The Allan McKay Podcast

Allan McKay is an award winning Visual Effects Supervisor and Technical Director in Hollywood - join Allan as he interviews many of the leading experts in Hollywood about their careers, pitfalls and what they took to succeed, while also gaining a lot of core knowledge to help build your career, money and success and skills to make the biggest impact in your career AND in your life!

465 – Jason Smith – Forging Middle-earth 04/23/2025

464 - Andy Boyd - JAMM VFX 01/09/2025

464 - Andy Boyd - JAMM VFX In this episode, Allan McKay sits down with Andy Boyd, a seasoned VFX Supervisor, and co-owner of Jamm VFX. Andy shares his extensive journey in the visual effects industry, from his early days breaking into major studios like Framestore and Method Studios to founding his own successful VFX company. The conversation delves into the challenges and triumphs of managing a VFX team, navigating cultural differences between the UK and US VFX industries, and overcoming technical hurdles in high-profile projects like "Brothers" and "Werewolf by Night." Andy also discusses the future of VFX, including the impact of AI and remote work, and offers invaluable insights for aspiring VFX artists and entrepreneurs looking to make their mark in the industry. Topics Covered Andy Boyd’s early career in South Africa and transition into VFX Working at Framestore and Method Studios Founding Jamm Visual Effects and managing a boutique studio Behind the scenes of Werewolf by Night and creating Man-Thing Crafting photoreal creatures, including Samuel the orangutan in Brothers Transitioning to tools like V-Ray for superior fur rendering The evolving role of AI in VFX and storytelling Striking a balance between creative freedom and technical challenges Key Quotes "VFX is the perfect blend of creativity and problem-solving—each challenge pushes you to innovate in unexpected ways." The most exciting projects are the ones where you begin with no clear solution—those moments ignite innovation." You can feel the energy of a passionate team in the final product—great work reflects great collaboration." Resources 5 Key Takeaways 1. Evolving Through Challenges Andy’s career exemplifies the importance of adapting to new roles and technologies, whether transitioning from retouching to 3D or embracing V-Ray to achieve lifelike fur. 2. The Power of Boutique Studios Jamm thrives on the advantages of a smaller team, delivering high-quality work with a collaborative and personalized approach that stands out in a crowded industry. 3. Crafting Creatures with Heart From Werewolf by Night to Brothers, Andy highlights the joy and challenge of bringing creatures to life, focusing on subtlety and realism to tell compelling stories. 4. The Importance of Studio Culture Jamm’s success stems from its commitment to people-first management, ensuring employees are supported and projects are properly resourced. 5. AI and the Future of VFX Andy reflects on how AI tools are opening new creative possibilities, streamlining workflows while keeping artistry at the forefront. /episode/index/show/allanmckay/id/34788910

463 - Lux Aeterna - Rob Hifle + Paul Silcox 12/22/2024

463 - Lux Aeterna - Rob Hifle + Paul Silcox Overview In this episode, Allan McKay engages in an in-depth conversation with Rob Hifle, CEO & Creative Director, and Paul Silcox, VFX Director at Lux Aeterna. They delve into the evolution of visual effects in the digital media landscape, discussing their journey from early tools like Flash and Macromedia Director to the sophisticated capabilities of modern software like Houdini. The discussion highlights the rapid growth of Lux Aeterna, the challenges of maintaining creative integrity while scaling, and their notable projects including *Eight Days to the Moon and Back*, *Our Universe*, and *Secrets of the Neanderthals*. Additionally, they explore the ethical considerations and regulatory frameworks surrounding the use of AI in visual effects, emphasizing their commitment to authenticity and creative excellence. Topics Covered - Evolution of digital media creation tools from Flash to Houdini - Founding and growth of Lux Aeterna - Key projects: *Eight Days to the Moon and Back*, *Our Universe*, *Secrets of the Neanderthals* - Balancing creativity and technical expertise in a growing VFX studio - Specialization in cosmological and scientific visual effects - Collaboration with scientists and integration of real-world data in VFX - Ethical considerations and policies on AI and generative technologies in VFX - Future projects and the importance of storytelling in visual effects Quotes 1. “We offer a huge sort of creative solution as well as a really efficient and ergonomic pipeline.” - **Reworded Version:** “Our strength lies in delivering creative solutions coupled with an efficient and user-friendly pipeline, allowing us to produce high-end visual effects with a lean team.” 2. “The toothpaste is out of the tube, right? You know, it's there.” - **Reworded Version:** “AI advancements are inevitable and already here, shaping the future of our industry in ways we’re just beginning to understand.” 3. “Creativity leads technology. We start with creative ideas and then figure out the technology to bring them to life.” - **Reworded Version:** “Our creative vision drives the technological innovations we develop, ensuring that our tools serve the art we aim to create.” 4. “It's a really, really exciting journey to push the boundaries with our creative technology department and come up with different solutions.” - **Reworded Version:** “Exploring new frontiers with our creative technology team is exhilarating, as we continuously develop innovative solutions that redefine what's possible in visual effects.” 5. “Maintaining this level of fun and creativity is essential, even as we grow.” - **Reworded Version:** “As we expand, preserving our vibrant and creative culture remains a top priority, ensuring that our passion for VFX continues to thrive.” Resources - Lux Aeterna Website: [https://luxaeterna.com/](https://luxaeterna.com/) - Rob Hifle on LinkedIn: [https://www.linkedin.com/in/robhifle/](https://www.linkedin.com/in/robhifle/) - Paul Silcox on LinkedIn: [https://www.linkedin.com/in/paulsilcox/](https://www.linkedin.com/in/paulsilcox/) - *Eight Days to the Moon and Back* - *Our Universe* - *Secrets of the Neanderthals* 5 Key Takeaways from the Episode with Rob Hifle and Paul Silcox **1. Evolution of VFX Tools and Techniques** Rob and Paul discuss the transition from early digital media tools like Flash and Macromedia Director to advanced software like Houdini, highlighting how these advancements have revolutionized their workflow and creative capabilities in the VFX industry. **2. Building a Boutique VFX Studio** The guests share insights into the founding and rapid growth of Lux Aeterna, emphasizing the importance of maintaining a small, passionate team to deliver high-end visual effects while competing with larger studios. **3. Specialization in Scientific and Cosmological Effects** Rob and Paul explain how their niche focus on cosmological phenomena and collaboration with scientists has set Lux Aeterna apart, allowing them to create factually accurate and visually stunning effects for projects like *Our Universe* and *Secrets of the Neanderthals*. **4. Ethical Use of AI in Visual Effects** The conversation delves into the ethical considerations and regulatory challenges of using AI and generative technologies in VFX. Rob and Paul outline their company’s policies to ensure authenticity and respect for artists’ work, rejecting tools that compromise ethical standards. **5. The Future of Storytelling in VFX** Rob and Paul highlight the significance of storytelling in their projects, discussing upcoming ventures like the sci-fi short *Reno*. They emphasize the blend of creative vision and technical prowess required to produce compelling narratives through visual effects. /episode/index/show/allanmckay/id/34572875

462 - Faruk Heplevent - The Scope 11/26/2024

462 - Faruk Heplevent - The Scope In this episode, Allan McKay sits down with Faruk Heplevent, founder and CEO of Scope Studio, to delve into the intricate world of automotive visual effects and the evolution of CG in the automotive industry. They explore Faruk’s journey from his early days as a car photographer in Hamburg to transitioning into computer graphics, ultimately leading to the creation of Scope Studio. The discussion covers the challenges and triumphs of building a specialized studio in a field dominated by established CGI companies, the development of Scope City—a procedural photorealistic city environment—and the strategic decisions behind choosing rendering technologies like V-Ray and Arnold. Faruk shares his insights on maintaining photorealism in car CG, the importance of client collaboration and feedback, and the delicate balance between creative vision and technical execution. The conversation also touches on the impact of emerging technologies such as NVIDIA’s denoising tools, Chaos’s Vantage Arena, and the potential integration with platforms like Omniverse. Additionally, Faruk discusses the future of virtual production stages and the sustainable practices Scope Studio is adopting in their rendering processes. This episode is a must-listen for anyone interested in automotive photography, CG artistry, real-time rendering technologies, and the entrepreneurial spirit behind building a niche visual effects studio. Topics Covered: Faruk Heplevent’s background and the founding of Scope Studio Transitioning from car photography to computer graphics The development and features of Scope City, a procedural photorealistic city Choosing and evolving rendering technologies: Maxwell, V-Ray, Arnold Maintaining photorealism in automotive CG and handling client feedback The impact of emerging technologies: NVIDIA Denoiser, Chaos Vantage Arena, Omniverse Challenges and strategies in building a specialized VFX studio The future of virtual production stages and sustainable rendering practices Balancing creative vision with technical execution in CG projects Quotes: “If we can get it in camera, it's always a better picture. What you see is what you get.” “Scope City is essentially a giant procedural photoreal city that we've built for every situation.” “Creativity leads technology. We start with creative ideas and then figure out the technology to bring them to life.” Resources: /episode/index/show/allanmckay/id/34166315

461 - Jason Smith - Rings of Power - VFX Supervisor 11/12/2024

461 - Jason Smith - Rings of Power - VFX Supervisor In this episode, Allan McKay sits down with Jason Smith, Senior Visual Effects Supervisor for Rings of Power and longtime ILM veteran, to delve into his fascinating career journey and creative process in the world of visual effects. Jason shares his story, from early passions for creature design and practical effects to an unplanned but impactful transition to CG and computer graphics. They explore the unique blend of technical and artistic skills required in VFX, including Jason’s early work developing rigging software at ILM, and how these technical foundations have shaped his approach to supervising complex, high-stakes projects like The Revenant and Rings of Power. The conversation dives into the importance of storytelling, communication, and collaboration, as well as the evolving challenges in VFX, such as adapting to new technology and achieving the director’s vision on both large and small budgets. Jason offers valuable insights for aspiring VFX artists and supervisors, sharing how flexibility, perseverance, and creative problem-solving have been critical throughout his career. This is an essential listen for anyone passionate about VFX, storytelling, and the intersection of art and technology in blockbuster productions. Topics Covered Jason Smith's background and career path in visual effects The importance of storytelling in visual effects Developing rigging software and technical skills in VFX The role of communication and collaboration with directors and teams Managing creative and budgetary constraints on large and small projects Techniques for achieving forced perspective and scale effects in Rings of Power Challenges and rewards of working on high-budget productions and indie projects Advice for young artists entering the VFX industry Reflections on the VFX community’s adaptability during COVID Highlights “You’re telling stories, not just producing pixels. That’s where the magic happens.” “The path isn’t linear; the universe has a way of using every skill you pick up.” “Working within limitations is where some of the most innovative ideas come from.” “When I came to ILM, I wanted to work on creatures, and here I am still working with creatures decades later on Rings of Power.” “The relationships you build with directors and teams – that’s what makes you a trusted collaborator in this industry.” Resources /episode/index/show/allanmckay/id/33870137

460 - RADiCAL - Democratizing Motion Capture 10/04/2024

460 - RADiCAL - Democratizing Motion Capture In this episode, Allan McKay sits down with Gavan Gravesen and Matteo Giuberti, the co-founders of RADiCAL, to explore the groundbreaking advancements in AI-powered motion capture and the future of accessible 3D animation technology. They discuss Gavan and Matteo’s journey from their diverse backgrounds—Gavan from law and AI, and Matteo from biomechanics and motion capture—into building RADiCAL, an innovative platform that uses a single camera and AI to capture human body motion. They dive into the development of RADiCAL's tools, including RADiCAL Canvas, a browser-based, real-time 3D environment for collaboration and creation, and how their platform democratizes motion capture for filmmakers, game developers, and 3D enthusiasts alike. The conversation touches on the challenges of developing AI that can work with any consumer-grade camera, the importance of scalability and accessibility, and how RADiCAL is poised to transform the way digital creators work. Gavan and Matteo offer key insights into the future of motion capture, real-time collaboration in 3D spaces, and how RADiCAL’s platform can inspire the next generation of creators. This is a must-listen for anyone interested in the future of motion capture, 3D collaboration, and how AI is revolutionizing the digital content landscape. Topics Covered: Gavan Gravesen’s transition from law and AI to co-founding RADiCAL Matteo Giuberti’s background in biomechanics and motion capture The development and impact of RADiCAL's AI-powered, single-camera motion capture technology The creation and evolution of RADiCAL Canvas as a collaborative 3D platform The challenges of developing scalable motion capture for all devices Insights into the future of AI in digital content creation Quotes: “Motion capture doesn’t need to be confined to expensive hardware anymore—it can be democratized.” “Our AI learns human motion to fill in the gaps, allowing anyone to animate their ideas.” “Creating a scalable, easy-to-use platform was key for us—it’s about giving everyone access to this magic.” Resources: /episode/index/show/allanmckay/id/33331497

459 - Phil Cramer - Digital Domain VFX Supervisor 09/20/2024

459 - Phil Cramer - Digital Domain VFX Supervisor In this episode, Allan McKay sits down with Philip Cramer, VFX Supervisor at Digital Domain, to explore the groundbreaking world of character-based visual effects and the innovative tools shaping the future of the industry. They discuss Philip’s journey from animation to supervising some of the most iconic visual effects projects, including Avengers: Infinity War and Endgame. Philip dives into the creation of Thanos and the challenges of delivering photorealistic CG characters with extensive screen time. He also covers the evolution of Digital Domain's facial capture technology, Masquerade, and its role in major projects like She-Hulk and Ant-Man and the Wasp: Quantumania. The conversation touches on the importance of flexibility in a technical pipeline, the advantages of working with both technical and artistic teams, and how to lead by example as a supervisor. Philip offers key insights on problem-solving in high-pressure environments and shares valuable advice for artists on how to stand out in the competitive world of visual effects. This is a must-listen for anyone interested in character animation, performance capture, and the future of VFX technology, especially as studios transition to more real-time solutions and advanced facial capture techniques. Topics Covered: Philip Cramer’s background and transition from animation to VFX supervision The creation and performance capture of Thanos for Avengers: Infinity War and Endgame The development and impact of Digital Domain’s markerless facial capture system, Masquerade The challenges of delivering a fully CG character for She-Hulk Leadership and team collaboration in high-pressure environments Advice for artists on standing out in a competitive industry Quotes: “Never say no. Say yes, but explain the trade-offs.” “Leading a team is about working longer, working harder, and being there to support your crew.” “We needed to mass-produce She-Hulk’s performance in a way we had never done before, which pushed us to innovate Masquerade.” Resources: /episode/index/show/allanmckay/id/33138322

458 - Nick Seavert - CEO & Founder JangaFX (Embergen, LiquiGen, GeoGen) 08/27/2024

457 - Feng Zhu - Concept Designer & Art Director 08/06/2024

457 - Feng Zhu - Concept Designer & Art Director In this episode, Allan McKay sits down with Feng Zhu, renowned concept designer and educator, to explore the world of concept design in the film and video game industries. They discuss Feng's impressive career journey, his work on numerous high-profile projects, and the unique challenges of creating compelling concept designs. Feng shares insights into the current state of the design industry, its challenges and opportunities, and the potential impact of emerging technologies like AI. The conversation also covers the importance of problem-solving skills in design, effective portfolio development strategies, and the business aspects of running a successful design studio. Feng offers valuable advice for aspiring designers and discusses the evolution of the industry over his 27-year career. This is a must-listen for anyone interested in concept design, the creative process behind blockbuster films and games, and the future of the design industry in an increasingly digital world. Topics Covered Feng Zhu's background and career in the design industry The importance of problem-solving and thinking skills over technical skills Portfolio development and job application strategies The business side of the design industry Studio management and working with clients The impact of AI on the design industry The evolution of technology and its impact on design The difference between illustration and design The challenges of game development and studio closures Social media and its role in the industry Highlights "We're actually business people. We're selling products. Some people forget that even though we're drawing, we're not artists, we're product sellers." "I'd rather have someone that has really good thought process than someone who renders really well, but has no ideas in their head." "If you're doing social media stuff, but your content is just for social media, but not for actual industry, then yeah, that's not that relevant in my opinion." "To get to that level [of AI replacing human designers], you have to cover new technology, something completely alien to us right now, to reach human level stuff." "What we need really is in here, the brain, the human brain, and that's something AI cannot replace." Resources /episode/index/show/allanmckay/id/32458782

456 - Stephan Fleet - The Boys VFX Supervisor 07/30/2024

456 - Stephan Fleet - The Boys VFX Supervisor Stephan Fleet is the VFX Supervisor for the hit Amazon series The Boys and serves as Associate Producer and Co-Producer on its spinoff Gen V. With a diverse background in visual effects and production, Stephan has become a leading innovator in television VFX. Stephan has developed a reputation for creative problem-solving and empathetic leadership in high-pressure production environments. His work on The Boys has set new standards for tv series visaul effects, balancing realism with the show's signature style while pushing the boundaries of what's possible in episodic content. In this Podcast, Stephan Fleet talks to Allan McKay about the unique challenges of creating grounded superhero powers for The Boys, his innovative approaches to monitor comps, and the intricacies of on-set VFX supervision. He shares insights on workflow optimization using custom database solutions, and the importance of empathy in VFX leadership. Stephan also discusses his transition into producing roles with Gen V and how his VFX background influences his approach to overall production. This episode offers valuable advice for both aspiring and established VFX artists, as well as producers and directors interested in the evolving landscape of visual effects in high-end television production. Stephan's unique perspective, spanning both the creative and managerial aspects of VFX production, provides a comprehensive look at the current state and future potential of visual effects in prestige TV series. Key Highlights: 1. Superhero Power Development Stephan reveals the intricate process behind crafting iconic effects like Homelander's laser eyes and Butcher's grotesque tentacles. Learn how the team balances realism with the show's signature style. 2. Innovative VFX Techniques Discover the groundbreaking "monitor leader" approach that revolutionized on-screen graphics in "The Boys". Stephan explains how this technique has set a new standard for monitor comps in the industry. 3. Cutting-Edge On-Set Technology Get an inside look at how the VFX team utilizes state-of-the-art tools like Polycam for 3D scanning and Tentacle Sync devices for seamless timecode synchronization across multiple cameras. 4. Workflow Optimization Explore the custom solutions developed by Stephan's team, integrating Airtable and FileMaker for efficient VFX tracking and financial management within the production pipeline. 5. Leadership in VFX Stephan shares his philosophy on empathetic leadership in the high-pressure world of VFX production, offering valuable insights for industry professionals at all levels. 6. Cinematic Techniques in TV Learn how "The Boys" adapts high-end cinema techniques for television, including the use of Sony Venice cameras to achieve feature-film quality in a TV production schedule. Resources Mentioned: Don't miss this insightful conversation with one of the industry's most innovative VFX supervisors. Whether you're a seasoned professional or an aspiring VFX artist, this episode is packed with valuable knowledge and inspiration for pushing the boundaries of visual effects in television. /episode/index/show/allanmckay/id/32340787

455 - Tim Carras - VFX Supervisor Barnstorm VFX "Shogun, Clipped" 07/16/2024

454 - Xavier Bernasconi - VFX Supervisor for Masters of The Air 06/14/2024

454 - Xavier Bernasconi - VFX Supervisor for Masters of The Air In this episode, Allan McKay sits down with Xavier Bernasconi, VFX Supervisor at DNEG, to dive deep into the world of virtual production. They discuss Xavier's fascinating career journey, his recent work on the highly anticipated Masters of the Air, and the decision to utilize virtual production for the project. Xavier shares insights into the current state of virtual production technology, its challenges and limitations, and the exciting future potential as the tech continues to evolve. The conversation also covers the impacts of virtual production on actor performances and the shifts in collaboration it brings to VFX workflows. This is a must-listen for anyone curious about the cutting-edge of filmmaking innovation. Table of Contents Introduction (00:00:00) Introducing Xavier Bernasconi (00:00:03) Xavier's Background and Journey (00:00:46) From Proskier to Visual Effects (00:00:46) Developing Compositing Software (00:02:05) Becoming a VFX Supervisor (00:03:40) Masters of the Air Project (00:04:17) Overview and Initial Thoughts (00:04:25) Complexity and Challenges (00:05:27) Virtual Production Decision (00:05:46) Logistical and Creative Reasons (00:06:11) Comparison to Traditional Green Screen (00:06:57) Challenges and Limitations of Virtual Production (00:09:18) Technological Advancements and Limitations (00:09:55) Limitations with Unreal Engine (00:12:03) Preparation and Pressure on Set (00:13:35) Workflow and Collaboration (00:14:09) Pressure on VFX Team (00:16:48) Current State and Future of Virtual Production (00:22:02) Infancy and Potential for Growth (00:22:09) Advantages and Limitations (00:22:36) Virtual Production and Final Pixel (00:26:59) Misconceptions and Post-Production Work (00:27:33) Developing an End-to-End Pipeline (00:28:29) Virtual Production in Episodic vs. Feature Films (00:31:48) Prevalence in Episodic Content (00:31:53) Blurring Lines Between Episodic and Feature Budgets (00:33:30) Proprietary vs. Out-of-the-Box Tools (00:34:53) Use of Unreal Engine and Cost of Setup (00:35:43) Virtual Production for Previs and Pitching (00:36:27) Quick and Cheap Iteration (00:37:10) Benefits for Certain Types of Directors (00:38:14) Collaboration in Virtual Production vs. Traditional Post (00:38:36) Real-Time Collaboration and Creativity (00:39:15) Challenges of Remote Work (00:39:21) Actor Reactions to Virtual Production (00:42:48) Immersion and Performance Benefits (00:43:31) Conclusion (00:44:41) Appreciation and Wrap-Up (00:44:41) Memorable Quotes "I love telling stories. I felt that I was drawn more to the end of the pipeline, more to the beginning of the pipeline, so I was more drawn into lighting and compositing." Virtual production was the most logical choice for Masters of the Air due to logistical, budgetary and creative reasons. Virtual production is still in its infancy with lots of room for technological development. Extraction of foreground elements from LED screens is an important area of research. Virtual production fosters real-time collaboration and creativity compared to traditional segmented workflows. However, on-set experience and mentorship is still crucial. Actors appreciate virtual production as it helps their performances by providing interactive environments rather than pure green screen. Xavier Bernasconi Bio Xavier Bernasconi is a VFX Supervisor at DNEG. Originally from Italy, he now lives in Canada. His recent projects include Masters of the Air, Mad Max Furiosa and Godzilla x Kong. /episode/index/show/allanmckay/id/31665872

453 - Colin Giles - Vancouver Film School - Head of School for Animation & VFX 06/09/2024

452 - Shogun VFX Supervisor - Michael Cliett 05/28/2024

451 - Chad Wanstreet - SWAT + Kill The Orange Faced Bear 05/07/2024

451 - Chad Wanstreet - SWAT + Kill The Orange Faced Bear In this episode of the Allan McKay Podcast, Allan sits down with VFX Supervisor Chad Wanstreet for an engaging discussion about Chad's experiences in the visual effects industry. They dive into Chad's transition from vendor-side to client-side VFX supervision, his work on the TV shows SWAT and Kill the Orange-Faced Bear (KTOFB), and the tools and techniques he employs on set. Chad shares insights into the challenges of creating photorealistic talking bears for KTOFB and the emotional journey following the show's cancellation. The conversation also touches on the future of KTOFB as a potential video game and the collaborative nature of working with directors and writers to bring their vision to life while managing budgets and technical limitations. Key Takeaways: Transitioning from vendor-side to client-side VFX supervision requires adapting to new responsibilities, such as working closely with directors, DPs, and editors to guide the storytelling process. Creating photorealistic talking bears for KTOFB presented unique challenges, including managing the creative appetite of the showrunner while staying within budget and tackling unconventional shots. Effective collaboration between VFX supervisors and producers is crucial, with the best producers being both organizationally skilled and creatively involved. Practical effects and stunts can be invaluable references for VFX work, even if the final shot requires extensive CG enhancements. VFX supervisors must be adaptable and context-specific when capturing data on set, using a combination of cameras, LiDAR scans, and photogrammetry to obtain the necessary information for their work. Despite the cancellation of KTOFB, the IP remains important to Chad and the showrunner, leading them to explore new avenues such as developing a video game based on the concept. Building strong relationships with directors and writers is essential for VFX supervisors to successfully manage the creative vision of a project while navigating technical limitations and budgetary constraints. /episode/index/show/allanmckay/id/31176782

450 - The Sympathizer - Chad Wanstreet - VFX Supervisor 04/30/2024

449 - Olivio Serikas - Your Guide To AI Art Workflows 04/16/2024

448 - Director Roxana Baldovin 04/09/2024

447 - Important Looking Pirates - David Wahlberg 04/02/2024

446 - A personal 2024 Podcast Update 03/26/2024

445 - GEN V - VFX Supervisor Karen Heston 03/05/2024

444 - Film Producer Josh Rosenbaum - Waypoint Entertainment 02/27/2024

443 - “NO CGI = INVISIBLE CGI” - VFX Supervisor Jonas Ussing 02/20/2024

442 - Infinite-Realities Founder and Director Lee Perry-Smith 02/13/2024

441 - Writer, Producer & Head of Writing at Vancouver Film School Kat Montagu 02/06/2024

440 - Kriscoart YouTube Channel Creator Kris Truini 01/30/2024

439 - VFX Supervisor Robert Nederhorst 01/23/2024

438 - LAIKA - CG Supervisor Eric Wachtman 01/16/2024

438 - LAIKA - CG Supervisor Eric Wachtman Eric Wachtman is a CG / VFX Supervisor and Art Director at LAIKA where he’s been working for nearly 20 years. Prior to that, he served as the Director of CG / Visual Effects and Art Director at the Cartoon Network. LAIKA was founded in 2005 in Oregon and is guided by the vision of its President & CEO Travis Knight. Located just outside Portland, Oregon, LAIKA was awarded a Scientific and Technology Oscar® for its innovation in 3D printing in 2016. Its five films – MISSING LINK (2019); KUBO AND THE TWO STRINGS (2016); THE BOXTROLLS (2014); PARANORMAN (2012), and CORALINE (2009) – were all nominated for Oscars® and PGA Awards as Outstanding Animated Film. MISSING LINK was the first LAIKA film to win the Golden Globe® for Best Animated Feature and was awarded two Visual Effects Society (VES) awards for Outstanding Visual Effects in an Animated Feature and Outstanding Animated Character, and received seven Annie Award nominations. KUBO received a second Oscar® nomination for Outstanding Visual Effects and won the BAFTA Award, as well as three Annie Awards, the National Board of Review's Best Animated Feature citation, and 19 regional and critics’ group awards. THE BOXTROLLS earned Critics’ Choice and Golden Globe Award nominations and 13 Annie Award nominations, more than any other film that year. PARANORMAN garnered BAFTA, Critics’ Choice, and GLAAD Media Award nominations, won two Annie Awards, and was cited as the year’s best animated film by 14 critics’ groups. CORALINE earned Golden Globe, BAFTA, and Critics’ Choice nominations and was named one of the year’s 10 Best Films by the American Film Institute (AFI). In this Podcast, Allan McKay interviews the CG / VFX Supervisor at LAIKA Eric Wachtman about his experience working on award-winning titles of CAROLINE and PARANORMAN, his leadership in founding the Portland Chapter of VES, how curiosity and passion drives one’s VFX career, the secret to winning reels and so much more! For more show notes, visit /episode/index/show/allanmckay/id/29160058

437 - THE LAST OF US - VFX Supervisor Alex Wang 01/09/2024

436 - Freelancing in VFX in 2024 01/02/2024

436 - Freelancing in VFX in 2024 Freelance is such a big topic in visual effects! For those of you starting in the industry, you’re probably wondering how to get your foot in the door. Ultimately, 2024 will be a very busy year. That means that those of you who are good should be ready to turn down work. The first thing you need to think about is how you’re positioning yourself in the business: What are the special skills that you have that allow you to stand out from others? We are in a problem solving business. Positioning means that you know how to sell yourself – by providing solutions to the potential employer – as well as understand your worth. You need to be aware of what you bring to the table and how to sell yourself. (That also means that you’re aware of what you’re not good at, which gives you room for improvement.) You also need to understand the needs of your employer. You show that understanding by providing a reel that sums up your best work – and is very heavily catered to the specific task that the employer is looking to fill. In addition, your cover letter must mention the position you’re applying for and your understanding of what the position entails. That allows you to position yourself as the go-to person for this role. In this Episode, you’ll learn about: How to create a winning reel that guarantees a chance for a job interview; Where to find available work – and how to apply for those jobs; How to do successful outreach to potential employers or human resources departments; How to identify the most in-demand skills and innovate in new technology. One of the advantages of 2024 is widely available remote job opportunities. That means that you can live anywhere. By living in a cheaper area, you’re able to lower your overhead and actually enjoy your lifestyle. That also means that nowadays you can work for any studio you want. Remember: It’s not just about being skilled as a VFX Artist – it’s about the right artist for the right job, at the right time. In this Podcast, Allan McKay gives critical insight into how to find remote work and freelance work in 2024, how to be successful at outreach to potential employers, how to create a winning reel that guarantees employment, how to work for a dream studio remotely – and so much more! For more show notes, visit /episode/index/show/allanmckay/id/28752568

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