289: Nels Cline
The Third Story Podcast with Leo Sidran
For decades, Nels Cline carved out a career on the fringes of rock, jazz, and experimental music, balancing day jobs with an uncompromising artistic vision. Then, at nearly 50 years old, everything changed—he joined Wilco, bringing his avant-garde sensibilities into a beloved band and reaching a global audience. But Cline’s story isn’t one of sudden success; it’s about persistence, reinvention, and creative restlessness. In this episode, he reflects on his journey—from growing up in Los Angeles with his twin brother, drummer Alex Cline, to navigating the punk and avant-garde jazz...
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287: Steven Greenberg (Lipps, Inc.)
The Third Story Podcast with Leo Sidran
Steven Greenberg, the creative force behind the hit "Funkytown," on crafting one of the most enduring dance tracks of all time, bridging the transition from disco to synth-driven pop, and the discipline required to bring musical ideas to life in an era before digital shortcuts. Intro Magic Mind Interview Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN #magicmind #mentalwealth #mentalperformance
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286: Makaya McCraven
The Third Story Podcast with Leo Sidran
Drummer, producer, and composer Makaya McCraven, whose work bridges improvisation, production, and cultural synthesis, on rhythm, time, and the balance of tradition and innovation, plus his creative journey, from his roots in Northampton, Massachusetts, to his innovative projects like In The Moment and In These Times. This hybrid episode spanning interviews from 2022 and 2025 offers a deep dive into the mind of a true beat scientist. Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN #magicmind #mentalwealth #mentalperformance
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Mary Sweeney (from 2018)
The Third Story Podcast with Leo Sidran
Throwback from 2018. Mary Sweeney needs some air. “There has to be a flow of fast and slow, and a pause to allow the listener or the spectator to digest and to project their own thoughts.” She thinks I should leave more space in my podcasts, to let it breathe. She tells me this as we sit in the screened in porch behind her summer house in Madison, Wisconsin. As she tells me this, cicadas chirp loudly, as if to underscore her point: “Today’s episode will not be edited! You will not remove us from this moment!” Mary Sweeney should know. She spent much of her career as a film...
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285: Jacob Collier's First Interview
The Third Story Podcast with Leo Sidran
In 2013, after having posted a series of videos recorded in his family home in North London of himself singing a cappella arrangements of classic - yet sometimes obscure - songs on YouTube, a critical mass began to form around Jacob Collier. His videos of Stevie Wonder’s “Isn’t She Lovely” and “Don’t You Worry Bout A Thing” were passed around by musicians and music enthusiasts and by 2014 he was being managed by Quincy Jones and traveling around the world. He was one of the first career artists to emerge on YouTube. Jacob’s journey since then has been nothing short of...
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284: Aaron Parks and Marta Sanchez
The Third Story Podcast with Leo Sidran
Pianists Aaron Parks and Marta Sanchez on how music has helped them navigate life's complexities. Aaron talks about his move to Portugal, the release of his latest album Little Big III, and how addressing mental health shaped his journey. Marta reflects on leaving Madrid for New York and the deeply personal inspiration behind her album Perpetual Void.
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283: Samora Pinderhughes and Jack DeBoe
The Third Story Podcast with Leo Sidran
Composer, pianist, vocalist, and multidisciplinary artist Samora Pinderhughes and drummer/producer Jack DeBoe on their long standing collaborative relationship, what happens when art confronts life’s heaviest themes, but the creators meet it with laughter, lightness, and trust. Captured at Winter Jazzfest in early 2024, Samora and Jack talk about the album Venus Smiles Not in the House of Tears, the transformative Healing Project, mental health, and how laughter becomes a tool of resilience in the face of struggle. It’s serious, it’s playful, and it’s deeply human.
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282: Allan Tannenbaum
The Third Story Podcast with Leo Sidran
Allan Tannenbaum's career reads like a tapestry woven with history, art, and an extraordinary eye for the moment. From his serendipitous epiphany outside a post office in 1964 to becoming one of the most iconic photographers of his time. Starting with a handful of frames of Jimi Hendrix in the late 60s, Allan went on to chronicle the cultural pulse of 1970s New York as chief photographer for the SoHo Weekly News. He captured unforgettable images—Sid Vicious in handcuffs, Andy Warhol at Studio 54, Patti Smith, the Rolling Stones, John and Yoko, and many more. In the 80s and 90s, he...
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281: Maria Schneider
The Third Story Podcast with Leo Sidran
Grammy-winning composer and NEA Jazz Master Maria Schneider on 30 years of the Maria Schneider Orchestra, her life and career, from her small-town Minnesota roots to her groundbreaking collaboration with David Bowie and her fight for artists’ rights. Here she talks about how her music channels the wonder, mystery, and tension of her life experiences, her poetic creative process, her acclaimed album Data Lords, and her reflections on what’s next as she looks back on a remarkable journey.
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280: Ben Sidran | The Election
The Third Story Podcast with Leo Sidran
Just like we did after the and elections, I spoke with my dad Ben Sidran this week about the latest presidential election. True to form, it is a conversation that appears to be about one thing but is in fact about many things. What begins as a somber acknowledgement of the election results turns quickly to a sprawling discussion of everything from Will and Ariel Durant’s massive 11-volume work, The Story of Civilization, Seinfeld, The First Council of Nicaea, Irving Berlin, Jack Kerouac, what separates humankind from the rest of the animal kingdom, bottle service at "the...
info_outlineWhen it comes to instruments that are not easily designed for improvising soloists, there is perhaps none more difficult to handle than the harp. And when it comes to contemporary jazz harpists, there is perhaps none more influential in this moment than Brandee Younger.
From the very beginning, as a young music student growing up on Long Island, Brandee Younger was toeing the line between her classical, orchestral musical education and the hiphop, soul and pop music that she grew up loving. She spent her early years musically code switching, trying to figure out how to make sense of her sensibilities.
But for those who listened closely to the samples on records by Jay Z, Pete Rock, The Pharcyde, J. Dilla, or Common it was clear that the sound of the harp had become part of the language of modern music.
Many of the harp samples heard on those in early hip hop records featured two African American women, who, like Brandee, learned to thrive beyond their perceived limitations: Dorothy Ashby and Alice Coltrane. Eventually both Ashby and Coltrane would become two of her biggest influences.
Younger eventually made history as the first Black female solo artist to be nominated for a Grammy - for Best Instrumental Composition in 2021, for “Beautiful is Black” from her album Somewhere Different. She has also worked with the likes of Beyonce, John Legend, Drake & Lauryn Hill, as well as jazz artists including Christian McBride, Kat Edmonson, Marcus Strickland, Kassa Overall, Makaya Mccraven, and Ravi Coltrane.
On her recently released album Brand New Life she honors Dorothy Ashby and enlists icons of hip-hop and R&B, including Pete Rock, Mumu Fresh & Meshell Ndegeocello. The album was produced by Makaya Mccraven.
We spoke recently about her journey from orchestra girl to emerging icon, the challenges of playing the harp in a contemporary context, and why she’s done running from the harp police and the jazz police.
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