Mini: Shakespeare for Young Audiences with ML Roberts, Sean Patrick Nill, and Elyse Sharp of B Street Theatre’s NEVER FEAR, SHAKESPEARE
Release Date: 09/24/2025
Shakespeare Anyone?
Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we use Freyja Cox Jensen's Reading the Roman Republic in Early Modern England to explore how early modern readers encountered, studied, and understood ancient Rome, and what that means for how we read Shakespeare's Julius Caesar. First, we ask whether early modern people were truly obsessed with Julius Caesar and ancient Rome, and how Rome became so omnipresent in the early modern imagination. We then trace the roots of that obsession: how Roman history was...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In anticipation of Earth Day and Shakespeare's birthday later this month, in this episode, we are joined by Katherine (Katie) Steele Brokaw to discuss how Shakespeare can be used as a tool to create conversations around ecological issues that impact our communities. We discuss how Shakespeare is already well-positioned to be used as an eco-playwright, why it is important to utilize his plays to speak to our current moment, and how theatremakers and educators can incorporate...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we bring together Michael Parenti's The Assassination of Julius Caesar: A People's History of Ancient Rome and Shakespeare's Julius Caesar to explore the real historical event at the heart of the play. Parenti reframes the traditional "tyrannicide" narrative and argues that Caesar's murder was a calculated act by Rome's ruling oligarchs to stop a popular reformer who had become a threat to their wealth and power. Using this people's history perspective, we...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we dig into one of the most dramatic scandals of Shakespeare's time: the rise and catastrophic fall of Robert Devereaux, the Earl of Essex. Court favorite, military hero, and ultimately, traitor, Essex had everything and managed to lose it spectacularly. We break down who Essex was, his relationship with Elizabeth, and what finally led him to march on London with a small bnad of followers and an extremely bad plan. And of course, we're a Shakespeare...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In today's episode, we are exploring how Shakespeare depicts Julius Caesar's "falling sickness," commonly believed by historians and scholars to be epilepsy. First, we'll discuss how the play Julius Caesar can be read as a disability narrative and how it reflects early modern anxieties around invisible disabilities like epilepsy. Then, we will look at how Shakespeare depicts falling sickness or epilepsy across the canon and determine whether or not the depictions are as...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Shakespeare's Julius Caesar, Cassius argues that "Men at some time are masters of their fates: The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings." In this week's episode, we are exploring early modern ideas of fate and the stars and the practices and beliefs of astrology in Shakespeare's time. We'll discuss the difference between the early modern concepts of natural and judicial astrology, the popularity and influence of...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Julius Caesar, Shakespeare repeatedly reminds us that Brutus is an honorable man. In this episode we will explore if this is true, how Shakespeare depicts both masculine honor and its early modern counterpart, feminine virtue, in the characters of Brutus and Portia, and how Portia's characterization by editors and theatremakers has changed over time. First, we unpack how honor was defined for Shakespeare's audiences and how the play incorporates Early Modern anxieties...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. As we start off another one of Shakespeare's plays, we will first take a look at the themes, motifs, and production history of Julius Caesar in this Stuff to Chew On episode. This will provide a basis for future conversations as we dive deeper in later episodes. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Follow us on Instagram at Visit our website at Support the...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. It's time for our eleventh play! Today we are starting our series on Shakespeare's Julius Caesar with a synopsis episode. In this episode, we will provide a detailed summary of the plot, breaking down the action of the play scene by scene. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Special thanks to Nat Yonce for editing this episode. For updates: Follow us on Instagram at Visit our...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. Back in 2021, we recorded our second ever wrap-up episode for our second play series: Twelfth Night. We both watched two versions of Twelfth Night: Trevor Nunn's 1996 film and She's the Man, then we also each watched an additional version. Kourtney watched the The Globe's 2012 production starring Mark Rylance, and Elyse watched National Theatre's 2017 production featuring Tamsin Greig. But then, tragedy struck when Kourtney went to edit the episode! The audio...
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In this mini-episode, we sit down with actor ML Roberts and co-playwrights Sean Patrick Nill and Elyse Sharp to talk about NEVER FEAR, SHAKESPEARE—a brand new Theatre for Young Audiences (TYA) play premiering at Sacramento’s B Street Theatre.
B Street is well known for its Theatre for Young Audiences (TYA) programming, which brings high-quality, professional productions to children, families, and schools, making theatre accessible to the next generation.
We dive into B Street’s philosophy of theatre for young audiences and how NEVER FEAR, SHAKESPEARE fits into that mission. Along the way, we discuss the theatre’s history with Shakespeare, what makes this new play different from other Shakespeare-for-kids or Shakespeare-adjacent productions, and why introducing Shakespeare to young people matters in today’s cultural landscape. ML Roberts shares his perspective on embodying a central role in the play, while Nill and Sharp reflect on the process of adapting Shakespeare’s world for youth audiences—balancing humor, clarity, and creativity to keep the material engaging.
At Shakespeare Anyone?, we strive to contextualize Shakespeare and make his works accessible. This episode highlights how NEVER FEAR, SHAKESPEARE carries that same mission into the world of young audiences.
ML Roberts is the son of a Navy veteran and descendant of the Gullah Geechee of the Carolinas. As a member of Actor's Equity Association, he has performed with Seattle Children's Theater, Folger Shakespeare, Unicorn Theatre (UK), The Williams Project, and Santa Cruz Shakespeare, among others. As a playwright, his debut production Riverside premiered at Indy Shakes. His work has been developed with New Harmony Project, SPACE on Ryder Farm, and GTG's Speaker's Corner. As a screenwriter, he co-wrote a Lifetime movie and has developed work with Hulu. He is a member of the Dramatists Guild of America, a Broadway Advocacy Coalition Fellow, Co-Artistic Director of Yale Cabaret Season 57: Phoenix, and inaugural Core Company Member at ACT Theatre (Seattle). MFA Playwriting from the Yale School of Drama; BFA Acting from North Carolina School of the Arts marceselorenzo.com
Sean Patrick Nill is Artistic and General Manager at the B Street Theatre. B Street Writing Credits include: Tiny Trailblazers: Kids Who Changed the World, Winnie-the-Pooh, ‘Tis the Season, Fantasy Festival XXXI-XXXVI, Mind Boggling Mysteries of the World, and Mathematical Madness. Directing Credits include: Tiny Trailblazers: Kids Who Changed the World, Cosmo St. Charles is Dead and Someone in This Room Killed Him, The Prince of Lightning, The Play That Goes Wrong, The Last Wide Open, A Year with Frog & Toad, Proclivity for Kiting, and Fantasy Festival XXXI-XXXVI. His plays have been produced by the Sacramento Theatre Company, B Street Theatre, Children's Museum & Theatre of Maine, Rover Dramawerks, Theatre InspiraTO festival, Watermelon One Act Festival, M.T. Pockets Theatre, Torent Theatre, and the Manhattan Repertory Theatre. His play Kings of America was a finalist for the Davey Foundation Theatre Grant given by the Salt Lake Acting Company, his play An Ordinary Woman was published in Stage It! Ten Minute Plays: 2017 Edition, and his play Brynlee & the Bull won the Audience Choice Award at the InspiroTO 10 Minute Play Festival in Canada. His adaptation of Winnie-the-Pooh, which premiered here at the B Street Theatre, is now published and can be purchased through Theatrical Rights Worldwide (https://www.theatricalrights.com/).
And, you know her as one half of Shakespeare Anyone?…Elyse Sharp is a member of Actor’s Equity Association and the Shakespeare Association of America, as well as a director, podcaster, dramaturg, and teaching artist. At the age of 9, and inspired by an episode of the PBS series Wishbone, she rewrote Romeo and Juliet for a fourth grade class assignment, and she’s been passionate about Shakespeare (and helping others understand his work) ever since. Previously with B Street Theatre, she has been an Associate Producer of the New Comedies Festival, an actor in Prince of Lightning, Mind-Boggling Mysteries of the World, and Fantasy Festivals 32 & 33, an understudy for Dance Nation and Winnie the Pooh. As an actor, she has performed in 17 of Shakespeare’s plays. Keep up with her at @elysesharp on all social media or at elysesharp.com
B Street Theatre is Sacramento’s premiere new works theatre for both children and adults. Founded in 1986 as Fantasy Theatre, a traveling children’s theatre troupe, B Street has premiered more than 135 plays across its School Tour, Family Series, and Mainstage Series. Located at the Sofia Tsakopoulos Center for the Arts in Midtown Sacramento, B Street is California’s only year-round professional theatre for young audiences. Known for championing bold new voices and creating theatre that is both accessible and adventurous, B Street has been named Sacramento Magazine’s Top Sacramento Theatre numerous times. In 2025, it was honored with the National Theatre Conference’s Theatre of the Year Award, recognizing its outstanding contributions to American theatre. To learn more, visit B Street Theatre's website, bstreettheatre.org.
NEVER FEAR, SHAKESPEARE follows one shoemaker's son on his journey to become an actor alongside The Lord Chamberlain's Men, stepping right into some of Shakespeare's greatest hits. From Romeo and Juliet’s balcony to the witches of Macbeth and the drama of Hamlet, it’s Shakespeare reimagined with a wink and a laugh. For fans of Shakespeare in Love and Book of Will, this family-friendly comedy isn’t just a history lesson—it’s pure theatre magic, showing kids (and grown-ups!) that the Bard’s words are still buzzing with life, laughter, and big imagination.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
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