The Editor's Cut
The Editor's Cut is a monthly Canadian Cinema Editors podcast exploring the art of picture editing in Canada.
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Vancouver - Making Movie Magic with VFX Editors
05/18/2026
Vancouver - Making Movie Magic with VFX Editors
If visual effects are the magic of movies, then the VFX editors are the ones making magic happen in the edit suite. But what does that entail? As the bridge between editorial and VFX artists, how do VFX editors support the storytelling process and what do they do? Where did they come from and how has the position evolved? VFX editors Gary Lam, Warren Mazutinec and Bob Dewald answer these questions and more! This panel was moderated by Kelsy Wittman
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Editcon 2025: Toronto - Who Am I? Crafting Stories on Identity
05/04/2026
Editcon 2025: Toronto - Who Am I? Crafting Stories on Identity
How do issues of representation and identity shape the art and craft of film editing? Join editors Lara Johnston (FELLOW TRAVELERS), Gloria Tong (BRIA MACK GETS A LIFE), and Fabiola Caraza (THE POPULARITY PAPERS) as they discuss the intersection of film editing and cinematic explorations of race, class, gender, and culture. Moderated by D. Gillian Truster, CCE.
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EditCon 2025: Edmonton - From Cut to Score: How Collaboration Shapes Film and TV
04/20/2026
EditCon 2025: Edmonton - From Cut to Score: How Collaboration Shapes Film and TV
Post production is all about collaboration! Join a talented panel of editors, sound designers, and composers as they reveal the behind-the-scenes magic that brings films to life. From the precision of sound design to the emotion of the score, learn how every element comes together to create unforgettable cinematic experiences. Hear from editors Charlene Rule and Hans Olsen, composer John McMillan and sound designer Johnny Blerot and see how teamwork transforms great ideas into compelling stories on the screen! This panel was moderated by Sarah Taylor, CCE Panelists: Charlene Rule - Editor Charlene Rule has edited a diverse portfolio spanning museum installations, unscripted shows, music videos, and award-winning documentaries. Her first documentary, FRAMES premiered at Tribeca and also showed at the Museum of Modern Art, New York. Recent work includes FOUR STRINGS GOOD, the documentary commemorating the British sessions bassist Mo Foster, which has just premiered at the DocNRoll festival in London. She has also contributed to notable projects like THE ALZHEIMER’S PROJECT, SAME SEX AMERICA, and LEVI: BECOMING HIMSELF. Charlene’s work has appeared on networks including A&E, AMI, CBC, Discovery+, FoxSports1, HBO, Max, Showtime, Sundance Channel, and VICE. Hans Olsen - Editor Hans Olson is an editor with a passion for observational storytelling. He has worked on three films directed by Tasha Hubbard – SINGING BACK THE BUFFALO, NÎPAWISTAMÂSOWIN: WE WILL STAND UP and BIRTH OF A FAMILY. His documentary editing credits also include SIKSIKAKOWAN: THE BLACKFOOT MAN, ARAB WOMEN SAY WHAT?! and KÍMMAPIIYIPITSSINI: THE MEANING OF EMPATHY. Hans studied screenwriting at Langara College and is an alumnus of the Canadian Film Centre (Directors’ Lab) and Berlinale Talents. He has volunteered with the Nordlys Film & Arts Festival since its inception in 2010. John McMillan is an award-winning composer, producer, and educator. He is a Ph.D. candidate at the University of Westminster in London, UK, and is currently serving as Head of Songwriting with the Department of Music at MacEwan University in Edmonton. From an early age, John has been interested in the art of storytelling through film. This fascination, coupled with a love of music composition, songwriting, music technology and recording, has led to his career in music for visual media. Select screen credits include SINGING BACK THE BUFFALO, CRACKED: THE PERPLEXING WORLD OF EGG DONATION, THE GOOD VIRUS, WOCHIIGII LO: END OF THE PEACE, BLIND AMBITION: THE WOP MAY STORY, IRONMAN III and ASSASSIN’S CREED BLACK FLAG. John is most passionate about his musical contributions to the Canadian documentary film industry. Johnny began his sound recording education at the age of 16 and has been working with audio professionally for more than 35 years. With a diploma in Music and Recording Arts from MacEwan University, he is both a musician and audio engineer, with the unique ability to receive the world through sound. The recipient of thirteen Alberta Motion Picture Industry Awards, two Canadian Screen Award Nominations, his position as a premiere audio authority is well established. There is no project Johnny is not equipped to tackle. He has a strong understanding of the technical and creative elements involved in audio production, and he has the skill to balance both. A multi-award-winning editor with over twenty years of experience, Sarah has helped shape countless narratives that have been seen around the world. She has cut a wide range of documentaries, television programs, shorts, and feature films which have been screened at festivals including Tribeca, TIFF, and Sundance, and broadcast on networks like CBC, BBC, PBS, APTN, and AMI. Sarah’s most recent work includes the feature length documentary The Lebanese Burger Mafia which premiered at HOT DOCS in 2023 and the feature film Hey Viktor! which premiered at Tribeca in 2023. Sarah has seamlessly transitioned into the world of podcasting and also hosts and edits interview-based shows such as BRAAAINS and THE EDITOR’S CUT, adding another dimension to her multifaceted storytelling expertise.
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EditCon 2025: Vancouver - Finding the Story
04/07/2026
EditCon 2025: Vancouver - Finding the Story
Today's episode was a panel that took place in Vancouver as part of EditCon 2025. Editing is storytelling, and telling stories is what makes us human. But how do editors find, refine, and reconstruct the stories upon which we work? What differences and similarities exist across genres? Join Lisa Binkley, CCE, Jamie Alain, CCE, Ted Tozer, Tanya Maryniak for an in-depth discussion spanning scripted television, documentary, reality and feature editing. This panel was moderated Mauri Bernstein
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EditCon 2025: Toronto - Tragically Hip: No Dress Rehearsal
03/24/2026
EditCon 2025: Toronto - Tragically Hip: No Dress Rehearsal
Today's episode is a conversation that took place in Toronto during EditCon 2025 with Peter Denes and Steve Taylor, CCE, as they discuss their editing of the opus documentary THE TRAGICALLY HIP: NO DRESS REHEARSAL. This DGC Award-winning, four-part series tells the story of a bunch of scrappy kids from Kingston, Ontario, who went on to make music history. Denes and Taylor will reflect on the mammoth task of shaping 40 years of music and memories into a rock and roll story that defined Canada to Canadians. Moderated by Nick Hector, CCE, BFE.
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EditCon 2025: Halifax - Finding the Story
03/05/2026
EditCon 2025: Halifax - Finding the Story
Editing is storytelling, and telling stories is what makes us human. But how do editors find, refine, and reconstruct the stories upon which we work? What differences and similarities exist across genres? Join Amy Mielke, Wes Paster, Kimberlee McTaggart, CCE and Sarah Byrne for in-depth discussion spanning scripted television, documentary, reality and feature editing. This panel was moderated by Taylor Olsen.
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EditCon 2025 - Assistant Editors: The Heart of Post Production
02/17/2026
EditCon 2025 - Assistant Editors: The Heart of Post Production
Join us for a conversation led by Pauline Decroix with assistants from BEACON 23, HOME SWEET ROME, PUSH and MOONSHINE. They discuss the assistant journey, from working with editors on projects to the differences between remote and office workflows, and navigating day-to-day operations in between the edit suites.
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Heated Rivalry with Véronique Barbe, CCE & Arthur Tarnowski, ACE, CCE
02/05/2026
Heated Rivalry with Véronique Barbe, CCE & Arthur Tarnowski, ACE, CCE
Today we are thrilled to bring you Véronique Barbe, CCE and Arthur Tarnowski, ACE, CCE the editors behind one of the biggest series of the year, Heated Rivalry. This show has been breaking records across the board, earning a perfect 10 out of 10 on IMDb for episode five, becoming Bell Media’s most-watched series ever on Crave, and the top non-animated acquired series on HBO, ranking among the top five scripted debuts of 2025. Just a warning there are spoliers in this episode!
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In Conversation with Sandra Adair, ACE
01/01/2026
In Conversation with Sandra Adair, ACE
In today’s episode Sarah Taylor, CCE talks with Sandra Adair, ACE, the celebrated editor behind some of the most enduring and emotionally resonant films of our time. Best known for her long-standing collaboration with director Richard Linklater on films like BOYHOOD, BEFORE MIDNIGHT, SCHOOL OF ROCK, and DAZED AND CONFUSED, Adair brings a rare blend of instinct, rhythm, and narrative sensitivity to every frame. About Sandra: Academy Award nominee, Sandra Adair, ACE, has enjoyed an ongoing artistic collaboration with director Richard Linklater, having edited 24 films for him over the past 33 years. Some of their collaborative work includes the cult classic DAZED AND CONFUSED, BEFORE SUNRISE, BEFORE SUNSET AND BEFORE MIDNIGHT, and last year’s HIT MAN. Their latest collaboration is this year’s BLUE MOON. In 2014, Linklater’s BOYHOOD earned 6 Academy Award nominations, including Best Editing for Sandra. Sandra is a member of the Academy of Motion Picture Arts and Sciences, American Cinema Editors, and The Motion Picture Editor’s Guild.
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Wicked: For Good with Myron Kerstein, ACE
12/16/2025
Wicked: For Good with Myron Kerstein, ACE
Today's episode is an interview with Myron Kerstein, ACE — the brilliant editor behind Wicked and Wicked: For Good. Myron has earned two Oscar nominations, won two ACE Eddie Awards for Wicked and tick, tick…BOOM!, and has edited numerous iconic musicals, including In the Heights.
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EditCon 2025: This Year in Canadian Film
11/25/2025
EditCon 2025: This Year in Canadian Film
We want to feature the editors of four Canadian films that are not only critically acclaimed in this year’s festival circles but also reflect the great community spirit behind their creation. Whether it’s the utterly independent visions of MATT AND MARA and UNIVERSAL LANGUAGE or the deeply necessary stories of the Indigenous community in ABERDEEN and THE STAND, this year’s Canadian films, in all their shapes and forms, are not short of boldness and style. Sara Bulloch is an editor and filmmaker in Winnipeg, Canada. She’s edited films and series like ABERDEEN (premiered at TIFF2024), ALTER BOYS, SEEKING FIRE, ANCIENT BODIES, and many short films including I WOULD LIKE TO THANK MY BODY which won Audience Choice Award at Gimli Film Fest 2023. Short films she’s written/directed have screened with Toronto Jewish Film Fest, the8fest, Gimli Film Fest, and more. Her films often explore mental health, identity, and relationships. Her short film, HOT DOG GUY won a People’s Choice Award at Vox Popular Media Arts Fest 2022. She’s also a motion graphics artist and community organizer. From 2019-2023 she organized OurToba Film Network & Fest, a community group for women, non-binary and gender diverse Manitobans in film. Xi Feng is a film editor based in Montreal. Having lived in China, Canada, and France, she has cultivated a unique blend of cultural and artistic sensitivity. Feng has worked as an editor on award winning films including CETTE MAISON, CAITI BLUES and most recently UNIVERSAL LANGUAGE, which won the inaugural Audience Award at the Directors’ Fortnight at Cannes and is Canada’s 2025 submission for the Oscars. Her filmography includes films premiered at major festivals such as Berlinale, Cannes, Sundance, TIFF, Vision du Réel, HotDocs, etc. Nathalie Massaroni is a Winnipeg-based editor and post production supervisor of more than 400 hours of television. Since graduating from the University of Winnipeg’s film program, she has edited features and series including WINTERTIDE, ALTER BOYS, SEEKING FIRE, and ABERDEEN (which premiered at TIFF 2024). Nathalie has also edited other short form series and films such as D DOT H, TAILOR MADE, and I HURT MYSELF. If she’s not working on a computer, you can find Nathalie at the dance studio or sipping coffee with a cat on her lap. Ajla Odobasic is a Bosnian-Canadian film editor based in Toronto. Her credits include MATT AND MARA, THE WHITE FORTRESS, the TFCA Best Canadian Film Award-winning ANNE AT 13000 FT, A.W: A PORTRAIT OF APICHATPONG WEERASETHAKUL, and the CSA-nominated HELLO DESTROYER. Her work has screened at several festivals and platforms including Locarno, TIFF, the Berlinale, MoMA, CBC Gem, and the Criterion Channel. Ajla teaches editing in Humber College’s Film and Television program. Sarah Hedar is a Vancouver-based editor and story editor. Her patience and sense of humour keeps the challenges that so often bog down the creative process at bay. Sarah’s award-winning work on provocative and original films spans both documentary and narrative projects, from features to shorts. Her keen eye for visual storytelling reflects her belief in the power of community, and the importance of continuously reassessing the status quo while building a world filled with empathy and hope for a brighter future. Her work has screened at festivals across the globe, but most notably, Sundance, TIFF, and VIFF. Kelly Boutsalis is the International Programmer, Canada for the Toronto International Film Festival. She’s also a freelance writer, and has written about film and television for the New York Times, NOW Magazine, Elle Canada, Flare, POV Magazine and more. She’s also written about lifestyle, design, and culture for publications including Vogue, Toronto Star, Chatelaine, VICE and Toronto Life. Originally from the Six Nations reserve, she lives in Toronto. She is on the board of imagineNATIVE and a member of the Toronto Film Critics Association.
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EditCon 2025: Our Animated Heroines
10/28/2025
EditCon 2025: Our Animated Heroines
Animation is often stereotyped as a children’s genre. The truth is that it is a versatile medium for all ages: one that allows storytellers to experiment, push boundaries, and captivate audiences around the world. This episode features the editors behind INSIDE OUT 2, THE WILD ROBOT, SPELLBOUND and NIMONA. They discuss the creative process behind these titles and the particularities of working in the editor’s chair on animated feature films of this caliber.
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Zurawski v Texas with Austin Reedy
09/30/2025
Zurawski v Texas with Austin Reedy
In today’s episode Sarah Taylor, CCE chats with Austin Reedy the editor of the documentary ZURAWSKI V TEXAS. They discuss the intricate process of editing a film that intertwines legal narratives with deeply personal stories. Austin reflects on the importance of empathy, collaboration with directors, and the emotional weight of the subject matter. In ZURAWSKI V TEXAS women denied abortions under Texas’ ambiguous and unforgiving abortion bans band together with a fearless attorney to sue Texas. While battling in court against the state and its immovable Attorney General, the extent of their traumatic experiences is revealed as they wrestle to regain their reproductive futures and set a precedent for millions of other women and families. ZURAWSKI V TEXAS reveals the dire impact of losing access to healthcare—and the extraordinary efforts of the women and men fighting on the frontline to regain those rights. The film is available for rent on Apple TV and Amazon Prime
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Beetlejuice Beetlejuice with Jay Prychidny, CCE
07/29/2025
Beetlejuice Beetlejuice with Jay Prychidny, CCE
In this episode of THE EDITOR’S CUT, host Sarah Taylor, CCE sits down with the brilliant Jay Prychidny, CCE to talk about all things BEETLEJUICE BEETLEJUICE. Jay takes us into the edit suite of Tim Burton’s latest film, sharing his creative process, the emotional connection he had to the story, and what it was like to collaborate with such an iconic filmmaker. From navigating the challenges of editing to striking the perfect balance between practical effects and modern techniques, Jay invites us on a wild ride aboard the all soul train through the wonderfully weird world of Beetlejuice.
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In Conversation with Dean Evans
06/24/2025
In Conversation with Dean Evans
Today's episode was a Master Series that took place on October 9th, 2024 In Conversation with Dean Evans. In this conversation, host Sarah Taylor, CCE talks with film and tv editor Dean Evans. Dean shares his journey from a small-town kid in Saskatchewan to becoming a successful editor. He discusses the importance of the MASTER THE WORKFLOW workflow in editing, his experiences working on the film , and the collaborative nature of the editing process. They also discuss the fast-paced nature of web series , the significance of keeping up with technology in editing, and Dean reflects on a fulfilling career in film, emphasizing the value of relationships in the industry.
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Editing Web Series with Pauline Decroix, Maureen Grant, CCE & Ben Allan
05/27/2025
Editing Web Series with Pauline Decroix, Maureen Grant, CCE & Ben Allan
This episode was a panel that took place on May 13th, 2024. Award-winning editors Pauline Decroix, Maureen Grant, CCE and Ben Allen discuss their experiences working on the web series, HOW TO FAIL AS A POPSTAR, I HATE PEOPLE, PEOPLE HATE ME and LESS THAN KOSHER. They explore the unique challenges and creative freedoms that come with this format. They share insights into their editing processes, the importance of timing in comedy, and how they build character dynamics through editing. This event will be moderated by Craig Macintosh.
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Bleeding Love with Autumn Dea
04/29/2025
Bleeding Love with Autumn Dea
Today’s episode is a conversation with Autumn Dea. She shares her journey into editing, her early interest in storytelling, the transition from advertising to long-form editing, and her experiences working on the film BLEEDING LOVE which was directed by Emma Westenberg starring Ewan McGregor and Clara McGregor. We discuss the emotional aspects of editing, the importance of collaboration with directors, and the challenges faced in the editing process. Autumn Dea is a film, television, and commercial editor from Los Angeles, CA. Originally hailing from the Philadelphia, PA area, Dea graduated from Virginia Commonwealth University's School of the Arts, with a Bachelor of Arts degree in film and a double minor in media studies and psychology. Dea's unique editorial background has allowed her to work with various high-profile artists and actors, including Beyonce, Lizzo, Ewan McGregor, and Jay Duplass. Her most recent feature film BLEEDING LOVE, directed by Emma Westenberg and starring Ewan McGregor and Clara McGregor, world premiered at SXSW 2023. The film has already garnered industry praise and was chosen as one of the must-see films of the festival by Deadline's SXSW 2023 Hotlist. Her most recent documentary feature film, LOVE, LIZZO (HBO Max), directed by Doug Pray and starring Grammy Award-winning musician and vocalist Lizzo, premiered on HBO Max in November 2022. Previously, her feature film, SHITHOUSE (IFC), directed by Cooper Raiff, won the Grand Jury Award for Best Narrative Feature at SXSW 2020 and was named Vanity Fair's 10 Best Movies of 2020. Her work in television has also received accolades including an Emmy award for THE FUTURE OF AMERICA'S PAST (PBS), and inclusion in the Tribeca Film Festival for the documentary feature THE DEATH OF MY TWO FATHERS (PBS), directed by Sol Guy.
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EditCon 2024: Exploring Documentary
03/25/2025
EditCon 2024: Exploring Documentary
Today's episode is a panel from EditCon 2024 that took place in Edmonton, Alberta. EXPLORING DOCUMENTARY Krystal Moss, Weyme Teeter, Colin Waugh and Sarah Taylor, CCE share their insights and experiences and explore the art of storytelling through the lens of editing and talk about their creative process behind the captivating Alberta-made documentaries; THE LEBANESE BURGER MAFIA, SEND KELP, PUSH, BLIND AMBITION: WOP MAY and ARTHUR ERICKSON’S DYDE HOUSE. This panel was moderated by Guy Lavallee, a documentary filmmaker and festival programmer.
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EditCon 2024: To Kill A Tiger with Mike Munn, CCE
02/04/2025
EditCon 2024: To Kill A Tiger with Mike Munn, CCE
Today's episode is a panel that took place in Toronto during EditCon 2024. Editor Mike Munn, CCE take us through the experience of editing the multi-award-winning documentary TO KILL A TIGER. The film follows the local story of an Indian father courageously fighting for justice for his raped daughter, delving into the dynamics of a family, a small village, and the national legal system, while also addressing the broader themes of rape culture, victim blaming, and the silencing of women. Moderated by editor Nick Hector, CCE.
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Deadpool & Wolverine with Shane Reid and Dean Zimmerman, ACE
01/01/2025
Deadpool & Wolverine with Shane Reid and Dean Zimmerman, ACE
In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel’s massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you’re a long time Marvel fan or curious about editing action, you won’t want to miss this insightful discussion about pacing, glistening abs, deleted scenes, and the unique dynamics of editing two of the most unpredictable heroes in cinema. To hear more insightful conversations about editing join us for EditCon 2025! Here will be both virtual and in person events around Canada! Get your tickets .
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EditCon 2024: The Best in TV Comedy: 2023 CCE Award Nominees
12/17/2024
EditCon 2024: The Best in TV Comedy: 2023 CCE Award Nominees
Comedy demands a mastery of pacing to make a story flow but most importantly make the audience laugh. Whether it’s solving mysteries in the coming-of-age comedy horror WEDNESDAY, the misfortunes of a dysfunctional family in MOONSHINE, the attempt to save a mediocre hockey team in SHORESY, or building a business of fake IDs with very real consequences in FAKES. This year we invited the 2023 CCE nominee editors of these spectacular shows to tell us about the craft of editing in the comedic genre. Maybe they’ll tell us a joke or two.
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Queen of my Dreams with Simone Smith, CCE
11/19/2024
Queen of my Dreams with Simone Smith, CCE
In this conversation, Simone Smith, CCE shares her journey into the world of editing, discussing her early influences, the projects she has worked on, and the unique challenges faced in both film and television. She highlights her experience working on QUEEN OF MY DREAMS, the importance of collaboration with directors, and the nuances of editing comedy and drama. Queen of my dreams is now available for rent on Apple TV!
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Longlegs with Greg Ng, CCE and Graham Fortin
10/29/2024
Longlegs with Greg Ng, CCE and Graham Fortin
Greg Ng, CCE and Graham Fortin discuss their collaborative journey in editing the film LONGLEGS. They share insights into their editing process, the dynamics of co-editing, and the importance of building trust with directors. The conversation delves into the nuances of character development, particularly with Nicolas Cage's performance, and the techniques used to create tension and atmosphere in the film. They also reflect on audience reactions during screenings and the lessons learned for future projects.
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EditCon 2024: What Are You Afraid Of?
10/15/2024
EditCon 2024: What Are You Afraid Of?
Today's episode took place in Vancouver as part of EditCon 2024. What makes movies scary? Why are we compelled to watch them? How do editors influence and manipulate our experience of horror, suspense, and tension? Does editing scary films give you nightmares? This round table discussion with Jon Anctil, CCE (50 STATES OF FRIGHT, VAN HELSING, TWO SENTENCE HORROR STORIES) Cindy Au Yeung (JONAH, SHADOW OF THE ROUGAROU) Graham Kew (SATAN WANTS YOU, THE AGE OF A.I., PUNK), Justin Li (THE TERROR, SNOWPIERCER, LUCKY HANK) Trevor Mirosh (DAY OF THE DEAD, V FOR VENGEANCE, TRUE JUSTICE) and Nicole Ratcliffe, CCE (CREEPSHOW, TWO SENTENCE HORROR STORIES, VIRGIN RIVER) will answer these questions and more! Moderated by Greg Ng, CCE
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EditCon 2024: This Year in Canadian Film
10/01/2024
EditCon 2024: This Year in Canadian Film
Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishes serve as the background in THE DISHWASHER to give us a bumpy ride to redemption. Join us in a conversation with the editors of these films who will share their experiences shaping these stories. This panel was moderated by director
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Griselda with Joaquin Elizondo
09/17/2024
Griselda with Joaquin Elizondo
This episode is an interview with Joaquin Elizondo. Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo). Before arriving in Los Angeles, Joaquin worked in unscripted television for several years in New York City where he edited content for HBO Sports, NBC, Telemundo, and Bravo. Joaquin majored in Film & Video Studies at the University of Michigan and grew up in the San Diego-Tijuana border region. As someone who has sought out and benefited from mentoring, Joaquin is now taking on the role of mentor by helping aspiring editors and assistants in navigating the path to achieving their career goals. He created the and Podcast to provide guidance and support for those trying to break into or advance their careers in post production. Click here for Joaquin's Hollywood Editing Mentor gifts: https://hollywoodeditingmentor.com/theeditorscut/
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EditCon 2024: Canada's Drag Race
09/03/2024
EditCon 2024: Canada's Drag Race
We are launching season 7 with an EditCon 2024 panel. Canada’s Drag Race! Makeup, fashion, and incredible performances are just a few aspects of this reality television competition. It’s the exuberance and the je ne sais quoi of the show’s queens that make audiences around the world tune in. Who will overcome their inner saboteur and rise to the challenge to win the judges’ hearts and earn the coveted title of “Canada’s Next Drag Superstar”? Now heading into its fifth season, the post production team at CANADA’S DRAG RACE joined in a panel conversation to tell us about their experience working on such a glamorous and hilarious show. Shawn-tay you’ll want to stay for this panel discussion with Beth Biederman, Dean Davis, Jonathan Dowler, CCE and Lindsay Ragone. This conversation was moderated by Zoya Rezaie.
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The Porter with Dev Singh & Sandy Pereira
06/11/2024
The Porter with Dev Singh & Sandy Pereira
Today’s episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series ‘The Porter’. The show won a record 12 Canadian Screen Awards in April of 2023, including the ‘Best Picture Editing in a Dramatic Program or Series’ award for Sandy, while Dev won the 2023 CCE ‘Best Editing in Drama’ award in May 2023. This conversation was moderated by Craig Macintosh.
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EditCon 2023: Vancouver Women in Post
05/14/2024
EditCon 2023: Vancouver Women in Post
Today’s episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.
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EditCon 2023: Down at Fraggle Rock
04/16/2024
EditCon 2023: Down at Fraggle Rock
An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.
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