Robots From Tomorrow!
Greg welcomes DC3Cast’s Brian Salvatore back to the show to help out with this Shelf Bound look at DC’s 1985 blockbuster event CRISIS ON INFINITE EARTHS. After catching up on Brian’s busy post-Multiversity life, balancing different passions including music, baseball, and family, and various podcasts, it’s time for some CRISIS management to figure out the optimal way to tackle the monumental and sprawling story Marv Wolfman and George Perez unleashed. Do you stick to JUST the 12-issue maxiseries? Do you throw caution to the wind and read EVERY red sky tie-in? Do you...
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There’s an ecosystem to comics publishing, like everything else. You’ve got your Marvel & DC/Big Two on one end of things, your single cartoonist stapling their first minizines that they ran 20 copies off of the printer at their day jobs at the other, and many points in-between. And it’s one of those intermediate options, Avery Hill Publishing out of South London, England, that is the focus of today’s show. Going back to the earlier example, Avery Hill is probably much closer to the cartoonist than the corporations. And this makes sense when you look at their output. On their...
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In his latest graphic novel DRAFTED, readers can see how math did cartoonist Rick Parker absolutely no favors in trying to stay out of the military during the height of the Vietnam War. The 256-page book, which is the first of Parker's career that he has written AND illustrated, covers that three year period of his time in the U.S. Army in autobiographical detail both funny and heartbreaking. After being honorably discharged, the cartoonist would eventually get a job at Marvel Comics as a letterer for such titles as G.I. Joe and the Spider-Man line for most of the 1980's. In 1994...
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We live in troubling times. Turn on the news or your phone and that seems to be all there is: trouble. But according to John Lewis, the late U.S. Congressman from Georgia’s 5th District, trouble… doesn’t always HAVE to be bad. In fact, there can be GOOD trouble that helps you deal with all the bad. Carrying the Congressman’s message of GOOD trouble into these times we find ourselves in, is the Congressman’s former staffer, writing partner, and steadfast ally Andrew Aydin. Andrew’s publishing venture Good Trouble Productions is built on the foundation of that message of...
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Today’s episode comes directly from this year’s HeroesCon in lovely Charlotte, NC. Greg had the opportunity to host a few panels this year; the first of which was this spotlight on cartoonist/illustrator Colleen Doran. As described in the show programing guide: Her work has garnered more nominations and awards than we have space to list here, but trust us, it’s a looong list. Eisners, Bram Stokers, Harveys, Hugos, inclusion in the Best American Comics series… when discussing COLLEEN DORAN’s career as a cartoonist and illustrator, there are so many highlights only the bravest of souls...
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"The cycle of renewal in art is peddled by the periodic influx of stuff from somewhere else. That’s why you need a man at the crossroads… He will be the purest, most fresh faced wee fellow you have ever met. His ingenuous enthusiasm will beam from his cheery countenance." -- Eddie Campbell on Paul Gravett, Alec: How To Be An Artist Today’s guest is Campbell’s Man at the Crossroads, and he has been observing, studying, and directing comics traffic for over 40 years. As this fellow’s understanding of its ebbs and flows has grown over that time, so has his endeavors in making sense of...
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Today's guest is making his SIXTH appearance on the show, which means he's the most returned non-Multiversity guest in the history of the show. Previous episodes have had us talk about various aspects of his almost-30-year career in comics, from intern to editor at such publishers as Valiant, Humanoids, Heavy Metal, A Wave Blue World, and of course, DC Comics. But Joseph Illidge is here now as the writer of that company's Milestone Universe: The Shadow Cabinet #1, a four-issue limited series bringing him back to Milestone Comics, where his professional journey began. Issue #1 debuts on...
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Today we're talking about Copra, the indie comics darling that fuses 80s mainstream comic sensibilities with modern execution to give us an adventure story that looks familiar... up until it doesn't. In the 12 years since its inception, Copra has taken readers on a journey both on the page and off. This year saw the publication of Creating Copra, the definitive guide to making and self publishing comics. A 64-page reference guide to... well, you know. But all things must come to an end, and Copra is no exception. The four-issue limited series titled Death of Copra starts on January 8th of next...
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Neither your eyes nor your ears are deceiving you -- we're back! Rested, reconfigured, and ready to return to ongoing Robot-ing! Listen to this byte-sized bonus episode to find out where we were and where we're headed!
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The topic of today's episode is Brownstone, the new YA graphic novel from writer Samuel Teer and artist Mar Julia, about a 14-year-old girl spending the summer with a father she's never known as they fix up the titular dilapidated brownstone. If that name sounds familiar, it's because Samuel was just on the show last episode talking about the trials and tribulations of bringing this story from his head to our bookshelves. Now we get to hear from the other side of the Brownstone creation equation. Mar's work is absolutely in the wheelhouse of the type of comicbooking we love to see...
info_outlineThere’s an ecosystem to comics publishing, like everything else. You’ve got your Marvel & DC/Big Two on one end of things, your single cartoonist stapling their first minizines that they ran 20 copies off of the printer at their day jobs at the other, and many points in-between. And it’s one of those intermediate options, Avery Hill Publishing out of South London, England, that is the focus of today’s show.
Going back to the earlier example, Avery Hill is probably much closer to the cartoonist than the corporations. And this makes sense when you look at their output. On their website, the publisher described itself as:
“Helping aspiring creators reach their potential and … a home to the geniuses that the mainstream has yet to recognise ... Our canon includes psychogeographical mappings, eco-anarchist wizards, boat-shaped coffins, an all-female/non-binary construction crew (in space), a bad canine named Greasy, and much more."
Avery Hill has positioned itself to be an option for up & coming creators, a model that has worked for them with many cartoonists, including Tillie Walden, who published the first works of an Ignatz- and Eisner-lauded career, THE END OF SUMMER and I LOVE THIS PART, at Avery Hill almost ten years ago.
To find out more about Avery Hill’s place in the comics landscape, what that landscape looks like for them in 2025 and beyond, and to talk about their newest release, Kit Anderson’s sci-fi graphic novel SECOND SHIFT just out last month, today's episode is a chat with Avery Hill co-publisher Ricky Miller.
[This episode is number 817 in a series.]
CHAPTERS
00:00 - Preamble
01:37 - Early Days and Inspirations
05:50 - Transition to Publishing
09:15 - Discovering New Talent
18:05 - Kickstarter and Business Model
20:11 - Day-to-Day Operations at Avery Hill
22:30 - Balancing Creativity and Practicality
23:03 - Impact of the Internet on Talent Discovery
23:48 - Challenges of Social Media for Creators
24:37 - Finding New Talent in the Modern Era
27:52 - Kit Anderson's Journey with Avery Hill
30:19 - The Appeal of Sci-Fi in Comics
36:43 - Avery Hill's Editorial Approach
38:59 - Upcoming Projects and Future Plans
42:54 - Avery Hill at Comic Shows
44:46 - Outro