Robots From Tomorrow!
J. Marshall Smith is a cartoonist, illustrator, and educator based in Baltimore (making us de facto neighbors) who came up through the disciplines of painting and printmaking before finding his way to comics. And that background shows, because his work doesn’t look like it comes from someone who learned to draw from comics, but rather from someone who developed a way of looking at things and then figuring out what comics could do with that. He’s built his readership carefully and honestly – self-publishing collections of comics and art through Kickstarter, mailing drawings to his...
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Aditya Bidikar, back on the show after 4 years, is a man of letters in the most literal sense. In the more than a decade he has been plying the lettering trade, he has worked with every major North American comics publisher and formed strong collaborations with several groups of creators, none more so than with writer Ram V and artist Anand K. In the words of Multiversity Comics alum and SKTCHD guru David Harper, it is a career consisting of “all bangers”. But he is on the show today to talk about IN YOUR SKIN, his first major work as a comics writer. IN YOUR...
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(From the original episode description from April 21, 2022.) Now you can hear the second half of the two-part chat Greg had with letterers extraordinaire Aditya Bidikar and John Workman! The shop talk continues, as well as thoughts on more recent work like John’s take on the HBOMax Doom Patrol series (after lettering almost the entire Morrison run back in the day) and Aditya’s review of Barry Windsor-Smith’s Monsters! [This episode is a remastered version of number 776 in a series.] CHAPTERS 00:00 – Intro 02:32 –...
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(From the original episode description from April 14, 2022.) Today's show has two of the best letterers in comics on for a two-part chat about their craft: Multiversity Comics's 2021 Favorite Letterer winner Aditya Bidikar and legendary letterer/cartoonist John Workman! The generation gap evaporates immediately as the two fellows start talking about digital vs analog approaches, collaboration amongst a creative team, visible vs invisible lettering, being the responsible one in the group, artist integration, and much more! [This episode is a remastered version of number 775 in a series.] ...
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In part two of their discussion, Steve Bissette lays out the late-1980s self-publishing moment after his run on Swamp Thing, tracing how Dave Sim’s Mid-Ohio Con outreach and critique of corporate profit flows led Bissette and John Totleben to launching the horror anthology Taboo and all points in-between: the Cerebus/Diamond Distribution "phone book" controversy, the Puma Blues fallout, the Creator Summits and the Bill of Rights that came from them. From there to topic focuses on Taboo itself and the creative pitfalls he had to navigate to get out even the short run that eventually saw...
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Joana Mosi is an award-winning Portuguese cartoonist whose work is only recently becoming available in English. And that timing matters — because until Pow Pow Press started publishing her books, The Mongoose and now Physical Education, internationally, there was basically no way for English-language readers to come across it unless they happened to be at the right European festival at the right time. She is part of the growing Lisbon comics scene in Portugal. Paul Gravett called her previous book, The Mongoose, a “formally experimental yet powerful affecting narrative” She draws,...
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Reading today's guest's interviews, listening to his podcasts, and looking at his resume, already packed with highlights at a relatively young age, it becomes clear that he does not shy away from conflict or controversial opinions because he does the research to back up his words. He leans into the smart side of smart-ass and we're all much better for it. This Tucson-native has already been a banker, bill collector, marketing manager, jazz festival co-organizer, pizza delivery guy, radio DJ, stand-up comedian, and Director of Operations at Top Cow Productions. But it's the jobs of...
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Cartoonist / writer / scholar / educator (and now Comics Laureate) Stephen R. Bissette joins Greg for the first part of their two-part talk about all things Tyrant and more as the Kickstarter campaign to bring his long out-of-print series back to life has roared past its funding goal and continues to smash any stretch goal in its path! Bissette goes into why Vermont is such a good place to be a cartoonist, what his plans are for his tenure as the state's sixth Comics Laureate, why repressive eras seem to spur on transcendent works of horror, and how Zap Comix #0 changed his life. He dives...
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Greg welcomes cartoonist/designer Jim Rugg back to the show for the first recorded conversation since 2014! Last time, Jim talked with Greg AND Mike about the return of Street Angel through AdHouse Books, among other things. But for 2026, Jim brings a whole slew of new projects to the discussion: Becoming a Creative Producer at VeeFriends Writing VeeFriends #11 + #12 Writing AND drawing VeeFriends #13 Joining the creator-owned distribution co-op Power Pulp Designing new collections of Stephen Bissette's long-out-of-print Tyrant Writing a monograph for Bloomsbury Publishing on Barry...
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(This interview was originally published in an earlier form on July 21, 2014) From the original episode description: We usually follow up a spotlight episode with either a Previews exploration or a free-for-all. But this week is different because Jim Rugg himself stopped by our center-of-the-earth recording studio to drop some truth about Street Angel and his career. Jim is one of the most flat-out creative talents working in comics and design today, and we couldn't be more thrilled to bring you this wide-ranging conversation. His latest book is a re-release of his first published work: Street...
info_outlineThere’s an ecosystem to comics publishing, like everything else. You’ve got your Marvel & DC/Big Two on one end of things, your single cartoonist stapling their first minizines that they ran 20 copies off of the printer at their day jobs at the other, and many points in-between. And it’s one of those intermediate options, Avery Hill Publishing out of South London, England, that is the focus of today’s show.
Going back to the earlier example, Avery Hill is probably much closer to the cartoonist than the corporations. And this makes sense when you look at their output. On their website, the publisher described itself as:
“Helping aspiring creators reach their potential and … a home to the geniuses that the mainstream has yet to recognise ... Our canon includes psychogeographical mappings, eco-anarchist wizards, boat-shaped coffins, an all-female/non-binary construction crew (in space), a bad canine named Greasy, and much more."
Avery Hill has positioned itself to be an option for up & coming creators, a model that has worked for them with many cartoonists, including Tillie Walden, who published the first works of an Ignatz- and Eisner-lauded career, THE END OF SUMMER and I LOVE THIS PART, at Avery Hill almost ten years ago.
To find out more about Avery Hill’s place in the comics landscape, what that landscape looks like for them in 2025 and beyond, and to talk about their newest release, Kit Anderson’s sci-fi graphic novel SECOND SHIFT just out last month, today's episode is a chat with Avery Hill co-publisher Ricky Miller.
[This episode is number 817 in a series.]
CHAPTERS
00:00 - Preamble
01:37 - Early Days and Inspirations
05:50 - Transition to Publishing
09:15 - Discovering New Talent
18:05 - Kickstarter and Business Model
20:11 - Day-to-Day Operations at Avery Hill
22:30 - Balancing Creativity and Practicality
23:03 - Impact of the Internet on Talent Discovery
23:48 - Challenges of Social Media for Creators
24:37 - Finding New Talent in the Modern Era
27:52 - Kit Anderson's Journey with Avery Hill
30:19 - The Appeal of Sci-Fi in Comics
36:43 - Avery Hill's Editorial Approach
38:59 - Upcoming Projects and Future Plans
42:54 - Avery Hill at Comic Shows
44:46 - Outro