Give Everybody Everything: The Financial Life of Bernadette Mayer
The Organist
The life of a poet is rich with meaning and beauty. But the financial life of a poet is decidedly less rich. The poet Bernadette Mayer is a case study in how literary influence does not translate into income. She dedicated herself to art knowing it...
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The Narrative Line
The Organist
We’re constantly telling ourselves stories — who we are, where we’re going, what comes next. But what happens when the story you’re telling yourself turns out not to be true? Or, more fundamentally, what if the narrative form you’re...
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Consider the Grackles
The Organist
Touring a punk act pushes the limits of physical endurance — driving all day, sweating on stage, eating badly, sleeping worse. What keeps a band going for 14 years without a major commercial success? And what would possess someone old enough...
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Death in Twin Peaks
The Organist
Twin Peaks was never just a TV show: it was an obsession and an apparition. In its 2017 incarnation, the real-life deaths of several cast members hang spectrally over the proceedings. Legendary critic Howard Hampton meditates on how the show’s...
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A Call in the Night
The Organist
Your phone rings at 3:30 in the morning. You answer the call, and a person who's just been woken up with a call from you is on the end of the line. The call is being recorded. Both of your lives are changed forever. In this episode we explore the...
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Angelyne
The Organist
For decades, Angelyne pouted down from Hollywood billboards, looking like a New-Wave Jayne Mansfield: a dense cloud of bleached blonde hair and abundant cleavage barely contained by furry pink bikini tops. No one was sure what to make of the...
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The Dogfather
The Organist
Today’s episode is about dogs.
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The New World
The Organist
Where do speech balloons come from? How does time move from panel to panel? This week we explore the techniques of comic-book storytelling through Chris Reynolds’s graphic series, newly anthologized as The New World. Join us as we travel deep into...
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Low Fidelity
The Organist
What sounds don’t we hear when we listen? What sounds are discarded in digital processing, whether it’s through hearing aids or mp3s? This week we travel to Scottish lighthouses, professional sound-testing facilities, and animal slaughterhouses...
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Between Speaking and Singing
The Organist
Will spoken language become obsolete? What if, in the future, a simple conversation between two adults becomes a rarity, like an obscure musical piece that involves months of rehearsing and vocal training to be able to perform?
info_outlineBuck Gooter is quite possibly the hardest-working band you’ve never heard of. Since forming in 2005, the band has logged 18 albums and 531 live shows. Their latest, Finer Thorns, just came out. But they’ve never had a hit, never been reviewed by Pitchfork.
A punk duo from Harrisonburg, Virginia, Buck Gooter is Billy Brett, 33, and Terry Turtle, 66. On paper, they’re an odd couple, separated as they are by a generation and change. But on stage, they’ve formed a tight and incredibly productive musical collaboration.
Together, Brett and Turtle criss-cross the country in a Subaru Forester to play heavy, abrasive rock music to small groups of 20-somethings in basements. They crash on couches, and when couches aren’t available, on floors.
Buck Gooter is not alone — surely there are thousands of bands like this, releasing music to no fanfare and touring for little or no money. In this cultural moment, when it can seem like ubiquity is the only criterion for artistic success, what keeps a band like Buck Gooter going?