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322 Creative Storytelling: Novelist Sofía Segovia on the Art of Narrative

The Unstarving Musician

Release Date: 03/28/2025

350 The Event Band Income Model — Cory Wade show art 350 The Event Band Income Model — Cory Wade

The Unstarving Musician

Most musicians think of wedding and corporate gig work as a compromise — something you do until your "real" music career takes off. Cory Wade flipped that script. As a vocalist and band leader with Hank Lane Music in New York, Cory has built a sustainable income through high-end event entertainment that funds his home studio, his original music, and a life in one of the most expensive cities on the planet. In this conversation, Cory shares how the Hank Lane model actually works from the inside — what it takes to get in, how to stay in, and how the compensation structure progresses from...

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349 The House Concert Business Framework: How Independent Artists Create Their Own Market show art 349 The House Concert Business Framework: How Independent Artists Create Their Own Market

The Unstarving Musician

Most independent musicians are competing for the same shrinking pool of venue slots, hoping someone books them. House concerts flip that model entirely — and the artists who've figured this out aren't just playing more shows. They're making more money, building deeper connections with audiences, and owning the entire experience. This episode presents a framework built from five conversations on The Unstarving Musician, including singer-songwriter Tom Meny, Amy Killingsworth of Amy & Gary's House Concerts, touring artist Shannon Curtis, Nicole Wagner (Austin-based singer-songwriter), and...

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348 Why Sync Licensing Is a Relationship Business – with Chris SD of Sync Songwriter show art 348 Why Sync Licensing Is a Relationship Business – with Chris SD of Sync Songwriter

The Unstarving Musician

Most independent musicians trying to break into sync licensing are focused on the wrong problem. They're concerned about mix quality, metadata, and whether their instrumental version is ready. And those things matter. But according to Chris SD, founder of , they're not what's standing between your music and a placement in film or television. The real barrier is access — and access comes from relationships, not submissions.   Chris built his reputation over years of networking, conferences, phone calls, and showing up in person — and once literally taking a music supervisor to a...

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347 Physical Products That Actually Make Money – Thom Skarzynski show art 347 Physical Products That Actually Make Money – Thom Skarzynski

The Unstarving Musician

Independent musicians with loyal fanbases are leaving significant revenue on the table by treating physical products as afterthoughts. Vinyl, CDs, and cassettes aren't nostalgia plays—they're strategic revenue channels when approached with the same rigor labels apply to streaming campaigns. Thom Skarzynski is the founder of Happiness Marketing, a physical-first music strategy consultancy. Tom has twenty years of industry experience, including roles at Epic Records, Spotify, and Atlantic Music Group. He helped deliver campaigns like the one supporting the Twenty One Pilots' album Clancy,...

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346 Christal Hector – How Independent Venues Actually Evaluate Artists show art 346 Christal Hector – How Independent Venues Actually Evaluate Artists

The Unstarving Musician

Most independent artists treat venue booking like throwing darts in the dark—mass outreach with generic pitches, hoping something sticks. Christal Hector, founder of TuneHatch and member of the National Independent Venue Association's Industry Affairs Committee, explains what actually happens on the other side of that email. TuneHatch was built venues-first, solving venue problems before creating artist tools. That origin gives Christal an insider perspective most artists never get: what venues actually look for when evaluating artists, what makes them say yes to a show, and what behaviors...

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345 The Session Musician's 50-Year Career Blueprint with Johnny Thirkell show art 345 The Session Musician's 50-Year Career Blueprint with Johnny Thirkell

The Unstarving Musician

Most musicians dream of stability. Johnny Thirkell built a 50-year career with David Bowie, Paul McCartney, George Michael, and The Who - starting from colliery bands and working men's clubs in the North East. This isn't about talent. It's about the business systems that keep session musicians working for decades while others struggle after a few years. Johnny shares the relationship-building frameworks that get you in the room with major artists, the professional standards that ensure callbacks, and the economic strategies that survive massive industry changes - from the 1970s studio system...

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344 The Economics of Niche Markets for Creatives show art 344 The Economics of Niche Markets for Creatives

The Unstarving Musician

What if the best business decision you could make is accepting your music is "unmarketable"? Not in the sense that nobody wants it—but that it won't compete for Spotify playlists alongside mainstream artists. This episode breaks down the economics of niche markets for independent musicians. How rejecting the streaming-everywhere model can actually generate more revenue. How owning your niche creates competitive advantages algorithm-dependent artists will never have. And the framework for deciding which platforms actually serve your music versus which ones waste your time for pennies. Drawing...

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343 The Pre-Streaming Revenue Model: Dollars Before Pennies show art 343 The Pre-Streaming Revenue Model: Dollars Before Pennies

The Unstarving Musician

Most independent artists release their albums everywhere immediately—Spotify, Apple Music, every streaming platform. But what if that's backwards?   Ezra Vancil sold his last album exclusively to his email list for an entire year before releasing it to streaming platforms. His new album? He's using a hybrid approach: limited streaming presence while keeping the full album direct-only.   The math is stark. One direct sale at $10 nets you $8-10 after platform fees. To earn that same amount from streaming, you need 20,000-25,000 plays. If your average listener streams your...

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342 What I Learned in 2025 show art 342 What I Learned in 2025

The Unstarving Musician

Welcome to 2026. In the last episode, I shared what I'm grateful for and the personal questions I'm sitting with. Today, I'm sharing the strategic side: what I learned in 2025 that changed how I work.   Six concrete lessons from running this podcast and newsletter, plus 300+ conversations with independent musicians and creative professionals. Some of these lessons were uncomfortable. Some contradicted what I thought I knew. A few are still unresolved—I'm learning in real-time.   If you're trying to build something sustainable as a musician or creative professional, there's...

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341 Gratitude, Growth, and What I'm Learning (Holiday Edition) show art 341 Gratitude, Growth, and What I'm Learning (Holiday Edition)

The Unstarving Musician

Every year, I write up a gratitude list. This year, the list came easily - but it's mixed with what I'm learning, because growth and gratitude feel connected right now.   In this holiday edition, I share what I'm grateful for in 2025: 31 years of marriage, the Unstarving Musician community, my health, and the accidental connections that turned into real relationships. But I also talk about the harder questions I'm sitting with about work, stress management, and what "making it" actually means.   If you're dealing with the tension between strategic thinking and creative joy,...

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More Episodes

Creative storytelling bridges worlds in this special episode where I speak with acclaimed Mexican novelist Sofía Segovia, author of the internationally celebrated book "The Murmur of Bees." Our conversation explores the fascinating parallels between writing novels and creating music - from creative discipline and narrative techniques to building an international audience and adapting to changing industries.

This interview had personal significance as Segovia's novel is set in Linares, Mexico. Linares was the birthplace of my father in 1922, creating a powerful connection that became even more meaningful after my recent journey to Mexican citizenship. Segovia shares insights from her evolution as a ghostwriter to an acclaimed international author, how she balances creative output with teaching writing workshops, and her experience bringing Mexican stories to global audiences.

Whether you are a musician, writer, or creative entrepreneur, you'll find valuable wisdom in Segovia's journey about the universal elements that help creative work resonate across cultural boundaries. Don't miss our thought-provoking conversation about creative processes, audience building, and the bridges between literary and musical storytelling.

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Resources

The Unstarving Musician’s Guide to Getting Paid Gigs, by Robonzo

Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income

Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music

Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process.

More Resources for musicians

Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support!


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