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012 - Mic Choice

Recording Studio Podcast

Release Date: 09/26/2017

019 Training Your Ears show art 019 Training Your Ears

Recording Studio Podcast

In this episode we discuss training your ears! How do you do it? How long does it take? We talk about listening to organic live music and how live music relates to working in the studio with sound.

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018 - Fernando Reyes Interview - Part 2 show art 018 - Fernando Reyes Interview - Part 2

Recording Studio Podcast

In this episode Mark asks about how Fernando's perspective has changed up to now, from when he was in school. Fernando mentions that it's easy to take what you are shown and think that is the "only way" but it isn't.

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017 Mix Psychology show art 017 Mix Psychology

Recording Studio Podcast

Tom and Mark talk about mixing and working in the digital realm. It all comes with it’s challenges. One of those challenges is the overwhelming amount of technical tasks we need to accomplish in order to do a single thing. Setting up the mix and your project template is imperative when streamlining your workflow. Communication with the client is #1. Communication with other people in the team (recording engineers, producers) is also a necessity.

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016 Interview with Drum Tech_Isra Batista_Part 3 show art 016 Interview with Drum Tech_Isra Batista_Part 3

Recording Studio Podcast

In this episode I interview professional drum tech and studio owner, isra Batista. In this Part 3 of 3, we talk about adding materials on the drum heads and is it good or bad. Putting materials on the drum heads and inside the drums not only changes the sound but the performers experience as well. What material are you are hitting the drums with? It all makes a difference.

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015 Interview with Drum Tech_Isra Batista_Part 2 show art 015 Interview with Drum Tech_Isra Batista_Part 2

Recording Studio Podcast

In this episode we continue our interview with professional drum tech, Isra Batista. Listen to his perspectives on drum heads and how they affect the sound of the drum.

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014 Interview with Drum Tech_Isra Batista_Part 1 show art 014 Interview with Drum Tech_Isra Batista_Part 1

Recording Studio Podcast

In this episode Mark interview Isra Batista, studio owner, engineer, producer, drummer and drum tech. Isra talks about how he grew into being a drum tech and shares his opinions on what makes great drum sounds starting at the source.

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013 Mic Choice_Part 2 show art 013 Mic Choice_Part 2

Recording Studio Podcast

Mark and Tom continue the conversation about microphone choice and types. They discuss specific scenarios where you may choose a certain type of microphone or position.

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012 - Mic Choice show art 012 - Mic Choice

Recording Studio Podcast

Tom and Mark talk about the process of choosing microphones for recording. Do you choose a condenser or a dynamic microphone? What's the difference? Will the wrong mic affect the project negatively or does it even matter? What other factors in the room and with the instrument do we take into consideration when recording?

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011 - Audio Dreams - Fernando Reyes Interview - Part 1 show art 011 - Audio Dreams - Fernando Reyes Interview - Part 1

Recording Studio Podcast

Fernando's road to success started in Peru and brought him to Florida where he went to school for Audio. It was through school that he discovered his passion for mixing. After school Fernando moved to New York to pursue his dream to work in a studio.

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010 - Beyond Stereo Beyond Analog - History Part 2 show art 010 - Beyond Stereo Beyond Analog - History Part 2

Recording Studio Podcast

Mark and Tom discuss surround sound, virtual reality, and the different emerging ways of experiencing audio. VR games and other types of environments allow us create music and even learn how operate gear in a virtual environment! The digital domain makes most of this possible, but do we miss or want anything from the analog world?

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More Episodes

Tom and Mark talk about the process of choosing microphones for recording.  Do you choose a condenser or a dynamic microphone?  What's the difference? Will the wrong mic affect the project negatively or does it even matter?  What other factors in the room and with the instrument do we take into consideration when recording?