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Bonus Episode: Interview with Kent Lehnhof on Voice and Ethics in Shakespeare’s Late Plays

Shakespeare Anyone?

Release Date: 06/04/2025

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Shakespeare Anyone?

Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Julius Caesar, Shakespeare repeatedly reminds us that Brutus is an honorable man. In this episode we will explore if this is true, how Shakespeare depicts both masculine honor and its early modern counterpart, feminine virtue, in the characters of Brutus and Portia, and how Portia's characterization by editors and theatremakers has changed over time.  First, we unpack how honor was defined for Shakespeare's audiences and how the play incorporates Early Modern anxieties...

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Shakespeare Anyone?

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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we begin by exploring how Prospero’s magic in The Tempest reflects early modern grimoire traditions—a form of ritual magic rooted in books, incantations, and precise ceremonial practice, especailly as compared to the types of magic we discussed in our Macbeth episodes. We examine how Shakespeare's depiction of Prospero's art, Prospero's relationship with Ariel, and the creation and disappearance of the masque parallel descriptions of grimoire magical...

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Mini: Shakespeare for Young Audiences with ML Roberts, Sean Patrick Nill, and Elyse Sharp of B Street Theatre’s NEVER FEAR, SHAKESPEARE show art Mini: Shakespeare for Young Audiences with ML Roberts, Sean Patrick Nill, and Elyse Sharp of B Street Theatre’s NEVER FEAR, SHAKESPEARE

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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with actor ML Roberts and co-playwrights Sean Patrick Nill and Elyse Sharp to talk about NEVER FEAR, SHAKESPEARE—a brand new Theatre for Young Audiences (TYA) play premiering at Sacramento’s B Street Theatre.  B Street is well known for its Theatre for Young Audiences (TYA) programming, which brings high-quality, professional productions to children, families, and schools, making theatre accessible to the next generation. We dive into B...

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Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

In this bonus episode, we’re joined by Dr. Kent Lehnhoff to talk about his new book, Voice and Ethics in Shakespeare’s Late Plays. Together, we explore how Shakespeare uses the concept and qualities of human voice in The Tempest, Cymbeline, King Lear, Pericles, and The Winter’s Tale, how he writes for and about the voice, and beyond that, how embracing the unique voice of each character (and actor) can create a more ethical, inclusive theatre. 

About Kent Lehnhof

Kent Lehnhof earned a BA from Brigham Young University and a PhD from Duke University. He is Professor of English at Chapman University, where he specializes in early modern literature and culture, especially the works of William Shakespeare. Dr. Lehnhof has published two dozen scholarly articles, has co-edited two essay collections, and is coming out with a new book in October titled Voice and Ethics in Shakespeare’s Late Plays. In this book and in many of his articles, Dr. Lehnhof treats Shakespeare’s plays like lively enactments of ethical philosophy. He believes that one of the things that makes Shakespeare’s work distinctly Shakespearean is its interest in exploring what it’s like to be in relation—what it’s like to be tied to other people, some of whom love you, some of whom hate you, and some of whom pay you no mind at all.

At present, Dr. Lehnhof is finishing a guidebook for Arden Shakespeare called Understanding Shakespeare’s Plays: A Candid Companion to All the Drama. This book goes through all the play, one by one, giving an overview of each and offering insights and analysis as to what it offers. Dr. Lehnhof only has six plays left to do, which means he’s getting down to the deep cuts. Timon of Athens, anyone?

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

 Works referenced: 

Lehnhof, Kent. Voice and Ethics in Shakespeare’s Late Plays. Cambridge: Cambridge University Press, 2025. Print.