artist.
Rochelle Toner and Susan Goldman filming their interview.
Enrique Chagoya. Life at the Border of Language, 2023. Color lithograph. 21 ½ x 36 in. Published by Sharks Ink.
Garo Antreasian. Y’es Em, 1991. Four-color lithograph. Sheet: 30 1/8 x 26 ¼ in. Published by Tamarind Institute, University of New Mexico.
Leonard Lehrer. Powis, 1972. Lithograph. Sheet: 24 x 18 in. ArtworkArchive.com.
Sam Gilliam (American, 1933–2022). 3 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Published by Lily Press, Rockville, MD.
Sam Gilliam (American, 1933–2022). 4 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Printed and published by Lily Press, Rockville, MD.
Sangmi Yoo. Common Ground, 2025. Aluminum etching. 20 x 15 in. Courtesy of the Artist.
Keiko O’Hara at Lily Press, Rockville, MD.
