#199 - Tsai Ming-liang's Days (2020) - Peace, Pain and Letting Go - Film Analysis
Release Date: 12/11/2025
#200 - Folie à deux cent
The Flick Lab
Is this the end, beautiful friend? Karri and Henrik swim down memory lane, going through all their most memorable moments from the podcast over 7 years and 200 episodes. Time to pop the champagne! Over the years, the duo has made observations about the natural evolution of the show. In its humble beginnings, the episodes followed a strict scene-by-scene analysis and near-obsessive levels of breakdown - from the tiniest technical details such as Michael Myers’ gait in , to theories about space-travel times and synodic planetary alignments in , or the merciless tear-down of Cubby...
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#199 - Tsai Ming-liang's Days (2020) - Peace, Pain and Letting Go - Film Analysis
The Flick Lab
A disillusioned, recuperating, lonely man. Another man in a faraway country. Both looking for something. A chance encounter. Peace, pain, departure. Tenderness, impermanence, aching and beyond the senses. Equanimity, disillusionment, hunger, growth. Touch, the passage of time, and letting go. And also a lot of really damn long takes. Karri also deeply reflects on how Tsai's sense of emotional reorientation towards cinema strongly resonates with Karri and reflects his journey with The Flick Lab. Films covered in this episode: Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala....
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#198 - Pirates of the Caribbean 1-3 - Still Seaworthy, or Rotting Below Deck?
The Flick Lab
In this episode, we dive deep into the first three Pirates of the Caribbean films directed by Gore Verbinski - The Curse of the Black Pearl, Dead Man's Chest and At World's End. Why did a movie based on a theme park ride redefine the blockbuster? Is Jack Sparrow such an iconic character as is generally accepted? Karri and Henrik hold many split views - who could’ve seen that coming. Films covered in this episode: Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by
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#197 - Judge Dredd vs Judge Dredd: Political Satire or Fascism? - Film Analysis
The Flick Lab
From 1995's Stallone spectacle to 2012's Karl Urban reboot, Judge Dredd straddles a bizarre line between political satire and fascist power fantasy. In this episode of The Flick Lab, Karri and Henrik break down the paradox; is Dredd a warning against authoritarianism, or a celebration of it? Even more importantly, what may be the behavioral consequences to our societies? We'll discuss the character's comic book origins, compare the two movies, and explore how a supposed critique of fascism can still end up fueling the very fantasy it condemns. Films covered in this episode: Hosted by Karri...
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#196 - Hannibal Lecter: Complete Film Series Analysis (Manhunter to Hannibal Rising)
The Flick Lab
The Silence of the Lambs catapulted Anthony Hopkins to global stardom. Thomas Harris' novels have lead the series forward, even by forcing the writer's hand to continue the story. What has made the films resonate? Has the series been standing largely on his shoulders, or is there more to it? Why do audiences and even the author increasingly sympathize with a serial killer character? Films covered in this episode: Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by
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#195 - Possession (1981) - A Film Like No Other
The Flick Lab
At its surface, Possession (1981) can be described as an exploration of identity dissolution, grief, and transformation. However, this characterization scarcely captures the film's psychological intensity, depth and impact. It stands as one of the most disturbing films we've analyzed on The Flick Lab. Films covered in this episode: Film recommended by from .
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#194 – 12 Films in 12 Months?! Indie Filmmaker Joel Haver's Wild Experiment - Film Analysis
The Flick Lab
Joel Haver is a Canadian indie filmmaker and YouTuber known for his experimental film projects. In an ambitious move last year, he set out to create 12 films in 12 months. What might have motivated such a demanding challenge? And how could this rapid production schedule influence the perceived quality of the films? With modern technology drastically lowering the barrier to entry for aspiring filmmakers, how much do tools versus talent truly impact the final product? The Flick Lab decided to explore this question by watching two of Haver’s films. Note: This episode was recorded in November...
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#193 - Alien: Romulus (2024) - Worth the Hype?
The Flick Lab
Is Alien Romulus the greatest Alien movie since James Cameron's Aliens, or an overhyped letdown? Let's find out. Films covered in this episode: Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by .
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#192 - Alien: Covenant (2017) - End of the Unended - Film Analysis
The Flick Lab
Following Ridley Scott's Alien-prequel-spinoff Prometheus came Alien Covenant. It was expected to deliver both on audience expectations (Aliens appearing in an Alien franchise) and to provide some answers to the questions presented by Prometheus. In a way, neither would be delivered on. What's the legacy of Alien Covenant, now that the further sequels to Ridley Scott's storyline have been effectively cancelled? Films covered in this episode: Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by .
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#191 - Prometheus (2012) - Was Jesus an Alien, Ridley Scott? - Film Analysis
The Flick Lab
Prometheus is the return of director Ridley Scott to the Alien franchise. This is in fact a standalone story based on the same Alien universe, but not an Alien movie per se. It provides ample story elements, but are most of them driven to any conclusion? Do the writers and the director even know the meaning of their own plot threads? Karri and Henrik also discuss the film's atmosphere, the character's decision-making, Ridley's 'space jesus' concept, and other topics. Films covered in this episode:
info_outlineA disillusioned, recuperating, lonely man. Another man in a faraway country. Both looking for something. A chance encounter. Peace, pain, departure. Tenderness, impermanence, aching and beyond the senses. Equanimity, disillusionment, hunger, growth. Touch, the passage of time, and letting go. And also a lot of really damn long takes.
Karri also deeply reflects on how Tsai's sense of emotional reorientation towards cinema strongly resonates with Karri and reflects his journey with The Flick Lab.
Films covered in this episode:
Days (2020)
Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by Nick Grivell.