Daredevil - Born Again
The Rough Cut
Editors - Cedric Nairn-Smith, Melissa Lawson Cheung and Stephanie Filo ACE DAREDEVIL BORN AGAIN editors Cedric, Melissa and Stephanie open up about their experiences and the unique challenges they faced while working to bring back Matt Murdock and his crime fighting alter ego under the Marvel Television banner. Assembling this team of super editors happened through various means. Stephanie credits her introduction to Marvel through a mentor, while Melissa explains how her work in Marvel's SECRET INVASION showcased her skills in creating grounded action sequences, helping to...
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The Studio
The Rough Cut
Editor - Eric Kissack, ACE THE STUDIO editor Eric Kissack began journey his journey with series co-creator and star, Seth Rogen, on the Sasha Baron Cohen film, Bruno. From there their partnership would continue, spanning projects like Sausage Party, Black Monday and others. For their current project, they would be working closer than ever before, as Seth's vision for THE STUDIO necessitated Eric's presence on set, fostering a tighter creative process that brought editorial not only on location, but into aspects of prouction. THE STUDIO tells the story of Matt Remick, the newly...
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Monsters - The Lyle and Erik Menendez Story
The Rough Cut
Editor - Peggy Tachdjian, ACE MONSTERS editor Peggy Tachdjian will tell you that, in the world of television, few things are more daunting than delivering a true crime story that is both gripping and respectful. Her work on the second season of the Netflix series delves deep into the infamous tale of the Menendez brothers, weaving in elements of humor, trauma, and the complexities of the human condition. Peggy gives us an insider's perspective on this challenging editing journey, her working relationship with co-creator Ryan Murphy, and the emotional landscape navigated throughout the...
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Thunderbolts
The Rough Cut
Editors - Harry Yoon, ACE and Angela M. Catanzaro, ACE THUNDERBOLTS editors Harry Yoon and Angela M. Catanzaro each gained a whole new appreciation for production crews, having spent considerable time themselves cutting on-set and as a integral part of the process. Harry reflects on his previous working relationship with director Jake Schreier on Beef and how he came on board for THUNDERBOLTS. Angela also shares her excitement about joining the MCU after working on the feature film Prey. The editors delve into the collaborative process and the importance of depicting mental health...
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The Pitt
The Rough Cut
Editors - Mark Strand ACE, Joey Reinisch, Lauren Pendergrass and Annie Eifrig In this episode, we explore how THE PITT editing team of Mark, Annie, Joey, and Lauren navigated the unique challenges of cutting this intense medical drama. From their experiences working with producer John Wells to dealing with emotionally charged scenes, they reveal their techniques for maintaining authenticity and managing the show's fast-paced environment. They also share their personal connections to the material and how they balance relentless action with powerful storytelling. Created by R. Scott...
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Severance
The Rough Cut
Editors - Geoff Richman ACE, Joe Landauer, Keith Fraase ACE The Severance editing team of Geoff Richman, Joe Landauer and Keith Fraase discuss their experiences and creative processes for the hit show's second season. They talk about their initial impressions of the project, preparation to join the show, and specific challenges in editing various episodes. Highlights include creating complex montages, handling visual effects, maintaining geographic and narrative coherence, and managing ambitious scenes like Mark's dual-dialogue via a DV camera. They also discuss the excitement of...
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Suits LA
The Rough Cut
Editor - Dan Rovetto, ACE SUITS LA editor Dan Rovetto's career path was far from straightforward. Reflecting on his early days, he shares how intern experiences at MTV laid the foundation for his editing career. Our conversation covers his transition from reality TV editing to scripted television, plus the impact of streaming, social media and Meghan Markle on the resurgence of the original 'Suits' series. We also talk about the influence of music choices and the role of assistants in the editing process. Dan further discusses the unique pressure of editing a pilot episode,...
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Senna
The Rough Cut
Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right. And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende,...
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Companion
The Rough Cut
Editors - Brett W. Bachman, ACE and Josh Ethier, ACE Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre. The same can't be said for COMPANION director Drew Hancock. Not only was this film Hancock's first feature as a director, but it was also his first real foray into genre filmmaking. But that didn't stop either Brett or Josh from seeing how good this film was going to be right from the script. What they couldn't predict, was how great a working experience the whole thing would be. Written and directed by...
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Skeleton Crew
The Rough Cut
Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series. Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team....
info_outlineEditors - Harry Yoon, ACE and Angela M. Catanzaro, ACE
THUNDERBOLTS editors Harry Yoon and Angela M. Catanzaro each gained a whole new appreciation for production crews, having spent considerable time themselves cutting on-set and as a integral part of the process. Harry reflects on his previous working relationship with director Jake Schreier on Beef and how he came on board for THUNDERBOLTS. Angela also shares her excitement about joining the MCU after working on the feature film Prey. The editors delve into the collaborative process and the importance of depicting mental health themes, and also touch on the critical balancing act of creating a film that feels both intimate and action-packed. The discussion includes the unique musical approach of involving the composers early in the production and the nuances of fine-tuning comedic timing in the edit.
Directed by Jake Schreier from a screenplay by Eric Pearson and Joanna Calo, THUNDERBOLTS* is the 36th film in the Marvel Cinematic Universe. The story follows former black widow Yelena Belova (Florence Pugh) as she carries out deadly operations for CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus). De Fontaine faces imminent impeachment for her work with O.X.E. Group, so she dispatches Yelena, John Walker, Ava Starr, and Taskmaster to a covert O.X.E. facility under the pretense of a special assignment. Once there, they find themselves ensnared in a death trap, uniting the unconventional team of antiheroes as they take on a dangerous mission that will force them to confront the darkest corners of their pasts.
HARRY YOON, ACE
THUNDERBOLTS* marks Harry's second stint in the MCU with the first being Shang-Chi and the Legend of the Ten Rings (2021). Immediately prior to his work on that film, Harry was being lauded for his work with director Lee Isaac Chung on the Oscar®-nominated film, Minari (2020). Harry’s other work includes the films The Last Black Man in San Francisco (2019), First Man (2018) and Detroit (2017).
ANGELA M. CATANZARO, ACE
Angela Catanzaro is a Los Angeles-based Emmy and Eddie Award-nominated editor who works in both television and feature films. Angela is a member of The Academy of Television Arts & Sciences, the Motion Picture Editors Guild, American Cinema Editors, and serves on the editing faculty at the American Film Institute. Prior to THUNDERBOLTS*, Angela worked on the film Prey (2022) and such TV shows as Suits and The Man in the High Castle.
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