OLIVER STAPLETON - Cinematographer
Team Deakins
On this episode of the Team Deakins Podcast, cinematographer Oliver Stapleton (THE CIDER HOUSE RULES, THE GRIFTERS, MY BEAUTIFUL LAUNDRETTE) joins us in conversation. In addition to his career as a cinematographer, Oliver is also the Co-Head of Cinematography at the National Film and Television School (NFTS) in the UK. Oliver credits his life in film to his mother and her steady hand as the family camera operator, and he shares how he created his submission film to gain admission into the NFTS after visiting the campus on a lark. We discuss how, as a cinematographer, one’s job is to help the...
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REED MORANO - Director / Cinematographer
Team Deakins
On this episode of the Team Deakins Podcast, director and cinematographer Reed Morano (THE HANDMAID’S TALE, I THINK WE’RE ALONE NOW, MEADOWLAND) speaks with us in a career-spanning conversation. We learn how after being drafted into the position of family documentarian, Reed soon found herself drawn towards the world of filmmaking. Reed reflects on how she may or may not have gotten her first job as a cinematographer on Craigslist after film school and how shooting FROZEN RIVER changed her career. We discuss the types of projects Reed is approached for as a director and how the opportunity...
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ELLEN LEWIS - Casting Director
Team Deakins
On this episode of the Team Deakins Episode, casting director Ellen Lewis (KILLERS OF THE FLOWER MOON, THE DEVIL WEARS PRADA, GOODFELLAS) joins us to talk about all things casting—of which we knew very little before speaking with her. A disciple of veteran casting director Juliet Taylor, Ellen shares with us how they were first introduced and what she learned working with her for eight years. Ellen reveals how closely casting works with talent agents to find the right actor for a role and how some casting directors even directly negotiate an actor’s contract. We worked with Ellen on...
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RIAN JOHNSON - Writer / Director
Team Deakins
On this episode of the Team Deakins Podcast, writer and director Rian Johnson (KNIVES OUT, STAR WARS: THE LAST JEDI, LOOPER) speaks with us about his career, and, in a pleasant change of pace, he even asks us a few questions! Rian first shares his childhood memory of attending a screenwriting seminar with his father and how that experience has since informed his craft. We later learn about the father-son story at the heart of LOOPER and reflect on the differences in crew cultures between different countries. We also reminisce over floundering in your 20’s and touch on Rian’s enduring...
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DECLAN QUINN - Cinematographer
Team Deakins
Cinematographer Declan Quinn (HAMILTON, LEAVING LAS VEGAS, MONSOON WEDDING) speaks with Team Deakins on this episode of the podcast. A first generation immigrant from Ireland, Declan first reflects on his youth bouncing between America and his family’s home country. We then ruminate on Declan’s decision to spend part of his early career in Ireland and on the function of pubs as watering holes wherein a young filmmaker could, back when Roger and Declan were starting out at least, find a community with which to celebrate and commiserate over work and life. Later, Declan shares his...
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DALLAS FILM COMMISSION
Team Deakins
On this episode of the Team Deakins Podcast, we sit down with two members from the Dallas Film Commission: Tony Armer, the commissioner, and Andrew Vela, a project specialist. We pepper Tony and Andrew with questions throughout the episode. What does a film commission office actually do? How do offices differ at the state and city levels? How do they help local filmmakers? And who’s responsible for incentives? Andrew and Tony (who is also one of the founders of the Sunscreen Film Festival in St. Petersburg, Florida) also answer our many questions about festivals. Should you go to your local...
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DAVID LOWERY - Writer / Director
Team Deakins
Team Deakins speaks with writer and director David Lowery (PETER PAN & WENDY, A GHOST STORY, AIN’T THEM BODIES SAINTS) on this episode of the podcast. David credits his early childhood obsession with STAR WARS (despite having not seeing the films at the time) for his lifelong obsession with filmmaking, and he walks us through his early career working in independent film in Texas. We dive deep into the making of AIN’T THEM BODIES SAINTS and A GHOST STORY, learning how David developed the title for the former and how his collaborators pulled off the Ghost’s costume by utilizing the...
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KELLEY DIXON - Editor
Team Deakins
On this episode of the Team Deakins Podcast, editor Kelley Dixon (OBI-WAN KENOBI, THE GOLDFINCH, BREAKING BAD) joins us for a conversation about all things editing. Kelley starts by sharing her experience working in the MGM/UA mailroom and delivering script pages to the editorial department where she quickly found herself helping cut scenes. Kelley later describes learning the potential applications of visual effects if money is no object and how that insight expanded her way of thinking when approaching editorial problems on projects with relatively larger budgets. We discuss how editing can...
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ERNEST DICKERSON - Director / Cinematographer
Team Deakins
Director and cinematographer Ernest Dickerson (BOSCH, JUICE, MALCOLM X) joins us in conversation on this episode of the Team Deakins Podcast. Having been exposed to photography as a young man by his uncle, Ernest first keyed into cinematography after watching David Lean’s OLIVER TWIST and later attended graduate film school at NYU. Ernest reflects on his professional relationship with Spike Lee and reveals how Spike generously delayed pre-production on MALCOM X to allow Ernest enough time to finish post on his directorial debut, JUICE. Finding himself frequently directing his directors,...
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FRANKLIN LEONARD - Founder of The Black List
Team Deakins
Franklin Leonard, the founder of The Black List, joins us on this episode of the Team Deakins Podcast for a fascinating conversation. Franklin, a Harvard-educated military brat, starts by recounting his many travels across continents and industries before finding his footing as an assistant in the motion picture literary department at CAA. Having transitioned into development, Franklin shares how The Black List was born out of an innate desire to do better in his job as a junior executive at the time. We learn how The Black List has since evolved and how Franklin’s experiences influenced...
info_outlineTeam Deakins is happy to share our conversation with cinematographer John de Borman (AN EDUCATION, THE FULL MONTY, THE MIGHTY) on this episode of the podcast. We discuss working with different types of directors and battling the increasingly complex logistics of modern filmmaking and the ballooning number of crew sizes on projects. We also share our experiences working with actors of varying dispositions and the puzzles that arise during production to bring out their best performances. Finally, John offers advice for future cinematographers and highlights a skill he developed that elevated and enriched his work.
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This episode is sponsored by Falca & TrueCut Motion
Instagram: @falcagram & @truecutmotion