Episode 045 - Seven Inches Of History - Lonnie Donegan - My Old Man's A Dustman (1960)
Rainbow Valley
A dustbin, a donkey jacket and one of the biggest singalongs of 1960. This time on Seven Inches of History, we reach one of those records that seems to have been part of British life forever — Lonnie Donegan’s “My Old Man’s a Dustman.” By 1960, Donegan was already the undisputed king of British skiffle. He had helped launch a musical craze with a washboard, a tea-chest bass and the encouraging suggestion that you really didn’t need an expensive collection of instruments to start a band. Thousands of teenagers took him at his word — including rather a lot who would go on to...
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Episode 044 - Seven Inches Of History 005- Johnny Preston - Running Bear
Rainbow Valley
A song about doomed love, written by a man who never lived to see it top the charts. "Running Bear" is a cheerful record about two people who drown. That tension between the bouncy production and the tragic storyline is part of what makes it so fascinating, and part of why it shot to number one in March 1960 and stayed there for two weeks. But the real story here isn't Johnny Preston. It's the man who wrote the song. Jiles Perry Richardson Junior, better known as the Big Bopper, died on February 3rd 1959 in the same plane crash that took Buddy Holly and Ritchie Valens. He was twenty-eight...
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Episode 043 - The Making Of The Italian Job (1969)
Rainbow Valley
"Just remember this - in this country they drive on the wrong side of the road" In 1969, British cinema delivered one of its most enduringly cheerful acts of grand larceny. The Italian Job had Michael Caine, three Mini Coopers, a coach balanced rather inconveniently above a precipice and a plan that looked perfectly sensible provided nobody examined it too closely. In this episode of Rainbow Valley, we go behind the scenes to explore how this much-loved crime caper found its way onto the screen. Written by Troy Kennedy Martin, directed by Peter Collinson and produced by Michael Deeley, the...
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Episode 042 - Seven Inches Of History 004 - Adam Faith - Poor Me
Rainbow Valley
Two number ones before breakfast. Adam Faith was just getting started. Adam Faith was not an accident. While some artists stumble into the charts through luck or timing, Terence Nelhams-Wright from Acton arrived at number one in the spring of 1960 as the result of a series of very deliberate decisions. The name. The image. The sound. All of it carefully assembled, and all of it working perfectly. "Poor Me" was his second consecutive number one, following "What Do You Want" which had topped the chart at the end of 1959. Back to back number ones before most people had even worked out who he...
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Episode 041 - Seven Inches Of History 003 - Anthony Newley - Why
Rainbow Valley
The accidental pop star who couldn't wait to get back to the theatre. Anthony Newley never really wanted to be a pop singer. He wanted to be in the theatre. The trouble was, the British public had other ideas, and in February 1960 they kept "Why" at number one for four consecutive weeks, making it very difficult for him to pretend the whole pop star thing wasn't happening. The route to the chart had been almost accidental. Newley had been cast as a rock and roll singer in a 1959 film called "Idle on Parade," recorded a few songs for it, and watched in mild surprise as one of them reached...
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Episode 040 - Seven Inches Of History 002 - Michael Holliday - Starry Eyed
Rainbow Valley
One week at the top, a lifetime of sadness behind the smile. The first brand new number one of the 1960s belonged to a man from Liverpool with a voice like warm honey and a stage name chosen for its lightness. Michael Holliday. It suited him perfectly. What it didn't tell you was anything about the anxiety and depression that shadowed every step of his career. "Starry Eyed" went to number one on January 24th 1960, held off the blocks for one week before Anthony Newley came along and nudged it aside. One week sounds brief. In a chart as competitive as early 1960s Britain, one week at the...
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Episode 039 - Seven Inches Of History 001 - Emile Ford and the Checkmates - What Do Want to Make Those Eyes At Me For?
Rainbow Valley
The record that started a decade, and made history doing it. The 1960s didn't begin with a fanfare. They began with a carry-over. Emile Ford and the Checkmates had reached number one back in November 1959 with "What Do You Want to Make Those Eyes at Me For" and when January 1st 1960 arrived, they were still sitting comfortably at the top of the British chart. The new decade started mid-song. There are worse ways to begin. But here's the thing about that chart position that goes well beyond the novelty of a decade boundary. Emile Ford was the first Black British artist ever to reach number one...
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Episode 018 - The Making Of Cleopatra (1963)
Rainbow Valley
Episode 018 of The Rainbow Valley podcast – telling the stories that made the swinging decade.
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Episode 016 - The Hammersmith Nude Murders (1964 - 1965)
Rainbow Valley
The story of the Sixties answer to Jack the Ripper in the west of London. Six, possibly seven victims – all prostitutes…murdered in a chilling reign of terror in the early years of the swinging decade.
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Episode 015 - Matt Monro
Rainbow Valley
Matt Monro was described as the UK’s answer to Frank Sinatra, a label he detested. For Matt Monro was not an answer to anything. Matt Monro was unique, he was his own entity, had his own marvellous style, and was possibly the finest male popular music singer the UK has ever produced.
info_outlineRainbow Valley - telling the stories from the decade that shook the world.
Episode 038 - The Mini
This time on Rainbow Valley, we climb into one of the most famous little cars ever built and tell the story of how the Mini became so much more than four wheels and a cheeky grin.
Born not from glamour, but from crisis, the Mini arrived in the shadow of Suez, petrol rationing and a Britain trying to work out what sort of country it wanted to be after empire. What began as an urgent answer to fuel shortages soon became a triumph of imagination, as Alec Issigonis and his team at BMC took the rulebook of car design, gave it a firm shake, and produced something tiny, clever and utterly revolutionary.
But the Mini’s real magic came when the 1960s caught up with it. Suddenly, this practical little economy car looked perfectly at home in a world of pop music, fashion, photography and youthful reinvention. It belonged outside ordinary homes, fashionable London flats, royal residences and Beatles garages alike. Then, as if that were not enough, it became a motorsport giant-killer, conquering Monte Carlo and proving that brains, balance and British cheek could still beat brute force.
From Longbridge workshops to Carnaby Street cool, from Paddy Hopkirk’s rally triumph to those immortal red, white and blue Minis in The Italian Job, this is the story of a car that somehow managed to be practical, stylish, rebellious and deeply lovable all at once..
Join Rainbow Valley for the birth of the Mini: the tiny machine that helped define the decade that shook the world.
You can follow the podcast on Twitter @rv_podcast
Thanks for listening
Scott