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Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag!

Sticky Notes: The Classical Music Podcast

Release Date: 03/06/2025

Brahms Double Concerto show art Brahms Double Concerto

Sticky Notes: The Classical Music Podcast

It’s entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn’t met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann’s, and the rest is history. I’ve talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann’s...

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Copland Clarinet Concerto show art Copland Clarinet Concerto

Sticky Notes: The Classical Music Podcast

The commission for a new Clarinet Concerto from the great American composer Aaron Copland came from a rather unlikely source: Benny Goodman, the man known as the King of Swing. Goodman was one of the most famous and important jazz musicians of all time, but in the late 1940s, swing music was on the decline, and bebop had taken over. Goodman experimented with bebop for a time but never fully took to it in the way that he had so mastered swing. Goodman then turned towards the classical repertoire, commissioning music from many of the great composers of the time, such as Bela Bartok, Darius...

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Steve Reich: Different Trains show art Steve Reich: Different Trains

Sticky Notes: The Classical Music Podcast

Steve Reich, the great American contemporary composer, provided this program note about his work Different Trains: “The idea for the piece came from my childhood. When I was one year old my parents separated. My singer, song-writer mother moved to Los Angeles and my attorney father stayed in New York. Since they arranged divided custody, I travelled back and forth by train frequently between New York and Los Angeles from 1939 to 1942 accompanied by my governess. While the trips were exciting and romantic at the time I now look back and think that, if I had been in Europe during this period,...

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Best of Frenemies: Debussy and Ravel show art Best of Frenemies: Debussy and Ravel

Sticky Notes: The Classical Music Podcast

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn’t stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite...

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Shostakovich Cello Concerto No. 1 show art Shostakovich Cello Concerto No. 1

Sticky Notes: The Classical Music Podcast

It’s hard to overstate the depth of the connection between Dmitri Shostakovich and the legendary cellist Mstistlav Rostropovich. Shostakovich and Rostropovich were extremely close friends, and Shostakovich wrote and dedicated several works to him, including the piece we’re going to talk about today, the first Cello Concerto. Rostropovich had been desperate to get Shostakovich to write a concerto for him, but Shostakovich’s wife had one simple piece of advice: if you want Shostakovich to write something for you, don’t talk to him about it or even mention it. So Rostropovich waited and...

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Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag! show art Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag!

Sticky Notes: The Classical Music Podcast

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions are why his music remains so beloved and universally appealing to so many musicians and audience members. Ravel has long been one of my favorite composers, and I always adore listening to his music and performing it. For the 150th anniversary of his birth, the legendary publishing house of G Henle has decided to focus on Ravel and his circle this year, calling this series Ravel...

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Amy Beach, Amy Beach, "Gaelic" Symphony

Sticky Notes: The Classical Music Podcast

Amy Beach is a name that might not be familiar to you. She was born in 1867 and died in 1944, and her life was one of the most fascinating and varied in musical history. She was a child prodigy, became a successful pianist, and then pivoted to composing at her husband’s request. She was one of the first successful composers without any training from Europeans, and when her Gaelic Symphony was performed for the first time in 1896, it became the first symphony by an American woman to be published or performed. This symphony, and Beach’s whole career, is inextricably linked with the history...

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Sticky Notes en Français! Shostakovich Symphonie No. 13 (Bonus Episode) show art Sticky Notes en Français! Shostakovich Symphonie No. 13 (Bonus Episode)

Sticky Notes: The Classical Music Podcast

Voici un épisode bonus spécial de Sticky Notes en français, en avant-première de mes concerts avec l'Orchestre National de Lille, présentant la 13e symphonie de Shostakovich. Si vous souhaitez écouter la version anglaise de cet épisode, elle est disponible dans les archives. Je m'excuse pour toute mauvaise prononciation en cours de route, et j'espère que vous l'apprécierez ! This is a special bonus episode of Sticky Notes in French ahead of my concerts with the Orchestre National de Lille, featuring Shostakovich's 13th symphony. If you would like to listen to the English version of...

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Smetana: Ma Vlast show art Smetana: Ma Vlast

Sticky Notes: The Classical Music Podcast

Nationalism, patriotism, cultural identity, a sense of home; these are concepts and ideas whose popularity have ebbed and flowed throughout history. Nationalism has been seen as a natural expression of cultural identity and pride, and it also has been at the core of virulent racism and xenophobia. Patriotism has been used as a cudgel by all sides of the political spectrum for good and evil, and a sense of home has led to cultural explosions and also to some of the bloodiest wars of all time. For Bedrich Smetana, these concepts were extremely multi-layered. He was a proud Bohemian nationalist...

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Berg Violin Concerto show art Berg Violin Concerto

Sticky Notes: The Classical Music Podcast

In the early 1930s, at the height of the atonal and twelve tone movement in music, the American violinist Louis Krasner commissioned a concerto from the Viennese Composer Alban Berg. Berg declined at first, saying that his idiom was not appropriate to a concerto and that he did not belong in the world of Wienawski and Vieuxtemps, two relatively obscure composers nowadays who wrote virtuoso showpieces for the violin that are very exciting but not particularly deep on a musical level. Krasner countered with the Beethoven and Brahms’ violin concertos, which, frankly, is a pretty great argument!...

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More Episodes

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions are why his music remains so beloved and universally appealing to so many musicians and audience members. Ravel has long been one of my favorite composers, and I always adore listening to his music and performing it. For the 150th anniversary of his birth, the legendary publishing house of G Henle has decided to focus on Ravel and his circle this year, calling this series Ravel and Friends. A few months ago, the Henle office contacted me to ask if I would be willing to collaborate with them on a series of Sticky Notes episodes about Ravel, each one focusing on the relationship between Ravel and another composer who was in his circle. This sounded like an amazing idea, and so I jumped at the chance to work with them. So, over the course of the next 5-6 months, you will be seeing 5 episodes under the Ravel and Friends theme. Today’s episode will be a chance to do an overview on Ravel himself and to take a look at some major works that I haven’t gotten around to covering on the show yet. We’ll then finish the show with an interview with the great pianist Boris Giltburg, as we discuss the solo piano verison of Ravel’s La Valse, one of the most challenging pieces in the entire repertoire. Later episodes will include a look at Ravel’s relationships with Debussy, Gershwin, and De Falla, and much more! This is such an exciting chance to take a deeper look at one of the greatest 19th and 20th century composers, as well as take a look at the broader musical and social trends of that era, something I’ve always been deeply interested in. Join us!