Zack's Film Talks at SDSU
Isaiah Solotaroff's guest for this episode of Zack's Film Talks at SDSU is noted cinematographer Sam Levy. As DP for Greta Gerwig's 2017 film Lady Bird, Sam here gives a master class in his craft.
info_outline Nate Mook and Gabe DinsmoorZack's Film Talks at SDSU
Isaiah Solotaroff interviews Nathan Mook and Gabe Dinsmoor for episode 4 of Zack's Film Talks at SDSU. Mook and Dinsmoor are two of the producers of the HBO documentary Baltimore Rising, directed by The Wire’s Sonja Sohn (Detective Kima Greggs).
info_outline Michael GreenZack's Film Talks at SDSU
Isaiah Solotaroff interviews screenwriter Michael Green (Blade Runner 2049) for Zack's Film Talks at SDSU. Michael talks about reading noir classics to prep for Blade Runner, his show American Gods, and sites every aspiring screenwriter should visit, including JohnAugust.com and Children of Tendu--links and full transcript included.
info_outline Andrew DodgeZack's Film Talks at SDSU
Isaiah Solotaroff interviews screenwriter Andrew Dodge for Zack's Film Talks at SDSU. Andrew talks about starting out as a story editor at Columbia Pictures and takes us through his first feature, the spelling-bee comedy Bad Words, starring Jason Bateman. Projects in the works include Space Jam 2 and an R-rated comedy about a leprechaun for Peter Dinklage.
info_outlineThis episode of Zack's Film Talks at SDSU is hosted by Libsyn.
My guest is cinematographer Sam Levy. As DP for Greta Gerwig's 2017 film Lady Bird, Sam here gives a master class in his craft.
Using Lady Bird as a case study, he talks about each step of his job: from making a 110-page shot list for the film to screening the rough cut in Technicolor and doing the color timing—going frame by frame to make sure all the colors are set.
He also touches on:
- the tools of his trade, including graph paper for drawing the set and shot-blocking diagrams
- varying the grammar of shots in a film
- coming up with a blueprint of the emotional arc of the story being told
- the differences between shooting in color and black-and-white
- the work of cinematographer Emmanuel Lubezki (The Revenant)
Sam studied comparative literature at Brown University and took Leslie Thornton's 16mm filmmaking class there.
Episode edited by Chris Burke.