s2e35 History of Prints James Gillray
Platemark: Prints and the Printmaking Ecosystem
Release Date: 10/28/2025
s3e99 simultaneous color printing and Krishna Reddy's legacy with artist Mark Johnson
Platemark: Prints and the Printmaking Ecosystem
"It’s not just about the mechanics; it’s about the way the colors breathe together on the metal." — Mark Elliott Johnson In this episode of Platemark, host Ann Shafer talks with artist Mark Johnson who shares his extensive experiences working with Krishna Reddy, a master in simultaneous color printing (viscosity printing). The conversation reveals insights into Reddy's creative process, his philosophical approach to art and teaching, and the technical intricacies of his printmaking methods. The episode also touches on Johnson's own journey, the influence of Reddy's teachings on his...
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S3e98 the Society of American Graphic Artists with Diego Briceno, DeAnn Prosia, and Esther Schwalb
Platemark: Prints and the Printmaking Ecosystem
Since 1915, the Society of American Graphic Artists (SAGA) has survived world wars, the Great Depression, and the digital revolution by doing one thing: keeping the press rolling. In this episode of Platemark, we’re going behind the scenes of the cornerstone of American printmaking with three powerhouses who have steered the ship—Diego Briceno, DeAnn Prosia, and Esther Schwalb. We dive into SAGA’s gritty 110-year evolution, from its origins as a Brooklyn etching club to its current status as a national titan championing inclusivity and technical mastery. Discover the secrets behind...
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S3e97 the impulsivity and expressionism of artist Chuck Webster
Platemark: Prints and the Printmaking Ecosystem
Welcome to Platemark, where we dive into the creative minds shaping the art world. This week, we connect with Chuck Webster, an exceptional artist whose deep and impulsive connection to drawing is both therapeutic and transformative. From publishing his own childhood sketches to constantly finding inspiration in sources ranging from Russian folk art to urban graffiti, Chuck's work is a fascinating dialogue between instinct and refinement. Join us as he opens up about his cathartic process, how content magically emerges from form, his love for experimenting with vintage materials, and how his...
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s3e96 directing David Krut Projects with Amé Bell
Platemark: Prints and the Printmaking Ecosystem
Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with artists, how digital spaces are rewriting the rules of curating, and even get a peek at Amé's other passion: podcasting! Find out what it takes to make a moment in art history and the enriching impact...
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s3e95 collaging identity with Yashua Klos
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann converses with Yashua Klos, a passionate artist finding new connections through collaborative printmaking. They discuss his unique woodblock collage technique, his journey of self-discovery, and the impact of reuniting with family. We talk about the nuances of his artistic process, the emotional resonance of his work, and the importance of representation in the art world. Don't miss this insightful conversation that intertwines personal growth, artistic expression, and the vibrant community of printmaking. Cover image: Sean Pressley Artist’s IG:...
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S3e94 art law with Yayoi Shionoiri
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann talks with Yayoi Shionoiri, an arts lawyer and Vice President of External Affairs & General Counsel at Powerhouse Arts. Yayoi, who has over two decades of experience in art law, discusses her unique career path, from her initial interest in art history to working in law supporting artists and cultural workers. They talk about working together on the Brooklyn Fine Art Print Fair, the significance of transparency in art production, the evolving field of art law, and the intersections of technology and art, particularly generative AI. The conversation also...
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S3e93 printing Peter Milton etchings with Robert Townsend
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann delves into the intricate world of prints and printmaking with master printer Robert Townsend. With over 55 years of experience, Bob shares his journey, techniques, and notable collaborations with artists like Peter Milton, Jim Dine, and Michael Mazur. They take a deep dive into plate wiping, steel facing, and other essential intaglio processes. Tune in to learn about the nuances of printing detailed etchings, and gain insights into the collaborative efforts that bring them to life. IG @retownsendstudio !!
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s2e35 History of Prints James Gillray
Platemark: Prints and the Printmaking Ecosystem
In this History of Prints episode, Tru and Ann look at the considerable output of British satirist James Gillray (1756–1815). Younger than William Hogarth by nearly sixty years, Gillray took Hogarth’s social commentary, its energy, and caustic approach, and used his skills to skewer politicians and kings, laugh at Napoleon and his empire building, point out the absurdity of the fear of vaccines, and make clear the debauchery of public executions. In fact, he’s now called the father of the political cartoon. With scary parallels to current events, Gillray’s acerbic eye nails it every...
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s3e92 collagraph with artist Evan Summer
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann talks with Evan Summer, who shares his journey from studying chemistry to becoming a printmaker and educator. We talk about the technical aspects and challenges of collagraph, a lesser-known printmaking technique, discussing its potential and common pitfalls. Evan also offers some essential hot tips on the technique. Evan explains the intersection of science and art in printmaking, emphasizing safety and technical precision. We also explore his dark, apocalyptic-themed landscapes contrasted with his occasional, whimsical animal prints. We talk about his his...
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s3e91 watercolor monotypes with artist and printer Sue Oehme
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann talks with Sue Oehme, owner of Oehme Graphics in Steamboat Springs, Colorado. Sue shares her journey into printmaking, starting with her initial foray into lithography before discovering her love for etching. We talk about the unique process and intricate technique behind her renowned watercolor monotypes, including how different surfaces and types of paper influence the final artwork. We also talk about her collaborative approach and highlight her experience with artists at Oehme Graphics. Sue also touches on her previous significant work experience at Tyler...
info_outlineIn this History of Prints episode, Tru and Ann look at the considerable output of British satirist James Gillray (1756–1815). Younger than William Hogarth by nearly sixty years, Gillray took Hogarth’s social commentary, its energy, and caustic approach, and used his skills to skewer politicians and kings, laugh at Napoleon and his empire building, point out the absurdity of the fear of vaccines, and make clear the debauchery of public executions. In fact, he’s now called the father of the political cartoon. With scary parallels to current events, Gillray’s acerbic eye nails it every time.
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