Editing Web Series with Pauline Decroix, Maureen Grant, CCE & Ben Allan
Release Date: 05/27/2025
Vancouver - Making Movie Magic with VFX Editors
The Editor's Cut
If visual effects are the magic of movies, then the VFX editors are the ones making magic happen in the edit suite. But what does that entail? As the bridge between editorial and VFX artists, how do VFX editors support the storytelling process and what do they do? Where did they come from and how has the position evolved? VFX editors Gary Lam, Warren Mazutinec and Bob Dewald answer these questions and more! This panel was moderated by Kelsy Wittman
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Editcon 2025: Toronto - Who Am I? Crafting Stories on Identity
The Editor's Cut
How do issues of representation and identity shape the art and craft of film editing? Join editors Lara Johnston (FELLOW TRAVELERS), Gloria Tong (BRIA MACK GETS A LIFE), and Fabiola Caraza (THE POPULARITY PAPERS) as they discuss the intersection of film editing and cinematic explorations of race, class, gender, and culture. Moderated by D. Gillian Truster, CCE.
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EditCon 2025: Edmonton - From Cut to Score: How Collaboration Shapes Film and TV
The Editor's Cut
Post production is all about collaboration! Join a talented panel of editors, sound designers, and composers as they reveal the behind-the-scenes magic that brings films to life. From the precision of sound design to the emotion of the score, learn how every element comes together to create unforgettable cinematic experiences. Hear from editors Charlene Rule and Hans Olsen, composer John McMillan and sound designer Johnny Blerot and see how teamwork transforms great ideas into compelling stories on the screen! This panel was moderated by Sarah Taylor, CCE Panelists: Charlene Rule - Editor...
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EditCon 2025: Vancouver - Finding the Story
The Editor's Cut
Today's episode was a panel that took place in Vancouver as part of EditCon 2025. Editing is storytelling, and telling stories is what makes us human. But how do editors find, refine, and reconstruct the stories upon which we work? What differences and similarities exist across genres? Join Lisa Binkley, CCE, Jamie Alain, CCE, Ted Tozer, Tanya Maryniak for an in-depth discussion spanning scripted television, documentary, reality and feature editing. This panel was moderated Mauri Bernstein
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EditCon 2025: Toronto - Tragically Hip: No Dress Rehearsal
The Editor's Cut
Today's episode is a conversation that took place in Toronto during EditCon 2025 with Peter Denes and Steve Taylor, CCE, as they discuss their editing of the opus documentary THE TRAGICALLY HIP: NO DRESS REHEARSAL. This DGC Award-winning, four-part series tells the story of a bunch of scrappy kids from Kingston, Ontario, who went on to make music history. Denes and Taylor will reflect on the mammoth task of shaping 40 years of music and memories into a rock and roll story that defined Canada to Canadians. Moderated by Nick Hector, CCE, BFE.
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EditCon 2025: Halifax - Finding the Story
The Editor's Cut
Editing is storytelling, and telling stories is what makes us human. But how do editors find, refine, and reconstruct the stories upon which we work? What differences and similarities exist across genres? Join Amy Mielke, Wes Paster, Kimberlee McTaggart, CCE and Sarah Byrne for in-depth discussion spanning scripted television, documentary, reality and feature editing. This panel was moderated by Taylor Olsen.
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EditCon 2025 - Assistant Editors: The Heart of Post Production
The Editor's Cut
Join us for a conversation led by Pauline Decroix with assistants from BEACON 23, HOME SWEET ROME, PUSH and MOONSHINE. They discuss the assistant journey, from working with editors on projects to the differences between remote and office workflows, and navigating day-to-day operations in between the edit suites.
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Heated Rivalry with Véronique Barbe, CCE & Arthur Tarnowski, ACE, CCE
The Editor's Cut
Today we are thrilled to bring you Véronique Barbe, CCE and Arthur Tarnowski, ACE, CCE the editors behind one of the biggest series of the year, Heated Rivalry. This show has been breaking records across the board, earning a perfect 10 out of 10 on IMDb for episode five, becoming Bell Media’s most-watched series ever on Crave, and the top non-animated acquired series on HBO, ranking among the top five scripted debuts of 2025. Just a warning there are spoliers in this episode!
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In Conversation with Sandra Adair, ACE
The Editor's Cut
In today’s episode Sarah Taylor, CCE talks with Sandra Adair, ACE, the celebrated editor behind some of the most enduring and emotionally resonant films of our time. Best known for her long-standing collaboration with director Richard Linklater on films like BOYHOOD, BEFORE MIDNIGHT, SCHOOL OF ROCK, and DAZED AND CONFUSED, Adair brings a rare blend of instinct, rhythm, and narrative sensitivity to every frame. About Sandra: Academy Award nominee, Sandra Adair, ACE, has enjoyed an ongoing artistic collaboration with director Richard Linklater, having edited 24 films for him over the past 33...
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Wicked: For Good with Myron Kerstein, ACE
The Editor's Cut
Today's episode is an interview with Myron Kerstein, ACE — the brilliant editor behind Wicked and Wicked: For Good. Myron has earned two Oscar nominations, won two ACE Eddie Awards for Wicked and tick, tick…BOOM!, and has edited numerous iconic musicals, including In the Heights.
info_outlineThis episode was a panel that took place on May 13th, 2024. Award-winning editors Pauline Decroix, Maureen Grant, CCE and Ben Allen discuss their experiences working on the web series, HOW TO FAIL AS A POPSTAR, I HATE PEOPLE, PEOPLE HATE ME and LESS THAN KOSHER.
They explore the unique challenges and creative freedoms that come with this format. They share insights into their editing processes, the importance of timing in comedy, and how they build character dynamics through editing.
This event will be moderated by Craig Macintosh.