The Stinking Pause Podcast
Episode 203 - U Turn (1997) "You like Patsy Cline? I just love her. I wonder how come she don't put out no more new records." Get ready for a sun-drenched, fast-paced adventure in Oliver Stone’s “U-Turn,” a story that proves even the worst luck can lead to the opportunity of a lifetime! The film introduces us to Bobby (Sean Penn), a man on a mission, cruising through the spectacular Arizona desert in his classic red Mustang. When his car decides it’s time for an unscheduled pit stop, Bobby finds himself in the charming, one-of-a-kind town of Superior. Far from a boring delay, this...
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Episode 202 - California Split (1974) "Goddamnit, lady, you don't throw oranges on an escalator!" Get ready for one of the most zesty, freewheeling, and flat-out entertaining buddy films ever made! Robert Altman's 1974 gem, California Split, isn't just a movie; it's an experience. Forget a tight, pre-planned plot. Instead, imagine you're a fly on the wall, dropped right into the hazy, electrifying, and slightly chaotic world of two compulsive gamblers who are in it for the sheer, unadulterated thrill of the action. The film kicks off when two men, Bill (George Segal) and Charlie (Elliott...
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Episode 201 - All Night Long (1962) "Me? Oh, I belong to that new minority group: white American jazz musicians. They're going to hold a mass meeting in a phone booth." Get ready to step into the coolest party of 1962. Basil Dearden's All Night Long is a cinematic powder keg, a film that brilliantly transplants Shakespeare’s classic tragedy Othello into the vibrant, smoke-filled world of the London jazz scene, and it does so with an electrifying pulse that never lets up. This isn't just a drama; it's a front-row seat to a once-in-a-lifetime jam session, featuring knockout performances from...
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Episode 200 - Jurassic Park (1993) "Look... We can discuss sexism in survival situations when I get back" Get ready for an adventure 65 million years in the making! Steven Spielberg's 1993 masterpiece, Jurassic Park, welcomes you to an extraordinary theme park where dinosaurs roam the earth once more. Eccentric billionaire John Hammond has the brilliant idea to bring these prehistoric giants back to life for a spectacle unlike any other. He invites a team of experts, including paleontologist Dr. Alan Grant, paleobotanist Dr. Ellie Sattler, and the ever-charismatic chaotician Dr. Ian Malcolm,...
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The Stinking Pause Podcast - chatting about movies since 2013. Some good...some not so good. Episode 199 - Breakfast At Tiffanys (1961) "I don't think I've ever drunk champagne before breakfast before. With breakfast on several occasions, but never before." Few films sparkle quite like Breakfast at Tiffany's. From its opening moments, the 1961 classic wraps you in a world of glamour, wit, and irresistible charm. We first meet the inimitable Holly Golightly, played with dazzling perfection by Audrey Hepburn, as she enjoys a pastry and coffee while gazing into the windows of Tiffany & Co....
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The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good. This week, Antony joins Scott to take a look at an underseen gem from 1974 The Gambler (1974) Step into the high-octane world of Axel Freed, a brilliant literature professor who lives for the ultimate thrill! By day, he inspires students; by night, he chases the electrifying rush of high-stakes gambling. When a losing streak leaves him in deep trouble with loan sharks, Axel sees it not as a disaster, but as the ultimate intellectual challenge. He masterfully navigates his crisis, securing the...
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The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good. This week,Antony joins Scott to take a look at a classic screwball comedy from the golden age of Hollywood Get ready for a riotous romantic comedy! A houseful of quirky professors find their dusty encyclopedia project turned upside down by the arrival of Sugarpuss O'Shea, a dazzling nightclub singer with the mob on her tail. She brings a crash course in modern slang, a whole lot of fun, and an unexpected romance that's pure dynamite! Anthony is the host of Film Gold, Life And Life Only and Glass...
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The Stinking Pause Podcast – bringing you classic movie reviews since 2013 - some good...some not so good. This week join Scott, Paul and Charlie for a tale of a bungled diamond heist leading to a chaotic, hilarious web of double-crosses. Seduction, stammering, and stolen fish ensnare a stuffy lawyer in a madcap Anglo-American culture clash for the loot. A Fish Called Wanda (1988) "A Fish Called Wanda" is a delightfully chaotic and hilariously upbeat caper that brilliantly blends British wit with American brashness. The story ignites when a mismatched gang of jewel thieves – the cunning...
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The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good. This week,Antony joins Scott to take a look at an incredible piece of cinema from Sidney Lumet In a WWII British military prison in North Africa, new inmates face brutal punishment, epitomized by repeatedly climbing a man-made hill in the desert heat. Led by a defiant ex-Sergeant Major, the prisoners clash with sadistic guards, leading to a grim struggle for survival and exposing the camp's inhumanity. Anthony is the host of Film Gold, Life And Life Only and Glass Onion: On John Lennon...
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The Stinking Pause Podcast – bringing you classic movie reviews since 2013 - some good...some not so good. This week join Scott, Paul and Charlie for a tale of two seasoned Navy men, tasked with escorting a young sailor to military prison. Instead of a straightforward trip, they turn it into an unforgettable adventure—boozing, brawling, and sharing hard-won wisdom along the way. The Last Detail (1973) The Last Detail (1973) is a rollicking, bittersweet road trip wrapped in military blues. Directed by Hal Ashby and starring Jack Nicholson, Otis Young, and Randy Quaid, the film...
info_outlineThe Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good.
This week,Antony joins Scott to take a look at an incredible piece of cinema from Sidney Lumet
In a WWII British military prison in North Africa, new inmates face brutal punishment, epitomized by repeatedly climbing a man-made hill in the desert heat. Led by a defiant ex-Sergeant Major, the prisoners clash with sadistic guards, leading to a grim struggle for survival and exposing the camp's inhumanity.
Anthony is the host of Film Gold, Life And Life Only and Glass Onion: On John Lennon
The Hill (1965)

Sidney Lumet's 1965 cinematic work, "The Hill," presents a profound examination of the human condition under duress. The narrative is situated within the severe environs of a British military prison in North Africa during the Second World War. While the setting is undeniably extreme, the film illuminates the resilience and camaraderie that can manifest even in the most adverse circumstances. It transcends conventional war narratives to delve into the internal fortitude of soldiers confronting a distinct form of adversity.
The film introduces five new internees to the facility, each possessing a unique background and inherent strength that they bring to this demanding environment. Among them is Joe Roberts, portrayed by Sean Connery, a former Sergeant Major whose principled refusal to enact a perilous order resulted in his incarceration. Roberts' intellect and unwavering resolve serve as a quiet source of inspiration for his fellow prisoners. He is joined by the resourceful Monty Bartlett, the tenacious Jock McGrath, the initially reserved George Stevens, and the steadfastly resilient West Indian soldier, Jacko King, who confronts his tribulations with remarkable fortitude.

The prison staff offers a study in contrasting ideologies. Regimental Sergeant Major (RSM) Wilson embodies stern military tradition, espousing the belief that rigorous discipline forges stronger soldiers. His principal instrument for this is "the hill" – an artificial mound of sand that functions as an exacting test of endurance, designed to push prisoners to their physical and psychological limits. A significant antagonist is Staff Sergeant Williams, whose methods are frequently severe as he subjects the inmates to extreme pressures, ostensibly to prepare them for future combat. Offering an alternative perspective is Staff Sergeant Harris, a non-commissioned officer whose sense of fairness and empathy develops as he observes the prisoners' ordeals. The camp's Medical Officer also contends with the challenging equilibrium between his professional obligations and his humanitarian impulses.
The central drama of the film unfolds as the new prisoners, particularly the principled Roberts, endeavour to navigate the camp's rigorous routines and the notably stringent approach of Williams, all under the vigilant supervision of RSM Wilson. "The hill" becomes the primary arena wherein the men's endurance and spirit are perpetually tested. Williams frequently targets the newcomers, and Roberts, with his comprehensive understanding of military regulations and his refusal to be readily demoralised, emerges as a figure of quiet strength and resilience.

As the men encounter escalating pressures, their interpersonal bonds and individual resolve are brought into sharp focus. Williams' intense focus on Stevens, who struggles significantly with the harsh conditions, precipitates a tragic denouement. After being subjected to extreme exertion on the hill, Stevens succumbs. This profoundly affecting event galvanises Roberts, who courageously protests what he perceives as a grave injustice, with King bravely supporting his stance. Their actions ignite a potent demand for equitable treatment among the inmate population.
In the aftermath of this incident, RSM Wilson capably restores order, yet the event serves to bring underlying systemic issues to the forefront. Roberts himself faces further direct confrontation as a consequence of his protestations. Staff Sergeant Harris, motivated by his conscience and an evolving sense of justice, intervenes to ensure Roberts receives medical attention and advocates for a formal review of the camp's operational practices. The film concludes with a sense of qualified optimism. While the challenges inherent within the military prison system remain considerable, the actions of individuals such as Harris and Roberts demonstrate that the pursuit of fairness and dignity can indeed instigate change. Ultimately, "The Hill" showcases the enduring strength of the human spirit and the profound courage required to defend one's convictions, even amidst the most trying of circumstances.
"We're all doing time. Even the screws."
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