HDTV and Home Theater Podcast

All the HDTV and Home Theater news and info you need, without all the reading.

HDTV Rewind Episode #11: DVRs and the Netflix/Epix Deal 08/13/2025

Podcast #1213: 2025 Value Electronics TV Shootout 08/08/2025

Podcast #1213: 2025 Value Electronics TV Shootout On this week’s show we discuss the 2025 Value Electronics TV Shootout. We also read your emails and take a look at the week’s news. News: Other: Sony Crowned King of TVs for the Seventh Year Running at the 2025 Value Electronics TV Shootout For the seventh consecutive year, Sony has claimed the title of “King of TVs” at the , held at their Scarsdale, New York showroom. The winning model, the $3000, emerged victorious in a fiercely competitive field of flagship OLED TVs from LG, Samsung, and Panasonic. This annual event, now in its 21st year, is a benchmark for videophiles, retailers, and manufacturers, offering a no-nonsense, side-by-side comparison of the best TVs on the market. The Value Electronics TV Shootout Founded in 2004 by Robert and Wendy Zohn, the Value Electronics TV Shootout has become well known for its rigorous and objective evaluation process. Each TV in the shootout is professionally calibrated and tested under identical conditions—same lighting, same content, and against professional-grade Sony BVM-HX3110 mastering monitors, which are the gold standard for video professionals. The TVs are judged on picture quality attributes like color accuracy, contrast, motion handling, and performance in both Standard Dynamic Range (SDR) and High Dynamic Range (HDR). This year’s competition was exclusively dedicated to OLED TVs, with no separate category for LCDs, reflecting the industry’s shift toward OLED’s superior black levels and color reproduction. The 2025 lineup featured four flagship 65-inch OLED models: $3000 $3300 $2000 US Model is Z95A $2900 A panel of ISF-certified judges, including display and film production professionals, evaluated the TVs using a mix of Blu-ray movie clips and specialized test patterns, ensuring a comprehensive assessment of their capabilities. Sony’s Bravia 8 II QD-OLED won top honors for its exceptional SDR performance and consistency. Judges noted Sony’s superior video processing, which delivered cleaner images and better upscaling than competitors. Kevin Miller, ISFTV president and display consultant, stated, “Sony’s video processing is cleaner and handles upscaling better than Samsung’s, despite both using the same quantum dot OLED panel.” This processing edge proved decisive. Panasonic’s Z95B OLED marked its U.S. market return at the 2025 Shootout, narrowly winning the HDR category over Samsung’s S95F by 0.01 points. Absent from the U.S. for years, Panasonic leveraged the event to showcase its OLED lineup, previously limited to Europe and Asia. Alex Fried, Panasonic’s director of business development, emphasized the brand’s renowned picture quality, saying, “It was great to be back in the shootout, reflecting Panasonic’s legacy of top-tier performance.” Samsung’s S95F QD-OLED came in a close second overall, splitting HDR category wins with Panasonic and performing strongly across the board. Its quantum dot OLED panel, shared with Sony, delivered impressive brightness and color volume, but it fell slightly short in SDR due to Sony’s superior processing. LG’s G5 WOLED, however, was a surprising disappointment, finishing last in both SDR and HDR categories. Despite LG’s pioneering role in OLED technology and its use of RGB OLED panels from LG Display, the G5 struggled with color accuracy and EOTF (electro-optical transfer function) issues. Judge Chris Boylan, co-founder of Big Picture Big Sound, noted, “The LG was a little disappointing with some processing issues that lowered its overall scores in some categories. Some of these might actually be fixable with future software updates.” This outcome raised questions about LG’s current standing in the OLED race, especially given its historical dominance in the category. Final Thoughts Sony’s seventh straight “King of TVs” win at the 2025 Value Electronics TV Shootout reaffirms its position as a leader in premium display technology, driven by superior video processing and consistent performance. However, the tight competition—especially Panasonic’s HDR upset and Samsung’s close second—shows that the gap between top-tier OLEDs is narrower than ever. For consumers, this means more choices and exceptional quality across the board. Whether you’re a videophile chasing the ultimate picture or a casual viewer seeking a top-tier TV, the 2025 Shootout proves that OLED is the technology to beat, and Sony’s Bravia 8 II is currently leading the pack. Note - Hisense and TCL were invited to the 2025 Value Electronics TV Shootout but chose not to participate. /episode/index/show/hdtvpodcast/id/37712490

Podcast # 1212: Where is the Ring Indoor Security Drone and Top 10 Streaming Shows of the First Half of 2025 08/01/2025

Podcast # 1212: Where is the Ring Indoor Security Drone and Top 10 Streaming Shows of the First Half of 2025 On this week’s show we ask what ever happened to the Ring Indoor Security Drone and we take a look at the Top Ten Streaming shows for the first half of 2025. We also read your emails and take a look at the week’s news. News: What Ever Happened to the Ring Indoor Security Drone? I was thinking about all the cool stuff that had been introduced at CES over the years and remembered one that I really wanted to use, the Ring Indoor Security Drone. It's perfect for those who own a home and may want to check in on parts of it without placing cameras everywhere. So what happened to it? Amazon's Ring Always Home Cam, a $249.99 indoor security drone announced in 2020, remains unreleased with no confirmed launch date. Initially planned for 2021 and showcased at CES 2023, it was part of an invite-only U.S. program, now discontinued. Ring’s CEO confirmed ongoing development in 2024, citing challenges with mirrors, windows, and cost. Privacy concerns, technical limitations like a five-minute flight time and inability to navigate stairs, and user frustration on forums suggest delays. A July 2025 report hints at a possible limited release, but Ring’s focus seems to have shifted to AI features and other products. Top 10 Streaming Shows of the First Half of 2025 The first half of 2025 has delivered an exciting lineup of streaming shows that have captivated audiences across platforms. From gritty dramas to thrilling action series, here’s a breakdown of the top 10 streaming shows that dominated screens, as highlighted by . S1 (Paramount+) 14.44B min watched: A gritty drama following an oil field worker navigating the high-stakes world of the Texas oil boom. S2 (Paramount+) 13.29B min watched: The Dutton family faces new challenges in the early 20th century as they fight to protect their Montana ranch during turbulent times. S2 (Netflix) 8.66B min watched: FBI agent Peter Sutherland dives deeper into a web of conspiracies, balancing loyalty and danger in a high-octane thriller. S1 (Paramount+) 8.04B min watched: A crime drama exploring the gritty underworld of organized crime in a small, corrupt town. S7 (Peacock) 8.01B min watched: A group of singles navigate romance, drama, and challenges in a tropical villa to find love and win a cash prize. S3 (Netflix) 6.32B min watched: The mother-daughter duo faces new secrets and struggles as they adjust to life in a small town with a dark past. S1 (HBO Max) 6.24B min watched: A high-intensity medical drama set in a Pittsburgh hospital, focusing on the personal and professional lives of its staff. S1 (Netflix) 6.06B min watched: A comedic murder-mystery centered on a quirky staff navigating scandals and secrets in the White House. S1 (Netflix) 5.97B min watched: A tense political thriller about a cyberattack that triggers global chaos, led by a retired operative seeking answers. S3 (Prime Video 5.96B min watched): Jack Reacher tackles a new conspiracy, using his brute strength and sharp mind to unravel a dangerous mystery. Netflix led with four titles, while Paramount+ had three. The Streamable notes that HBO’s and would have made the list if non-originals were included. The data underscores the competitive streaming landscape, with platforms like Paramount+ and Apple TV+ gaining ground against Netflix /episode/index/show/hdtvpodcast/id/37623155

Podcast #1211: Why Are Consumers Skipping New Streaming Devices 07/25/2025

Podcast #1211: Why Are Consumers Skipping New Streaming Devices On this week’s show we take a look at why people are not upgrading their set top boxes and we read your emails and take a look at the week’s news. News: Why Are Consumers Skipping New Streaming Devices We are big fans of streaming devices for a bunch of reasons like; they have the latest hardware so streamers can take advantage and give you higher quality. Or apps are updated more frequently, Or even that you can have identical experience across different manufacturers. Regardless of why we love them, a recent report by , said that devices like Roku, Amazon’s Fire TV, Apple TV, and Google TV aren’t flying off the shelves this year. So, what’s behind this? Why Skip the Upgrade? Well it may be that your 2022 Fire TV Stick is still streaming “Stranger Things” in glorious 4K, or maybe that your Roku Smart TV hasn’t missed a beat with the latest Disney+ releases. According to Cord Cutters News, the majority of Americans are saying, “Why fix what ain’t broke?” The survey reveals that many are perfectly happy with their current streaming devices, which continue to deliver Netflix, Hulu, and more without a hitch. There is also an opportunity cost that spending $50–$150 streaming gadget means they may have to give up a streaming service. “Consumers are realizing last year’s Roku or Fire Stick still streams 4K just fine. Unless there’s a major leap in features, there’s little incentive to upgrade.” So, if your device is still slinging episodes of “The Bear” without buffering, why shell out for a new one? What’s Holding People Back? Device Longevity: Unlike some consumer electronics, which seem to demand upgrades every couple of years, streaming devices are built to last. Companies like Roku, Amazon, and Apple push regular software updates, keeping older models compatible with new apps and features. For example, a 2019 Roku Smart TV can still handle the latest streaming services like a champ. Market Saturation: The numbers don’t lie. Over 80% of U.S. households already own a smart TV or streaming media player, according to 2024 stats from Statista. For many, it’s not about “needing” a new device—it’s about whether they want the hassle of setting up another one. If your living room is already equipped with a streaming stick or smart TV, adding another gadget might feel like overkill. Cost vs. Benefit: For some setting up a new streaming device means re-entering Wi-Fi passwords, logging into apps, and maybe even dealing with a new remote. For most folks, the minor perks of a newer model (slightly faster processor? Shinier interface?) don’t justify the cost or effort. What’s Next for Streaming Devices? If Americans aren’t rushing to buy new streaming devices, what’s the game plan for companies like Roku, Amazon, Apple, and Google? They’ll need to get creative to get us to upgrade. Here are a few possibilities: Software Innovations: Expect a bigger focus on user interfaces, Better more relevant content recommendations, or even augmented reality for interactive viewing. Bundling Deals: To entice satisfied users, companies might offer sweeteners like a free Fire TV Stick with a new smart TV or a discounted Apple TV+ subscription with a new device. Exclusive Content: “Roku and Amazon are likely to double down on exclusive content or partnerships to make their devices more appealing, even to satisfied users.” It’s all about giving us a reason to upgrade when we’re already content. Takeaways So, what’s the bottom line? If you’re one of the many Americans skipping the streaming device upgrade in 2025, you’re in good company. Your current Roku, Fire TV, or Apple TV is likely still performing well, thanks to solid hardware and regular updates. But keep an eye out for deals or game-changing features—like faster processors, better voice controls, or exclusive content—that might make an upgrade worth it. /episode/index/show/hdtvpodcast/id/37536180

HDTV Rewind Episode #10: Blu-ray VS DVD 07/22/2025

Podcast #1210: Rokus Secret Menus 07/18/2025

Podcast #1210: Rokus Secret Menus On this week’s show we look at what the posters at AVS forum have spent on their home theaters and we look at the Roku Secret Menu options. We also read your emails and take a look at the week’s news. News: Your Roku has secret menus and settings here's how to access them Roku devices have hidden menus for advanced users, offering diagnostic tools, customization options, and more. Full article at ZD Net - . Here's how to access them using your Roku remote: 1. Developer Settings How to Access: Home × 3 > Up × 2 > Right > Left > Right > Left > Right What It Does: For developers to test apps on Roku. Enables app installation, sideloading, and Roku account management. 2. Network Menu How to Access: Home × 5 > Right > Left > Right > Left > Right What It Does: View IP/MAC addresses, check internet connection, join networks, and toggle bandwidth-saver mode. 3. Wireless Secret Screen How to Access: Home × 5 > Up > Down > Up > Down > Up What It Does: Displays signal strength, antenna info, and error logs. Run AP speed tests or clear Wi-Fi settings. 4. Reset & Update How to Access: Home × 5 > Fast Forward × 3 > Rewind × 2 What It Does: Factory reset, soft reset, search for updates, and USB port tests. 5. Ads & Screenshots How to Access: Home × 5 > Up > Right > Down > Left > Up What It Does: Control scrollable ads, disable screensaver ads, and adjust screenshot output formats. 6. HDMI Secret Screen How to Access: Home × 5 > Down > Left > Up × 3 What It Does: View supported resolutions, refresh rates, HDR settings, switch inputs, and run input tests. 7. Platform Secret Screen How to Access: Home × 5 > Fast Forward > Play/Pause > Rewind > Play/Pause > Fast Forward What It Does: Displays CPU, memory usage, remote diagnostics, IPv6 settings, and remote logs. 8. Channel Info Menu How to Access: Home × 3 > Up × 2 > Left > Right > Left > Right > Left What It Does: View installed channel versions and build numbers. Uninstall apps directly from this screen. 9. Reboot Shortcut How to Access: Home × 5 > Up > Rewind × 2 > Fast Forward × 2 What It Does: Quick reboot without accessing menus. Roku restarts immediately. Tips and Warnings Use these menus cautiously; some actions (e.g., factory reset) are irreversible. Not all menus work on every Roku model (e.g., older devices or specific models like the Roku Smart Soundbar). To exit, press the Home button. For additional settings, explore the standard Settings menu or enable developer mode via Roku’s website for app sideloading. Note: Always back up important settings before experimenting. /episode/index/show/hdtvpodcast/id/37441435

Podcast #1209: Money is No Object Home Theater - Within Reason 07/11/2025

Podcast #1209: Money is No Object Home Theater - Within Reason On this week’s show we design a high end home theater but one that is within reason because we are not going to spend your money just for the sake of spending money. We also read your emails and the week’s news. News: Other: Money is No Object Home Theater - Within Reason We have designed a budget based home theater system before so for this episode we decided to design a money is no object system. This high-end home theater system is centered around an 85" television and a 7.1.2 speaker configuration, optimized for premium performance since budget is not a constraint. We prioritize audio-visual quality, immersive surround sound, and aesthetic integration for a luxurious home theater experience. The room size for this theoretical theater is 15 X 20 feet or approximately 4.5 x 6 Meters. Note that some of these items are listed on our where we make a commission on the sales. Television This 2025 model offers exceptional brightness (up to 2,000 nits), deep blacks with Mini LED technology, and a 120Hz refresh rate for smooth motion. Quantum HDR 64X enhances color and contrast, ideal for cinematic viewing. Its slim design and anti-glare coating suit various lighting conditions. Price: $2,300 Features: 4K Ultra HD with Quantum Dot technology Dolby Vision and HDR10+ support Built-in smart platform for streaming (Netflix, Disney+, etc.) 4 HDMI 2.1 ports for gaming and external devices Edit - after this week’s announcement by LG we are changing this to the 83 inch LG OLED evo M5 series that costs about $8,750. AV Receiver This 11.4 channel receiver delivers 140W per channel, supports Dolby Atmos, DTS:X, and Auro-3D, and handles 8K/60Hz passthrough. Sound Master Tuned & Calibrated For You. Powerful calibration and tuning tools are included, enabling you to get the best performance from your system. Price: $4,475 Features: 11 amplified channels (7.1.2 natively) HDMI eARC for lossless audio Advanced room correction for optimal sound Front Left/Right Speakers: These floor-standing speakers deliver crystal-clear highs and robust mids with 6" midrange drivers and carbon dome tweeters. Their 200W power handling ensures dynamic sound for movies and music. Price: $7,000/pair Center Speaker: From the same family of the 702 S3. For clear dialogue and seamless soundstage integration. Its dual 6.5" woofers and carbon dome tweeter handle complex audio with precision. Price: $2,500 Surround Speakers (4): These bookshelf speakers provide immersive surround effects with compact footprints. Their 5" midrange and tweeter design ensures clarity for side and rear channels. Price: $3,000/pair (x2 = $6,000) Height/Atmos Speakers (2): These in-ceiling speakers are designed for Dolby Atmos, delivering precise overhead effects with a 3-way design (tweeter, midrange, and dual woofers). They blend discreetly into the ceiling for a clean aesthetic. Price: $2,000/pair Subwoofer: This sealed subwoofer delivers deep, controlled bass down to 17Hz with a 2,000W RMS amplifier. Its DSP control and mobile app allow fine-tuning for room acoustics. Price: $2,000 Media Player - So this is where we get in trouble. Logic would say Kaleidescape since money is no object. But our recommendations Ara- $250 Braden - $130 get you all you would need plus you can load your streamers, IPTV services, and automation controls. All with near perfect picture and sound quality. Acoustic Treatments - To optimize sound quality, acoustic panels reduce echo, and bass traps control low-frequency buildup. Custom designs can match room decor. Price: $2,000-$3,000 (depending on room size and coverage) Seating: Premium leather recliners with motorized adjustments, built-in cup holders, and USB charging. Configurable for tiered rows in a dedicated theater room. Price: $8,000 for 4 seats TV Stand/Mount: Sleek, modular design supports an 85" TV with cable management and space for components. Wall-mount option available for a floating look. Price: $1,500-$2,000 Control System: Here we are going with a with installation. These systems can cost as much as $100K for a large home. But for our modest yet high end system we are allocating $10K for the theater area. Cabling and Power: No need for super expensive cables even though money is no object. Afterall, we didn’t make all this money by throwing it away! We are allocating $1000 for cables and good power conditioners like the Total Estimated Cost: TV: $2,300 or $8,750 for the LG M5 AV Receiver: $4,475 Speakers: $17,500 ($7,000 + $2,500 + $6,000 + $2,000) Subwoofer: $2,000 Media Player: $250 Acoustic Treatments: $2,500 Seating: $8,000 TV Stand/Mount: $1,750 Control System: 10,000 Cabling/Power: $1,000 Total before installation: $49,775 or $56,225 for the LG Total including Installation and calibration of $15,000: $64775 or $71,225 for the LG /episode/index/show/hdtvpodcast/id/37363510

Podcast #1208: HDMI 2.2 07/04/2025

Podcast #1208: HDMI 2.2 On this week’s show we take a first look at the proposed HDMI 2.2 specification. We also read your emails and take a look at the week’s news. News: HDMI 2.2 Specification The HDMI 2.2 specification, announced by the HDMI Forum at CES 2025, introduces several advanced features to support higher resolutions, refresh rates, and enhanced audio-visual performance. Below is a summary of the key features included in the HDMI 2.2 specification based on the information we have today: Increased Bandwidth (Up to 96 Gbps): HDMI 2.2 doubles the bandwidth of HDMI 2.1 (from 48 Gbps to 96 Gbps), enabling support for higher resolution and refresh rate combinations, as well as data-intensive applications. This increased bandwidth supports uncompressed and compressed video formats, making it suitable for advanced applications like AR/VR, spatial reality, light field displays, medical imaging, and machine vision. Support for Higher Resolutions and Refresh Rates: Uncompressed Formats 4K at 240 Hz and 480 Hz (4:4:4 chroma sampling, 10-bit and 12-bit color). 8K at 60 Hz and 240 Hz (4:4:4 chroma sampling, 8-bit and 10-bit color). 10K at 120 Hz. 12K at 120 Hz. 16K at 60 Hz. Compressed Formats (using Display Stream Compression or similar): Supports higher refresh rates like 4K at 480 Hz, 8K at 240 Hz, and 10K at 120 Hz, which require compression to achieve these rates within the bandwidth constraints. Next-Generation Fixed Rate Link (FRL) Technology: HDMI 2.2 introduces an advanced version of Fixed Rate Link signaling technology, optimized for better support of uncompressed content at high resolutions and refresh rates, ensuring pristine image quality and low latency Ultra96 HDMI Cable: A new cable type, the Ultra96 HDMI Cable, is introduced to support the full 96 Gbps bandwidth and all HDMI 2.2 features. These cables are backward compatible with older HDMI devices but are required to fully utilize HDMI 2.2's capabilities. The Ultra96 cables are part of the HDMI Cable Certification Program, requiring testing and certification with a visible Ultra96 certification label to ensure compliance. Features low electromagnetic interference (EMI) for stable and reliable data transmission. Latency Indication Protocol (LIP): A new feature designed to improve audio and video “‘video synchronization, particularly in multi-hop setups involving devices like AV receivers or soundbars. LIP enhances synchronization over existing methods, reducing issues like lip-sync lag, especially for fast-paced content or gaming. Support for Advanced Color and Chroma Formats: Supports high-quality color spaces like BT.2020 with 10-bit, 12-bit, and 16-bit color depth. Enables uncompressed full chroma formats (e.g., 4:4:4) at high resolutions, ensuring richer colors and pristine image quality. Additional Notes Availability: The HDMI 2.2 specification was announced at CES 2025, with Ultra96 cables expected to be available in Q3/Q4 2025. HDMI 2.2-compliant devices (e.g., TVs, monitors, GPUs) are expected to appear in late 2025 or 2026 Optional Features: Like previous HDMI versions, features such as Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM), Quick Frame Transport (QFT), and Enhanced Audio Return Channel (eARC) remain optional and depend on device manufacturer implementation. Consumer Guidance: The Ultra96 feature name helps consumers identify cables and devices capable of supporting 64 Gbps, 80 Gbps, or 96 Gbps bandwidth, ensuring optimal performance. /episode/index/show/hdtvpodcast/id/37274305

HDTV Rewind Episode #9: Room Acoustics 07/01/2025

Podcast #1207: Most Popular HDTV and Home Theater and Automation Products 06/27/2025

Podcast #1207: Most Popular HDTV and Home Theater and Automation Products On this week’s show we take a look at some of the most popular products in our homes. And we read your emails and take a look at the week's news. News: Other: Most Popular HDTV and Home Theater and Automation Products On this week’s show we take a look at some of the most popular products in our homes. What is the most popular TV size in the USA The most popular TV size in the USA is currently around 65 inches, with recent trends showing it overtaking the previously dominant 55-inch size. Data from 2021 indicates the average LCD TV screen size in North America reached approximately 55.5 inches, with expectations of further increases as larger TVs become more affordable and accessible. Consumer purchasing trends and retailer insights suggest 65-inch TVs are now the most commonly bought due to their balance of immersive viewing and suitability for typical living room spaces, with viewing distances of around 5.4 to 8.1 feet for 4K resolution. What is the most popular TV brand in the USA Samsung is the most popular TV brand in the USA, holding a market share of around 28-30% based on 2020-2023 data. It has been the top-selling brand for 18 consecutive years, with 30.1% of the market in 2023, driven by brand recognition, diverse price points, and dominance in both standard and premium TV segments, including a 22% share in OLED TVs. LG follows closely, with the two Korean brands combining for about 52% of the market. Vizio, TCL, and Sony also rank highly, with Sony noted for strong consumer trust and picture quality. What is the most popular home cinema projector in the USA The most popular home cinema projector in the USA in 2025, based on expert reviews and consumer interest, is the Epson Home Cinema 3800. It’s widely praised for its excellent balance of image quality, brightness, and value, making it a top choice for home theater enthusiasts. With strong contrast, vibrant colors, and the ability to project a sharp 4K image, it performs well in both dark and moderately lit rooms. Its affordability compared to high-end models like the Epson Home Cinema 5050UB, combined with features like two HDMI ports and easy setup, contributes to its popularity. What is the most popular AVR The most popular AV receiver brand in the USA is Denon, with models like the Denon AVR-X3800H and Denon AVR-X4800H frequently cited as top performers in 2024-2025 reviews. Denon’s popularity stems from its optimal price-to-quality ratio, reliable performance, and advanced features like Dolby Atmos, DTS:X, and 8K HDMI support. Market data is scarce, but Denon’s dominance is evident in consumer reviews, sales rankings on sites like Best Buy, and industry reports, with Marantz (its sister brand) and Yamaha as close competitors. Denon’s models are praised for versatility, supporting setups with more than three speakers (e.g., 9.4 or 7.2.2 configurations), aligning with the 10-15% of households estimated to have such systems. What is the most popular voice assistant product in the USA Amazon's Alexa is the most popular voice assistant product in the USA, primarily due to its widespread integration into Amazon Echo devices and its compatibility with over 60,000 smart home devices. In 2025, Alexa has an estimated 77.6 million users in the US, trailing Google Assistant (92.4 million) and Apple's Siri (87.0 million) in total users but leading in smart home ecosystem adoption and versatility. Its popularity is driven by features like hands-free control, extensive third-party app integration, and the ability to perform tasks such as controlling smart home devices, streaming music, and shopping online. The Amazon Echo (4th Gen) is particularly noted for its sound quality and built-in Zigbee radio, enhancing its smart home capabilities. What is the most popular video doorbell in the USA While exact sales data is unavailable, the Ring Battery Doorbell and Ring Video Doorbell (2nd generation) are likely the most popular video doorbells in the USA in 2025. What is the most popular smart switch in the USA The Lutron Caséta is the most popular for its balance of advanced features, no-neutral-wire flexibility, and rock-solid performance across smart home platforms. Its hub requirement adds cost (around $60-$100 per switch plus $80-$100 for the hub), but users value its dependability and customization options. If you’re on a budget or prefer Wi-Fi-based switches, the TP-Link Kasa models are nearly as popular due to their lower price (around $20-$40) and hub-free setup. What is the most popular smart plug in the USA TP-Link Kasa Smart Wi-Fi Plug Slim (EP25) frequently comes up as a top contender for indoor use due to its affordability, feature set, and wide compatibility. /episode/index/show/hdtvpodcast/id/37163645

HDTV Rewind Episode #8: What is Quartics? 06/24/2025

Podcast #1206: Streaming Services Ranked 06/20/2025

Podcast #1206: Streaming Services Ranked On this week’s show we rank our favorite Streaming Services. We also read your emails and take a look at the week’s news. News: Other: " The Definitive Streaming Service Ranking We received an email from a listener named Scott that pointed us to an article titled ”” written by Josh Rosenberg and published in Esquire magazine. In the article he ranks the top seven streaming services. We’ll go through his picks from seven to one. And then we’ll give our rankings. 7 Amazon Prime Video - The main criterion for ranking streaming services is whether they offer at least one new, worthwhile show each month. Prime Video falls short, as it doesn't consistently deliver high-quality new TV content. Instead, it focuses on being a hub for accessing other subscriptions, with shows like Reacher, Fallout, and The Boys feeling like bonuses for Amazon Prime's free shipping rather than a compelling reason to subscribe for streaming alone. 6 Peacock - Peacock is a top choice for reality-TV fans, offering Bravo’s full lineup, including Real Housewives, Love Island USA, Below Deck, Top Chef, and Watch What Happens Live. It also hosts NBC’s library with classics like The Office, Parks & Recreation, New Girl, Scrubs, and Law & Order, plus Yellowstone due to an exclusive deal. Its appeal lies in its sitcom and reality-TV vault, and it’s the streaming home for the Olympics, though that’s only every two years. Fans might find it worth a high price, though it’s currently much less than $100 a month. 5 Disney/Hulu/ESPN+ - The Disney/Hulu/ESPN+ bundle is perceived as a single streaming service due to its long-standing integration, with Disney enhancing this by adding Hulu and ESPN+ tiles to the Disney+ home screen for seamless access. Each service offers unique strengths: Disney+ excels in Marvel, Star Wars, and children’s content; Hulu features FX shows like The Bear and Shōgun, plus ABC’s lineup, including Abbott Elementary; and ESPN+ remains a leader in live sports despite growing competition. Their combined appeal keeps them competitive, as they are stronger together than individually. 4 Netflix - Netflix benefits from long-term subscriber relationships, with users browsing its platform like they once did with cable TV. However, its content quality is declining, with more misses than hits. The upcoming conclusion of major shows like Squid Game and Stranger Things in 2025 could further challenge its ability to retain subscribers. 3 Paramount+ - Paramount+ benefits from Taylor Sheridan's popular shows like Yellowstone, Landman, and 1923, and its merger with Showtime has brought quality series such as MobLand and Yellowjackets. However, the streaming service struggles to justify its subscription cost as essential, with its success hinging on the delivery of Sheridan's planned spin-off universe. 2 Apple TV+ - Apple TV+ has significantly improved its content in 2025, with successful shows like Severance season 2, The Studio (Seth Rogen), Your Friends and Neighbors (Jon Hamm), and Stick (Owen Wilson). Previously, subscribing only for specific shows was advisable, but now, due to consistent high-quality releases with A-list talent, keeping the subscription active is recommended. If this trend continues, Apple TV+ will remain a strong competitor in the streaming market. 1 HBO Max - HBO tops the power ranking due to its consistent delivery of high-quality TV shows that justify the subscription cost. With a business model focused on quality since its launch over 50 years ago, HBO has aired acclaimed series like The Pitt, The White Lotus, The Last of Us, The Rehearsal, and Hacks in the first half of 2025. Its extensive library includes some of the greatest shows and movies, such as Goodfellas. While Netflix prioritizes quantity, HBO Max excels in quality. /episode/index/show/hdtvpodcast/id/37079150

Podcast #1205: Betamax Turns Fifty 06/13/2025

Podcast #1205: Betamax Turns Fifty Can you believe Betamax turns 50 this month? On this week’s show we look at how the VCR changed the entertainment industry and gave us a reason to build our home theaters. We also read emails and take a look at the week’s news. News: Other: The Betamax Turns 50 this Month In the late 1970s, the arrival of the Video Cassette Recorder (VCR) sparked a seismic shift in entertainment, as detailed in a recent . Initially met with skepticism by studios fearing piracy, the VCR became a cultural juggernaut, reshaping how audiences consumed media and how Hollywood operated. By 1987, home video revenue surpassed theatrical box office earnings, with VHS tapes turning movies like Top Gun into cultural touchstones that families could own and rewatch endlessly. The VCR democratized access to films, birthing the video rental industry—think Blockbuster’s neon-lit aisles—and empowering consumers to curate their viewing experiences. It also gave studios a lucrative new revenue stream, with tapes priced high for rentals before dropping for mass ownership. Yet, the technology wasn’t without flaws: tracking issues, bulky machines, and the dread of “Be Kind, Rewind” defined the era. Beyond movies, the VCR enabled niche content to thrive, from fitness tapes to obscure genres, while fueling Hollywood’s sequel-driven franchises. As The Hollywood Reporter notes, the VCR’s legacy endures in today’s streaming wars, where on-demand viewing owes its roots to those clunky cassettes. The VCR didn’t just change Hollywood—it rewired how we connect with stories. Here are some fun facts about the VCR (Video Cassette Recorder): First Commercial VCR: The Ampex VRX-1000, introduced in 1956, was the first commercially available VCR. It cost around $50,000 (equivalent to over $500,000 today) and was primarily used by TV studios, not homes. Home VCRs Arrived Late: The first consumer VCR, the Philips N1500, hit the market in 1972 in the UK. It was pricey (around £400, or $4,000 today) and could only record for about an hour. Format Wars: The 1970s saw a fierce battle between Sony’s Betamax (1975) and JVC’s VHS (1976). VHS won due to longer recording times (up to 4 hours vs. Betamax’s 1 hour initially) and better marketing, despite Betamax’s slightly superior picture quality. Rental Boom: Video rental stores exploded in the 1980s because VCRs were affordable, but tapes were expensive ($50-$100 each). The first Blockbuster opened in 1985, capitalizing on this trend. Time-Shifting Revolution: VCRs introduced “time-shifting,” letting people record TV shows to watch later. This was groundbreaking, though networks initially feared it would kill live TV. A 1984 U.S. Supreme Court ruling upheld home recording as legal, boosting VCR popularity. Early Adopters’ Struggles: Early VCRs were clunky, with complex controls. The infamous “blinking 12:00” on VCR clocks became a cultural joke because many users couldn’t figure out how to set the time. Global Impact: By 1980, only about 1% of U.S. households had a VCR, but by 1990, over 70% did. Japan led early adoption, with companies like Sony and JVC driving innovation. Peak Sales Period (1977–2000): The VCR was a dominant consumer electronics product for about two decades. We can estimate U.S. sales alone at approximately 100–200 million units over this period. Market Decline: VCR sales peaked in the 1980s and 1990s but declined sharply in the early 2000s as DVDs overtook VHS. By 2003, DVD sales surpassed VCR sales, and the last VCRs were manufactured by Funai in 2016. /episode/index/show/hdtvpodcast/id/36955720

HDTV Rewind Episode #7: TV Specifications 06/10/2025

Podcast #1204: Can Future OLED Screens Become Multi Channel Speakers 06/06/2025

Podcast #1204: Can Future OLED Screens Become Multi Channel Speakers On this week’s show our listeners have provided the topics. We discuss a $30 hack to improve your TV as well as a new OLED technology that may turn your screen into a multi channel speaker. Plus we read your emails and take a look at the week’s news. News: $30 Dollar Hack to Improve Your TV One of our listeners, Scott, sent us a link to an article suggesting that a $30 LED strip can significantly enhance your TV viewing experience. . We’ll summarize here but check out the article for more detail. The author of the PCWorld article shares his positive experience with a $30 USB-powered LED strip, initially inspired by the concept of bias lighting to reduce eye strain by counterbalancing a TV's bright display. After research, the budget-friendly strip proved easy to install, powered directly by the TV, and automatically synced with the device’s on/off function. Installation was simple, involving a clean surface and careful placement of the adhesive-backed strip along the TV’s rear edges, cut to fit for even light distribution. The soft, ambient glow reduced eye fatigue, enhanced contrast and color vibrancy, and made dark scenes in movies and games more enjoyable, proving a cost-effective alternative to pricier lighting systems, and a recommended upgrade for better comfort and visual quality. Turn Your OLED Screen Into a Multi Channel Speaker And another listener, Bob, sent us an article about a technology being developed that could lead to the world's first Pixel-Based Local Sound OLED (PLS-OLED) display. It would allow each pixel to emit different sounds simultaneously, effectively turning the display into a multichannel speaker array. This breakthrough was successfully demonstrated on a 13-inch OLED panel, similar to those used in laptops and tablets. The technology could potentially revolutionize applications in devices like smartphones, tablets, laptops and possibly televisions by combining visual and audio functions in a single, ultra-thin panel. The study was published in . This is our take on how this technology can be used to enhance a home theater system for some users: Integrated Audio-Visual Experience: Fewer Speakers: With PLS-OLED, the audio comes directly from the screen, eliminating the need for external speakers and creating a cleaner, more streamlined setup. Immersive Sound: Since each pixel can emit distinct sounds, the technology enables precise, localized audio output. This means sound can appear to come directly from the action on screen. A character’s voice would originate from their mouth or an explosion sounding like it’s bursting from the exact spot on the display—enhancing the realism of the home theater experience. Multichannel Audio Without Additional Hardware: Surround Sound Simulation: The multichannel capability of PLS-OLED can mimic surround sound to some degree by directing different audio channels through various parts of the screen. However, we don’t see this replacing a good 7.1 setup, rather it would enhance the audio. Enhanced Aesthetics and Space Efficiency: Reduced Equipment: By integrating high-quality audio into the display, you eliminate the need for a separate audio receiver, subwoofers, and multiple speakers, saving space and reducing setup complexity. Potential for Advanced Applications: Personalized Audio Zones: In a home theater shared by multiple viewers, the pixel-based sound could theoretically create localized audio zones, allowing different people to hear optimized sound based on their seating position, though this might require further development or additional hardware like head-tracking. Possibly delivering a more accurate 3D audio experience directly from the screen. Practical Considerations: Installation Ease: Unlike traditional systems that demand careful speaker placement and calibration, PLS-OLED simplifies setup—just mount the display and connect it to your media source. This is ideal for users who want a plug-and-play home theater solution. Limitations and Next Steps: Sound Power: The article doesn’t specify the volume or frequency range of the audio output. Most of us want deep bass and loud, clear sound, so in reality you would still want a subwoofer for a fuller sound. Conclusion: The Pixel-Based Local Sound OLED technology could revolutionize simple home theaters by combining high-quality visuals and multichannel audio in one device, delivering a more immersive, space-efficient, and aesthetically pleasing experience. It’s particularly promising for compact setups or users seeking simplicity without sacrificing sound quality. /episode/index/show/hdtvpodcast/id/36869520

HDTV Rewind Episode #6: What Were Integrators Using in 2010 06/03/2025

Podcast #1203: Top Series Finales of Network/Cable TV Shows 05/30/2025

Podcast #1203: Top Series Finales of Network/Cable TV Shows On this week’s show we look at our favorite TV Series Finales from Network and Cable TV. We also read your emails and take a look at the week’s news. News: Top Series Finales of Network/Cable TV Shows Here is a rundown of our favorite TV Series Finales. What are your favorites? – "Goodbye, Farewell and Amen" (CBS, February 28, 1983) This 2.5-hour finale remains the highest-rated scripted TV episode in U.S. history, with a 72% audience share. It masterfully blended comedy and drama, reflecting the show’s tone. The Korean War ends, and the 4077th unit disbands, with emotional farewells like Hawkeye’s helicopter spotting B.J.’s "GOODBYE" in stones. - “Made in America” (HBO, June 10, 2007) The final episode leaves viewers with a cliffhanger that remains open to interpretation. Tony Soprano is at a diner with his family when the screen cuts to black as a suspicious-looking man glances at him. The ending doesn't explicitly confirm whether Tony is killed, but rather leaves the audience to wonder if he will continue to live under the threat of violence inherent to his mob life. The episode's iconic music, Journey's "Don't Stop Believin'," plays in the background, adding to the tension and suspense. – "The Last Show" (CBS, March 19, 1977) When WJM-TV’s new owner fires the entire newsroom except the incompetent Ted Baxter, the team shares a tearful group hug, and Mary delivers a poignant monologue. Her final act of turning off the studio lights became an iconic TV trope. - “The Struggle” (FX, April 19, 2023) The Snowfall saga chronicled the origins and spread of crack cocaine in South Central and how it ultimately threw Los Angeles neighbourhoods into chaos. Anti-hero Franklin Saint, who we first met on a bright summer day full of promise and big dreams, ended the series on that same street hopeless, delusional and destitute. He was last seen wandering away from the house he bought for his mother - his final possession - as officers from the L.A. Sheriff’s Department swooped in to evict him over unpaid property taxes. – "The Last Newhart" (CBS, May 21, 1990) This finale is legendary for its meta twist. After eight seasons of running a Vermont inn, Dick Loudon (Bob Newhart) is hit by a golf ball and wakes up as Dr. Bob Hartley from The Bob Newhart Show (1972–1978), next to his wife Emily (Suzanne Pleshette), revealing the entire series was a dream. - “Finale” (NBC, May 16, 2013) One year later, Dunder Mifflin employees past and present reunite for a panel discussion about the documentary and to attend Dwight and Angela's wedding.The episode features cameos and wraps up several character storylines, with characters attending the wedding and reflecting on their lives and experience. Pretty much everyone gets a happy ending - “That’s what she said.” – "One for the Road" (NBC, May 20, 1993) Watched by over 80 million viewers, this 98-minute finale wrapped up the Sam-Diane romance with honesty. Diane (Shelley Long) returns, but instead of a fairy-tale ending, Sam chooses his bar—his true love—over rekindling their relationship. The final line, “Sorry, we’re closed,” delivered to a late-night customer, symbolizes the show’s end. - “The Promise” (FX, April 14, 2015) After five seasons of rivalry and dare we say friendship, Justified’s sixth and final season saw Deputy U.S. Marshal Raylan Givens put his "nemesis" Boyd Crowder behind bars. But that isn't what made the finale so incredible. Aside from giving just about every character a bit of closure, there was one scene that we'll never forget: Raylan sitting across from Boyd in prison as he lies about Ava's death and then, when asked why he traveled long and far to deliver the news in person, he finally admitted the one thing viewers have always known - that Boyd isn't his enemy. Goggins then perfectly delivered the line that said everything about their relationship: "We dug coal together." – "The Stockholm Syndrome" (CBS, May 16, 2019) Sheldon and Amy’s Nobel win, paired with his heartfelt tribute to his friends, closed the sitcom with sentimentality and growth, though some felt it was overly tidy – "The Last One" (NBC, May 6, 2004) With 52.5 million viewers, this finale delivered closure for the six friends’ arcs. Monica and Chandler move to the suburbs with their twins, Ross and Rachel reunite, and the group leaves Monica’s apartment for the last time. It balanced humor, nostalgia, and emotional payoff without overstaying its welcome. – "Whenever You’re Ready" (NBC, January 30, 2020) This philosophical comedy concluded with the characters choosing when to leave their afterlife, reflecting the show’s themes of morality and growth. Emotional farewells, especially Eleanor’s influence on Chidi, resonated deeply, set against a hopeful yet bittersweet tone. There is a really good series twist at the end of season one as well. Which brings up the concept of season ending cliffhangers. Maybe for another show! /episode/index/show/hdtvpodcast/id/36773905

Podcast #1202: Home Theater System for under $2000 05/23/2025

Podcast #1202: Home Theater System for under $2000 On this week’s show we look at how the strategies keep changing in the streaming wars. We spend your money and design a home theater system for less than $2000. And as usual we read your email and take a look at the week’s news. News: Top Streaming Services Change Up Strategies A Business Insider article suggests the streaming wars have shifted from competition to strategic alliances and distinct priorities. Netflix now prioritizes engagement over subscriber numbers, revamping its homepage with vertical video to rival YouTube and TikTok. Disney focuses on subscriber growth through bundles with Hulu and ESPN, aiming for profitable expansion. Warner Bros. Discovery’s Max emphasizes profitability, leveraging high-quality content to retain subscribers rather than competing with Netflix’s scale. Engagement is key as streamers build ad businesses. Netflix, with 8% of U.S. connected TV watch time, uses engagement to reduce churn and support its $2.2 billion ad business. Amazon’s Prime Video scales ads by enabling them for all users unless they opt out, using shopping data to boost ad effectiveness. While Netflix and Amazon focus on engagement for ads, Disney, Paramount+ (79 million subscribers), and Peacock (41 million) prioritize subscriber growth, though neither is profitable yet. Profitability is critical for WBD, which has cut Max’s content spending to focus on financial sustainability, leveraging HBO’s legacy content. Its bundling with Disney+ and Hulu supports international growth. Apple TV+ faces high churn due to its limited library, leaving its strategy unclear. As streamers balance growth, engagement, and profitability, alliances and niche strategies redefine success in a crowded market. Home Theater System for under $2000 Ok so you bought a house and spent all your money but you already had a 70” TV from your previous home. And while that has been great you want something more out of your TV watching experience. Somehow you scrape together a $2000 budget and want to know what kind of “Home Theater” System you can cobble together to provide you with immersive surround sound. For this exercise we are assuming a typical living room (e.g., ~15x20 ft) and a focus on movies and general entertainment. We will emphasize value and performance while keeping the setup beginner-friendly. Key Considerations Room Size: Our medium-sized living room can benefit from a 5.1 or possibly a 5.1.2 (Dolby Atmos) setup for surround sound. We have chosen to stay with a 5.1 system for budget concerns. Priorities: Clear dialogue, deep bass, and immersive surround effects are key for movies and gaming. Music performance is secondary but still considered. Components: You’ll need an AV receiver, speakers (front, center, surrounds), a subwoofer, and a streaming device. Setup: We opted for wired speakers for reliability and cost savings over wireless systems, which can eat into the budget. Recommended System AV Receiver: Denon AVR-S760H 2021 Model () We are on a budget so a 2021 model that does everything you need for a small family room on a budget is absolutely the right call here. Don’t overlook last year's models on your A/V equipment. No one will walk into your house and whisper about last years (or four years ago) model behind your back. This is a 7.2-channel receiver with 75W per channel, supporting 4K/120Hz, Dolby Atmos, DTS:X, and room calibration (Audyssey). It’s versatile, beginner-friendly, and handles modern formats for movies and gaming. 6 HDMI inputs (3 with 8K support), Bluetooth, Wi-Fi, and HEOS for streaming. Refurbished units can save even more. Speaker System: RSL CG3M 5.1 home theater system () We splurged a little on the speakers. The CG3Ms will not disappoint! We have been fans of RSL since we had Joe Rogers on the show about 15 years ago. He is a musician and understands what music is supposed to sound like and has designed speakers with that in mind. This compact speaker system will put you right in the middle of a concert or movie! You really can’t get better at this price. The 300 watt 10” subwoofer is plenty for your small to medium sized family room. Speaker Wire and Cables: Monoprice () Pretty much from day one we have been saying buy good cables but don’t spend a lot of money doing so. $50 at Monoprice goes a long way for your Speaker and HDMI cables. Streaming Device: ($150 Budget) A streaming device enhances your home theater by providing access to all kinds of entertainment options, including Netflix, Hulu, and Disney+,and YouTube. These dedicated streaming devices offer faster performance, regular software updates, and broader app compatibility. They also support advanced features like 4K HDR, Dolby Atmos, and voice control, elevating your viewing experience with superior picture and sound quality. Additionally, devices like Roku, Amazon Fire TV, or Apple TV are portable, affordable, and easy to set up, making them a versatile upgrade for any home theater, regardless of your TV’s age or brand. Sales Tax: $90 - $150 Unfortunately we can’t forget the tax man. There are a few places in the US that do not have a sales tax and other areas range from 6% up to 10%. Total Cost: ~$1,640-$1,700 This leaves ~$300-$360 for a programmable remote, Atmos, or height speakers. Or a year of a new streaming service. This system balances cost, performance, and future expandability, delivering an elevated experience for your new home without breaking the bank. /episode/index/show/hdtvpodcast/id/36678175

HDTV Rewind Episode #5: 2009-2010 TV Season By the Numbers 05/20/2025

Podcast #1201: The Best Movie Plot Twists 05/16/2025

Podcast #1201: The Best Movie Plot Twists On this week’s show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week’s news. News: Three Incredible Deals on a UHD TV As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing. Samsung 70" Crystal UHD 4K HDR TV (DU7200) Price: $ Retailer: Amazon Details: This is noted as the lowest price ever for this 2024 model. It features Samsung’s Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand. Why It’s a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities. Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV Price: $ Retailer: Amazon Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming. Why It’s a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups. Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV Price: $ Retailer: Amazon Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming. Why It’s a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand. The Best Movie Plot Twists I came across an article that was discussing how a good movie will lead you down one path and then in a “Plot Twist” send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites? - The twist redefines the entire story, forcing viewers to rethink every scene. It’s iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis’ character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming. - The revelation Darth Vader is Luke’s Father altered the saga’s emotional core and is still one of the most quoted twists ever. - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema. - The climax delivers a horrific surprise that ties the story’s themes together. It’s a twist that’s both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin. Braden’s Pics: /episode/index/show/hdtvpodcast/id/36581125

HDTV Rewind Episode #4: Tips for Buying Speakers and Wireless Surrounds 05/13/2025

Podcast #1200: The History of Color Television in the United States 05/09/2025

Podcast #1200: The History of Color Television in the United States On this week’s show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week’s news. News: Other: The History of Color Television in the United States We received an email from a listener with a link to a YouTube video called . It's a long video but an extremely informative presentation that takes a fascinating and detailed look at early color TV programming. Watch it if you get a chance.You can skip through parts of it because it's four hours long. This week we thought we’d take a look back at the transition from black and white and compare it to the transition to HDTV. The history of color television in the United States spans several decades, marked by technological innovation, regulatory battles, and gradual consumer adoption. Early Concepts (1920s-1930s): The idea of color television emerged in the 1920s. German engineer Walter Bruch demonstrated a mechanical color TV system in 1929, but it was impractical. In the U.S., early experiments by RCA and others focused on monochrome TV, with color as a future goal. Initial Development (1940s): During World War II, TV development slowed, but post-war efforts intensified. CBS developed a field-sequential color system, which used a rotati ng color wheel to transmit red, blue, and green images in sequence. It was incompatible with existing black-and-white sets, requiring new receivers or adapters. CBS System Approval (1950): On October 11, 1950, the FCC approved CBS’s color system as the U.S. standard. Broadcasting began in June 1951, but the system faced challenges: it was expensive, bulky, and incompatible with the millions of black-and-white TVs in use. Only about 200 color sets were sold, and production halted during the Korean War. RCA’s NTSC System (1953): RCA, a major player in TV manufacturing, developed a compatible color system based on the National Television System Committee (NTSC) standards. This system allowed black-and-white TVs to receive color broadcasts in monochrome, while color TVs could display full-color images. After intense lobbying and demonstrations, the FCC reversed its decision and adopted the NTSC standard on December 17, 1953. First Color Broadcasts (1954): RCA’s system launched commercially on January 1, 1954, with NBC (owned by RCA) airing the first nationwide color broadcast, the Tournament of Roses Parade. Early color broadcasts were limited, and color TVs were expensive—around $1,000 (equivalent to ~$10,000 today). Slow Adoption (1950s-1960s): Color TV adoption was gradual due to high costs and limited programming. By 1960, only 0.1% of U.S. households had color sets. Networks like NBC and CBS slowly increased color content, with shows like Walt Disney’s Wonderful World of Color (1961) boosting interest. RCA’s aggressive marketing and price reductions helped. Mass Adoption (Mid-1960s-1970s): By 1965, all three major networks (NBC, CBS, ABC) were broadcasting most prime-time shows in color. The FCC mandated that all new TVs sold after 1966 include color capability. By 1972, color TV sales surpassed black-and-white, and by the mid-1970s, over 50% of U.S. households owned color sets. Full-color broadcasting became standard by 1977. Technological Refinements (1980s-1990s): Color TV technology improved with better picture tubes, larger screens, and stereo sound. The NTSC standard remained dominant until the transition to digital TV in the 2000s. Cable and satellite TV expanded access to vivid color programming. Legacy and Digital Transition (2000s): The NTSC analog system was phased out in 2009, replaced by digital ATSC standards, which offered superior color fidelity and high-definition. Color TV became a cornerstone of home entertainment, paving the way for modern LED, OLED, and 4K displays. Key Milestones: 1950: CBS’s color system approved. 1953: NTSC standard adopted. 1954: First NTSC color broadcast. 1965: Full-color prime-time schedules. 1972: Color TV sales overtake black-and-white. 2009: Analog NTSC broadcasting ends. Below is a list of notable U.S. TV stations and networks, along with available data on when they began color broadcasting based on historical information. I have noted where specific station data and precise dates are unclear or unavailable. United States WCBS-TV (New York, NY, CBS Affiliate) Year: 1951 (limited), 1965–1966 (full transition) Details: WCBS-TV, a CBS owned-and-operated station, was among the first to broadcast in color during CBS’s experimental Field Sequential broadcasts starting June 25, 1951, from New York’s Studio 57. These were limited to a few hours daily and required special receivers, as they were incompatible with black-and-white sets. Only about 10.5 million monochrome sets existed in the U.S., and production of CBS’s color sets was halted by the Korean War. Regular color broadcasts using the NTSC standard likely began in the mid-1960s, with CBS equipping its Broadcast Center with GE PE-24 color film chains by 1965. WNBT (now WNBC, New York, NY, NBC Affiliate) Year: 1954 (regular broadcasts) Details: NBC’s flagship station in New York conducted color field tests as early as July 1951 using RCA’s dot sequential system. It broadcast the first nationwide color program, the Tournament of Roses Parade, on January 1, 1954, marking a significant milestone. WNBT was a leader in early color adoption due to NBC’s parent company, RCA, pushing the NTSC standard. WCAU-TV (Philadelphia, PA, CBS Affiliate at the time) Year: 1950–1951 (experimental), mid-1960s (full transition) Details: WCAU-TV received CBS’s experimental color broadcasts via coaxial cable from New York starting December 13, 1950, for public viewing on color receivers. These used CBS’s Field Sequential system. Full NTSC color broadcasting likely aligned with CBS’s broader adoption by the mid-1960s, as WCAU used RCA TK-42 cameras by 1966. WMT-TV (now KGAN-TV, Cedar Rapids, IA) Year: 1967 Details: WMT-TV, the first TV station in eastern Iowa, transitioned to color in 1967, as documented in a viral video showing news anchor Robert Bruner announcing the switch live on air. The station’s new color cameras improved monochrome pictures for black-and-white set viewers while enabling full color for those with color TVs. WQEX (now WINP-TV, Pittsburgh, PA, PBS Affiliate) Year: 1986 Details: One of the last North American stations to convert to color, WQEX began color broadcasting on October 16, 1986, after its 1950s-era black-and-white transmitter failed in February 1985. The station’s owner, WQED, raised pledge money to purchase a color transmitter, highlighting the financial barriers for smaller or public stations. WNEW-TV (now WNYW, New York, NY, Independent at the time) Year: Mid-1960s (approx. 1965–1966) Details: WNEW-TV, a major independent station, purchased three GE PE-24 color cameras in the mid-1960s, aligning with the industry’s push toward color. Exact dates are unclear, but this was part of the broader color adoption wave. WBBM-TV (Chicago, IL, CBS Affiliate) Year: 1967–1968 (approx.) Details: As a CBS owned-and-operated station, WBBM-TV used Marconi Mark VII color cameras starting in the 1967–68 season, indicating a full transition to color by this time. Earlier experimental broadcasts may have occurred in the mid-1960s. KMOX-TV (now KMOV, St. Louis, MO, CBS Affiliate at the time) Year: 1967–1968 (approx.) Details: Like WBBM-TV, KMOX-TV adopted Marconi Mark VII color cameras for the 1967–68 season, suggesting a full color transition by this period. KNXT (now KCBS-TV, Los Angeles, CA, CBS Affiliate) Year: 1967–1968 (approx.) KNXT became KCBS-TV on April 2, 1984, at noon. Details: KNXT, another CBS owned station, also used Marconi Mark VII cameras starting in 1967–68, aligning with CBS’s broader color adoption. NBC Network (Nationwide, affecting O&O and affiliate stations) Year: 1954 (partial), 1965 (full primetime) Details: NBC was the earliest adopter of color, driven by RCA’s development of the NTSC standard. It began regular color broadcasts with the Rose Parade on January 1, 1954, and was the first network to air a full-color primetime schedule in 1965. Shows like Walt Disney’s Wonderful World of Color (1961) and Bonanza were early color hits. NBC’s owned-and-operated stations (e.g., WRC-TV in Washington, D.C.) and affiliates followed, with about one-third of NBC’s O&O stations having color transmitters by 1954. CBS Network (Nationwide, affecting O&O and affiliate stations) Year: 1951 (experimental), 1966–1967 (full primetime) Details: CBS pioneered the first commercial color broadcast on June 25, 1951, with the show Premiere, but its Field Sequential system was incompatible and abandoned. By 1965, CBS had GE color film chains and was broadcasting color for primetime shows, with daytime soaps like The Secret Storm converting by 1967. A test episode of Perry Mason was shot in color in 1966. Affiliates in major markets followed, though smaller stations were slower. ABC Network (Nationwide, affecting O&O and affiliate stations) Year: 1962 (partial), 1966 (full primetime) Details: ABC lagged behind NBC and CBS due to financial constraints but began color broadcasts in the early 1960s, with shows like The Flintstones produced in color by 1962 (though some affiliates aired it in black-and-white). ABC used a mix of RCA, Norelco, and GE color equipment and achieved full primetime color by 1966. United Kingdom BBC2, London: July 1, 1967 – First UK station to broadcast in color, starting with the Wimbledon Championships. BBC1 and ITV, London: November 15, 1969 – Both began color broadcasts, covering London, Midlands, North-West, and Yorkshire regions. ITV Scotland: December 13, 1969 – First color programs aired. ITV Wales: April 6, 1970 – Began color broadcasts. ITV Northern Ireland: September 14, 1970 – Started color programming. Other Countries ATV (Associated Television), Australia: March 1, 1975 – Official switch to color, with a notable broadcast event. NRK, Norway: August 25, 1972 – First color broadcast, part of a gradual national transition. ORTF, France: October 1, 1967 – Began color broadcasts, with a famously understated switch. ARD, West Germany: August 25, 1967 – First color broadcast, slightly ahead of schedule due to technical efficiency. CCTV, China: May 25, 1973 – First experimental color broadcast using the American NTSC standard, with full adoption later. SABC, South Africa: January 5, 1976 – Began color broadcasts, delayed due to late adoption of television itself. /episode/index/show/hdtvpodcast/id/36489975

HDTV Rewind Episode #3: 10 Things About Sound and Costco 05/06/2025

Podcast #1199: TV Renewal Scorecard 05/02/2025

Podcast #1199: TV Renewal Scorecard On this week’s show We rundown the recently concluded TV season and which shows are coming back for another season. We also read your emails and take a look at the week’s news. News: Other: TV Renewal Scorecard Each TV season we highlight the upcoming TV season in September and then around the end of April we take a look at which shows are coming back. This list is provided by TV Line and can be found . The Scorecard does not include unscripted series. The eight levels in TVLine’s annual renewal scorecard are as follows: Officially renewed A sure thing A safe bet Could go either way A long-shot Essentially cancelled Officially cancelled Too early to tell ABC : Officially renewed : Officially renewed : Officially cancelled/ending in 2025 : Could go either way : Officially renewed : Officially renewed : Officially renewed : Officially renewed : Officially renewed CBS : Officially cancelled (ended Dec. 13) : Officially renewed : Could go either way : Renewed through Season 9 : Officially cancelled : Officially cancelled : Officially renewed : Officially renewed : Officially renewed (through 2026-27 season) : Officially renewed : Officially renewed : Officially renewed : Officially renewed : Officially renewed for final season : Officially cancelled : Officially cancelled : Officially renewed : Officially renewed Not on the list is Survivor. There will be a season 50 at a minimum! CW : Could go either way : Cancelled by CTV (Season 4B premieres on CW June 18) : A safe bet : Officially ended (limited series) : Too soon to tell (premieres April 16) : Renewed in Canada; CW status TBD : Renewed in Canada; CW status TBD : Season 3 premieres May 7 : Cancelled : A safe bet Fox : Officially cancelled : Could go either way : Too soon to tell : A safe bet : Officially renewed (for another 4 seasons!) : Too soon to tell : Officially renewed : Officially renewed (for another 4 seasons!) : Could go either way : Could go either way : Could go either way : Officially renewed through Season 4 : Officially renewed : A safe bet : Officially renewed (for another 4 seasons!) : Officially renewed NBC : A safe bet : A sure thing : A sure thing : A sure thing : A safe bet : Officially renewed : A long-shot : Could go either way : Could go either way : Could go either way : A sure thing : Could go either way : A safe bet : Officially renewed : A long-shot Fun facts about the 2024-2025 TV Season CBS Dominates Viewership (Again): CBS claimed the title of the most-watched network for the 17th consecutive season, with shows like Tracker leading as the season’s top entertainment program, averaging a larger audience than its debut season. CBS also boasted eight of the top 10 most-watched programs, including new show hits Matlock and Georgie & Mandy’s First Marriage. Freshman Shows Boost Time Slots: New series like CBS’s reboot of Matlock and ABC’s High Potential and Shifting Gears improved their respective time slots’ viewership. Matlock became the season’s most-watched new series, while Georgie & Mandy’s First Marriage was the top comedy. Reboots and Spinoffs Rule: The season leaned heavily on familiar franchises. Examples include CBS’s NCIS: Origins (a prequel to NCIS), Georgie & Mandy’s First Marriage (a Young Sheldon spinoff), and NBC’s Happy’s Place (starring Reba McEntire, echoing her sitcom roots). This reflects a cautious approach by networks, favoring known brands over original concepts. Long-Running Shows Keep Going: Iconic animated series on Fox, like The Simpsons (renewed through its 40th season), Family Guy (through its 27th season), and Bob’s Burgers (through its 19th season), continued their historic runs, cementing their status as cultural staples. The CW’s Reboot Continues: The CW, now under new management, focused on sports and unscripted content, airing NASCAR Xfinity Series races and shows like Totally Funny Animals. It also renewed scripted series like Sullivan’s Crossing for a third season, signaling a shift from its former teen-drama-heavy identity. Broadcast TV Still Draws Older Viewers: Social media chatter on X suggested younger audiences are drifting from broadcast TV, with “boomers” as the primary viewers. This perception aligns with complaints about repetitive genres (cop, lawyer, doctor shows) and a lack of risk-taking, though hits like Tracker and High Potential still pulled diverse viewers. /episode/index/show/hdtvpodcast/id/36389740

HDTV Rewind Episode #2: Dolby Surround and More HD-DVD Fun 04/30/2025

Podcast #1198: Are You Satisfied With Your Streaming Providers? 04/25/2025

Podcast #1198: Are You Satisfied With Your Streaming Providers? On this week’s show we ask, how satisfied are you with your streaming service providers? We also read your emails and take a look at the week’s news. News: Other: State of Streaming: Satisfaction with streaming providers (The Streamable) How are Americans really feeling about their streaming services? Recently, we surveyed nearly 1,500 cord-cutters to get a clearer picture of how people are watching, what they’re paying, and which services they are most satisfied with. The results reveal shifting habits in a saturated streaming market and point to what matters most as we speed right through 2025. Streaming services people use: YouTube TV: 30% Hulu + Live TV: 10% Sling TV: 7% DIRECTV STREAM – 6% Fubo: 3% Philo: 3% DIRECTV via internet: 2% Dish: 2% None of the above: 38% Are subscribers satisfied? Despite rising subscription costs and service fragmentation, 58% of users are satisfied with their streaming experience, 33% are neutral, and only 9% are dissatisfied. This high satisfaction rate, despite 2024's price hikes and content reshuffles, is likely due to improved app performance, better device compatibility, and more tailored subscription options. How many services do people use? In 2025, streaming is typically a multi-platform experience: 49% of households subscribe to 2-4 services, 38% use 5 or more, and only 12% stick to a single service. Content fragmentation drives users to stack subscriptions for their favorite shows and sports, a shift from the cable era, making multiple subscriptions the norm for convenience. Monthly spending on streaming The typical streaming bill has surged, with 35% of users spending $50-$100 monthly, often on live TV and multiple on-demand subscriptions. Additionally, 26% spend over $100, likely on premium plans or add-ons, while only 19% keep costs at $25 or less by limiting subscriptions or using free trials. Streaming costs and complexity now rival traditional cable bills. Bundled benefits Bundling is a popular cost-saving strategy, with 31% of respondents accessing streaming through Amazon Prime and 14% via phone bills, often getting discounted or free access to platforms like Netflix or Disney+. However, 36% prefer direct subscriptions or find their preferred platforms aren't bundled, showing bundling is common but not universal. Churn vs. loyalty In 2025, 70% of users showed strong loyalty to their existing services, indicating platform stickiness despite subscription fatigue. However, 50% canceled at least one streaming service in 2024, driven by cyclical pauses, price hikes, or lack of content. Unlike cable, streaming subscriptions are easily canceled, leading to dynamic, seasonal churn, with some users returning for new content. What matters most? Here are the features that matter most to users: Affordable pricing Access to local channels Live sports availability Device compatibility (smart TVs, streaming sticks, etc.) Channel variety Reliable streaming quality DVR functionality Support for 4K resolution and surround sound (less critical) Preferred streaming devices Smart TVs are the top choice for streaming, used by 56% of viewers, followed by Roku devices at 44%, then Fire TV, Apple TV, and web/mobile viewing. This highlights a trend toward living room, lean-back streaming experiences over desktop viewing, driven by widespread smart TV adoption and improved built-in apps. /episode/index/show/hdtvpodcast/id/36297075

HDTV Rewind April 22 2007 Episode #1 04/22/2025

Podcast #1197: Is GPMI the beginning of the end of HDMI? 04/18/2025

Podcast #1197: Is GPMI the beginning of the end of HDMI? On this week’s show we look at a technology that could end HDMI. We also read your emails and take a look at the week’s news. News: Other: Is GPMI the beginning of the end of HDMI? Over 50 Chinese companies including Hisense and TCL have joined forces to back an HDMI alternative called GPMI (General Purpose Media Interface). This new wired communication standard is designed to integrate multiple functionalities into a single cable, aiming to rival HDMI, DisplayPort, and Thunderbolt. The following are some key features: High Bandwidth for Data Transmission - GPMI Type-B: Supports up to 192 Gbps bandwidth, significantly surpassing HDMI 2.1 (48 Gbps), HDMI 2.2 (96 Gbps), DisplayPort 2.1 (80 Gbps), and Thunderbolt 4 (40 Gbps). GPMI Type-C: Offers up to 96 Gbps, compatible with USB-C ports, doubling the 40 Gbps limit of USB4 with Extended Power Range (EPR) under USB PD 3.1. Enables ultra-high-definition video - including 8K at 120Hz or higher, suitable for next-generation displays, gaming, and professional applications. Power Delivery GPMI Type-B: Delivers up to 480W of power, far exceeding Thunderbolt 4 (100W) and USB4 (240W with EPR). GPMI Type-C: Provides up to 240W, matching USB4 EPR capabilities. This eliminates the need for separate power cables - simplifying setups for devices like TVs, monitors, and gaming laptops. All-in-One Cable Solution - Combines video, audio, data transfer, network connectivity, and power delivery into a single cable, reducing cable clutter. Supports bidirectional data transfer - allowing devices to send and receive data simultaneously. Compatibility and Connectivity - GPMI Type-C: Licensed by the USB Implementers Forum ensuring compatibility with existing USB-C ecosystems for smartphones, PCs, and TVs. GPMI Type-B: Uses a proprietary connector, which may face adoption challenges unless widely licensed. Backward-compatible with USB-C and DisplayPort standards - easing transitions without requiring immediate hardware replacements. Universal Control and Device Management - Supports a universal control standard similar to HDMI-CEC, allowing a single remote to control multiple GPMI-connected devices Security Features - Integrates the ADCP (Advanced Digital Content Protection) protocol for secure content transmission. Supports daisy-chaining - similar to DisplayPort, for connecting multiple devices in series. Limitations and Notes While GPMI supports 8K video, HDMI 2.1 and DisplayPort 2.1 can handle higher resolutions (10K and 16K, respectively), though without power delivery. Adoption is currently limited to Chinese companies (e.g., Huawei, Hisense, TCL), and global traction depends on integration into mainstream devices and compatibility with non-Chinese brands like Sony, Intel, or NVIDIA. The proprietary Type-B connector may face adoption hurdles compared to the USB-C-based Type-C variant. Commercialization is planned for Q1 2025, with consumer products expected by early 2026. GPMI's combination of high bandwidth, power delivery, and multifunctionality positions it as a potential game-changer, particularly for 8K content and simplified connectivity, though its success hinges on widespread adoption and global market acceptance. /episode/index/show/hdtvpodcast/id/36208290

Podcast #1196: Will AI Drive Home Automation into the Next Decade? 04/11/2025

Podcast #1196: Will AI Drive Home Automation into the Next Decade? On this week’s show look at five trends that are shaping home theaters in 2025 and we look at what will drive home automation into the next decade. Pulse we read your emails and take a look at the week’s news. News: Other: Here are Five Trends Shaping Home Theater Experiences in 2025: 1. Immersive Audio Systems: Dolby Atmos and DTS:X continue to dominate, with more homes adopting multi-dimensional sound setups. Ceiling speakers and soundbars with upward-firing drivers are increasingly popular, creating a cinema-like audio bubble. 2. 8K Resolution Adoption: While 4K remains standard, 8K TVs and projectors are gaining traction as prices drop and content becomes more available. Upscaling tech also enhances older media, making the jump to 8K more appealing. 3. Smart Integration: Home theaters are syncing up with smart home ecosystems—think voice-controlled lighting, motorized screens, and AI-driven content recommendations. Systems like Google Home or Alexa are seamlessly tied to AV receivers and streaming devices. 4. Modular and Compact Designs: Space-saving solutions are on the rise. All-in-one projectors with built-in streaming, or modular furniture with hidden speakers, cater to smaller living spaces without sacrificing quality. 5. Gaming-Centric Features: With next-gen consoles and PCs pushing boundaries, low-latency displays (120Hz+ refresh rates) and variable refresh rate (VRR) support are must-haves. Home theaters are doubling as gaming hubs, blending entertainment modes. Will AI Drive Home Automation into the Next Decade? One of the biggest advancements in home automation technology in recent years is the integration of artificial intelligence (AI) and machine learning into smart home systems. This has taken home automation beyond simple remote control and scheduling to a level where devices can learn from user habits, adapt to preferences, and make intelligent decisions autonomously. Those who are fans of AI point to smart thermostats like the Nest or Ecobee and claim that these devices don’t just follow a preset schedule anymore—they analyze your temperature preferences, daily routines, and even local weather patterns to optimize heating and cooling. Over time, they adjust themselves to save energy while keeping you comfortable, often without any manual input. But this isn’t really asking Ai to do much. Once you set a thermostat with your preferences it just needs to determine whether you are home or away and go into the appropriate mode. There is nothing revolutionary or even AI about it. However, AI-powered hubs like Amazon’s Alexa, Google Home, or Apple’s HomeKit have gotten smarter with natural language processing and interoperability. They c an now coordinate multiple devices—lights, locks, cameras, appliances—through a single voice command or trigger complex routines based on contextual cues like, “I’m home” could unlock the door, turn on lights, and start the coffee maker. The latest advancements also include predictive behavior, where systems anticipate needs—like dimming lights when it’s movie time or locking doors when you leave—based on historical data. What’s making this possible is the combination of faster processors, cheaper sensors, and cloud computing, alongside AI models that can crunch data in real time. Add in 5G and Matter (the new universal smart home standard), and you’ve got faster, more reliable communication between devices, even across different brands. But a real game-changer is edge AI—processing data locally on devices rather than in the cloud. This boosts speed, privacy, and reliability, even if your internet drops. Picture a security camera that instantly recognizes a package delivery and unlocks the door for the courier, all without checking with the cloud first. So what do you think will drive home automation in the future? /episode/index/show/hdtvpodcast/id/36087460

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