HDTV and Home Theater Podcast

All the HDTV and Home Theater news and info you need, without all the reading.

HDTV Rewind Episode #6: What Were Integrators Using in 2010 06/03/2025

Podcast #1203: Top Series Finales of Network/Cable TV Shows 05/30/2025

Podcast #1203: Top Series Finales of Network/Cable TV Shows On this week’s show we look at our favorite TV Series Finales from Network and Cable TV. We also read your emails and take a look at the week’s news. News: Top Series Finales of Network/Cable TV Shows Here is a rundown of our favorite TV Series Finales. What are your favorites? – "Goodbye, Farewell and Amen" (CBS, February 28, 1983) This 2.5-hour finale remains the highest-rated scripted TV episode in U.S. history, with a 72% audience share. It masterfully blended comedy and drama, reflecting the show’s tone. The Korean War ends, and the 4077th unit disbands, with emotional farewells like Hawkeye’s helicopter spotting B.J.’s "GOODBYE" in stones. - “Made in America” (HBO, June 10, 2007) The final episode leaves viewers with a cliffhanger that remains open to interpretation. Tony Soprano is at a diner with his family when the screen cuts to black as a suspicious-looking man glances at him. The ending doesn't explicitly confirm whether Tony is killed, but rather leaves the audience to wonder if he will continue to live under the threat of violence inherent to his mob life. The episode's iconic music, Journey's "Don't Stop Believin'," plays in the background, adding to the tension and suspense. – "The Last Show" (CBS, March 19, 1977) When WJM-TV’s new owner fires the entire newsroom except the incompetent Ted Baxter, the team shares a tearful group hug, and Mary delivers a poignant monologue. Her final act of turning off the studio lights became an iconic TV trope. - “The Struggle” (FX, April 19, 2023) The Snowfall saga chronicled the origins and spread of crack cocaine in South Central and how it ultimately threw Los Angeles neighbourhoods into chaos. Anti-hero Franklin Saint, who we first met on a bright summer day full of promise and big dreams, ended the series on that same street hopeless, delusional and destitute. He was last seen wandering away from the house he bought for his mother - his final possession - as officers from the L.A. Sheriff’s Department swooped in to evict him over unpaid property taxes. – "The Last Newhart" (CBS, May 21, 1990) This finale is legendary for its meta twist. After eight seasons of running a Vermont inn, Dick Loudon (Bob Newhart) is hit by a golf ball and wakes up as Dr. Bob Hartley from The Bob Newhart Show (1972–1978), next to his wife Emily (Suzanne Pleshette), revealing the entire series was a dream. - “Finale” (NBC, May 16, 2013) One year later, Dunder Mifflin employees past and present reunite for a panel discussion about the documentary and to attend Dwight and Angela's wedding.The episode features cameos and wraps up several character storylines, with characters attending the wedding and reflecting on their lives and experience. Pretty much everyone gets a happy ending - “That’s what she said.” – "One for the Road" (NBC, May 20, 1993) Watched by over 80 million viewers, this 98-minute finale wrapped up the Sam-Diane romance with honesty. Diane (Shelley Long) returns, but instead of a fairy-tale ending, Sam chooses his bar—his true love—over rekindling their relationship. The final line, “Sorry, we’re closed,” delivered to a late-night customer, symbolizes the show’s end. - “The Promise” (FX, April 14, 2015) After five seasons of rivalry and dare we say friendship, Justified’s sixth and final season saw Deputy U.S. Marshal Raylan Givens put his "nemesis" Boyd Crowder behind bars. But that isn't what made the finale so incredible. Aside from giving just about every character a bit of closure, there was one scene that we'll never forget: Raylan sitting across from Boyd in prison as he lies about Ava's death and then, when asked why he traveled long and far to deliver the news in person, he finally admitted the one thing viewers have always known - that Boyd isn't his enemy. Goggins then perfectly delivered the line that said everything about their relationship: "We dug coal together." – "The Stockholm Syndrome" (CBS, May 16, 2019) Sheldon and Amy’s Nobel win, paired with his heartfelt tribute to his friends, closed the sitcom with sentimentality and growth, though some felt it was overly tidy – "The Last One" (NBC, May 6, 2004) With 52.5 million viewers, this finale delivered closure for the six friends’ arcs. Monica and Chandler move to the suburbs with their twins, Ross and Rachel reunite, and the group leaves Monica’s apartment for the last time. It balanced humor, nostalgia, and emotional payoff without overstaying its welcome. – "Whenever You’re Ready" (NBC, January 30, 2020) This philosophical comedy concluded with the characters choosing when to leave their afterlife, reflecting the show’s themes of morality and growth. Emotional farewells, especially Eleanor’s influence on Chidi, resonated deeply, set against a hopeful yet bittersweet tone. There is a really good series twist at the end of season one as well. Which brings up the concept of season ending cliffhangers. Maybe for another show! /episode/index/show/hdtvpodcast/id/36773905

Podcast #1202: Home Theater System for under $2000 05/23/2025

Podcast #1202: Home Theater System for under $2000 On this week’s show we look at how the strategies keep changing in the streaming wars. We spend your money and design a home theater system for less than $2000. And as usual we read your email and take a look at the week’s news. News: Top Streaming Services Change Up Strategies A Business Insider article suggests the streaming wars have shifted from competition to strategic alliances and distinct priorities. Netflix now prioritizes engagement over subscriber numbers, revamping its homepage with vertical video to rival YouTube and TikTok. Disney focuses on subscriber growth through bundles with Hulu and ESPN, aiming for profitable expansion. Warner Bros. Discovery’s Max emphasizes profitability, leveraging high-quality content to retain subscribers rather than competing with Netflix’s scale. Engagement is key as streamers build ad businesses. Netflix, with 8% of U.S. connected TV watch time, uses engagement to reduce churn and support its $2.2 billion ad business. Amazon’s Prime Video scales ads by enabling them for all users unless they opt out, using shopping data to boost ad effectiveness. While Netflix and Amazon focus on engagement for ads, Disney, Paramount+ (79 million subscribers), and Peacock (41 million) prioritize subscriber growth, though neither is profitable yet. Profitability is critical for WBD, which has cut Max’s content spending to focus on financial sustainability, leveraging HBO’s legacy content. Its bundling with Disney+ and Hulu supports international growth. Apple TV+ faces high churn due to its limited library, leaving its strategy unclear. As streamers balance growth, engagement, and profitability, alliances and niche strategies redefine success in a crowded market. Home Theater System for under $2000 Ok so you bought a house and spent all your money but you already had a 70” TV from your previous home. And while that has been great you want something more out of your TV watching experience. Somehow you scrape together a $2000 budget and want to know what kind of “Home Theater” System you can cobble together to provide you with immersive surround sound. For this exercise we are assuming a typical living room (e.g., ~15x20 ft) and a focus on movies and general entertainment. We will emphasize value and performance while keeping the setup beginner-friendly. Key Considerations Room Size: Our medium-sized living room can benefit from a 5.1 or possibly a 5.1.2 (Dolby Atmos) setup for surround sound. We have chosen to stay with a 5.1 system for budget concerns. Priorities: Clear dialogue, deep bass, and immersive surround effects are key for movies and gaming. Music performance is secondary but still considered. Components: You’ll need an AV receiver, speakers (front, center, surrounds), a subwoofer, and a streaming device. Setup: We opted for wired speakers for reliability and cost savings over wireless systems, which can eat into the budget. Recommended System AV Receiver: Denon AVR-S760H 2021 Model () We are on a budget so a 2021 model that does everything you need for a small family room on a budget is absolutely the right call here. Don’t overlook last year's models on your A/V equipment. No one will walk into your house and whisper about last years (or four years ago) model behind your back. This is a 7.2-channel receiver with 75W per channel, supporting 4K/120Hz, Dolby Atmos, DTS:X, and room calibration (Audyssey). It’s versatile, beginner-friendly, and handles modern formats for movies and gaming. 6 HDMI inputs (3 with 8K support), Bluetooth, Wi-Fi, and HEOS for streaming. Refurbished units can save even more. Speaker System: RSL CG3M 5.1 home theater system () We splurged a little on the speakers. The CG3Ms will not disappoint! We have been fans of RSL since we had Joe Rogers on the show about 15 years ago. He is a musician and understands what music is supposed to sound like and has designed speakers with that in mind. This compact speaker system will put you right in the middle of a concert or movie! You really can’t get better at this price. The 300 watt 10” subwoofer is plenty for your small to medium sized family room. Speaker Wire and Cables: Monoprice () Pretty much from day one we have been saying buy good cables but don’t spend a lot of money doing so. $50 at Monoprice goes a long way for your Speaker and HDMI cables. Streaming Device: ($150 Budget) A streaming device enhances your home theater by providing access to all kinds of entertainment options, including Netflix, Hulu, and Disney+,and YouTube. These dedicated streaming devices offer faster performance, regular software updates, and broader app compatibility. They also support advanced features like 4K HDR, Dolby Atmos, and voice control, elevating your viewing experience with superior picture and sound quality. Additionally, devices like Roku, Amazon Fire TV, or Apple TV are portable, affordable, and easy to set up, making them a versatile upgrade for any home theater, regardless of your TV’s age or brand. Sales Tax: $90 - $150 Unfortunately we can’t forget the tax man. There are a few places in the US that do not have a sales tax and other areas range from 6% up to 10%. Total Cost: ~$1,640-$1,700 This leaves ~$300-$360 for a programmable remote, Atmos, or height speakers. Or a year of a new streaming service. This system balances cost, performance, and future expandability, delivering an elevated experience for your new home without breaking the bank. /episode/index/show/hdtvpodcast/id/36678175

HDTV Rewind Episode #5: 2009-2010 TV Season By the Numbers 05/20/2025

Podcast #1201: The Best Movie Plot Twists 05/16/2025

Podcast #1201: The Best Movie Plot Twists On this week’s show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week’s news. News: Three Incredible Deals on a UHD TV As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing. Samsung 70" Crystal UHD 4K HDR TV (DU7200) Price: $ Retailer: Amazon Details: This is noted as the lowest price ever for this 2024 model. It features Samsung’s Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand. Why It’s a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities. Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV Price: $ Retailer: Amazon Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming. Why It’s a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups. Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV Price: $ Retailer: Amazon Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming. Why It’s a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand. The Best Movie Plot Twists I came across an article that was discussing how a good movie will lead you down one path and then in a “Plot Twist” send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites? - The twist redefines the entire story, forcing viewers to rethink every scene. It’s iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis’ character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming. - The revelation Darth Vader is Luke’s Father altered the saga’s emotional core and is still one of the most quoted twists ever. - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema. - The climax delivers a horrific surprise that ties the story’s themes together. It’s a twist that’s both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin. Braden’s Pics: /episode/index/show/hdtvpodcast/id/36581125

HDTV Rewind Episode #4: Tips for Buying Speakers and Wireless Surrounds 05/13/2025

Podcast #1200: The History of Color Television in the United States 05/09/2025

Podcast #1200: The History of Color Television in the United States On this week’s show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week’s news. News: Other: The History of Color Television in the United States We received an email from a listener with a link to a YouTube video called . It's a long video but an extremely informative presentation that takes a fascinating and detailed look at early color TV programming. Watch it if you get a chance.You can skip through parts of it because it's four hours long. This week we thought we’d take a look back at the transition from black and white and compare it to the transition to HDTV. The history of color television in the United States spans several decades, marked by technological innovation, regulatory battles, and gradual consumer adoption. Early Concepts (1920s-1930s): The idea of color television emerged in the 1920s. German engineer Walter Bruch demonstrated a mechanical color TV system in 1929, but it was impractical. In the U.S., early experiments by RCA and others focused on monochrome TV, with color as a future goal. Initial Development (1940s): During World War II, TV development slowed, but post-war efforts intensified. CBS developed a field-sequential color system, which used a rotati ng color wheel to transmit red, blue, and green images in sequence. It was incompatible with existing black-and-white sets, requiring new receivers or adapters. CBS System Approval (1950): On October 11, 1950, the FCC approved CBS’s color system as the U.S. standard. Broadcasting began in June 1951, but the system faced challenges: it was expensive, bulky, and incompatible with the millions of black-and-white TVs in use. Only about 200 color sets were sold, and production halted during the Korean War. RCA’s NTSC System (1953): RCA, a major player in TV manufacturing, developed a compatible color system based on the National Television System Committee (NTSC) standards. This system allowed black-and-white TVs to receive color broadcasts in monochrome, while color TVs could display full-color images. After intense lobbying and demonstrations, the FCC reversed its decision and adopted the NTSC standard on December 17, 1953. First Color Broadcasts (1954): RCA’s system launched commercially on January 1, 1954, with NBC (owned by RCA) airing the first nationwide color broadcast, the Tournament of Roses Parade. Early color broadcasts were limited, and color TVs were expensive—around $1,000 (equivalent to ~$10,000 today). Slow Adoption (1950s-1960s): Color TV adoption was gradual due to high costs and limited programming. By 1960, only 0.1% of U.S. households had color sets. Networks like NBC and CBS slowly increased color content, with shows like Walt Disney’s Wonderful World of Color (1961) boosting interest. RCA’s aggressive marketing and price reductions helped. Mass Adoption (Mid-1960s-1970s): By 1965, all three major networks (NBC, CBS, ABC) were broadcasting most prime-time shows in color. The FCC mandated that all new TVs sold after 1966 include color capability. By 1972, color TV sales surpassed black-and-white, and by the mid-1970s, over 50% of U.S. households owned color sets. Full-color broadcasting became standard by 1977. Technological Refinements (1980s-1990s): Color TV technology improved with better picture tubes, larger screens, and stereo sound. The NTSC standard remained dominant until the transition to digital TV in the 2000s. Cable and satellite TV expanded access to vivid color programming. Legacy and Digital Transition (2000s): The NTSC analog system was phased out in 2009, replaced by digital ATSC standards, which offered superior color fidelity and high-definition. Color TV became a cornerstone of home entertainment, paving the way for modern LED, OLED, and 4K displays. Key Milestones: 1950: CBS’s color system approved. 1953: NTSC standard adopted. 1954: First NTSC color broadcast. 1965: Full-color prime-time schedules. 1972: Color TV sales overtake black-and-white. 2009: Analog NTSC broadcasting ends. Below is a list of notable U.S. TV stations and networks, along with available data on when they began color broadcasting based on historical information. I have noted where specific station data and precise dates are unclear or unavailable. United States WCBS-TV (New York, NY, CBS Affiliate) Year: 1951 (limited), 1965–1966 (full transition) Details: WCBS-TV, a CBS owned-and-operated station, was among the first to broadcast in color during CBS’s experimental Field Sequential broadcasts starting June 25, 1951, from New York’s Studio 57. These were limited to a few hours daily and required special receivers, as they were incompatible with black-and-white sets. Only about 10.5 million monochrome sets existed in the U.S., and production of CBS’s color sets was halted by the Korean War. Regular color broadcasts using the NTSC standard likely began in the mid-1960s, with CBS equipping its Broadcast Center with GE PE-24 color film chains by 1965. WNBT (now WNBC, New York, NY, NBC Affiliate) Year: 1954 (regular broadcasts) Details: NBC’s flagship station in New York conducted color field tests as early as July 1951 using RCA’s dot sequential system. It broadcast the first nationwide color program, the Tournament of Roses Parade, on January 1, 1954, marking a significant milestone. WNBT was a leader in early color adoption due to NBC’s parent company, RCA, pushing the NTSC standard. WCAU-TV (Philadelphia, PA, CBS Affiliate at the time) Year: 1950–1951 (experimental), mid-1960s (full transition) Details: WCAU-TV received CBS’s experimental color broadcasts via coaxial cable from New York starting December 13, 1950, for public viewing on color receivers. These used CBS’s Field Sequential system. Full NTSC color broadcasting likely aligned with CBS’s broader adoption by the mid-1960s, as WCAU used RCA TK-42 cameras by 1966. WMT-TV (now KGAN-TV, Cedar Rapids, IA) Year: 1967 Details: WMT-TV, the first TV station in eastern Iowa, transitioned to color in 1967, as documented in a viral video showing news anchor Robert Bruner announcing the switch live on air. The station’s new color cameras improved monochrome pictures for black-and-white set viewers while enabling full color for those with color TVs. WQEX (now WINP-TV, Pittsburgh, PA, PBS Affiliate) Year: 1986 Details: One of the last North American stations to convert to color, WQEX began color broadcasting on October 16, 1986, after its 1950s-era black-and-white transmitter failed in February 1985. The station’s owner, WQED, raised pledge money to purchase a color transmitter, highlighting the financial barriers for smaller or public stations. WNEW-TV (now WNYW, New York, NY, Independent at the time) Year: Mid-1960s (approx. 1965–1966) Details: WNEW-TV, a major independent station, purchased three GE PE-24 color cameras in the mid-1960s, aligning with the industry’s push toward color. Exact dates are unclear, but this was part of the broader color adoption wave. WBBM-TV (Chicago, IL, CBS Affiliate) Year: 1967–1968 (approx.) Details: As a CBS owned-and-operated station, WBBM-TV used Marconi Mark VII color cameras starting in the 1967–68 season, indicating a full transition to color by this time. Earlier experimental broadcasts may have occurred in the mid-1960s. KMOX-TV (now KMOV, St. Louis, MO, CBS Affiliate at the time) Year: 1967–1968 (approx.) Details: Like WBBM-TV, KMOX-TV adopted Marconi Mark VII color cameras for the 1967–68 season, suggesting a full color transition by this period. KNXT (now KCBS-TV, Los Angeles, CA, CBS Affiliate) Year: 1967–1968 (approx.) KNXT became KCBS-TV on April 2, 1984, at noon. Details: KNXT, another CBS owned station, also used Marconi Mark VII cameras starting in 1967–68, aligning with CBS’s broader color adoption. NBC Network (Nationwide, affecting O&O and affiliate stations) Year: 1954 (partial), 1965 (full primetime) Details: NBC was the earliest adopter of color, driven by RCA’s development of the NTSC standard. It began regular color broadcasts with the Rose Parade on January 1, 1954, and was the first network to air a full-color primetime schedule in 1965. Shows like Walt Disney’s Wonderful World of Color (1961) and Bonanza were early color hits. NBC’s owned-and-operated stations (e.g., WRC-TV in Washington, D.C.) and affiliates followed, with about one-third of NBC’s O&O stations having color transmitters by 1954. CBS Network (Nationwide, affecting O&O and affiliate stations) Year: 1951 (experimental), 1966–1967 (full primetime) Details: CBS pioneered the first commercial color broadcast on June 25, 1951, with the show Premiere, but its Field Sequential system was incompatible and abandoned. By 1965, CBS had GE color film chains and was broadcasting color for primetime shows, with daytime soaps like The Secret Storm converting by 1967. A test episode of Perry Mason was shot in color in 1966. Affiliates in major markets followed, though smaller stations were slower. ABC Network (Nationwide, affecting O&O and affiliate stations) Year: 1962 (partial), 1966 (full primetime) Details: ABC lagged behind NBC and CBS due to financial constraints but began color broadcasts in the early 1960s, with shows like The Flintstones produced in color by 1962 (though some affiliates aired it in black-and-white). ABC used a mix of RCA, Norelco, and GE color equipment and achieved full primetime color by 1966. United Kingdom BBC2, London: July 1, 1967 – First UK station to broadcast in color, starting with the Wimbledon Championships. BBC1 and ITV, London: November 15, 1969 – Both began color broadcasts, covering London, Midlands, North-West, and Yorkshire regions. ITV Scotland: December 13, 1969 – First color programs aired. ITV Wales: April 6, 1970 – Began color broadcasts. ITV Northern Ireland: September 14, 1970 – Started color programming. Other Countries ATV (Associated Television), Australia: March 1, 1975 – Official switch to color, with a notable broadcast event. NRK, Norway: August 25, 1972 – First color broadcast, part of a gradual national transition. ORTF, France: October 1, 1967 – Began color broadcasts, with a famously understated switch. ARD, West Germany: August 25, 1967 – First color broadcast, slightly ahead of schedule due to technical efficiency. CCTV, China: May 25, 1973 – First experimental color broadcast using the American NTSC standard, with full adoption later. SABC, South Africa: January 5, 1976 – Began color broadcasts, delayed due to late adoption of television itself. /episode/index/show/hdtvpodcast/id/36489975

HDTV Rewind Episode #3: 10 Things About Sound and Costco 05/06/2025

Podcast #1199: TV Renewal Scorecard 05/02/2025

Podcast #1199: TV Renewal Scorecard On this week’s show We rundown the recently concluded TV season and which shows are coming back for another season. We also read your emails and take a look at the week’s news. News: Other: TV Renewal Scorecard Each TV season we highlight the upcoming TV season in September and then around the end of April we take a look at which shows are coming back. This list is provided by TV Line and can be found . The Scorecard does not include unscripted series. The eight levels in TVLine’s annual renewal scorecard are as follows: Officially renewed A sure thing A safe bet Could go either way A long-shot Essentially cancelled Officially cancelled Too early to tell ABC : Officially renewed : Officially renewed : Officially cancelled/ending in 2025 : Could go either way : Officially renewed : Officially renewed : Officially renewed : Officially renewed : Officially renewed CBS : Officially cancelled (ended Dec. 13) : Officially renewed : Could go either way : Renewed through Season 9 : Officially cancelled : Officially cancelled : Officially renewed : Officially renewed : Officially renewed (through 2026-27 season) : Officially renewed : Officially renewed : Officially renewed : Officially renewed : Officially renewed for final season : Officially cancelled : Officially cancelled : Officially renewed : Officially renewed Not on the list is Survivor. There will be a season 50 at a minimum! CW : Could go either way : Cancelled by CTV (Season 4B premieres on CW June 18) : A safe bet : Officially ended (limited series) : Too soon to tell (premieres April 16) : Renewed in Canada; CW status TBD : Renewed in Canada; CW status TBD : Season 3 premieres May 7 : Cancelled : A safe bet Fox : Officially cancelled : Could go either way : Too soon to tell : A safe bet : Officially renewed (for another 4 seasons!) : Too soon to tell : Officially renewed : Officially renewed (for another 4 seasons!) : Could go either way : Could go either way : Could go either way : Officially renewed through Season 4 : Officially renewed : A safe bet : Officially renewed (for another 4 seasons!) : Officially renewed NBC : A safe bet : A sure thing : A sure thing : A sure thing : A safe bet : Officially renewed : A long-shot : Could go either way : Could go either way : Could go either way : A sure thing : Could go either way : A safe bet : Officially renewed : A long-shot Fun facts about the 2024-2025 TV Season CBS Dominates Viewership (Again): CBS claimed the title of the most-watched network for the 17th consecutive season, with shows like Tracker leading as the season’s top entertainment program, averaging a larger audience than its debut season. CBS also boasted eight of the top 10 most-watched programs, including new show hits Matlock and Georgie & Mandy’s First Marriage. Freshman Shows Boost Time Slots: New series like CBS’s reboot of Matlock and ABC’s High Potential and Shifting Gears improved their respective time slots’ viewership. Matlock became the season’s most-watched new series, while Georgie & Mandy’s First Marriage was the top comedy. Reboots and Spinoffs Rule: The season leaned heavily on familiar franchises. Examples include CBS’s NCIS: Origins (a prequel to NCIS), Georgie & Mandy’s First Marriage (a Young Sheldon spinoff), and NBC’s Happy’s Place (starring Reba McEntire, echoing her sitcom roots). This reflects a cautious approach by networks, favoring known brands over original concepts. Long-Running Shows Keep Going: Iconic animated series on Fox, like The Simpsons (renewed through its 40th season), Family Guy (through its 27th season), and Bob’s Burgers (through its 19th season), continued their historic runs, cementing their status as cultural staples. The CW’s Reboot Continues: The CW, now under new management, focused on sports and unscripted content, airing NASCAR Xfinity Series races and shows like Totally Funny Animals. It also renewed scripted series like Sullivan’s Crossing for a third season, signaling a shift from its former teen-drama-heavy identity. Broadcast TV Still Draws Older Viewers: Social media chatter on X suggested younger audiences are drifting from broadcast TV, with “boomers” as the primary viewers. This perception aligns with complaints about repetitive genres (cop, lawyer, doctor shows) and a lack of risk-taking, though hits like Tracker and High Potential still pulled diverse viewers. /episode/index/show/hdtvpodcast/id/36389740

HDTV Rewind Episode #2: Dolby Surround and More HD-DVD Fun 04/30/2025

Podcast #1198: Are You Satisfied With Your Streaming Providers? 04/25/2025

Podcast #1198: Are You Satisfied With Your Streaming Providers? On this week’s show we ask, how satisfied are you with your streaming service providers? We also read your emails and take a look at the week’s news. News: Other: State of Streaming: Satisfaction with streaming providers (The Streamable) How are Americans really feeling about their streaming services? Recently, we surveyed nearly 1,500 cord-cutters to get a clearer picture of how people are watching, what they’re paying, and which services they are most satisfied with. The results reveal shifting habits in a saturated streaming market and point to what matters most as we speed right through 2025. Streaming services people use: YouTube TV: 30% Hulu + Live TV: 10% Sling TV: 7% DIRECTV STREAM – 6% Fubo: 3% Philo: 3% DIRECTV via internet: 2% Dish: 2% None of the above: 38% Are subscribers satisfied? Despite rising subscription costs and service fragmentation, 58% of users are satisfied with their streaming experience, 33% are neutral, and only 9% are dissatisfied. This high satisfaction rate, despite 2024's price hikes and content reshuffles, is likely due to improved app performance, better device compatibility, and more tailored subscription options. How many services do people use? In 2025, streaming is typically a multi-platform experience: 49% of households subscribe to 2-4 services, 38% use 5 or more, and only 12% stick to a single service. Content fragmentation drives users to stack subscriptions for their favorite shows and sports, a shift from the cable era, making multiple subscriptions the norm for convenience. Monthly spending on streaming The typical streaming bill has surged, with 35% of users spending $50-$100 monthly, often on live TV and multiple on-demand subscriptions. Additionally, 26% spend over $100, likely on premium plans or add-ons, while only 19% keep costs at $25 or less by limiting subscriptions or using free trials. Streaming costs and complexity now rival traditional cable bills. Bundled benefits Bundling is a popular cost-saving strategy, with 31% of respondents accessing streaming through Amazon Prime and 14% via phone bills, often getting discounted or free access to platforms like Netflix or Disney+. However, 36% prefer direct subscriptions or find their preferred platforms aren't bundled, showing bundling is common but not universal. Churn vs. loyalty In 2025, 70% of users showed strong loyalty to their existing services, indicating platform stickiness despite subscription fatigue. However, 50% canceled at least one streaming service in 2024, driven by cyclical pauses, price hikes, or lack of content. Unlike cable, streaming subscriptions are easily canceled, leading to dynamic, seasonal churn, with some users returning for new content. What matters most? Here are the features that matter most to users: Affordable pricing Access to local channels Live sports availability Device compatibility (smart TVs, streaming sticks, etc.) Channel variety Reliable streaming quality DVR functionality Support for 4K resolution and surround sound (less critical) Preferred streaming devices Smart TVs are the top choice for streaming, used by 56% of viewers, followed by Roku devices at 44%, then Fire TV, Apple TV, and web/mobile viewing. This highlights a trend toward living room, lean-back streaming experiences over desktop viewing, driven by widespread smart TV adoption and improved built-in apps. /episode/index/show/hdtvpodcast/id/36297075

HDTV Rewind April 22 2007 Episode #1 04/22/2025

Podcast #1197: Is GPMI the beginning of the end of HDMI? 04/18/2025

Podcast #1197: Is GPMI the beginning of the end of HDMI? On this week’s show we look at a technology that could end HDMI. We also read your emails and take a look at the week’s news. News: Other: Is GPMI the beginning of the end of HDMI? Over 50 Chinese companies including Hisense and TCL have joined forces to back an HDMI alternative called GPMI (General Purpose Media Interface). This new wired communication standard is designed to integrate multiple functionalities into a single cable, aiming to rival HDMI, DisplayPort, and Thunderbolt. The following are some key features: High Bandwidth for Data Transmission - GPMI Type-B: Supports up to 192 Gbps bandwidth, significantly surpassing HDMI 2.1 (48 Gbps), HDMI 2.2 (96 Gbps), DisplayPort 2.1 (80 Gbps), and Thunderbolt 4 (40 Gbps). GPMI Type-C: Offers up to 96 Gbps, compatible with USB-C ports, doubling the 40 Gbps limit of USB4 with Extended Power Range (EPR) under USB PD 3.1. Enables ultra-high-definition video - including 8K at 120Hz or higher, suitable for next-generation displays, gaming, and professional applications. Power Delivery GPMI Type-B: Delivers up to 480W of power, far exceeding Thunderbolt 4 (100W) and USB4 (240W with EPR). GPMI Type-C: Provides up to 240W, matching USB4 EPR capabilities. This eliminates the need for separate power cables - simplifying setups for devices like TVs, monitors, and gaming laptops. All-in-One Cable Solution - Combines video, audio, data transfer, network connectivity, and power delivery into a single cable, reducing cable clutter. Supports bidirectional data transfer - allowing devices to send and receive data simultaneously. Compatibility and Connectivity - GPMI Type-C: Licensed by the USB Implementers Forum ensuring compatibility with existing USB-C ecosystems for smartphones, PCs, and TVs. GPMI Type-B: Uses a proprietary connector, which may face adoption challenges unless widely licensed. Backward-compatible with USB-C and DisplayPort standards - easing transitions without requiring immediate hardware replacements. Universal Control and Device Management - Supports a universal control standard similar to HDMI-CEC, allowing a single remote to control multiple GPMI-connected devices Security Features - Integrates the ADCP (Advanced Digital Content Protection) protocol for secure content transmission. Supports daisy-chaining - similar to DisplayPort, for connecting multiple devices in series. Limitations and Notes While GPMI supports 8K video, HDMI 2.1 and DisplayPort 2.1 can handle higher resolutions (10K and 16K, respectively), though without power delivery. Adoption is currently limited to Chinese companies (e.g., Huawei, Hisense, TCL), and global traction depends on integration into mainstream devices and compatibility with non-Chinese brands like Sony, Intel, or NVIDIA. The proprietary Type-B connector may face adoption hurdles compared to the USB-C-based Type-C variant. Commercialization is planned for Q1 2025, with consumer products expected by early 2026. GPMI's combination of high bandwidth, power delivery, and multifunctionality positions it as a potential game-changer, particularly for 8K content and simplified connectivity, though its success hinges on widespread adoption and global market acceptance. /episode/index/show/hdtvpodcast/id/36208290

Podcast #1196: Will AI Drive Home Automation into the Next Decade? 04/11/2025

Podcast #1196: Will AI Drive Home Automation into the Next Decade? On this week’s show look at five trends that are shaping home theaters in 2025 and we look at what will drive home automation into the next decade. Pulse we read your emails and take a look at the week’s news. News: Other: Here are Five Trends Shaping Home Theater Experiences in 2025: 1. Immersive Audio Systems: Dolby Atmos and DTS:X continue to dominate, with more homes adopting multi-dimensional sound setups. Ceiling speakers and soundbars with upward-firing drivers are increasingly popular, creating a cinema-like audio bubble. 2. 8K Resolution Adoption: While 4K remains standard, 8K TVs and projectors are gaining traction as prices drop and content becomes more available. Upscaling tech also enhances older media, making the jump to 8K more appealing. 3. Smart Integration: Home theaters are syncing up with smart home ecosystems—think voice-controlled lighting, motorized screens, and AI-driven content recommendations. Systems like Google Home or Alexa are seamlessly tied to AV receivers and streaming devices. 4. Modular and Compact Designs: Space-saving solutions are on the rise. All-in-one projectors with built-in streaming, or modular furniture with hidden speakers, cater to smaller living spaces without sacrificing quality. 5. Gaming-Centric Features: With next-gen consoles and PCs pushing boundaries, low-latency displays (120Hz+ refresh rates) and variable refresh rate (VRR) support are must-haves. Home theaters are doubling as gaming hubs, blending entertainment modes. Will AI Drive Home Automation into the Next Decade? One of the biggest advancements in home automation technology in recent years is the integration of artificial intelligence (AI) and machine learning into smart home systems. This has taken home automation beyond simple remote control and scheduling to a level where devices can learn from user habits, adapt to preferences, and make intelligent decisions autonomously. Those who are fans of AI point to smart thermostats like the Nest or Ecobee and claim that these devices don’t just follow a preset schedule anymore—they analyze your temperature preferences, daily routines, and even local weather patterns to optimize heating and cooling. Over time, they adjust themselves to save energy while keeping you comfortable, often without any manual input. But this isn’t really asking Ai to do much. Once you set a thermostat with your preferences it just needs to determine whether you are home or away and go into the appropriate mode. There is nothing revolutionary or even AI about it. However, AI-powered hubs like Amazon’s Alexa, Google Home, or Apple’s HomeKit have gotten smarter with natural language processing and interoperability. They c an now coordinate multiple devices—lights, locks, cameras, appliances—through a single voice command or trigger complex routines based on contextual cues like, “I’m home” could unlock the door, turn on lights, and start the coffee maker. The latest advancements also include predictive behavior, where systems anticipate needs—like dimming lights when it’s movie time or locking doors when you leave—based on historical data. What’s making this possible is the combination of faster processors, cheaper sensors, and cloud computing, alongside AI models that can crunch data in real time. Add in 5G and Matter (the new universal smart home standard), and you’ve got faster, more reliable communication between devices, even across different brands. But a real game-changer is edge AI—processing data locally on devices rather than in the cloud. This boosts speed, privacy, and reliability, even if your internet drops. Picture a security camera that instantly recognizes a package delivery and unlocks the door for the courier, all without checking with the cloud first. So what do you think will drive home automation in the future? /episode/index/show/hdtvpodcast/id/36087460

Podcast #1195: Could Tiled TVs Become the Future for Very Large Format Displays? 04/04/2025

Podcast #1195: Could Tiled TVs Become the Future for Very Large Format Displays? On this week’s show we discuss whether physical media is making a comeback and could a Bezel-less OLED be the future of large format TVs. We also read your emails and take a look at the week’s news. News: Other: Physical media is finally making a comeback, and here's the proof Despite a decline in overall physical media sales, which dipped below $1 billion in 2024, there are signs of resilience and growth in specific sectors. Major retailers like Best Buy and Target are phasing out physical media, but Sony's announcement of a new Blu-ray player, the UBP-X700/K, set for release in 2025, signals continued investment in the format. This player, while currently only available in Japan, supports 4K Blu-rays, which are region-free and growing in market share despite the higher cost compared to its predecessor. There is a niche but dedicated community keeping physical media alive, supported by boutique retailers like Criterion Collection and Arrow, which preserve films such as David Lynch’s catalog, including the upcoming 4K release of Twin Peaks: Fire Walk With Me. Mainstream releases still often get physical versions, and affordable options abound online and in thrift stores, offering DVDs, Blu-rays, and 4K discs compatible with modern players. There are personal advantages of physical ownership, like better quality and reliability compared to streaming, which can be plagued by shifting availability and rising costs. While consoles may soon abandon disc drives and companies like LG have discontinued Blu-ray players, the 4K Blu-ray market is a bright spot, with growing demand evidenced by the sell-out of Oppenheimer’s 4K release in 2023. The new Sony player supports Dolby Vision (though it requires manual toggling), enhancing the viewing experience over consoles like Xbox or PS5. The article concludes that 2025 is an opportune time to embrace physical media, especially for those frustrated with streaming, as it offers a tangible, cost-effective alternative with no risk of content disappearing—though it comes with minor inconveniences like disc-swapping for TV binges. The future remains uncertain, but the 4K sector offers hope for collectors. Bezel-less tile OLED TVs could be the future of large-screen displays (from Tom’s Guide) Samsung Display showcased a variety of innovative display technologies at MWC 2025, with a standout being their "bezel-less" OLED tile design. This concept involves combining smaller OLED panels, such as two 31.5-inch QD-OLED screens, to form larger displays with significantly reduced bezels—40% narrower than typical current market offerings. This makes the seams nearly invisible from a standard viewing distance, opening up possibilities for future OLED TV designs. The bezel-less OLED tiles could revolutionize large-screen TVs by improving portability and setup logistics. Unlike traditional massive TVs (e.g., 98- or 110-inch models), which are cumbersome and costly to ship and install, these tiles could be transported and assembled in smaller, manageable parts—ideal for urban dwellers in older buildings with limited access. Additionally, the design might simplify wall-mounting, potentially eliminating the need for complex mounts by allowing the tiles to sit flush against walls, reminiscent of concepts like Displace TV’s suction-cup OLEDs. This technology could particularly enhance lifestyle TVs, such as Samsung’s The Frame, by offering a sleek, frameless look that blends seamlessly into home decor. However, challenges remain—similar to MicroLED, the intricate engineering might make these TVs prohibitively expensive initially. While not yet ready for consumers, Samsung Display’s tile concept hints at an exciting future for bigger, better, and more practical OLED TVs. Let’s Discuss Why This is a Good Thing: Easier Transport and Setup for Large TVs Simplified Wall-Mounting Enhanced Design for Lifestyle TVs Scalability and Customization Improved Visual Experience Easier Transport and Setup for Large TVs The tiled OLED concept tackles the logistical nightmare of moving and installing massive TVs. By breaking a large display (like a 115-inch screen) into smaller, manageable pieces (e.g., two 31.5-inch QD-OLED panels), it becomes far more practical to transport and assemble. This is a game-changer for people in tricky living situations—like those in high-rise apartments with no elevators or tight staircases—where hauling a giant, crated TV is a non-starter. Instead of wrestling with one unwieldy unit, you’d handle smaller components, making setup less of a Herculean task. Simplified Wall-Mounting The ultra-thin, virtually bezel-less design hints at a future where wall-mounting could be a breeze. These tiles seem to sit flush against surfaces, potentially reducing or even eliminating the need for bulky wall mounts and toolkits. While it’s not clear if they’d use something like suction cups (à la Displace TV) or another method, the streamlined look suggests a setup that’s less about drilling and more about placement. This could make mounting a TV—especially over a fireplace or in tight spaces—more accessible and less intimidating. Enhanced Design for Lifestyle TVs The bezel-less tile concept aligns perfectly with the aesthetic goals of lifestyle TVs, like Samsung’s The Frame. A flush, frameless display could elevate the “TV as art” vibe, blending seamlessly into home decor. You could even add a custom frame around the tiles if desired, keeping the versatility intact. This design flexibility could redefine how TVs integrate into living spaces, making them less of an obtrusive tech piece and more of a stylish feature. Scalability and Customization Tiling smaller OLED panels to create a larger screen opens up possibilities for scalable TV sizes. Want a 65-inch TV today but a 98-inch tomorrow? In theory, you could add more tiles. While this might not be fully practical yet, the modular nature suggests a future where screen size isn’t fixed at purchase, offering a level of adaptability that current TVs lack. Improved Visual Experience Shrinking bezels by 40% compared to standard displays means the seams between tiles are nearly invisible at normal viewing distances. This creates a more immersive, uninterrupted picture—crucial for OLED’s strengths like deep blacks and vibrant colors. It’s a step toward making massive OLED screens feel cohesive rather than patchwork, enhancing the viewing experience for movies, gaming, or VR applications. It's Not All Good News: Cost and Accessibility Manufacturing and Durability Challenges Installation Complexity Wall-Mounting Uncertainties Potential Visual Trade-Offs Cost and Accessibility Complex engineering often leads to high costs. Much like MicroLED TVs, which are expensive due to their manufacturing processes, these bezel-less OLED tiles could follow a similar path. If they hit the market, they might be priced out of reach for the average consumer. Manufacturing and Durability Challenges Shrinking bezels by 40% and tiling multiple panels together sounds impressive, but it raises questions about production complexity and long-term durability. Seamlessly connecting 31.5-inch QD-OLED panels could introduce weak points where the tiles meet, potentially leading to issues like uneven wear, panel misalignment over time, or vulnerability to damage during transport or installation. The "bezel-less" claim might also exaggerate real-world performance if micro-gaps or seams remain faintly visible up close. Installation Complexity While the concept promises to simplify transporting and setting up XXL TVs by breaking them into smaller components, the assembly process could still be a hurdle. Consumers might need precise instructions—or even professional help—to align and connect the tiles perfectly. If the panels don’t lock together intuitively or require specialized tools, the setup could negate some of the portability benefits, especially for less tech-savvy users. Wall-Mounting Uncertainties The idea of tiles sitting flush against the wall (possibly without traditional mounts) is appealing, but it’s unclear how practical this would be. If Samsung Display isn’t using suction cups like Displace TV, the attachment method remains a mystery. Adhesive solutions could damage walls or lose strength over time, while a lack of standard mounting hardware might make the TVs harder to secure safely, especially in homes with kids or pets. The "glued-on" aesthetic might also limit repositioning or removal flexibility. Potential Visual Trade-Offs Tiling multiple OLED panels could introduce subtle visual inconsistencies, such as slight color or brightness variations between tiles, especially as they age. While the bezels are minimized, any imperfections in alignment or panel uniformity might become noticeable during close viewing or in scenes with solid colors, detracting from the premium OLED experience consumers expect. /episode/index/show/hdtvpodcast/id/35995300

Podcast #1194: Twenty Years of the HDTV and Home Theater Podcast 03/31/2025

Podcast #1194: Twenty Years of the HDTV and Home Theater Podcast On this week’s show we talk about 20 years of the HDTV and Home Theater Podcast! We also read your emails and take a look at the week’s news. News: Apple to Launch HomeOS Later This Year Apple is set to have an exciting year in software development with significant updates planned for iOS 19, macOS 16, and iPadOS 19. However, the tech giant is also preparing to introduce a completely new operating system called ‘homeOS.’ This new platform will accompany the launch of a novel device dubbed the ‘HomePad,’ a smart display that blends features of the iPad and HomePod. The homeOS is anticipated to share many characteristics with Apple’s existing platforms, yet it will be uniquely adapted for home use. It will feature a customizable Home Screen akin to those on iOS and iPadOS, allowing users to add widgets for weather, stocks, and reminders, launch apps from a grid, maintain a dock for favorite apps, and manage smart home controls. This familiarity should make it intuitive for current iPhone and iPad users. Additionally, Siri will play a pivotal role in homeOS, enhancing the integration of Apple Intelligence to provide a more context-aware and action-oriented voice experience, building on its capabilities from the HomePod and forthcoming iOS enhancements. In terms of applications, homeOS might not launch with a full App Store but it will come equipped with a robust suite of built-in Apple apps. Users can expect essentials like FaceTime, Notes, Calendar, Reminders, Home, Safari, Settings, News, Music, TV, Podcasts, Weather, and Photos. These apps will support the HomePad’s function as a central home device, offering both productivity and entertainment options right out of the box, with the potential for more apps to be added in the future. A distinctive feature of homeOS will be its dynamic responsiveness to user proximity, enabled by sensors in the HomePad that adjust the display based on how close a person is. For instance, when a user is far from the device, it might showcase a slideshow of photos via the Photos app or display StandBy-like widgets as a screensaver. As the user approaches, the system will seamlessly transition to the Home Screen. This adaptive functionality underscores homeOS’s design philosophy of “iOS, but for your home,” aiming to extend Apple’s ecosystem cohesively into home environments and potentially appealing to the vast iPhone user base when the HomePad debuts later this year. Twenty Years of the HDTV and Home Theater Podcast 2,567,649 Downloads ~128K per year or 10600 a month. Our Peak listenership was 2010 - 2015 with a blip in 2020 - 2021 Top ten countries for the current year: United States Canada Australia United Kingdom Sweden Germany Cambodia Spain New Zealand Netherlands /episode/index/show/hdtvpodcast/id/35887015

Technical Issues - Please Stand By 03/28/2025

Podcast #1193: Sony Develops Next-Generation Display System 03/21/2025

Podcast #1193: Sony Develops Next-Generation Display System On this week’s show we look at where some Americans are spending nearly $100 a month on streaming services. We also look at some new tech from Sony that promises big improvements for LED TVs. All that plus your emails and the week’s news on this episode of the HDTV and Home Theater Podcast. News: Other: Many Americans Spend Over $100 per Month on Subscription Services A recent survey by Bango reveals that nearly 25% of Americans spend over $100 per month on subscription services, including streaming platforms and retail memberships like Amazon Prime. This trend marks a shift from the perception of subscriptions as cost-effective alternatives to traditional cable and satellite services, as consumers face rising costs—streaming plans alone have increased by over 20% in the past two years. To manage expenses, many consumers are turning to subscription bundles, with the average American holding 5.4 subscriptions, including 2 that come through bundled packages. A significant portion of these bundles is linked to mobile phone plans, with 55% of subscribers benefiting from such arrangements. Additionally, 44% of users report receiving services for free through bundles that they previously paid for. Convenience is another critical factor driving consumers toward bundles, as 41% express frustration with managing multiple subscriptions across different apps. A strong demand exists for unified platforms, with 63% of subscribers seeking more options like Verizon's +play. Sony Develops Next-Generation Display System Sony has developed a next-generation display system featuring a high-density LED backlight with independent drive RGB (red, green, and blue) control, designed for large screens. This innovative technology allows each RGB color to emit light independently, resulting in high color purity and the ability to reproduce a vibrant, wide color gamut. Key features of this display system include: Wide Color Gamut Performance: The system covers over 99% of the DCI-P3 color space and about 90% of the ITU-R BT.2020 standard, ensuring enhanced color reproduction. Advanced Backlight Control Technology: Sony's proprietary technology allows for precise control of light gradation, enabling subtle hues and detailed shading across the entire brightness range. This is particularly beneficial for cinematic productions, where accurate color representation is crucial for conveying narrative expression. Accurate Color Reproduction by a Dedicated Control Processor By individually controlling the brightness of the densely packed RGB LEDs, it is possible to render bright areas vividly without white clipping and to delicately depict the nuances of light in dark areas without black crushing. Additionally, the display system is equipped with approximately twice the processing power and pixel correction technology compared to conventional local dimming processing, allowing the reproduction of subtle color differences and accurate colors without color shifts. The display system aims to enhance film production and home viewing experiences, aligning with Sony's commitment to supporting creators through professional-grade monitors used for color grading and reference. Mass production of this new display system is set to begin in 2025, with plans for integration into consumer televisions and displays for content creation. /episode/index/show/hdtvpodcast/id/35792060

Podcast #1192: Can AI Help Pick Your Next Projector? 03/14/2025

Podcast #1192: Can AI Help Pick Your Next Projector? On this week’s show we asked three different AI LLMs “What is the best home theater projector for less than $5000?”. And we sort of got an answer. We also read your emails and look at the week’s news. News: Other: Can AI Help Pick Your Next Projector? We asked three different AI LLMs “What is the best home theater projector for less than $5000?”. And we sort of got an answer. Chat GPT When looking for the best home theater projector under $5,000, several factors come into play, such as picture quality, brightness, resolution, and features like smart capabilities. As of my last knowledge update in October 2023, here are some of the top options within this budget: Epson Home Cinema 5050UB () Resolution: 4K PRO-UHD (upscaled) Brightness: 2,600 lumens Contrast Ratio: 1,000,000:1 Features: HDR support, motorized lens settings, and a wide color gamut. It provides exceptional picture quality, especially for films in dark rooms. Google Gemini It's impossible to definitively say which is the "best" projector for you without knowing your specific needs and preferences. However, I can offer some great options in the $5,000 range. To help me recommend the perfect projector for you, tell me: What size is your screen? How far away will you be sitting from the screen? What resolution do you prefer (1080p, 4K)? Do you need 3D capability? What type of content will you be watching most often (movies, gaming, sports)? Do you have any specific features you are looking for (HDR, high refresh rate)? Once I have this information, I can give you a more personalized recommendation. In the meantime, here are some popular projectors in the $5,000 range: For 4K and high brightness: Sony VPL-VW270ES (this is a discontinued model): Offers excellent image quality, high brightness, and HDR capabilities. JVC DLA-N5 ): Known for its black levels and contrast ratio, perfect for dark rooms. For budget-friendly 4K: Epson Home Cinema 5050UB (): A great option for those looking for a solid 4K projector at a lower price point. For bright rooms: BenQ TK850 (this is a discontinued model): A powerful projector with high brightness and DLP technology, ideal for rooms with ambient light. I look forward to helping you find the perfect projector for your home theater! For fun I later updated my query with the following. What is the best home theater projector for less than $5000? More parameters to consider: 100” Screen size Seating will be 15 feet away I need 4K with HDR. I do not need 3D Capability I watch an even mix of TV, Movies, and Sports Gemini responded with a list of four projectors and a summary. The following is the summary: Based on your requirements, the BenQ TK850 or the Optoma UHD380X (Also unavailable) are excellent options. They offer a balance of 4K resolution, HDR support, and good brightness levels within your budget. It's recommended to read reviews and compare them to see which aligns better with your specific needs. Good luck with your projector hunt! Grok 3 Based on the available information and critical evaluation of projector options, the Epson Home Cinema LS11000 () stands out as the best home theater projector under $5,000. Here's why: This projector offers a compelling combination of high-end performance and features, making it ideal for creating a cinematic experience at home. It uses a laser light source, which provides consistent brightness (rated at 2,500 lumens) and a long lifespan of up to 20,000 hours, eliminating the need for frequent lamp replacements. Its 4K resolution is achieved through pixel-shifting technology, delivering sharp, detailed images that rival more expensive native 4K projectors. The LS11000 also excels in color accuracy, with excellent out-of-the-box performance, and supports HDR10, HLG, and HDR10+ for vibrant, dynamic visuals. Its high contrast ratio (up to 1,200,000:1) ensures deep blacks and excellent shadow detail, crucial for movie watching in dark environments. Additionally, the LS11000 is versatile, with features like motorized lens shift, zoom, and focus, making it easy to set up in various room configurations. It performs well in both dark home theaters and rooms with moderate ambient light, thanks to its brightness. While it lacks 3D support and built-in smart features like Wi-Fi or streaming apps, these are minor trade-offs for its price point, as you can easily add a streaming device. Compared to alternatives like the LG GRU510N, which offers higher brightness (5,000 lumens) but lower contrast and less refined color accuracy, or the Epson Home Cinema 5050UB, which is dimmer and uses a lamp instead of a laser, the LS11000 strikes the best balance of performance, value, and longevity. High-end native 4K projectors from brands like Sony or JVC, while excellent, exceed the $5,000 budget, making the LS11000 a top choice for enthusiasts seeking premium quality without breaking the bank. Keep in mind that to achieve the best results, you'll need a quality projector screen and a sound system, as the LS11000 lacks robust built-in speakers. Also, consider your room's lighting conditions—while it handles some ambient light, it performs best in a controlled, darker environment. Our Takeaway This was a fun exercise which had mixed results. In the end you have to do the work yourself and like Google Gemini says find one that fits your specific needs and preferences. In other words, AI is not taking over the world any time soon. /episode/index/show/hdtvpodcast/id/35674520

Podcast #1191: Ten Innovations that have Transformed Our Home Theaters 03/07/2025

Podcast #1191: Ten Innovations that have Transformed Our Home Theaters On this week’s show we review ten innovations we feel had the most impact on how we consume entertainment in our homes. We also read your emails and take a look at the week's news. News: Other: Digital Frame Digital Frame Ten Innovations that have Transformed Our Home Theaters Over the last decade, several innovations have significantly transformed the home theater experience. This week we will review ten innovations we feel had the most impact on how we consume entertainment in our homes. 4K HDR and 8K Resolution - The proliferation of 4K UHD content, along with High Dynamic Range (HDR) technology, has improved visual quality significantly, providing more vivid colors and enhanced contrast. Three-Dimensional Sound - Unlike traditional surround sound systems that rely on channels (e.g., 5.1 or 7.1 setups), object-based audio allows sound designers to place sounds as individual objects in a 3D space. This results in a more immersive audio experience, making viewers feel as if sound is coming from all around them, including overhead. Streaming Devices and Services - The rise of smart TVs and streaming devices has made it easier to access a vast library of content without the need for physical media, further enhancing the home theater experience. Flexible Speaker Configuration - Users are no longer limited to a fixed number of speakers. With object-based audio, systems can scale from simple soundbars to complex multi-speaker setups, adapting to the room's acoustics and the viewer's preferences. Enhanced Content Availability - Many streaming services and Blu-ray discs now offer content mixed in Atmos or similar formats, increasing the accessibility of high-quality audio experiences. Home Theater Integration - The growth of AV receivers and sound systems optimized for these formats has made it easier for consumers to integrate advanced audio technology into their home theater setups without needing extensive technical knowledge. Smart Home Integration - The integration of home theater systems with smart home devices (e.g., voice assistants, smart lighting) allows for a more personalized and convenient viewing experience. Projection Technology - Advancements in projector technology, including ultra-short throw projectors and improvements in brightness and contrast ratios, have made it possible to achieve a cinematic experience in various home sizes. Advanced Room Correction - Room correction technologies have improved significantly, allowing for better sound calibration in different environments. This ensures that the audio performance is optimized for the specific acoustics of your room. New Panel Technology - OLED, LED, Mini and Micro LED have not only improved the picture we look at but have brought down prices to the point where you can buy a 75” TV for a few hundred dollars. And the worst of these TVs are better than the best TVs that were available at the start of the HD revolution. Of this list, which do you think had the biggest impact? Is there something else you felt should be on this list? Let us know. /episode/index/show/hdtvpodcast/id/35562150

Podcast #1190: Ford Patent - Apple HomePod 3 - DirecTV MySports Review 02/28/2025

Podcast #1190: Ford Patent - Apple HomePod 3 - DirecTV MySports Review On this week’s show we look at a Ford Motor patent that has potential implications for home entertainment. We preview a potential Homepod 3 and we finish off with a listener review of DirecTV MySports. We also read your emails and take a look at the week’s news News: Others: Ford Seeks Patent For Multi-Vehicle Audio System Big tech companies like Apple file patents all the time. Some of these, like Apple’s patent for an AirPods case with a built-in display, or the one for an iPhone that folds in half, could easily become products if Apple thinks they’ll make money. But sometimes, these patents outline technologies that seem impossible, or at least unlikely. Apple HomePod 3: Everything We Know So Far (From Tom’s Guide) Apple is anticipated to launch the HomePod 3 later in 2025, marking a significant upgrade from its predecessors. Key rumored features include the introduction of a touchscreen, which could position it against competitors like Amazon and Google’s smart displays. Rumored Release Date: Analysts speculate that the HomePod 3 could be unveiled in either spring or summer 2025. However, there are rumors of a possible delay to the third quarter, coinciding with Apple's WWDC. Potential Price: No official pricing information has been released, but the current HomePod 2 retails for $299. Given the competitive landscape, analysts speculate the HomePod 3 might be priced around $249, but if bundled with accessories, the total could elevate to $499 or more. Display and Design: The standout feature of the HomePod 3 is expected to be its 6 to 7-inch OLED display, which would function as a smart home control hub. The device is anticipated to be slightly smaller than an iPad mini and could include a FaceTime camera for video calls and possibly act as a home security camera. Additionally, the HomePod 3 may incorporate presence sensors for smart home automation and feature a new custom-made Bluetooth and Wi-Fi chip. Interface:The Apple HomePod 3 is primarily designed as a smart home hub, with an interface focused on controlling HomeKit devices, possibly resembling the Apple TV's layout based on recent code findings. Reports suggest a strong emphasis on security, enabling users to view live feeds from compatible security cameras and interact with visitors, though compatibility with HomeKit remains limited compared to competitors. While the HomePod 3 will prioritize smart home functionality over audio, users will still be able to manage playlists. Interaction will occur through both touch and Siri voice commands for tasks like setting timers and family communication, and the integration of Apple Intelligence will enhance its smart capabilities, the specifics of which are yet to be clarified. What We Want to See: For the HomePod 3, there are several desirable features that users would like to see, starting with a larger interface, as a 6-inch screen feels limited compared to similarly sized smart displays from Amazon that support a variety of streaming services. Users hope for an interface akin to the Echo Hub, which visually represents the layout of a home and displays smart devices in their respective rooms for easier interaction. Additionally, an ambient mode that showcases images from Apple Photos would allow the device to function as a digital photo frame when not in use for controlling smart home devices. If Apple Intelligence is a prominent feature, it is desired that users can create smart home routines effortlessly, such as setting commands to turn on lights and play music simultaneously upon unlocking the front door. Updates regarding the HomePod 3 will follow as more information arises. DirecTV MySports (A Listener Review) Listener Quincy of, Channel, tried the five day trial of DirecTV’s MySports and has written us a brief review. I tried the 5-day trial of DTV's MySports and it's not bad, but not good enough for me to switch from YouTube TV. Although I'm paying $84 for YTTV against the 3-month promo price of $50 for DTV, I still love the convenience of YTTV. I won't bore you with a long essay, but in a nutshell I'll list some of my pros/cons. MySports Pros: The Sports Central section gives you nothing but sports-related material. You can set your favorite teams and easily follow/record their games as well as hide the scores to avoid spoilers. You also get all of the DTV free streaming channels, so there are over 100 channels available at sign-up (from what I've heard. I didn't count). You can get 3 months at $49.99/mo. before it goes to the regular price. Last day for the promo is 2/28. Unlimited DVR will keep your programming for up to 9 months. Two free 4K sports channels. MySports Cons: The two free 4K sports channels only offer a game or two per week. Some of them require a subscription to another package. I was only offered two local stations (FOX and NBC), so I have to rely on other apps in order to get ABC and CBS programming. The screen layout is not bad, but I still see a lot of non-sports stuff on the home page. You have to go to the Sports Central section to get away from most of that. You can only do a Season Pass/Wishlist for teams in men's sports. I tried to set a season pass for a women's college basketball team and a WNBA team and it forced me to record the entire league instead of just one specific team. It doesn't have Key Plays/Rapid Replay options to speed you through highlights to catch up to live TV for games. It would only allow me to fast-forward 15 seconds at a time instead of a continuous fast-forward other programs give you when you hold down the FF button. I just felt like I was stepping back into the past by switching to MySports, so I decided against it. Hopefully, they'll improve and modernize their features a bit. Although YouTube TV has its faults and a high price, as a sports fan, I love the Key Plays and the ease in finding any sports team or event and setting a season pass/wishlist. -Quincy Ridgeland, Mississippi /episode/index/show/hdtvpodcast/id/35465450

Podcast #1189: Top 5 Home Theater Projectors less than $3K 02/21/2025

Podcast #1189: Top 5 Home Theater Projectors less than $3K On this week’s show we look at the Top 5 Home Theater Projectors in the $1K - $3K price range. This list is compiled by the Projector Central website. We also read your emails and take a look at the week’s news. News: Top 5 Home Theater Projectors $1k - $3k The $1,000 to $2,999 price bracket is the sweet spot for home theater projectors, with high-value 4K UHD models featuring HDR playback starting at around $1,500. Projectors at the higher end of this range will add things like a longer zoom lens or greater lens shift capability for better placement flexibility, and sometimes improved contrast and black level. This list is taken from the Projector Central website. They have the top ten but we are only going through the top five. The is available on our website. How the list is generated: This list is not curated by our editorial staff and is generated by constantly monitoring the web traffic to our comprehensive projector database, our price-quote engine, our widely-used projector throw calculator, and our editorial product coverage and reviews to gauge which projectors are generating the most buzz and sales activity. #1 Resolution: 3840x2160 DLP Brightness: 3000 Lumens (ANSI)1 Light Source: Lamp Throw Distance: 6'-6" — 7'-10" at Image Size: 100" $1,699 May 2021 Model #2 Resolution: 3840x2160 DLP Brightness: 3200 Lumens (ANSI)1 Light Source: Laser Throw Distance: 5'-0" — 6'-0" at Image Size: 100" $1,999 Jun 2024 Model #3 Resolution: 3840x2160 DLP Brightness: 3200 Lumens (ANSI)1 Light Source: Laser Throw Distance: 8'-4" — 10'-11" at Image Size: 100" $1,799 Jun 2024 Model #4 Resolution: 3840x2160 DLP Brightness: 2500 Lumens (ANSI)1 Light Source: LED Throw Distance: 7'-3" — 9'-5" at Image Size: 100" $1,999 Jan 2025 Model #5 Resolution: 1920x1080 DLP Brightness: 3500 Lumens (ANSI)1 Light Source: Laser Throw Distance: 3'-7" at Image Size: 100" $1,199 Jun 2023 Model /episode/index/show/hdtvpodcast/id/35357345

Podcast #1188: Audioengine Next Gen B1 Wireless Adapter Review and How Streaming Impacts TV Ratings 02/14/2025

Podcast #1188: Audioengine Next Gen B1 Wireless Adapter Review and How Streaming Impacts TV Ratings On this week’s show we have a review of the Audioengine B1 Next Gen Bluetooth Music Receiver and we take a look at how Streaming impacts viewing on top network shows. We also read your emails and take a look at the week’s news. News: Audioengine B1 Next Gen Bluetooth Music Receiver I recently upgraded my audio setup with the new Audioengine B1 Next Gen Bluetooth Music Receiver (), because I like buying stuff! The previous model served me well but has gotten a bit long in the… wait for it, Bluetooth. Like the previous version, the Next Gen turns any wired stereo receiver or powered speaker system into a wireless one. The high-fidelity audio is outstanding, there is support for 16, 24, or even 32-bit quality with the advanced Bluetooth 5.3 and aptX Adaptive support. One cool feature is that the indicator light on the front panel turns orange when you have an aptX connection, so you know at a glance that you are listening at the highest fidelity. I had to borrow my brother-in-law’s android phone to test this out. Apple, why won’t you give me aptX?? The music sounded excellent. I did my best to A/B with the original B1 using AAC vs the next gen B1 using aptX listening to music I am intimately familiar with. It was hard to hear any major improvement. I could convince myself there was an improvement only after listening to specific parts of a track multiple times. Practically speaking, it really won’t matter. If you currently own the previous B1 I would recommend skipping this upgrade unless you stream from long distances. More on that in a bit. With that said, the high bitrate AAC files on the new B1 sounded excellent and I did not have too much aptX envy. Another impressive feature is the long-range connectivity. The specification says it will maintain a connection 100 feet away without any drop in sound quality. I walked to all corners of my house behind multiple doors, and could not break the connection. This is a big improvement over the original and is nice if you are responsible for the music at a get-together and you walk around the house chatting with your guests. The inclusion of both RCA and Optical output options means you can easily integrate it into any existing audio setup. The B1 has a sturdy aluminum housing and the fact that you don't need any special software makes setup a breeze! The Audioengine B1 is a recommended product for anyone looking to elevate their wired audio experience with wireless streaming. Here’s How Much Streaming Impacts Viewing on Top Network Shows It’s a pretty well-established fact that streaming has a sizable effect on ratings for shows that originate on broadcast networks. A new batch of data from Nielsen for this season shows just how big that impact can be. /episode/index/show/hdtvpodcast/id/35274785

Podcast #1187: Five TV Innovations That Will Have Big Impact 02/07/2025

Podcast #1186: 2024 Nielsen ARTEY Awards 01/31/2025

Podcast #1186: 2024 Nielsen ARTEY Awards On this week’s show we run down the Nielsen ARTEY Awards which measures and rams shows based on total viewing minutes. We also read your emails and take a look at the week’s news. News: Other: The Nielsen ARTEY Awards For the , we focused solely on streaming programs, which are measured and ranked based on total viewing minutes. Within streaming, there are many different content types. We recognized the following: Top New Streaming Original Series Top Overall Streaming Programs Most Binged Streaming Title ARTEY Legacy Award Top New Streaming Original Series of 2024 The ARTEY Awards for Top New Streaming Original Series recognize streaming titles in drama, comedy and unscripted genres that were introduced in 2024 and received the most viewing. Top New Original Drama Series ARTEY WINNER: , Prime Video, 11.95 billion minutes (8.3/10 IMDB) Prime Video’s sci-fi-action-drama Fallout debuted on the platform in April and racked up 2.9 billion viewing minutes in its first few days of release. It accumulated nearly 12 billion total viewing minutes throughout the rest of the year, ultimately placing fifth among all streaming originals in 2024. Fallout, which only has eight episodes in its first season, was also the fifth most-watched streaming original among adults 18-34. RUNNER-UP: , Netflix, 10.89 billion minutes (6.8/10 IMDB) Top New Original Comedy Series ARTEY WINNER: , Netflix, 4.90 billion minutes (7.9/10 IMDB) Netflix rom-com Nobody Wants This enjoyed three weeks atop Nielsen’s streaming charts following its release in late September, and went on to accumulate nearly 5 billion minutes through the end of year. While the show’s audience skewed toward women (69%), it was fairly balanced from an age perspective, coming in at 51% adults 18-49 and 43% adults 50+. RUNNER UP: , Netflix, 2.94 billion minutes (7.9/10 IMDB) Top New Original Unscripted / Documentary Series ARTEY WINNER: , Netflix, 3.57 billion minutes (7.5/10 IMDB) This Netflix true-crime docuseries premiered on the platform with three episodes in January 2024. American Nightmare drove more than 1 billion viewing minutes in its opening week, and its viewing total reached over 3.5 billion throughout the year. The docuseries resonated most with women who made up 62% of the audience, as well as younger adult viewers, as 56% of the audience fell into the 18-49 age range. RUNNER UP: , Netflix, 2.50 billion minutes (7.1/10 IMDB) 2024 Top Overall Streaming Programs These ARTEY Awards recognize the most-watched streaming titles of the year across original series, acquired series, movies and overall. Top Overall Streaming Title & Top Acquired Series ARTEY WINNER: , 55.62 billion viewing minutes on Disney+ (9.3/10 IMDB) The ARTEY for Top Overall Streaming Title of 2024 goes to the Australian animated series Bluey, which put up over 55.6 billion minutes of watch time on Disney+, with 43% of its massive viewing total attributable to kids 2-11. RUNNER UP: , 47.85 billion viewing minutes on Hulu and Netflix (7.6/10 IMDB) Top Streaming Original Series ARTEY WINNER: , Netflix, 21.42 billion viewing minutes (7.6/10 IMDB) The ARTEY for Top Streaming Original Series in 2024 goes to Netflix’s Bridgerton, which posted over 21 billion viewing minutes in 2024. Netflix released eight new episodes between May and June, which accounted for 56% of Bridgerton’s viewing total. In terms of its performance in Nielsen’s Streaming Top 10, Bridgerton has 11 appearances at No. 1 overall, tying fellow Netflix original series Ozark for the most first place weeks for any streaming original. RUNNER UP: , Netflix, 16.45 billion viewing minutes (6.2/10 IMDB) Top Streaming Movie ARTEY WINNER: , 13.03 billion minutes viewed on Disney+ (7.6/10 IMDB) With over 13 billion viewing minutes accumulated on Disney+ in 2024, Moana finished as the most-watched streaming movie for a second consecutive year. The Disney favorite exhibited a bump in viewership towards the end of the year that coincided with the theatrical release of its sequel, Moana 2. This marks Moana’s most-streamed year ever and solidifies it as the most-streamed movie since 2020. RUNNER UP: , 11.72 billion minutes viewed on Netflix (7.0/10 IMDB) Most-Binged Title For this category, we examined streaming titles with extensive libraries (50+ episodes) and limited the calculations to viewers who had spent at least one episode’s worth of time with the show (20 min. or longer). While half-hour programs tend to be more binge-able, the level of dedication from audiences in viewing to programs across the board was astonishing. ARTEY WINNER: , 265.5 episodes per viewer on Max (8.1/10 IMDB) The Big Bang Theory has a total of 281 episodes available on Max, and dedicated viewers averaged just over 265 episodes each over the course of the year! (Note, this does not mean they watched 265 unique episodes, just that they spent the equivalent of 265 episodes worth of time). This put the show head and shoulders above the competition for the bingeing crown. Coming in at No. 7 overall among this year’s top streaming titles, Big Bang tallied 29.1 billion minutes in 2024, 58% of which were driven by adults 18-49. RUNNER UP: , 175.3 episodes per viewer on Hulu (7.4/10 IMDB) Legacy Award The ARTEY Legacy Award recognizes enduring, timeless programs that continue to entertain and captivate audiences today. ARTEY WINNER: , 13.25 billion minutes on Peacock (7.5/10 IMDB) Little House on the Prairie celebrated its 50th anniversary in 2024, having aired on NBC from 1974 to 1983. Whether it was nostalgia surrounding the anniversary milestone or the appeal of westerns among TV viewers, the show earned 13.3 billion minutes of viewing time on Peacock across the year. Adults 35-64 accounted for 63% of Little House’s overall viewing total, and it over-indexed among Black viewers, which comprised over 17% of its total viewership. ARTEY WINNER: , 10.23 billion minutes on Peacock / Paramount+ (8.1/10 IMDB) /episode/index/show/hdtvpodcast/id/35085145

Podcast #1185: What We are Watching 01/24/2025

Podcast #1184: Best of CES 01/17/2025

Podcast #1184: Best of CES On this week’s show we rundown the “Best of CES” as reported by the tech sites. We also read your emails and take a look at the week’s news. News: Other: Best of CES On this week’s show we rundown the “Best of CES” as reported by the tech sites. Engadget - the company managed to further improve its most premium displays, adding the latest α (Alpha) 11 AI processor Gen2 to improve the look of lower-resolution content and power advanced features. ($300) - Technics’ new Magnetic Fluid drivers have garnered a lot of headlines this week, but all you really need to know about the EAH-AZ100 earbuds is that the sound quality is massively improved. Powered by those new components, there’s more clarity, detail and bass, all of which are upgrades from the already impressive AZ80 CNET - After seeing the picture quality, TV expert David Katzmaier singled this out as one of his favorite TVs of the show; he traditionally finds LG's OLED quality best-in-class (as do I for its monitors), and this year's is brighter with better contrast in ambient light. - It's not the LG OLED rollable screen of your dreams, but the Ascend may be more within your grasp. It's a retractable, ambient light-rejecting screen with built-in speakers and an ultra short-throw projector that looks like a piece of furniture when the screen withdraws. TV tech guru Geoffrey Morrison has been an ultrashort throw skeptic, but thinks this pair may solve some of the issues he's had with them. There's no pricing yet for the screen (the projector is $2,700), but it's bound to be less than models like the LG. The Verge Awards at CES () - At CES 2025, it’s the Panasonic Z95B OLED that I keep circling back to as my favorite. After a long hiatus from the US TV market, Panasonic is coming back for its crown. Like the G5, it features a new four-layer tandem OLED display that boosts brightness to new highs — this time without the micro-lens array technology that LG Display spent the last two years hyping. It also includes an impressive Dolby Atmos speaker array (tuned by Technics) that will rule out any need for a soundbar for many buyers. That audio hardware results in this being a thick TV by today’s standards: Panasonic obviously favored nailing the picture and sound aspects over a thin design. And you know what? I’m here for it. Most no one asked for this, AI in TVs - AI is worming its way into everything, and at CES this year, it crawled into TVs and remotes. Naturally, that includes new sets from LG and Samsung, which are deploying AI to futz with your picture and sound settings and let you talk to a chatbot or analyze what’s on your screen. Over at Hisense’s “AI Your Life” booth, the company touted its AI Engine X that “optimizes every frame” with adjustments to color, brightness, and audio. - Switchbot’s K20 Plus Pro is a robot vacuum that can have different devices strapped to its head using the company’s modular “FusionPlatform.” As well as being able to deliver items around your home, it can have various SwitchBot products attached to it to perform tasks autonomously: purify your air, be a mobile home security camera, and carry your tablet around for you. They’ve even made an attachment to put a mini fridge on top. (So, yes, it can bring you a beer.) What intrigues me the most here is that its FusionPlatform is completely open; you can plug any device into its various power ports and customize this robot to do what you need. That’s smart. Gizmodo’s Best of CES 2025 Awards () - The Aurzen Zip is the tiniest 720p projector I’ve ever seen. When folded, the $200 Zip is about the size of half an iPhone, making it the perfect on-the-go projector. The trifold projector can wirelessly mirror whatever is on your phone without a wifi connection. Two of the best features: it’s MagSafe-compatible and has a 90-minute battery life. - When it comes to TVs, bigger is always better—and it always comes with a higher price. But that’s not the case with the TCL QM6K TV, with the 55-inch model costing $749 and the 98-inch version topping out at $3,499. Before you write the QM6K off as a no-frills budget brand, check out some of the specs. As a QD mini-LED device, the QM6K can give some of the pricier heavy hitters a run for their money in the color and brightness categories. In fact, the QM6K is 53% brighter than previous models and 10% more light efficient. Plus, it has a host of powerful tech onboard to make its case, including HDR10, HDR+, and Dolby Vision. You get integrated Onkyo speakers, which should produce solid audio. However, the screen’s the star here, serving up captivating colors with deep blacks and sharp details. It’s an absolute beauty of a TV that brings all the bells and whistles you’d expect from a premium television at a fraction of the price. - It takes a lot to stand out in the crowded field of wireless earbuds, but Panasonic’s new flagship Technics EAH-AZ100 manage to do just that. Panasonic claims its $300 earbuds, available now, can offer reference class HiFi audio without needing large wired cans, thanks to “magnetic fluid drivers.” The buds’ sound quality was impressive, especially with the world snuffed-out with ANC mode turned on. The sound resolution and bass were especially surprising, even while surrounded by noisy throngs of CES goers.The brushed steel case design makes the buds feel as premium as their $300 price tag. - The Xgimi Ascend is a gorgeous 2-in-1 prototype ALR (Ambient Light Rejection) projector screen with a powerful soundbar. The Ascend houses a 100-inch motorized floor-rising screen for an immersive home theater experience. We’ve seen rollup displays before, but none of them match the style of the Ascend. The screen is adjustable, allowing it to be partially lowered for ambient modes, like a cozy fireplace display or a music visualization. Though still a prototype, the Ascend has the potential to attract anyone who wants a pop-up movie theater without spending tens of thousands of dollars. AVS Forum Best of CES 2025 () - This was easily one of the most anticipated booth visits for both us and our readers. When we tested the Valerion Pro2, we were impressed by its performance, but it lacked some key features you’d want for a fully dedicated home theater system. Enter the Valerion Max, the flagship model that was teased during the brand’s Kickstarter campaign. It promised to deliver everything the Pro2 was missing, including a dynamic iris, and we finally got to see it in action. - It’s easily one of the most impressive TVs we’ve seen at the show. Available in sizes ranging from 48 inches all the way up to 97 inches, the G5 is packed with features. All sizes (except the 48- and 97-inch models) include LG’s Brightness Booster Ultimate. LG also gave the remote a much-needed makeover. it’s now slimmer with fewer buttons, which is a welcome change. - TCL is taking a different approach this year with a phased rollout of their TV lineup, starting with the QM6K, the first model in their new Precise Dimming series. As an entry-level option, the QM6K brings a surprising amount to the table. It features 500 dimming zones, a 144Hz refresh rate (boosted to 288Hz with Game Accelerator), and TCL’s AiPQ Pro Processor, carried over from last year’s QM8 series. TCL 115QM7K - This one’s a bit tricky. TCL is keeping most of the details about the QM7K under wraps for now, but from what we saw, it’s shaping up to be a strong addition to their lineup. What we did find out is that the 115” model will have 25,000 dimming zones and 3000 nits of brightness. It’s available in sizes up to 115 inches, this model expands on what was previously only offered in the QM8 series. The move could mean more affordable options for larger screens, which is always exciting. Onkyo Icon Series - The P-80 which is priced at $1,999, is a two-channel network preamplifier. It includes HDMI ARC, Dirac Live Room Correction, a phono output, and a fanless design to keep noise levels down. The build quality is sturdy as well, with a 5mm aluminum front panel and three-piece housing. The M-80 is also priced at $1,999, and is a two-channel power amplifier delivering 150 watts into 8 ohms or 200 watts into 4 ohms. It uses a Class AB 3-stage Inverted Darlington design, offering high current drive and low distortion. - The Focal DIVA speakers were announced about a month ago, and seeing them at CES 2025 confirmed they’re as impressive as they sound on paper. These wireless active loudspeakers feature a 3-way bass reflex design and are surprisingly easy to set up. They support Bluetooth, AirPlay 2, Google Cast, and work with the Focal Naim app. Each speaker is equipped with its own DAC and DSP, delivering 75 watts to the midrange, 75 watts to the tweeter, and 125 watts to each bass driver. That’s a total of 400 watts RMS powered by four Class AB amplifiers. At $39,999 a pair, the Divas aren’t for everyone, but they began shipping during the show for those ready to invest in high-performance audio. LG CineBeam S Ultra Short Throw Projector - LG revealed their solution: the CineBeam S, an ultra short throw version of the projector. It retains all the features we liked from the CineBeam Q, including an RGB laser with native 4K resolution, 500 ANSI lumens of brightness, and auto screen adjustment. But the big update here is the ultra short throw design, making it much easier to fit into a variety of setups. Honorable Mentions Samsung Premiere 8K Ultra Short Throw Projector /episode/index/show/hdtvpodcast/id/34882290

Podcast #1183: CES 2025 01/10/2025

Podcast #1183: CES 2025 On this week’s show we cover the Home Theater announcements that we found interesting. It's not an exhaustive list of what was shown but things we wanted to share with you. We also read your email and take a look at the week’s news. News: Other: CES 2025 Up until now, CES has primarily showcased laptops, gaming, TVs, and smart home technology, excelling in these traditional areas. However, this year's event has shifted its focus to include some emerging, trendier categories. We are seeing AI announcements across the board and numerous innovative concepts aimed at making augmented reality more accessible. On this week’s show we cover the Home Theater announcements that we found interesting. It's not an exhaustive list of what was shown but things we wanted to share with you. Next week, since we record before CES closes, we’ll look at products that won awards as well as any announcements you may have found interesting as shared with us. RCA introduces two new NEXTGEN TV models in 55" and 65" sizes - The 65” RCA NEXTGEN TV up to 1500 nits of peak brightness, 664-zone Mini-LED QLED, suggested retail price of $949.99. The 55” RCA NEXTGEN TV up to 1500 nits of peak brightness, 240-zone Mini-LED QLED suggested retail price of $699.99. New for 2025 is the attractive RCA ANTD8E, an amplified, multi-directional indoor antenna covered in a high-tech fabric with a diamond shape design. Equipped with SMARTBOOST advanced technology and dual-stage amplification and built-in 4G/LTE/5G filter to improve reception, the ANTD8E can be positioned on its included stand or mounted on a wall and includes nine feet of coaxial cable to connect to the TV at a suggested retail price of $59.99. A full line-up of RCA Outdoor Televisions is also planned in a range of screen sizes and price points, with a “spirit of wilderness” and Mossy Oak camouflage design. Built with a sleek, modern design in a weatherproof and durable dust-free case, RCA Outdoor TVs are designed to work in extreme temperatures – from minus 22 degrees to 122 degrees Fahrenheit. Our Outdoor RCA line includes an exceptionally bright 2000 nit display for crystal-clear viewing even in bright sunlight. RCA Outdoor TV 43-inch ($3,999, suggested retail price), 55-inch ($4,999, suggested retail price) 65-inch ($5,999, suggested retail price) 75-inch ($7,999, suggested retail price). Google Home hubs now work locally with Matter This week, Google announced the integration of Home Runtime into its Google Home hubs, allowing for full local control of Matter devices. With this update, Google Nest hubs, speakers, Chromecasts, Google TV devices running Android 14, and certain LG TVs can now connect to and manage Matter devices locally. This change enhances reliability, privacy, and reduces latency for users controlling their devices at home. Notably, even without internet access, Google Assistant will still be able to operate functions like turning on lights, marking a significant shift from the platform's previous reliance on cloud connectivity. TCL's 2025 mini-LED TVs for 2025 The Super High Energy mini-LED chip may increase brightness by 53% TCL has made enhancements to its mini-LED backlight design that will result in less blooming or “halo” artifacts where light areas seep into dark areas – a 67% reduction, according to the company. 50- to 98-inch screen sizes, coming to the US in early 2025 Pricing for TCL’s QM6K Series is as follows: 50-inch: $749.99 55-inch: $799.99 65-inch $999.99 75-inch: $1,299.99 85-inch: $1,999.99 98-inch: $3,499.99 The 65, 75 and 85-inch QM6K models are available now for preorder at TCL's website. LG G5, C5 and M5 OLED TV LG also announced AI-based features that seek to improve picture, audio and the overall user experience. LG is officially unveiling the LG G5 OLED, the C5 OLED and M5 OLED along with lots of AI upgrades, Here's what we know so far. The G5 will be available in the following sizes: 48, 55, 65, 77, 83 and 97 inches. The M5 is essentially a G5 with wireless connectivity. All of the TV's inputs are located on a separate box (dubbed the Zero Connect Box on the LG M4) which then wirelessly transmits audio and video to the M5's OLED display. The C4 will be available in 42-, 48-, 55-, 65-, 77- and 83-inch models. HDMI 2.2 Announced HDMI 2.2 has been announced at CES 2025. The new specification comes with 96Gbps bandwidth — double what you get with HDMI 2.1. It will be available in a new Ultra96 HDMI Cable. It features next-gen HDMI Fixed Rate Link tech to provide “optimal audio and video.” More impressively, it enables 4K resolution with up to 480 frames per second (fps), and up to 12K at 120 fps. HISENSE MARKS NEW ERA OF DISPLAY INNOVATION WITH ITS FIRST CONSUMER MICROLED AT CES 2025 Hisense unveiled the 136MX MicroLED, the brand's first consumer-ready MicroLED display. This launch marks a pivotal milestone in making cutting-edge display technology more accessible to households, catering to the growing demand for larger, more immersive screens without compromising durability or long-term performance. By eliminating traditional backlight limitations, 136MX delivers precise contrast, lifelike colors, and a viewing experience that sets a new standard for the industry. By combining MicroLED display technology with its R&D expertise, Hisense is once again redefining the possibilities of home entertainment. Powered by Hisense's flagship Hi-View AI Engine X chipset, the 136MX optimizes every frame with its AI-based algorithms, enabling precise color conversion, dynamic 3D color management, and rich display details. Black nanocrystals further enhance performance by reducing reflectivity to ensure exceptional clarity even in well-lit spaces. With brightness levels reaching up to 10,000 nits and a color gamut covering 95% of the BT.2020 color space, Hisense's 136MX delivers vivid, true-to-life colors, setting a new benchmark for home entertainment displays. Technics launched the EAH-AZ100 Wireless Noise Cancelling Earbuds Reference Class True Wireless Earbuds with Dolby Atmos and noise cancelling, The AZ100 earbuds feature, reference-quality high-resolution audio; advanced, industry-leading noise cancellation; and improved JustMyVoice™ technology to keep calls clear. Connects to 3 devices simultaneously. Launching in sleek Silver and Black with its signature stylish ergonomic design, Technics EAH-AZ100 Earbuds will be available for purchase online at Technics.com and at trusted retailers starting today, January 7, with a suggested retail price of $299.99. TiVo OS Will Be Launching in the U.S. Market With Sharp TiVo announced that it will be entering the U.S. television market with Sharp Home Electronics Company of America. The Sharp Smart TV Powered by TiVo will be the first television in the series to be made available to American consumers, as soon as February 2025. Boasting a beautiful Ultra High Definition and High Dynamic Range 55” QLED screen, plus Dolby Atmos®, and 3 HDMI ports, it will be a smart TV that reinforces Sharp’s reputation for quality. In Europe, TiVo last year launched a range of Sharp models in the UK starting at the equivalent of $372 USD. Sharp's consumer website currently lists four TiVo-powered TV models/screen sizes (43 inches, 50 inches, 55 inches and 70 inches). Sharp also offers TVs powered by other platforms, including operating systems from Roku and Google. Nothing Earth Shattering in the way of Hardware from Sony Sony's press conference did not showcase exciting new hardware announcements. Instead, the emphasis was primarily on the entertainment aspect of their business. Valerion Unveils VisionMaster Max Valerion debuted their VisionMaster MAX, a cinematic-grade home theater projector. Its Kickstarter project raised over $10.7 million and became the highest-funded projector in crowdfunding history. Featuring the OpticFlex Lens System for customizable viewing. The specifications include: 3000 ISO lumens, a 15,000:1 contrast ratio, and a 110% Rec. 2020 color gamut. The VisionMaster MAX promises stunning image quality and a theater-like experience, projecting up to 300 inches. Enhanced with Dolby Vision, IMAX Enhanced, and other advanced features, this flagship model sets a new standard for home entertainment technology. Additionally, its innovative external lens offers increased versatility, further enhancing the viewing experience. The VisionMaster Series is now available for global pre-order on , with deliveries starting February 2025. VisionMaster Max $3,999 USD, VisionMaster Pro2 & Pro $2,499 USD, and VisionMaster Plus2 & Plus $1,499 USD Samsung Brings Samsung Vision AI to Its Widest Lineup Yet Samsung is ushering in a new era of AI-driven screen technology, with Samsung Vision AI features now integrated across its most comprehensive lineup ever — including Neo QLED, OLED and QLED, and The Frame models. This expansion underscores Samsung’s commitment to bringing intelligent, adaptive screens to more users, redefining what’s possible in home entertainment and smart living. At the forefront of this innovation is the Neo QLED 8K QN990F, Samsung’s most advanced TV to date, designed to deliver unparalleled performance, sleek design and smarter AI-driven experiences. Powered by the latest NQ8 AI Gen3 Processor, the TV leverages a suite of on-device AI features to enhance picture quality, sound clarity and overall viewing experience: 8K AI Upscaling Pro: Elevates lower-resolution content up to stunning 8K quality, ensuring incredible detail and clarity in every frame. Auto HDR Remastering Pro: Analyzes content frame by frame, applying scene-adaptive color expansion for lifelike visuals and vibrant colors, even in dark scenes. Adaptive Sound Pro: Uses AI to separate and optimize sound components like speech, music and sound effects, delivering clear, balanced audio. Color Booster Pro: Enriches color expression with AI-driven scene analysis and enhanced image processing for each frame. AI Mode: Adaptively optimizes picture and sound leveraging AI-based content recognition and TV area analysis for an optimal viewing experience in any setting. Samsung also unveiled The Premiere 5, the industry’s first interactive triple-laser ultra-short-throw (UST) projector. Designed to redefine home entertainment, The Premiere 5 introduces an interactive touch feature, allowing users to engage directly with the screen. This innovation seamlessly combines high-quality projection with versatile functionality, featuring Samsung LightWARP technology to project images onto everyday objects for creative and immersive experiences. No Specs are available as this may be one of those items that never sees the light of day. Displace TV: The World's First Truly Wireless 4K TVs with All-in-One Entertainment and Productivity Hubs Displace is bringing all-in-one entertainment and productivity hubs that go beyond the traditional TV experience. Both models offer a sleek, cable-free design, and revolutionary new features powered by Displace OS, an all-new AI Agent-driven operating system that will redefine how Displace users interact with their TVs and perform tasks easier than ever before. These next-generation 4K TVs are powered by two long-lasting, rechargeable Li-ion batteries, ensuring a truly wireless experience that eliminates the clutter of cords and cables. Consumers can either mount the TV on a wall in just 10 seconds without tools or drilling or place it on a table using the all-new concealed push-to-pop legs. All the Displace TV screens are OLED. Displace Pro and Basic are both offered in 55-inch and 27-inch models. Exclusively during CES, all Displace models will be available for pre-order for $1,000 off the original price. During CES, Pro models can be ordered in 55-inch for $4,999 or 27-inch for $2,999, while the Basic models will be available in 55-inch for $2,499 or 27-inch for $1,499. All models are available for pre-order with shipping expected to begin March 28, 2025. /episode/index/show/hdtvpodcast/id/34789570

Podcast #1182: The US Movie Box Office - An analysis 01/03/2025

Podcast #1182: The US Movie Box Office - An analysis On this week’s show we look at whether we have seen peak streaming and we take an analytical look at the movie box office. We may have hit peak Hollywood in the 1990s and early 2000s. We also read your emails and take a look at the week’s news. News: Other: Streaming Slows to a Trickle in 2025 An embarrassment of riches awaits television and film audiences in 2025, as projects that were delayed by a Hollywood strike in 2023 reach the small and big screens at last. New instalments of “Avatar”, “Mission: Impossible” and “Captain America” will jostle for attention at the cinema. At home, viewers will settle down for more of “The White Lotus” and the final chapter of “Stranger Things”. Movie Box Office Receipts - An Analysis You may have heard us say that the movie theater business is in decline. With streaming services and short theatrical release windows people are not going to movie theaters. Here’s a look at the Box Office Numbers and what has been driving them. These numbers and data were found on and are for the original US release. For comparisons the dollars have been adjusted for inflation to 2024 dollars. Top 5 Box Office Receipts: Year Box Office 2024 $ #1 Release 2018 $11.8B $14.8 Black Panther 2016 $11.4 $15.0 Finding Dory 2019 $11.4 $14.1 Avengers:Endgame 2015 $11.1 $14.8 Jurassic World 2017 $11.0 $14.2 Star Wars: Episode VIII - The Last Jedi Last Five Years Box Office Receipts: Year Box Office 2024 $ #1 Release 2024 $8.5 $8.5 Inside Out 2023 $8.9 $9.2 Barbie 2022 $7.4 $8.0 Top Gun: Maverick 2021 $4.5 $5.2 Spider-Man: No Way Home 2020 $2.1 $2.56 Bad Boys for Life Highest Receipts when adjusted for Inflation: Year Box Office 2024 $ #1 Release 2010 $10.6 $15.4 Avatar (Number 1 Grossing movie of all time) 2009 $10.6 $15.4 Transformers: Revenge of the Fallen Original Star Wars: 1977 $443M $2.4B Star Wars: Episode IV - A New Hope 1980 $1,6 $6.1 Star Wars: Episode V - The Empire Strikes Back 1983 $2.7 $8.6 Star Wars: Episode VI - Return of the Jedi All Numbers below are for the original Release: - (2010) $750M (2024) $1.1B (Worldwide) - (2010) $2.7B (2024) $3.9B - (2022) $719M (2024) $775M (Worldwide) - (2022) $1.5B (2024) $1.6B - (1977) 307M (2024) $1.6B (Worldwide) - (1977) 775M* (2024) $4.0B Box Office Mojo did not have worldwide numbers. We used for this value. Inflation Adjusted US Domestic Box Office for the last 25 years: Summary: In the late 1990s and early 2000s, the box office experienced significant growth, with yearly receipts reaching new heights. For instance, in 2002, domestic box office revenues hit a peak of approximately $16 billion when adjusted for inflation. Since then, total box office receipts have fluctuated, especially reacting to global events, such as the 2008 financial crisis, which led to a decrease in consumer spending on entertainment. The last two decades have seen a dominance of comic book adaptations and franchise films (e.g., Marvel Cinematic Universe, Star Wars, etc.) at the box office. These films often dominate annual box office charts, with some grossing over a billion dollars domestically. Sequels, remakes, and adaptations became staples as studios sought safe investments. The trend has been reinforced by the success of properties with established fan bases. The rise of streaming services (Netflix, Disney+, etc.) has changed how audiences consume films, often leading to decreased box office attendance for certain genres, particularly dramas and non-franchise films. The pandemic and writers strike severely impacted the film industry, with theaters closing and productions halting. The domestic box office fell dramatically in 2020. This decline prompted many studios to rethink release strategies, leading to more simultaneous releases on streaming platforms. Post-pandemic, there has been a gradual recovery, with some films performing exceptionally well, while smaller films continue to face challenges in recapturing pre-pandemic audience levels. /episode/index/show/hdtvpodcast/id/34698575

Christmas Message 12/27/2024

HDTV and Home Theater Podcast

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