The Editor's Cut
The Editor's Cut is a monthly Canadian Cinema Editors podcast exploring the art of picture editing in Canada.
info_outline
Griselda with Joaquin Elizondo
09/17/2024
Griselda with Joaquin Elizondo
This episode is an interview with Joaquin Elizondo. Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo). Before arriving in Los Angeles, Joaquin worked in unscripted television for several years in New York City where he edited content for HBO Sports, NBC, Telemundo, and Bravo. Joaquin majored in Film & Video Studies at the University of Michigan and grew up in the San Diego-Tijuana border region. As someone who has sought out and benefited from mentoring, Joaquin is now taking on the role of mentor by helping aspiring editors and assistants in navigating the path to achieving their career goals. He created the and Podcast to provide guidance and support for those trying to break into or advance their careers in post production. Click here for Joaquin's Hollywood Editing Mentor gifts: https://hollywoodeditingmentor.com/theeditorscut/
/episode/index/show/theeditorscut/id/33082307
info_outline
EditCon 2024: Canada's Drag Race
09/03/2024
EditCon 2024: Canada's Drag Race
We are launching season 7 with an EditCon 2024 panel. Canada’s Drag Race! Makeup, fashion, and incredible performances are just a few aspects of this reality television competition. It’s the exuberance and the je ne sais quoi of the show’s queens that make audiences around the world tune in. Who will overcome their inner saboteur and rise to the challenge to win the judges’ hearts and earn the coveted title of “Canada’s Next Drag Superstar”? Now heading into its fifth season, the post production team at CANADA’S DRAG RACE joined in a panel conversation to tell us about their experience working on such a glamorous and hilarious show. Shawn-tay you’ll want to stay for this panel discussion with Beth Biederman, Dean Davis, Jonathan Dowler, CCE and Lindsay Ragone. This conversation was moderated by Zoya Rezaie.
/episode/index/show/theeditorscut/id/32864287
info_outline
The Porter with Dev Singh & Sandy Pereira
06/11/2024
The Porter with Dev Singh & Sandy Pereira
Today’s episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series ‘The Porter’. The show won a record 12 Canadian Screen Awards in April of 2023, including the ‘Best Picture Editing in a Dramatic Program or Series’ award for Sandy, while Dev won the 2023 CCE ‘Best Editing in Drama’ award in May 2023. This conversation was moderated by Craig Macintosh.
/episode/index/show/theeditorscut/id/31698002
info_outline
EditCon 2023: Vancouver Women in Post
05/14/2024
EditCon 2023: Vancouver Women in Post
Today’s episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.
/episode/index/show/theeditorscut/id/31278417
info_outline
EditCon 2023: Down at Fraggle Rock
04/16/2024
EditCon 2023: Down at Fraggle Rock
An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.
/episode/index/show/theeditorscut/id/30820313
info_outline
EditCon 2023: Shaping Memories
04/02/2024
EditCon 2023: Shaping Memories
Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship. In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it’s the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island (GEOGRAPHIES OF SOLITUDE), the eye-opening testimony from the Coloured Hockey League about the untold history of racism in ice hockey (BLACK ICE) or the heart-wrenching revisit of her older brother’s death in BACK HOME, each of these films was made with powerful bravery and is sublime in its own way.
/episode/index/show/theeditorscut/id/30625068
info_outline
Totally Killer & Fresh Off the Boat with Jeremy Cohen
03/19/2024
Totally Killer & Fresh Off the Boat with Jeremy Cohen
Join Sarah Taylor, CCE as she chats with Jeremy Cohen about his editing career! Jeremy Cohen is an Emmy-nominated film and TV editor with over 20 years of industry experience. He is currently based in LA, where he has worked on shows such as FRESH OFF THE BOAT, CHILDRENS HOSPITAL, YOUNG ROCK, ALI WONG: DON WONG AND WHO IS AMERICA?, for which he was nominated for an Emmy. Most recently, he worked on Amazon Prime's TOTALLY KILLER, which is his debut feature. He has a diverse range, having worked on a wide variety of genres, and his motto about what he wants to work on in the future is “cool stuff with cool people.”
/episode/index/show/theeditorscut/id/30429828
info_outline
EditCon 2023: Our Voices, Our Stories
03/05/2024
EditCon 2023: Our Voices, Our Stories
OUR VOICES, OUR STORIES In a media landscape that favours rapid consumption and uniformity, Canadian cinema has become a vessel for diverse stories. RICEBOY SLEEPS portrays the struggles of immigration, while we embark on the search for the next stage of human evolution in CRIMES OF THE FUTURE. In VIKING, we find a reflection on the human condition in an attempt to explore Mars. Video rental nostalgia and adolescent cinephilia come together in the film I LIKE MOVIES. In this episode the editors from these riveting Canadian films join us in a panel conversation.
/episode/index/show/theeditorscut/id/30232958
info_outline
A Black Lady Sketch Show with Stephanie Filo, ACE
02/20/2024
A Black Lady Sketch Show with Stephanie Filo, ACE
Sarah Taylor, CCE sits down with Stephaine Filo, ACE to talk all things editing including her work on A BLACK LADY SKETCH SHOW, DAHMER – MONSTER: THE JEFFREY DAHMER STORY and WE GROWN NOW. Stephanie Filo, ACE, is a 4-time Emmy winner, 7-time Emmy nominee, Peabody and ACE Eddie award winner who is celebrated for her work across film and television. Most recently, Stephanie made history as the first Picture Editor to be nominated for three editing Emmys in the same year across three different shows. Nominated for her work on Netflix’s Dahmer - Monster: The Jeffrey Dahmer Story, created by Ryan Murphy; Hulu’s History of the World Part II, a sequel to Mel Brooks’ iconic original film; and Robin Thede’s groundbreaking HBO series A Black Lady Sketch Show, Stephanie’s nominations also make her the first Black editor to be nominated 3 times for Picture Editing in a single year. Stephanie has also been a part of other prior history-making Emmy wins as well. In 2020, for the news documentary Separated, she and Nzinga Blake became the first Sierra Leonean women to win an Emmy award. In 2021 she was awarded for Outstanding Picture Editing for Variety Programming, making herself and her team at the time the first all Women of Color editing team to win an Emmy. Just last year in 2022, Stephanie was awarded for her work once again, making herself and her colleagues the first all-Black editing team to win an Emmy, as well as the first all-Black editing team to win an ACE Eddie award. Aside from editing television and film, Stephanie spends much of her spare time producing and editing social action campaigns and documentaries, primarily focused on the rights of women and girls worldwide. Some of her notable campaigns include her work with the United Nations, International Labour Organization, and the Obama White House Task Force's It's On Us campaign to combat campus sexual assault. Stephanie’s charitable work has been featured in Forbes Magazine, Entertainment Tonight, Telegraph UK, Yahoo, Al Jazeera, XWhy Magazine, and various others. Her work on the news documentary series Mental State earned her a news Emmy nomination for the episode "Aging Out" about youth aging out of the American foster care system. Stephanie also earned an Emmy win for her editing on the Mental State episode "Separated" which covered ICE deportations. Stephanie serves on the board for Girls Empowerment Sierra Leone, a social impact and feminist-based organization for Sierra Leonean girls aged 11-16. She is also one of the co-founders of End Ebola Now, an organization created in 2014 to spread accurate information and awareness about the Ebola Virus and its impact through artistic community activism. Stephanie is based in Los Angeles, CA and Sierra Leone, West Africa.
/episode/index/show/theeditorscut/id/30024803
info_outline
EditCon 2023: Cutting Through the Noise
02/06/2024
EditCon 2023: Cutting Through the Noise
The arrangement of moving pictures is referred to as cinematic language. But it is the skillful combination of picture and sound that transports the audience into a story. Strong visual and audio storytelling immerses the viewer into a world where dragons fly through the sky in HOUSE OF THE DRAGON. It makes our worst nightmares come true in the dreadful depths of the Upside Down in STRANGER THINGS. Paula Fairfield, Craig Henighan, Katie Halliday and Siân Fever share their process working on these phenomenal shows.
/episode/index/show/theeditorscut/id/29796698
info_outline
A Small Light & Pachinko with Susan E. Kim
01/23/2024
A Small Light & Pachinko with Susan E. Kim
Sarah Taylor, CCE sits down with Susan E Kim, editor behind A SMALL LIGHT and PACHINKO. Susan has worked across a range of content, including unscripted work, commercials and music concerts. She has been an Assistant Editor on projects that include the Emmy-winning HBO series EUPHORIA and the Duplass Brothers HBO anthology series, ROOM 104. Susan discusses the importance of collaboration in the editing process and how it’s important for editors to bring their unique perspective and voice to their projects.
/episode/index/show/theeditorscut/id/29596173
info_outline
EditCon 2023: Behind the Cut with Jay Prychidny, CCE
01/09/2024
EditCon 2023: Behind the Cut with Jay Prychidny, CCE
Award-winning producer and editor Jay Prychidny, CCE vast experience ranges from editing some of the most-watched reality television in this country, including AMAZING RACE CANADA. He has led the post-production on ORPHAN BLACK and recently edited the new WEDNESDAY series and SCREAM 6. Jay shares his insight about his editing process and lessons from his dynamic career in post-production. This keynote was moderated by editor Cheryl Potter.
/episode/index/show/theeditorscut/id/29396153
info_outline
Barbie with Nick Houy, ACE
01/01/2024
Barbie with Nick Houy, ACE
This episode is an exclusive episode of The Editor's Cut with Nick Houy, ACE the editor behind the blockbuster hit BARBIE. Nick Houy, ACE, is a film editor based in New York. Before editing BARBIE, Houy edited both of Greta Gerwig’s previous Oscar-nominated films, LITTLE WOMEN, and LADY BIRD for which he was nominated for the ACE award in 2017. Houy also won the Emmy Award in 2017 for editing the miniseries, THE NIGHT OF. He was nominated for the Independent Spirit Award for editing MID90S in 2018, and in 2022 Houy edited the critically acclaimed Netflix documentary, STUTZ. Watch the clip .
/episode/index/show/theeditorscut/id/29206163
info_outline
Only Murders in the Building with Peggy Tachdjian, ACE
12/19/2023
Only Murders in the Building with Peggy Tachdjian, ACE
In this conversation, editor Peggy Tachdjian, ACE discusses her career journey and her work on the show 'Only Murders in the Building.' She shares her experience transitioning from documentaries and reality TV to scripted television, as well as the challenges and joys of working on different types of shows. Peggy also talks about the collaborative process with other editors on 'Only Murders in the Building' and the importance of creating emotional connections with the characters. PEGGY TACHDJIAN, ACE, is an Emmy award winning film and television editor who was most recently nominated for an Emmy for her work on the Hulu comedy series Only Murders in the Building. Peggy was born in Lebanon and came to America to flee the war when she was 8. She is now based in Los Angeles and has over 20 years of experience editing across multiple formats and genres. She began her career in documentary and unscripted before transitioning to scripted television and film. Some of her recent credits include Shrinking on Apple+, FX's acclaimed American Horror Story, the Netflix hit Ratched, and the musical feature The Prom starring Meryl Streep. She's also worked on many much loved reality shows like Project Runway, RuPauls Drag Race, The Kardashians and Born This Way, for which she earned 4 Primetime Emmy nominations for Editing.
/episode/index/show/theeditorscut/id/29131053
info_outline
Wu-Tang: An American Saga with Marc Wiltshire
12/05/2023
Wu-Tang: An American Saga with Marc Wiltshire
In this episode Sarah Taylor, CCE sits down with editor Marc Wiltshire to discuss his editing career. Marc Wiltshire is a TV and Film editor, passionate about storytelling. Most recently, he’s edited several episodes on season 3 of Hulu’s Wu-Tang: An American Saga, including the first-ever episode written and directed by co-creator The RZA, and season 2 of Peacock’s Bel-Air, including the season premiere and finale. As an editor, he is committed to making bold choices, protecting the story, and bringing the best version of the director's vision to life. Throughout his career, Marc has worked on an impressive list of acclaimed productions, including Emmy and Eddie award-winning Hacks, NAACP-nominated Our Kind of People, Lee Daniels’ Star, the First Run Film Festival award-winner Oakland in Blue, and Fantasia Film Festival winner Bullshit. Marc discovered his passion for editing while working on his first short film on a 16mm Steenbeck editing machine. While Marc pursued his MFA degree in Film & TV Production at NYU's Tisch School of the Arts, he wrote and directed several short films, including award-winner My Avatar, which premiered at the Fantasia Film Festival. Originally from Montreal, Canada, Marc has lived in Italy, Scotland, Singapore, Vietnam and Japan. He currently resides in Los Angeles with his wife and daughter.
/episode/index/show/theeditorscut/id/28928498
info_outline
In Conversation with Avrïl Jacobson, CCE and Annie Jean, CCE
11/14/2023
In Conversation with Avrïl Jacobson, CCE and Annie Jean, CCE
Today’s episode is the panel that took place March 8th, 2023. It is an in depth conversation with editor Avrïl Jacobson, CCE and Annie Jean, CCE as they discuss their work on crafting powerful documentary films celebrating two bold and visionary indigenous women in Ever Deadly and Mary Two-Axe Early. The panel was moderated by Sophie Farkas-Bolla.
/episode/index/show/theeditorscut/id/28602223
info_outline
Joy Ride with Nena Erb, ACE
10/10/2023
Joy Ride with Nena Erb, ACE
In today’s episode Nena Erb, ACE joins Sarah Taylor to chat about her editing work on the hilarious film JOY RIDE. From first-time director Adele Lim (screenwriter of Raya and the Last Dragon, Crazy Rich Asians), JOY RIDE follows four Asian-American friends on a trip across Asia in search of one of their birth mothers, who end up on the journey of a lifetime. The film stars Oscar nominee Stephanie Hsu, Critics Choice Award nominee Ashley Park, Sherry Cola, and Sabrina Wu. The film premiered at SXSW in 2023 to critical acclaim, now boasting a perfect score of 100% on Rotten Tomatoes. Nena Erb, ACE, is a picture editor based in Los Angeles. Raised in an Asian immigrant family, Nena's father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic. Nena wanted to be Andy Warhol. Armed with an art degree, a friend brought her into the industry and she started working in various capacities in production. It was her stint as an associate producer that opened her eyes to the impact of editing. It combined her love of photography and storytelling into one and she was hooked. Since then, Nena has edited projects for Warner Brothers, Apple, HBO, and others. In 2016, she received an Emmy award on HBO's documentary series PROJECT GREENLIGHT. In addition, she has received three ACE Eddie nominations; two for her work on HBO's comedy-drama series INSECURE and the third for CW's acclaimed series CRAZY EX-GIRLFRIEND. Nena received her second Emmy award in 2020 for her work on season 4 of INSECURE and a third Emmy nomination in 2022 for the final season. She recently finished JOY RIDE directed by Adele Lim for Lionsgate. Her parents no longer ask if she'd reconsider medical school.
/episode/index/show/theeditorscut/id/28268999
info_outline
Framing Agnes with Cecilio Guillermo A.S. Escobar & Brooke Stern Sebold
09/12/2023
Framing Agnes with Cecilio Guillermo A.S. Escobar & Brooke Stern Sebold
Today's episode is the event that took place virtually on June 21st, 2022 - Behind the Screen FRAMING AGNES Brooke Stern Sebold and Cecilio Escobar chat about the genre-blending and award-winning film FRAMING AGNES. This empowering and stylish documentary explores the legacy and impact that one trans woman left from the 1960s and onwards. This panel was moderator Maureen Grant, and they dive into the intricate layers and structure of this innovative hybrid documentary.
/episode/index/show/theeditorscut/id/28005003
info_outline
The Last of Us with Timothy Good, ACE and Emily Mendez
06/06/2023
The Last of Us with Timothy Good, ACE and Emily Mendez
Today we bring to you an interview with the editor’s of one of the most successful series this year - THE LAST OF US! Timothy Good, ACE and Emily Mendez share their favourite episodes, how they co-edited together and what it felt like to work on such a popular series!
/episode/index/show/theeditorscut/id/26973975
info_outline
Everything Everywhere All At Once with Paul Rogers
05/16/2023
Everything Everywhere All At Once with Paul Rogers
In this episode Sarah Taylor sits down with Paul Rogers They discuss Paul's career journey and how he approached the editing behind Everything Everywhere All At Once. Paul Rogers began his professional career in 2007 editing documentary films for public television in Alabama, winning 4 Emmy Awards. He made the jump to Los Angeles in 2013 and kicked off a career in music videos with the DANIELS’ directed 'Turn Down For What’ and further collaborated with DANIELS on the short films ‘Interesting Ball’ and ‘Boat Dad’ as well as one half of the duo, Daniel Scheinert, on the A24 feature film 'The Death of Dick Long,' which premiered at Sundance in 2018. He dipped back into documentaries in 2020 with ‘You Cannot Kill David Arquette,’ an official SXSW selection and winner of the Adobe Editing Award. His next film is Isaiah Saxon's debut feature 'The Legend of Ochi.' Along with feature films, he has edited for the Eric Andre Show, Kendrick Lamar, Flying Lotus, Haim, and Thundercat among others. Paul has also collaborated extensively with director Kahlil Joseph on projects such as ‘Lemonade’ for Beyonce, ‘Process’ for Sampha, and Joseph's most recent work 'BLK NWS.’ Paul is a partner in the editorial company PARALLAX located in Los Angeles.
/episode/index/show/theeditorscut/id/26850246
info_outline
Assistant Editing with Bettina Zachariah Treviranus
05/02/2023
Assistant Editing with Bettina Zachariah Treviranus
In this episode Sarah Taylor sits down with Bettina Zachariah Treviranus. Bettina is obsessed with and has a deep love of stories that began when she learned how to read. By trade, she’s a television editor and producer of such shows like Work In Progress, Dominion, and Grimm. By night, she’s a devoted daughter, wife, mother, and friend. Bettina believes that stories are what humanize us, teaches us, strengthens us, and connects us. She’s deeply honored to be here and share her experiences. Sarah and Bettina discuss her career journey and how she landed her current position as assistant editor on Class of ’09.
/episode/index/show/theeditorscut/id/26712306
info_outline
EditCon 2022: Cutting for the Big Screen
04/18/2023
EditCon 2022: Cutting for the Big Screen
Today’s episode is part 4 of our 4 part series covering EditCon 2022 Brave New World. Like it or not, the landscape of cinema is changing quickly. With more films at our fingertips than ever before, it’s becoming harder and harder to draw audiences to the theatres. But people still flock to the tentpole films that we all know and love. Join us behind the scenes as we chat with the editors of: SHANG-CHI AND THE LEGEND OF THE TEN RINGS, ETERNALS and GHOSTBUSTERS: AFTERLIFE as they take a deep dive into their workflows, share their tips on managing large teams and visual effects, and get into the nitty gritty of cutting for the big screen.
/episode/index/show/theeditorscut/id/26569056
info_outline
EditCon 2022: Learning from the Best
04/04/2023
EditCon 2022: Learning from the Best
Today’s episode is part 3 of our 4 part series covering EditCon 2022 Brave New World. Today’s panel is Learning from the Best - Documentary editing is a craft of perpetual learning. Not only do our tools change constantly, but so do approaches to storytelling. Mentorship has long been at the heart of developing the next generation of talent in all mediums, and documentary is no exception. It can be difficult for new and aspiring editors to gain access to the suite to sit, watch, listen, and learn the intangible skill of editing. Pull up a seat as two apprentices interview their mentors on their approach to storytelling, and the importance of passing the torch to the next generation.
/episode/index/show/theeditorscut/id/26429511
info_outline
EditCon 2022: Flipping the Script
03/21/2023
EditCon 2022: Flipping the Script
Today’s episode is part 2 of our 4 part series covering EditCon 2022 Brave New World. Today’s panel is Flipping the Script - The age of streaming has fully arrived. We’ve experienced a boom of topnotch shows, but how do you set yourself apart in such a crowd? Whether it’s bucking the trend of antagonistic conflict to create the arc of TED LASSO; using comedy to punctuate the lives of non-binary characters in SORT OF, exploring familiar characters in new ways with WANDAVISION or reinvigorating period drama with the diverse world of BRIDGERTON, these shows prove that discarding past norms leads to success. Sit with the editors behind these phenomenal series as they discuss the ins and outs of their groundbreaking approaches to storytelling.
/episode/index/show/theeditorscut/id/26286660
info_outline
EditCon 2022: This year in Canadian Film
03/07/2023
EditCon 2022: This year in Canadian Film
Today’s episode is part 1 of our 4 part series covering EditCon 2022 Brave New World. Today’s panel is This year in Canadian Film. 2021 saw the film industry bounce back with a fervor hardly seen before. With it has come a wealth of powerful and diverse home grown stories, such as the poignant sibling drama ALL MY PUNY SORROWS; the brilliant and raw SCARBOROUGH; 2022’s Canadian Oscar entry DRUNKEN BIRDS; and the gripping sci-fi thriller NIGHT RAIDERS. Join the editors behind the best that Canada has to offer as they talk storytelling in an intimate conversation. This episode is sponsored by Blackmagic Design
/episode/index/show/theeditorscut/id/26146944
info_outline
Interview with Annette Davey, ACE
02/14/2023
Interview with Annette Davey, ACE
This episode is an interview with Annette Davey, ACE. We discuss her journey into the cutting room, from assisting and editing at the Australian Broadcasting Corporation to attending film school and how she managed to find a place in Hollywood all the way from Australia. Annette Davey, ACE is an editor originally from Australia now based in LA and NY, she has worked in both TV and film. Annette’s wide selection of TV credits, including MAID, PAM & TOMMY, TRANSPARENT, BETTER THINGS, GLOW, and ZOEY’S EXTRAORDINARY PLAYLIST. Her film credits include WAITRESS, TOGETHER TOGETHER, LADY OF THE MANOR and THE ESTATE.
/episode/index/show/theeditorscut/id/25917582
info_outline
Creatives Empowered Presents: Cultivating & Harvesting EDI
01/17/2023
Creatives Empowered Presents: Cultivating & Harvesting EDI
In today’s episode we are sharing a panel that Creatives Empowered produced called Cultivating & Harvesting EDI. The panel includes Jordan Baylon, Soni Dasmohapatra, Dinu Philip Alex and Pam Tzeng and is moderated by Shivani Saini. CREATIVES EMPOWERED (CE) is a non-profit collective of artists + creatives. We are Black, Indigenous and People of Colour, empowering each other as an allied community. We are film + tv, media and arts professionals – from emerging to established – based in western Canada. We are the first and only organization of its kind in Alberta. CE is inspired by and embodies what is truly possible when racialized talent are empowered to thrive. To learn more, please visit
/episode/index/show/theeditorscut/id/25627083
info_outline
In Conversation with Shaun Rykiss and Bretten Hannam of WILDHOOD
12/27/2022
In Conversation with Shaun Rykiss and Bretten Hannam of WILDHOOD
Today’s episode is the panel that took place virtually on April 11th 2022 - In Conversation with and on the film WILDHOOD. Shaun Rykiss and director Bretten Hannam discuss their approach to bringing one of this year’s most acclaimed films, WILDHOOD, to the big screen. This panel was moderated by . is a film about two brothers who embark on a journey to find their birth mother after their abusive father had lied for years about her whereabouts; along the way, they reconnect with their indigenous heritage and make a new friend.
/episode/index/show/theeditorscut/id/25438155
info_outline
Editing Across Canada
11/01/2022
Editing Across Canada
Today's episode is a conversation with Editors Across Canada that took place virtually November 2nd, 2021. Annie Ilkow, CCE (GHOSTS) from Quebec, Jeremy Harty, CCE (TRAILER PARK BOYS) from Nova Scotia, Lisa Binkley, CCE (ZOMBIES 3) from British Columbia, Roderick Deogrades, CCE (CHAPELWAITE) from Ontario and Sarah Taylor (THE LAST BARON) from Alberta talk about their process and how it can be different (or similar) based on where they live. Sponsored by IATSE 891
/episode/index/show/theeditorscut/id/24861948
info_outline
In Conversation with Post in Black
10/04/2022
In Conversation with Post in Black
In today's episode Sarah Taylor chats with the wonderful team behind the podcast . Daniel Hunter, David Hunter Jr. and Tatiana Johnson share the journey of how Post In Black started as a blog and is now in it’s 3rd podcast season showcasing post-production professionals in the black community. We talk about their hopes for the future of Post in Black and the industry at large.
/episode/index/show/theeditorscut/id/24572751