The Editor's Cut
This episode is an interview with Joaquin Elizondo. Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo). Before arriving in Los Angeles, Joaquin worked in unscripted television for several years in New York City where he edited content for HBO Sports, NBC, Telemundo, and Bravo. Joaquin majored in Film & Video Studies at the University of Michigan and grew up in...
info_outline EditCon 2024: Canada's Drag RaceThe Editor's Cut
We are launching season 7 with an EditCon 2024 panel. Canada’s Drag Race! Makeup, fashion, and incredible performances are just a few aspects of this reality television competition. It’s the exuberance and the je ne sais quoi of the show’s queens that make audiences around the world tune in. Who will overcome their inner saboteur and rise to the challenge to win the judges’ hearts and earn the coveted title of “Canada’s Next Drag Superstar”? Now heading into its fifth season, the post production team at CANADA’S DRAG RACE joined in a panel conversation to tell us about their...
info_outline The Porter with Dev Singh & Sandy PereiraThe Editor's Cut
Today’s episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series ‘The Porter’. The show won a record 12 Canadian Screen Awards in April of 2023, including the ‘Best Picture Editing in a Dramatic Program or Series’ award for Sandy, while Dev won the 2023 CCE ‘Best Editing in Drama’ award in May 2023. This conversation was moderated by Craig Macintosh.
info_outline EditCon 2023: Vancouver Women in PostThe Editor's Cut
Today’s episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.
info_outline EditCon 2023: Down at Fraggle RockThe Editor's Cut
An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.
info_outline EditCon 2023: Shaping MemoriesThe Editor's Cut
Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship. In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it’s the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island (GEOGRAPHIES OF SOLITUDE), the eye-opening testimony from the Coloured Hockey League about the untold history of racism in ice hockey (BLACK ICE) or the heart-wrenching revisit of her older...
info_outline Totally Killer & Fresh Off the Boat with Jeremy CohenThe Editor's Cut
Join Sarah Taylor, CCE as she chats with Jeremy Cohen about his editing career! Jeremy Cohen is an Emmy-nominated film and TV editor with over 20 years of industry experience. He is currently based in LA, where he has worked on shows such as FRESH OFF THE BOAT, CHILDRENS HOSPITAL, YOUNG ROCK, ALI WONG: DON WONG AND WHO IS AMERICA?, for which he was nominated for an Emmy. Most recently, he worked on Amazon Prime's TOTALLY KILLER, which is his debut feature. He has a diverse range, having worked on a wide variety of genres, and his motto about what he wants to work on in the future is...
info_outline EditCon 2023: Our Voices, Our StoriesThe Editor's Cut
OUR VOICES, OUR STORIES In a media landscape that favours rapid consumption and uniformity, Canadian cinema has become a vessel for diverse stories. RICEBOY SLEEPS portrays the struggles of immigration, while we embark on the search for the next stage of human evolution in CRIMES OF THE FUTURE. In VIKING, we find a reflection on the human condition in an attempt to explore Mars. Video rental nostalgia and adolescent cinephilia come together in the film I LIKE MOVIES. In this episode the editors from these riveting Canadian films join us in a panel conversation.
info_outline A Black Lady Sketch Show with Stephanie Filo, ACEThe Editor's Cut
Sarah Taylor, CCE sits down with Stephaine Filo, ACE to talk all things editing including her work on A BLACK LADY SKETCH SHOW, DAHMER – MONSTER: THE JEFFREY DAHMER STORY and WE GROWN NOW. Stephanie Filo, ACE, is a 4-time Emmy winner, 7-time Emmy nominee, Peabody and ACE Eddie award winner who is celebrated for her work across film and television. Most recently, Stephanie made history as the first Picture Editor to be nominated for three editing Emmys in the same year across three different shows. Nominated for her work on Netflix’s Dahmer - Monster: The Jeffrey Dahmer Story, created...
info_outline EditCon 2023: Cutting Through the NoiseThe Editor's Cut
The arrangement of moving pictures is referred to as cinematic language. But it is the skillful combination of picture and sound that transports the audience into a story. Strong visual and audio storytelling immerses the viewer into a world where dragons fly through the sky in HOUSE OF THE DRAGON. It makes our worst nightmares come true in the dreadful depths of the Upside Down in STRANGER THINGS. Paula Fairfield, Craig Henighan, Katie Halliday and Siân Fever share their process working on these phenomenal shows.
info_outlineThis episode is an interview with Annette Davey, ACE. We discuss her journey into the cutting room, from assisting and editing at the Australian Broadcasting Corporation to attending film school and how she managed to find a place in Hollywood all the way from Australia.
Annette Davey, ACE is an editor originally from Australia now based in LA and NY, she has worked in both TV and film. Annette’s wide selection of TV credits, including MAID, PAM & TOMMY, TRANSPARENT, BETTER THINGS, GLOW, and ZOEY’S EXTRAORDINARY PLAYLIST. Her film credits include WAITRESS, TOGETHER TOGETHER, LADY OF THE MANOR and THE ESTATE.