281: Maria Schneider
The Third Story Podcast with Leo Sidran
Grammy-winning composer and NEA Jazz Master Maria Schneider on 30 years of the Maria Schneider Orchestra, her life and career, from her small-town Minnesota roots to her groundbreaking collaboration with David Bowie and her fight for artists’ rights. Here she talks about how her music channels the wonder, mystery, and tension of her life experiences, her poetic creative process, her acclaimed album Data Lords, and her reflections on what’s next as she looks back on a remarkable journey.
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280: Ben Sidran | The Election
The Third Story Podcast with Leo Sidran
Just like we did after the and elections, I spoke with my dad Ben Sidran this week about the latest presidential election. True to form, it is a conversation that appears to be about one thing but is in fact about many things. What begins as a somber acknowledgement of the election results turns quickly to a sprawling discussion of everything from Will and Ariel Durant’s massive 11-volume work, The Story of Civilization, Seinfeld, The First Council of Nicaea, Irving Berlin, Jack Kerouac, what separates humankind from the rest of the animal kingdom, bottle service at "the...
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279: Andrew Bird
The Third Story Podcast with Leo Sidran
Andrew Bird has been on a quest for meaning in sound since childhood, starting with the violin at age four and earning a degree in violin performance from Northwestern University. His journey has taken him from classical and folk roots to the vibrant Chicago swing scene, to creative isolation in a barn in Western Illinois, and eventually to become a genre defying artist and composer with a unique voice. Andrew’s lyrics are both confessional and impressionist, often leading listeners on a journey through evocative imagery. With just a looping pedal, he reinvented his sound, blending...
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278: Aaron Goldberg
The Third Story Podcast with Leo Sidran
Pianist Aaron Goldberg on 20 years of organizing jazz fundraisers for presidential campaigns (this year's was Jazz for Kamala), how he thinks about the potential of music to provoke personal transformation and political action, his own relationship with activism and progressive politics, concert curation, Israel and Gaza.
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277: Lucy Kalantari
The Third Story Podcast with Leo Sidran
Family music artist Lucy Kalantari on the power of intention, why gardening is her favorite metaphor for living a creative life, staying curious, parenthood, her new record, and the Grammys.
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276: Riley Mulherkar
The Third Story Podcast with Leo Sidran
Riley Mulherkar grew up in Seattle, the Pacific Northwest enclave that has been home to so many musical innovators over the years. He went to Garfield High School, a school that has fostered countless talents going all the way back to Quincy Jones who was himself a young trumpet player at the school in the 1940s. Riley was just eight years-old when he began seeing the legendary Garfield High School big-band play free gigs in his Seattle neighborhood; it’s one of the reasons he picked up the trumpet. He was clearly meant to play the instrument. By the time he got to Juilliard in New...
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275: Jesse Harris
The Third Story Podcast with Leo Sidran
Jesse Harris belongs to a generation of New York singer songwriters who came of age in the late nineties. He has made over 20 solo albums that walk the line between folk, jazz, pop, Brazilian and art rock. He’s also a much sought after co writer and collaborator who has written songs for and or with many others like Madeleine Peyroux, Melody Gardot, Lana del Rey, and most famously Norah Jones. Jesse was already well into his career when he met a young Norah Jones on a road trip through Texas and played his songs for her. He had already been signed and dropped from a major label with...
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274: Ella Feingold
The Third Story Podcast with Leo Sidran
Ella Rae Feingold is a guitar player, composer, orchestrator, educator and content creator. She has spent three decades devoted to the soulful side of the electric guitar, and has worked with an impressive list of artists, including Bruno Mars, Erykah Badu and Common, The Roots, Jay-Z, Janet Jackson, Alicia Keys, Jill Scott, Queen Latifah and many more. On her Instagram and TikTok she is a rhythm ambassador, focussing on the importance of groove, pocket and feel in her playing and demonstrating various techniques and traditions in rhythm guitar. Hearing Ella play and talk about music, it’s...
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273: Paula Cole
The Third Story Podcast with Leo Sidran
Paula Cole on her early success, dreaming big, her life and career, the power of “the beginner’s mind”, the distinction between being an artist and an entertainer, the feeling of being pregnant with song, speaking for those who cannot speak, navigating a life in the music business, learning from young people, and her new album, Lo.
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272: Ben Sidran on Rainmaker
The Third Story Podcast with Leo Sidran
In a career spanning over fifty years and thirty five records, Ben Sidran has established himself as a philosopher poet. Equally celebrated for his precise, probing writing style as he is for his improvised spoken word jazz raps, he has carved out a truly unique space for himself. The Times of London aptly described Ben as “the world’s first existential jazz rapper,” and The Chicago Sun Times once referred to him as “a renaissance man cast adrift in the modern world.” He is one of a kind. And he is, of course, also my dad. There is no one else like Ben so it’s not...
info_outlinesäje, the vocal group made up of singers Sara Gazarek, Amanda Taylor, Johnaye Kendrick, and Erin Bentlage won their first Grammy on Sunday for their arrangement of “In The Wee Small Hours of the Morning”.
They recorded it with one of the most admired musical minds today, Jacob Collier. And like much of what has happened with so far, that recording was both unintended and totally right, somewhere between the reward for the hard work of talented artists, and magic.
The story plays like a dream. One day Jacob Collier stopped by the LA recording studio (Lucy’s Meat Market), where was working on their debut album. One thing led to another and he ended up playing a few free form takes of “In The Wee Small Hours of the Morning.” There’s footage of it online and you can see him improvising his arrangement. You can also see his childlike enthusiasm, his playful energy, his request to do just one more take, because he was having so much fun.
After Jacob left, the singers in säje built their vocal arrangement around what he had played. It’s a beautiful marriage of improvisation and arrangement, and the result ends up sounding completely inevitable. They contextualized Collier’s spontaneous approach, brought it fully into their world, built a frame for his impressionistic gestures, and then filled in the landscape.
This was not their first experience with serendipity. Before was , back when it was just an idea floated by Sara Gazarek in 2018 to put some kind of vocal group together, the four women gathered at a rental house in Palm Springs, California to get to know one another and discuss the possibility of doing something together. They came out of that weekend with a song “Desert Song”, a sound, and the makings of a story.
The members of don’t live in the same place (Sara and Erin live in Los Angeles, Johnaye and Amanda live in Seattle), but they started to work as a group, and eventually recorded “Desert Song”. They submitted the song to the Grammy’s - their first song! - and it was nominated in 2020.
Eventually released their debut album in 2023. It featured guest appearances by Ambrose Akinmusire, Michael Mayo, Terri Lynn Carrington, and of course Jacob Collier, among others. But at the core of the album was the signature silky sound which is a little hard to define, but very easy to identify. It’s technically challenging to execute - suspended chords and interweaving lines - and very satisfying to experience. They like to say that they ascend beyond their training, and into artistry.
We met at a photo studio in Gowanus, Brooklyn late last year and had a beautiful talk about their formation, their journey - from that first weekend retreat in Palm Springs to the release of their first full length album and its subsequent Grammy nomination for Best Arrangement Instruments and Vocals with Jacob Collier for “In The Wee Small Hour of the Morning”, collective lyric writing, managing logistics and juggling four schedules, the emotional space that feminine energy allows, and discovering who they are in public.