Wonder Man
The Rough Cut
Editor - Nena Erb ACE and Asst. Editor Gioia Caruso Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy Ride. A film that could not be more different than the grounded, character driven tv series, Wonder Man. Making the dramatic jump in tone and style from Joy Ride to Wonder Man might have been a daunting task for other editorial duos, but Nena's skills as a "digital quilter" and Gioia's talents as "keeper of the footage" helped them rise to the challenge. In the Marvel Spotlight series Wonder Man, superpowered...
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Project Hail Mary
The Rough Cut
Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film is to his trusted colleagues in audio post, Erik and Ethan. And for more than fifteen years the trio has collaborated on a wide variety of films, including the Transformers franchise, Jungle Cruise and Cocaine Bear. But their latest film with directors Phil Lord and Christopher Miller would prove to be one of their greatest challenges, but also one of their biggest hits! Based on the...
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Mike & Nick & Nick & Alice
The Rough Cut
Editor - Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme. But his latest film marks the first time collaborating with writer/director BenDavid Grabinski. Together the two navigated the tonal minefield of blending action, comedy, romance and a little time travel, to deliver a raucous romp that spans multiple years in one night. Set in a highly-stylized criminal underworld, Mike & Nick & Nick & Alice follows two (or three) gangsters and...
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Hoppers
The Rough Cut
Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than just drawing and animating characters. It requires a deep understanding of storytelling, editing, and collaboration. Not to mention the occasional party in the cutting room. Hoppers follows a young woman named Mabel Tanaka, an animal lover whose mind is transferred into a lifelike robotic beaver, allowing her to communicate with animals...
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How to Get to Heaven from Belfast
The Rough Cut
Editor - Nigel Williams How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee. Having first worked with McGee on her hit series, Derry Girls, the two are back together for a show that features Lisa's well-known witty dialogue and quirky characters, but this time all wrapped up in a mystery. How to Get to Heaven From Belfast is an eight-part series that follows three longtime friends. Now in their late 30s, but still as close as ever, the girls are about to embark on the most thrilling adventure of their lives. When an...
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Heated Rivalry
The Rough Cut
Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the “spicy” subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the right balance of tension, chemistry and character within and around the steamy sexual encounters of the shows main characters. Heated Rivalry follows the lives of two budding hockey superstars,...
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Sinners
The Rough Cut
Editor - Michael P. Shawver Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler. Together the two have collaborated on Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners. Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fruitvale Station, would prove invaluable as they worked to blend the real horror of racial injustice with the fantastical horror of a vampire onslaught. Taking place in 1932, Sinners follows...
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PLUR1BUS
The Rough Cut
Editors - Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew The PLUR1BUS editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan's Breaking Bad, Better Call Saul and now his new sci-fi hit for Apple TV+. With that kind of shared experience the three have established a creative "hive mind" of their own, while still demonstrating their individual talents as storytellers. Despite PLUR1BUS being such a departure from the stories he has told up to this point, it's easy to see why one thing Vince wouldn't change is the post crew that has helped make his...
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Now You See Me - Now You Don't
The Rough Cut
Editor - Stacey Schroeder ACE Editor Stacey Schroeder ACE admits she knows nothing about magic, but you wouldn't know it from the amazing slight of hand she demonstrates when cutting a movie. Coming into this film never having worked with director Ruben Fleischer before, and also being new to the franchise, Stacey had to rely upon her past experiences in comedy and action to hit all the right notes for this "magic-heist-action-comedy" tale. Now You See Me: Now You Don't is the third installment in the Now You See Me film series. Returning cast members include Jesse...
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It - Welcome to Derry
The Rough Cut
Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room. Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices. And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986...
info_outlineEditors - Mark Strand ACE, Joey Reinisch, Lauren Pendergrass and Annie Eifrig
In this episode, we explore how THE PITT editing team of Mark, Annie, Joey, and Lauren navigated the unique challenges of cutting this intense medical drama. From their experiences working with producer John Wells to dealing with emotionally charged scenes, they reveal their techniques for maintaining authenticity and managing the show's fast-paced environment. They also share their personal connections to the material and how they balance relentless action with powerful storytelling. Created by R. Scott Gemmill and executive produced by John Wells and Noah Wyle, THE PITT follows an emergency department staff as they attempt to overcome the hardships of a single 15-hour work shift at the fictional Pittsburgh Trauma Medical Hospital. They do this while having to navigate staff shortages, underfunding, insufficient resources and a handful of rats run amok in the ER. Each episode of the season covers approximately one hour of the work shift.
MARK STRAND, ACE
Mark Strand is a Los Angeles-based editor with 25 years of experience in scripted drama, comedy, and procedurals, as well as long format documentaries, reality television, clip shows, news programs, television commercials, and everything in between. Past projects include ANIMAL KINGDOM, RIZZOLI & ISLES and SHAMELESS.
JOEY REINISCH
Joey Reinisch is a seasoned editor known for his work on "Better Call Saul," with extensive experience in editing various genres including one-hour films, features, drama, dramedy, and horror.
LAUREN PENDERGRASS
Editor and director Lauren Pendergrass is known for her work on NEW AMSTERDAM, MAYANS MC and THE SONS OF ANARCHY.
ANNIE EIFRIG
Annie fell in love with editing at the Minneapolis College of Art & Design where she received a Bachelor of Fine Arts degree. Since then she’s worked with a wide variety of directorial talents, always striving to bring an internal vision to the screen. Past projects include MAID, BETTER THINGS and TOO OLD TO DIE YOUNG.
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