The Third Story Podcast with Leo Sidran
Argentine singer, composer and producer Sofía Rei talks about leaving Buenos Aires and rediscovering the music of home, moving beyond the boundaries of jazz, embracing electronics and production, and learning from collaborators and students. Her new album, Antónima, brings those threads together through what she calls “Folk and Futurism” a meeting place for tradition, technology and a distinctly contemporary musical identity.
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Forty years ago this month, Paul Simon released Graceland, an album that became one of the defining records of his career, and one of the most celebrated and debated albums of its era. The record would go on to sell millions of copies and win the Grammy for Album of the Year. It would also generate enormous controversy over Simon’s decision to record in apartheid South Africa during a cultural boycott. Music historian Ashley Kahn tells the whole complicated story in his new book, Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland. Here Ashley talks about his...
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For his 83rd birthday, Ben Sidran revisits a 1974 DownBeat profile (done when he was 30) and considers what has changed - and what hasn’t - over more than half a century of music and life. In his annual birthday conversation with Leo, he reflects on aging, ambition, practice and the surprising persistence of a worldview formed long ago. https://youtu.be/SZY4QRpJCTw
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Ben Wikler has spent his career moving between comedy and politics, communication and organizing. Growing up in Madison, Wisconsin, a city shaped by civic engagement, academic inquiry, and the satirical spirit that gave rise to The Onion, he developed a worldview in which humor isn't a distraction from democracy, but one of the ways people learn to trust one another enough to participate in it. Wikler has become one of the country's most closely watched political organizers. He was the chair of the Democratic Party of Wisconsin from 2019-2025, and is the author of This Is the Plan: How to End...
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A conversation with Ben Sidran, from Greece on America's 250th birthday, about jazz, democracy, identity, and what remains when the scaffolding begins to shake.
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Before The Irish Goodbye became one of the most acclaimed debut novels of 2025, Heather Aimee O'Neill spent years quietly writing it while building a career helping other writers tell their stories. Here, she discusses the vulnerability of ambition, the challenge of living an authentic life, and the strange transition from observer to protagonist when a lifelong dream finally comes true.
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Saxophonist and bandleader Lakecia Benjamin has become one of the most dynamic voices in jazz today. Here she talks about hanging up on Clark Terry, finding her way from Washington Heights to the international stage, and how the mentors, heroes, setbacks and aspirations that shaped her journey continue to inform her new album, We Dream.
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Miles Davis spent his life searching. He changed the sound of jazz repeatedly, assembling generations of musicians around him and pushing constantly toward something new. Few artists loom so large over the history of the music. To mark what would have been his 100th birthday today, I’m revisiting a rare 1986 conversation between Miles and my dad, Ben Sidran, recorded on the terrace of Miles’ Malibu home. At a time when Miles was reticent about revisiting his past, in this interview he reflected on Kind of Blue, his early musical development and influences, as well as his ideas about...
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Mexican singer-songwriter Julieta Venegas on how growing up in Tijuana - a border city suspended between Mexico and the United States - developed an instinct for living “in-between,” musically and personally. She traces her path from a musically curious childhood in Tijuana to her move to Mexico City, the emergence as one of Latin music’s defining singer-songwriters and her return to her roots through her new album Norteña and memoir, both of which revisit the border identity and intuition that first shaped her artistic life.
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Dida Pelled on her latest album I Wish You Would, a blues-focused project recorded with Tony Scherr, Kenny Wollesen, and Sullivan Fortner. Along the way she considers her approach to tradition, identity, and finding a personal voice across genres. And she talks about she discovered the truth about her sexuality, her singing, and the six strings she loves so much.
info_outlineAndrew Bird has been on a quest for meaning in sound since childhood, starting with the violin at age four and earning a degree in violin performance from Northwestern University. His journey has taken him from classical and folk roots to the vibrant Chicago swing scene, to creative isolation in a barn in Western Illinois, and eventually to become a genre defying artist and composer with a unique voice.
Andrew’s lyrics are both confessional and impressionist, often leading listeners on a journey through evocative imagery. With just a looping pedal, he reinvented his sound, blending classical, folk, and indie rock and crafted a distinct sonic landscape that defines his music today.
After nearly three decades and 20 albums, Andrew continues to evolve. His latest release, Sunday Morning Put On, pays tribute to jazz standards while maintaining his signature sound. He describes it as a “sabbatical” project, giving him space to reflect and create without pressure.
Just recently, he released Cunningham Bird, a tribute to the classic Buckingham Nicks album. Here he shares insights about his early days, the isolation that shaped him, songwriting as a form of “speaking in tongues”and the lessons learned from performing standards.
Here he talks about his early days in Chicago, the journey that led him into isolation, discovering his sound, songwriting as a form of “speaking in tongues”, what it means to be living his life in song form, and what he learned from singing standards.
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