Frankenstein
The Rough Cut
Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with. He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021). Evan would also drop by the MCU to cut The Marvels (2023). But to hear Evan tell it, it was hardly his skills as an action editor that would prompt Del Toro to...
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KPop Demon Hunters
The Rough Cut
Editor - Nathan Schauf KPop Demon Hunters editor Nathan Schauf was already a trusted teammember at Sony Pictures Animation (SPA) when has was asked to "lend a hand for a bit" on this new action-comedy musical. Not long after, lending a hand turned into leading the way, with Nathan leaning on his years of experience cutting animation to help craft the film into a worldwide hit that would become Netflix's most streamed content of all time. KPop Demon Hunters follows Rumi, Mira, and Zoey, a world-famous K-pop girl group known as Huntrix. Unbeknownst to their fans, Huntrix secretly uses...
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One Battle After Another
The Rough Cut
Editor - Andy Jurgensen One Battle After Another editor Andy Jurgensen came into his new film already "battle" tested with director Paul Thomas Anderson's unique film-based workflow. Shoot film. Print film dailies. Screen film dailies. Create digital workprint. Cut in Avid. Conform negative. But Paul loves a challenge, so he decided to not only make "One Battle" the first IMAX film presented entirely in the 1.43:1 ratio, but he also resurrected the VistaVision format for the first time in sixty years. Luckily, Andy loves a challenge too. One...
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Black Rabbit
The Rough Cut
Editors - Vikash Patel, Cedric Nairn-Smith and Kyle Reiter ACE Black Rabbit editors Viks, Ced and Kyle worked independently during post but still managed to collectively craft a complex narrative that stayed consistent in tone and style throughout the run of the series. And while new guy Reiter described feeling like a "bench player" on the team, Viks and Ced benefited from a long working relationship that began with Viks mentoring Ced as his former assistant. Regardless of any of their past experiences, star and producer Jason Bateman tasked the post team with creating a vibe that...
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The Paper
The Rough Cut
Editors - Julie Cohen ACE and David Rogers ACE The Paper editors Julie Cohen and David Rogers first began collaborating on another Greg Daniels series, Space Force. Although that series was not in the same "mock doc" format as The Paper, David's first show with Daniels was. And that series was The Office, where he served as both editor and director. Both Julie and David felt at home with The Paper's faux documentary format however, with David having worked on The Office and Julie receiving multiple Emmy nominations for her work on the unscripted series,...
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Weapons
The Rough Cut
Editor - Joe Murphy Weapons editor Joe Murphy probably had no idea when he interviewed with Zach Cregger over a Zoom call that, in a relatively short amount of time, they would collaborate on not one, but two hit horror films. Regardless, Joe says that call wasn't just about getting to know each other, but also about ensuring a supportive and frank collaboration; key ingredients for him in being able to articulate the director’s vision effectively. Weapons unfolds in chapters around six main characters, which presented a unique challenge in introducing new characters multiple...
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Film Geek
The Rough Cut
Director, Richard Shepard and Editor, Adam Lichtenstein FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein. This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world. Deftly incoroporating clips from over 200 movies of the 70's and early 80's, FILM GEEK chronicles Richard's introduction and absorption into films both classic and forgotten, between the ages of 6 and 18. From there, Richard would make the transition from amateur 8MM auteur, to...
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Eenie Meanie
The Rough Cut
Editors - Chris Patterson and Dirk Westervelt ACE EENIE MEANIE editors Chris Patterson and Dirk Westervelt reunite after a six-year break from their first co-editing effort, ZOMBIELAND: DOUBLE TAP. From its indie vibe to its seventies-inspired aesthetic, EENIE MEANIE doesn’t shy away from its influences. Chris shares how both he and writer/director Shawn Simmons gravitated towards filmmakers like Steven Soderbergh, drawing inspiration from classics like OUT OF SIGHT and OCEAN'S ELEVEN. EENIE MEANIE tells the story of Edie, a reformed teenage getaway driver who gets dragged back into...
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The Naked Gun
The Rough Cut
Editor - Brian Scott Olds The Naked Gun editor Brian Scott Olds knows that comedy thrives on the elements of surprise and timing. He applied this philosophy to every aspect of the film—from physical gags to witty word play and silly sound design. But making a film that respects the legacy of its predecessor while updating its essence for today is no laughing matter. Brian and director Akiva Schaffer had a clear mission: maintain the comedic tone and tenor from the original while spoofing modern-day blockbusters like Mission Impossible. And stop calling me Shirley. Avika...
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The Fantastic Four - First Steps
The Rough Cut
Editors - Nona Khodai ACE and Tim Roche The Fantastic Four: First Steps sees editors Nona Khodai and Tim Roche reunite for the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film also marks the first time the two have worked together since Marvel's live action series debut, WandaVision. Although each had worked with him separately before, WandaVision was the first time both Nona and Tim worked with director Matt Shakman on a Marvel project. The Fantastic Four: First Steps takes place in 1964, as the world celebrates...
info_outlineEditors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto
A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right. And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende, the series is based on the life of legendary race car driver Ayrton Senna. Starring Gabriel Leone as Senna, the series follows his life from the beginning of his racing career in karting to his untimely death at the 1994 San Marino Grand Prix.
FEDERICO BRIONI
Federico Brioni is film editor with experience across various formats, and genres. Originally from Argentina, Federico has built his entire career in Brazil, where he continues to live and work. His contributions include "Senna," Netflix's series about the legendary Formula 1 driver Ayrton Senna, "Jules and Dolores," which garnered acclaim and awards. "O Doutrinador: A Série" a Brazilian action-thriller adapted from the eponymous comic book, as well as "Anderson Spider Silva," Paramount's series chronicling the life and career of Brazil's MMA champion. Senna is his first collaboration with Vicente Amorim.
DIANA VASCONCELLOS
Diana Vasconcellos is a Brazilian film editor whose career began in the 1980s. Over the years, she garnered more than 60 credits across feature films, documentaries, and TV series. Her contributions to the craft have earned her 16 nominations and 2 prestigious industry awards. She previously collaborated with Vicente Amorim on the film "Dirty Hearts" and the TV series "Romance Policial Espinosa".
VICENTE KUBRUSLY
Vicente Kubrusly is a Brazilian film editor and director with over two decades of experience in the audiovisual industry. His career spans feature films, documentaries, and TV series, reflecting a profound understanding of the entire production process. Vicente's notable works include the series Dom (Amazon Prime Video), the film Dois Filhos de Francisco (dir. Breno Silveira), and Eu Tu Eles (dir. Andrucha Waddington). A former executive producer and partner at Conspiração Filmes, Vicente has contributed to a range of acclaimed projects, such as Assédio (Globoplay), Magnífica 70 (HBO), and the documentary Universo ao Meu Redor featuring Marisa Monte. His diverse body of work demonstrates a dedication to storytelling across formats and platforms. Vicente previously colaborated with director Vicente Amorim on the anthology film Rio, I Love You.
GUILHERME PORTO
Guilherme Porto is a Brazilian editor with experience in over 20 feature films and TV series, taking on various post-production roles. He served as the editor of the feature film Raquel 1,1, directed by Mariana Bastos, and worked on episodes for Brazilian TV series like Senna, Desperate Lies, Criminal Code, Brotherhood, and Lady Voyeur for Netflix, as well as other projects for Globoplay, HBO, and Disney+. Senna marks his first collaboration with Vicente Amorim
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