Michael Molcher on I AM THE LAW: HOW JUDGE DREDD PREDICTED OUR FUTURE
Release Date: 02/23/2023
Robots From Tomorrow!
Greg and continue their dive into gem after Caped Crusader gem of the best Batman stories of the Seventies to mid-Eighties! Come for the Archie Goodwin goodness, stay to find out more about the artistic evolution of Walt Simonson, which of the two hosts is coolest on Marshall Rogers, the correct length of the Bat-Ears, what happens when the Bruces of two different comic book universes collide, the one-stop-comicbooking-shop that is Jim Aparo, Joe Staton and the Justice Society, just how hard Dick Giordano is to pronounce, and much more. All that, and the man who stalks the most...
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Join Greg and Zach Wilkerson, one-third of the DC3Cast, as they delve deep into the Justice League Unlimited episode 'For the Man Who Has Everything,' adapted from Alan Moore and Dave Gibbons' classic Superman Annual #11. How deep you ask? Well, audio commentary-level deep!
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Join Greg and Zach Wilkerson, one-third of the DC3Cast, as they delve deep into the Justice League Unlimited episode 'For the Man Who Has Everything,' adapted from Alan Moore and Dave Gibbons' classic Superman Annual #11. How deep you ask? Well, audio commentary-level deep! The two's discussion topics range from major differences between the episode and the original comic, to continuity within the DCAU, to the story's emotional impact. Was removing Robin for the JLU episode a smart move? What could this story have looked like if it showed up during Justice League, when each story was a...
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In this panel discussion Greg moderated from this year’s Baltimore Comicon, renowned cartoonist Stan Sakai discusses his celebrated career, particularly focusing on his iconic creation, Usagi Yojimbo. The conversation covers various aspects of Sakai's journey, from his early inspirations and the development of the character, to his unique storytelling techniques and processes. He also shares anecdotes about his collaborations, his publishing journey, and the importance of maintaining control over his work. Sakai offers insights into his meticulous research trips to Japan and hints at future...
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In this panel moderated by Greg at HeroesCon 2024, veteran comic book letterers Rick Parker, John Workman, and Kevin Nowlan, as well as coloring guru and production master Steve Oliff share their experiences and techniques as cartoonists working in the art of lettering. Here's how the show described the panel: GREG MATIASEVICH (Multiversity Comics) sits down with letterers JOHN WORKMAN, KEVIN NOWLAN, and RICK PARKER to talk about a job that involves much more than just typing with a pen. Listen to them swap stories about balancing their own careers as cartoonists; while placing word...
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In this panel discussion Greg moderated from this year’s Baltimore Comicon, cartoonists Zoe Thorogood, Jeff Smith, David Petersen, and Stan Sakai talk about the tools they use to bring their Eisner-winning comic book stories out of their heads and on to the page. From scouting art shops for discontinued pens to building architectural models to using school supplies and family members (two-legged or four-legged) and all points in-between, these four go far and wide with their advice on what helps them keep bringing the comic booking goodness to us all, page after page, and year after year....
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Writer Samuel Teer is back to finish out the RFT trilogy dedicated to Brownstone, his collaboration with cartoonist Mar Julia. Since his last visit, Brownstone won the prestigious Michael L. Printz Award for Excellence in Young Adult Literature, and Samuel goes into detail about the impact that accolade has had on his career and mental health. The discussion doesn’t shy away from the darker aspects, including Samuel’s tumultuous relationship with HarperCollins, the industry’s shortcomings in supporting creators of color, and the emotional toll of navigating publisher...
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In this panel discussion that Greg moderated back in June from this year's HeroesCon, cartoonist Michel Fiffe reflects on finishing his acclaimed indie comic COPRA with the release of issue 50 earlier on the week. Fiffe discusses the emotional journey of concluding the series after 12+ years, his inspirations, his creative process, the X-Men and Ninja Turtle impact on the book, the challenges and rewards of being an independent creator, how close we came to having a Batman show up, and much, much more! [This episode is number 819 in a series.]
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Greg welcomes DC3Cast’s Brian Salvatore back to the show to help out with this Shelf Bound look at DC’s 1985 blockbuster event CRISIS ON INFINITE EARTHS. After catching up on Brian’s busy post-Multiversity life, balancing different passions including music, baseball, and family, and various podcasts, it’s time for some CRISIS management to figure out the optimal way to tackle the monumental and sprawling story Marv Wolfman and George Perez unleashed. Do you stick to JUST the 12-issue maxiseries? Do you throw caution to the wind and read EVERY red sky tie-in? Do you...
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There’s an ecosystem to comics publishing, like everything else. You’ve got your Marvel & DC/Big Two on one end of things, your single cartoonist stapling their first minizines that they ran 20 copies off of the printer at their day jobs at the other, and many points in-between. And it’s one of those intermediate options, Avery Hill Publishing out of South London, England, that is the focus of today’s show. Going back to the earlier example, Avery Hill is probably much closer to the cartoonist than the corporations. And this makes sense when you look at their output. On their...
info_outlineToday’s guest is not only a man of his times, but several others as well. When he’s not re-enacting 17th century English civil warfare, he’s spreading the gospel of 2000AD, the Galaxy’s Greatest Comic, as the now-Brand Manager of Rebellion/2000AD. But it’s his role as author of the new book I AM THE LAW: How Judge Dredd Predicted Our Future that brings him back to the show today. The book melds comics history with political, social, and policing scholarship to us how a comic series started in the 20th century about a lawman in the 22nd century is still showing us what we have to look forward to (and hopefully avoid) in the 21st century. It deserves to be on both college syllabi and fan bookshelves for years to come.
Nearly ten years after he helped the lads set up the Multiver-City One column that still goes strong each and every week, Michael Molcher sits down to chat with Greg about the book and all things Dredd, the surrealism of promoting his own work, the brilliance of cover artist Pye Parr, and just what the hell a Brand Manager does.