HDTV and Home Theater Podcast
All the HDTV and Home Theater news and info you need, without all the reading.
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HDTV Rewind Episode #8: What is Quartics?
06/24/2025
HDTV Rewind Episode #8: What is Quartics?
On this episode of the Rewind show we go back to June 25th 2010 where we read your emails, look at a news story or two, and look at a company called Quartics and what they are up to today.
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Podcast #1206: Streaming Services Ranked
06/20/2025
Podcast #1206: Streaming Services Ranked
On this week’s show we rank our favorite Streaming Services. We also read your emails and take a look at the week’s news. News: Other: " The Definitive Streaming Service Ranking We received an email from a listener named Scott that pointed us to an article titled ”” written by Josh Rosenberg and published in Esquire magazine. In the article he ranks the top seven streaming services. We’ll go through his picks from seven to one. And then we’ll give our rankings. 7 Amazon Prime Video - The main criterion for ranking streaming services is whether they offer at least one new, worthwhile show each month. Prime Video falls short, as it doesn't consistently deliver high-quality new TV content. Instead, it focuses on being a hub for accessing other subscriptions, with shows like Reacher, Fallout, and The Boys feeling like bonuses for Amazon Prime's free shipping rather than a compelling reason to subscribe for streaming alone. 6 Peacock - Peacock is a top choice for reality-TV fans, offering Bravo’s full lineup, including Real Housewives, Love Island USA, Below Deck, Top Chef, and Watch What Happens Live. It also hosts NBC’s library with classics like The Office, Parks & Recreation, New Girl, Scrubs, and Law & Order, plus Yellowstone due to an exclusive deal. Its appeal lies in its sitcom and reality-TV vault, and it’s the streaming home for the Olympics, though that’s only every two years. Fans might find it worth a high price, though it’s currently much less than $100 a month. 5 Disney/Hulu/ESPN+ - The Disney/Hulu/ESPN+ bundle is perceived as a single streaming service due to its long-standing integration, with Disney enhancing this by adding Hulu and ESPN+ tiles to the Disney+ home screen for seamless access. Each service offers unique strengths: Disney+ excels in Marvel, Star Wars, and children’s content; Hulu features FX shows like The Bear and Shōgun, plus ABC’s lineup, including Abbott Elementary; and ESPN+ remains a leader in live sports despite growing competition. Their combined appeal keeps them competitive, as they are stronger together than individually. 4 Netflix - Netflix benefits from long-term subscriber relationships, with users browsing its platform like they once did with cable TV. However, its content quality is declining, with more misses than hits. The upcoming conclusion of major shows like Squid Game and Stranger Things in 2025 could further challenge its ability to retain subscribers. 3 Paramount+ - Paramount+ benefits from Taylor Sheridan's popular shows like Yellowstone, Landman, and 1923, and its merger with Showtime has brought quality series such as MobLand and Yellowjackets. However, the streaming service struggles to justify its subscription cost as essential, with its success hinging on the delivery of Sheridan's planned spin-off universe. 2 Apple TV+ - Apple TV+ has significantly improved its content in 2025, with successful shows like Severance season 2, The Studio (Seth Rogen), Your Friends and Neighbors (Jon Hamm), and Stick (Owen Wilson). Previously, subscribing only for specific shows was advisable, but now, due to consistent high-quality releases with A-list talent, keeping the subscription active is recommended. If this trend continues, Apple TV+ will remain a strong competitor in the streaming market. 1 HBO Max - HBO tops the power ranking due to its consistent delivery of high-quality TV shows that justify the subscription cost. With a business model focused on quality since its launch over 50 years ago, HBO has aired acclaimed series like The Pitt, The White Lotus, The Last of Us, The Rehearsal, and Hacks in the first half of 2025. Its extensive library includes some of the greatest shows and movies, such as Goodfellas. While Netflix prioritizes quantity, HBO Max excels in quality.
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Podcast #1205: Betamax Turns Fifty
06/13/2025
Podcast #1205: Betamax Turns Fifty
Can you believe Betamax turns 50 this month? On this week’s show we look at how the VCR changed the entertainment industry and gave us a reason to build our home theaters. We also read emails and take a look at the week’s news. News: Other: The Betamax Turns 50 this Month In the late 1970s, the arrival of the Video Cassette Recorder (VCR) sparked a seismic shift in entertainment, as detailed in a recent . Initially met with skepticism by studios fearing piracy, the VCR became a cultural juggernaut, reshaping how audiences consumed media and how Hollywood operated. By 1987, home video revenue surpassed theatrical box office earnings, with VHS tapes turning movies like Top Gun into cultural touchstones that families could own and rewatch endlessly. The VCR democratized access to films, birthing the video rental industry—think Blockbuster’s neon-lit aisles—and empowering consumers to curate their viewing experiences. It also gave studios a lucrative new revenue stream, with tapes priced high for rentals before dropping for mass ownership. Yet, the technology wasn’t without flaws: tracking issues, bulky machines, and the dread of “Be Kind, Rewind” defined the era. Beyond movies, the VCR enabled niche content to thrive, from fitness tapes to obscure genres, while fueling Hollywood’s sequel-driven franchises. As The Hollywood Reporter notes, the VCR’s legacy endures in today’s streaming wars, where on-demand viewing owes its roots to those clunky cassettes. The VCR didn’t just change Hollywood—it rewired how we connect with stories. Here are some fun facts about the VCR (Video Cassette Recorder): First Commercial VCR: The Ampex VRX-1000, introduced in 1956, was the first commercially available VCR. It cost around $50,000 (equivalent to over $500,000 today) and was primarily used by TV studios, not homes. Home VCRs Arrived Late: The first consumer VCR, the Philips N1500, hit the market in 1972 in the UK. It was pricey (around £400, or $4,000 today) and could only record for about an hour. Format Wars: The 1970s saw a fierce battle between Sony’s Betamax (1975) and JVC’s VHS (1976). VHS won due to longer recording times (up to 4 hours vs. Betamax’s 1 hour initially) and better marketing, despite Betamax’s slightly superior picture quality. Rental Boom: Video rental stores exploded in the 1980s because VCRs were affordable, but tapes were expensive ($50-$100 each). The first Blockbuster opened in 1985, capitalizing on this trend. Time-Shifting Revolution: VCRs introduced “time-shifting,” letting people record TV shows to watch later. This was groundbreaking, though networks initially feared it would kill live TV. A 1984 U.S. Supreme Court ruling upheld home recording as legal, boosting VCR popularity. Early Adopters’ Struggles: Early VCRs were clunky, with complex controls. The infamous “blinking 12:00” on VCR clocks became a cultural joke because many users couldn’t figure out how to set the time. Global Impact: By 1980, only about 1% of U.S. households had a VCR, but by 1990, over 70% did. Japan led early adoption, with companies like Sony and JVC driving innovation. Peak Sales Period (1977–2000): The VCR was a dominant consumer electronics product for about two decades. We can estimate U.S. sales alone at approximately 100–200 million units over this period. Market Decline: VCR sales peaked in the 1980s and 1990s but declined sharply in the early 2000s as DVDs overtook VHS. By 2003, DVD sales surpassed VCR sales, and the last VCRs were manufactured by Funai in 2016.
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HDTV Rewind Episode #7: TV Specifications
06/10/2025
HDTV Rewind Episode #7: TV Specifications
On this episode of the Rewind show we go back to June 11th 2010 where we read your emails, look at a news story or two, and look at TV Specifications.
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Podcast #1204: Can Future OLED Screens Become Multi Channel Speakers
06/06/2025
Podcast #1204: Can Future OLED Screens Become Multi Channel Speakers
On this week’s show our listeners have provided the topics. We discuss a $30 hack to improve your TV as well as a new OLED technology that may turn your screen into a multi channel speaker. Plus we read your emails and take a look at the week’s news. News: $30 Dollar Hack to Improve Your TV One of our listeners, Scott, sent us a link to an article suggesting that a $30 LED strip can significantly enhance your TV viewing experience. . We’ll summarize here but check out the article for more detail. The author of the PCWorld article shares his positive experience with a $30 USB-powered LED strip, initially inspired by the concept of bias lighting to reduce eye strain by counterbalancing a TV's bright display. After research, the budget-friendly strip proved easy to install, powered directly by the TV, and automatically synced with the device’s on/off function. Installation was simple, involving a clean surface and careful placement of the adhesive-backed strip along the TV’s rear edges, cut to fit for even light distribution. The soft, ambient glow reduced eye fatigue, enhanced contrast and color vibrancy, and made dark scenes in movies and games more enjoyable, proving a cost-effective alternative to pricier lighting systems, and a recommended upgrade for better comfort and visual quality. Turn Your OLED Screen Into a Multi Channel Speaker And another listener, Bob, sent us an article about a technology being developed that could lead to the world's first Pixel-Based Local Sound OLED (PLS-OLED) display. It would allow each pixel to emit different sounds simultaneously, effectively turning the display into a multichannel speaker array. This breakthrough was successfully demonstrated on a 13-inch OLED panel, similar to those used in laptops and tablets. The technology could potentially revolutionize applications in devices like smartphones, tablets, laptops and possibly televisions by combining visual and audio functions in a single, ultra-thin panel. The study was published in . This is our take on how this technology can be used to enhance a home theater system for some users: Integrated Audio-Visual Experience: Fewer Speakers: With PLS-OLED, the audio comes directly from the screen, eliminating the need for external speakers and creating a cleaner, more streamlined setup. Immersive Sound: Since each pixel can emit distinct sounds, the technology enables precise, localized audio output. This means sound can appear to come directly from the action on screen. A character’s voice would originate from their mouth or an explosion sounding like it’s bursting from the exact spot on the display—enhancing the realism of the home theater experience. Multichannel Audio Without Additional Hardware: Surround Sound Simulation: The multichannel capability of PLS-OLED can mimic surround sound to some degree by directing different audio channels through various parts of the screen. However, we don’t see this replacing a good 7.1 setup, rather it would enhance the audio. Enhanced Aesthetics and Space Efficiency: Reduced Equipment: By integrating high-quality audio into the display, you eliminate the need for a separate audio receiver, subwoofers, and multiple speakers, saving space and reducing setup complexity. Potential for Advanced Applications: Personalized Audio Zones: In a home theater shared by multiple viewers, the pixel-based sound could theoretically create localized audio zones, allowing different people to hear optimized sound based on their seating position, though this might require further development or additional hardware like head-tracking. Possibly delivering a more accurate 3D audio experience directly from the screen. Practical Considerations: Installation Ease: Unlike traditional systems that demand careful speaker placement and calibration, PLS-OLED simplifies setup—just mount the display and connect it to your media source. This is ideal for users who want a plug-and-play home theater solution. Limitations and Next Steps: Sound Power: The article doesn’t specify the volume or frequency range of the audio output. Most of us want deep bass and loud, clear sound, so in reality you would still want a subwoofer for a fuller sound. Conclusion: The Pixel-Based Local Sound OLED technology could revolutionize simple home theaters by combining high-quality visuals and multichannel audio in one device, delivering a more immersive, space-efficient, and aesthetically pleasing experience. It’s particularly promising for compact setups or users seeking simplicity without sacrificing sound quality.
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HDTV Rewind Episode #6: What Were Integrators Using in 2010
06/03/2025
HDTV Rewind Episode #6: What Were Integrators Using in 2010
On this episode of the Rewind show we go back to June 4tht 2010 where we read your emails look at a news story or two and look at a CE Pro article from 2010
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Podcast #1203: Top Series Finales of Network/Cable TV Shows
05/30/2025
Podcast #1203: Top Series Finales of Network/Cable TV Shows
On this week’s show we look at our favorite TV Series Finales from Network and Cable TV. We also read your emails and take a look at the week’s news. News: Top Series Finales of Network/Cable TV Shows Here is a rundown of our favorite TV Series Finales. What are your favorites? – "Goodbye, Farewell and Amen" (CBS, February 28, 1983) This 2.5-hour finale remains the highest-rated scripted TV episode in U.S. history, with a 72% audience share. It masterfully blended comedy and drama, reflecting the show’s tone. The Korean War ends, and the 4077th unit disbands, with emotional farewells like Hawkeye’s helicopter spotting B.J.’s "GOODBYE" in stones. - “Made in America” (HBO, June 10, 2007) The final episode leaves viewers with a cliffhanger that remains open to interpretation. Tony Soprano is at a diner with his family when the screen cuts to black as a suspicious-looking man glances at him. The ending doesn't explicitly confirm whether Tony is killed, but rather leaves the audience to wonder if he will continue to live under the threat of violence inherent to his mob life. The episode's iconic music, Journey's "Don't Stop Believin'," plays in the background, adding to the tension and suspense. – "The Last Show" (CBS, March 19, 1977) When WJM-TV’s new owner fires the entire newsroom except the incompetent Ted Baxter, the team shares a tearful group hug, and Mary delivers a poignant monologue. Her final act of turning off the studio lights became an iconic TV trope. - “The Struggle” (FX, April 19, 2023) The Snowfall saga chronicled the origins and spread of crack cocaine in South Central and how it ultimately threw Los Angeles neighbourhoods into chaos. Anti-hero Franklin Saint, who we first met on a bright summer day full of promise and big dreams, ended the series on that same street hopeless, delusional and destitute. He was last seen wandering away from the house he bought for his mother - his final possession - as officers from the L.A. Sheriff’s Department swooped in to evict him over unpaid property taxes. – "The Last Newhart" (CBS, May 21, 1990) This finale is legendary for its meta twist. After eight seasons of running a Vermont inn, Dick Loudon (Bob Newhart) is hit by a golf ball and wakes up as Dr. Bob Hartley from The Bob Newhart Show (1972–1978), next to his wife Emily (Suzanne Pleshette), revealing the entire series was a dream. - “Finale” (NBC, May 16, 2013) One year later, Dunder Mifflin employees past and present reunite for a panel discussion about the documentary and to attend Dwight and Angela's wedding.The episode features cameos and wraps up several character storylines, with characters attending the wedding and reflecting on their lives and experience. Pretty much everyone gets a happy ending - “That’s what she said.” – "One for the Road" (NBC, May 20, 1993) Watched by over 80 million viewers, this 98-minute finale wrapped up the Sam-Diane romance with honesty. Diane (Shelley Long) returns, but instead of a fairy-tale ending, Sam chooses his bar—his true love—over rekindling their relationship. The final line, “Sorry, we’re closed,” delivered to a late-night customer, symbolizes the show’s end. - “The Promise” (FX, April 14, 2015) After five seasons of rivalry and dare we say friendship, Justified’s sixth and final season saw Deputy U.S. Marshal Raylan Givens put his "nemesis" Boyd Crowder behind bars. But that isn't what made the finale so incredible. Aside from giving just about every character a bit of closure, there was one scene that we'll never forget: Raylan sitting across from Boyd in prison as he lies about Ava's death and then, when asked why he traveled long and far to deliver the news in person, he finally admitted the one thing viewers have always known - that Boyd isn't his enemy. Goggins then perfectly delivered the line that said everything about their relationship: "We dug coal together." – "The Stockholm Syndrome" (CBS, May 16, 2019) Sheldon and Amy’s Nobel win, paired with his heartfelt tribute to his friends, closed the sitcom with sentimentality and growth, though some felt it was overly tidy – "The Last One" (NBC, May 6, 2004) With 52.5 million viewers, this finale delivered closure for the six friends’ arcs. Monica and Chandler move to the suburbs with their twins, Ross and Rachel reunite, and the group leaves Monica’s apartment for the last time. It balanced humor, nostalgia, and emotional payoff without overstaying its welcome. – "Whenever You’re Ready" (NBC, January 30, 2020) This philosophical comedy concluded with the characters choosing when to leave their afterlife, reflecting the show’s themes of morality and growth. Emotional farewells, especially Eleanor’s influence on Chidi, resonated deeply, set against a hopeful yet bittersweet tone. There is a really good series twist at the end of season one as well. Which brings up the concept of season ending cliffhangers. Maybe for another show!
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Podcast #1202: Home Theater System for under $2000
05/23/2025
Podcast #1202: Home Theater System for under $2000
On this week’s show we look at how the strategies keep changing in the streaming wars. We spend your money and design a home theater system for less than $2000. And as usual we read your email and take a look at the week’s news. News: Top Streaming Services Change Up Strategies A Business Insider article suggests the streaming wars have shifted from competition to strategic alliances and distinct priorities. Netflix now prioritizes engagement over subscriber numbers, revamping its homepage with vertical video to rival YouTube and TikTok. Disney focuses on subscriber growth through bundles with Hulu and ESPN, aiming for profitable expansion. Warner Bros. Discovery’s Max emphasizes profitability, leveraging high-quality content to retain subscribers rather than competing with Netflix’s scale. Engagement is key as streamers build ad businesses. Netflix, with 8% of U.S. connected TV watch time, uses engagement to reduce churn and support its $2.2 billion ad business. Amazon’s Prime Video scales ads by enabling them for all users unless they opt out, using shopping data to boost ad effectiveness. While Netflix and Amazon focus on engagement for ads, Disney, Paramount+ (79 million subscribers), and Peacock (41 million) prioritize subscriber growth, though neither is profitable yet. Profitability is critical for WBD, which has cut Max’s content spending to focus on financial sustainability, leveraging HBO’s legacy content. Its bundling with Disney+ and Hulu supports international growth. Apple TV+ faces high churn due to its limited library, leaving its strategy unclear. As streamers balance growth, engagement, and profitability, alliances and niche strategies redefine success in a crowded market. Home Theater System for under $2000 Ok so you bought a house and spent all your money but you already had a 70” TV from your previous home. And while that has been great you want something more out of your TV watching experience. Somehow you scrape together a $2000 budget and want to know what kind of “Home Theater” System you can cobble together to provide you with immersive surround sound. For this exercise we are assuming a typical living room (e.g., ~15x20 ft) and a focus on movies and general entertainment. We will emphasize value and performance while keeping the setup beginner-friendly. Key Considerations Room Size: Our medium-sized living room can benefit from a 5.1 or possibly a 5.1.2 (Dolby Atmos) setup for surround sound. We have chosen to stay with a 5.1 system for budget concerns. Priorities: Clear dialogue, deep bass, and immersive surround effects are key for movies and gaming. Music performance is secondary but still considered. Components: You’ll need an AV receiver, speakers (front, center, surrounds), a subwoofer, and a streaming device. Setup: We opted for wired speakers for reliability and cost savings over wireless systems, which can eat into the budget. Recommended System AV Receiver: Denon AVR-S760H 2021 Model () We are on a budget so a 2021 model that does everything you need for a small family room on a budget is absolutely the right call here. Don’t overlook last year's models on your A/V equipment. No one will walk into your house and whisper about last years (or four years ago) model behind your back. This is a 7.2-channel receiver with 75W per channel, supporting 4K/120Hz, Dolby Atmos, DTS:X, and room calibration (Audyssey). It’s versatile, beginner-friendly, and handles modern formats for movies and gaming. 6 HDMI inputs (3 with 8K support), Bluetooth, Wi-Fi, and HEOS for streaming. Refurbished units can save even more. Speaker System: RSL CG3M 5.1 home theater system () We splurged a little on the speakers. The CG3Ms will not disappoint! We have been fans of RSL since we had Joe Rogers on the show about 15 years ago. He is a musician and understands what music is supposed to sound like and has designed speakers with that in mind. This compact speaker system will put you right in the middle of a concert or movie! You really can’t get better at this price. The 300 watt 10” subwoofer is plenty for your small to medium sized family room. Speaker Wire and Cables: Monoprice () Pretty much from day one we have been saying buy good cables but don’t spend a lot of money doing so. $50 at Monoprice goes a long way for your Speaker and HDMI cables. Streaming Device: ($150 Budget) A streaming device enhances your home theater by providing access to all kinds of entertainment options, including Netflix, Hulu, and Disney+,and YouTube. These dedicated streaming devices offer faster performance, regular software updates, and broader app compatibility. They also support advanced features like 4K HDR, Dolby Atmos, and voice control, elevating your viewing experience with superior picture and sound quality. Additionally, devices like Roku, Amazon Fire TV, or Apple TV are portable, affordable, and easy to set up, making them a versatile upgrade for any home theater, regardless of your TV’s age or brand. Sales Tax: $90 - $150 Unfortunately we can’t forget the tax man. There are a few places in the US that do not have a sales tax and other areas range from 6% up to 10%. Total Cost: ~$1,640-$1,700 This leaves ~$300-$360 for a programmable remote, Atmos, or height speakers. Or a year of a new streaming service. This system balances cost, performance, and future expandability, delivering an elevated experience for your new home without breaking the bank.
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HDTV Rewind Episode #5: 2009-2010 TV Season By the Numbers
05/20/2025
HDTV Rewind Episode #5: 2009-2010 TV Season By the Numbers
On this episode of the Rewind show we go back to May 21st 2010 where we read your emails look at a news story or two and wrap up the 2009 - 2010 TV Season
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Podcast #1201: The Best Movie Plot Twists
05/16/2025
Podcast #1201: The Best Movie Plot Twists
On this week’s show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week’s news. News: Three Incredible Deals on a UHD TV As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing. Samsung 70" Crystal UHD 4K HDR TV (DU7200) Price: $ Retailer: Amazon Details: This is noted as the lowest price ever for this 2024 model. It features Samsung’s Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand. Why It’s a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities. Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV Price: $ Retailer: Amazon Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming. Why It’s a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups. Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV Price: $ Retailer: Amazon Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming. Why It’s a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand. The Best Movie Plot Twists I came across an article that was discussing how a good movie will lead you down one path and then in a “Plot Twist” send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites? - The twist redefines the entire story, forcing viewers to rethink every scene. It’s iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis’ character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming. - The revelation Darth Vader is Luke’s Father altered the saga’s emotional core and is still one of the most quoted twists ever. - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema. - The climax delivers a horrific surprise that ties the story’s themes together. It’s a twist that’s both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin. Braden’s Pics:
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HDTV Rewind Episode #4: Tips for Buying Speakers and Wireless Surrounds
05/13/2025
HDTV Rewind Episode #4: Tips for Buying Speakers and Wireless Surrounds
On this week’s show we go back to the second week of May 2007 where we look give you some tips on buying speakers that still hold true today. We also look at wireless speakers and read a couple of emails from back then.
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Podcast #1200: The History of Color Television in the United States
05/09/2025
Podcast #1200: The History of Color Television in the United States
On this week’s show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week’s news. News: Other: The History of Color Television in the United States We received an email from a listener with a link to a YouTube video called . It's a long video but an extremely informative presentation that takes a fascinating and detailed look at early color TV programming. Watch it if you get a chance.You can skip through parts of it because it's four hours long. This week we thought we’d take a look back at the transition from black and white and compare it to the transition to HDTV. The history of color television in the United States spans several decades, marked by technological innovation, regulatory battles, and gradual consumer adoption. Early Concepts (1920s-1930s): The idea of color television emerged in the 1920s. German engineer Walter Bruch demonstrated a mechanical color TV system in 1929, but it was impractical. In the U.S., early experiments by RCA and others focused on monochrome TV, with color as a future goal. Initial Development (1940s): During World War II, TV development slowed, but post-war efforts intensified. CBS developed a field-sequential color system, which used a rotati ng color wheel to transmit red, blue, and green images in sequence. It was incompatible with existing black-and-white sets, requiring new receivers or adapters. CBS System Approval (1950): On October 11, 1950, the FCC approved CBS’s color system as the U.S. standard. Broadcasting began in June 1951, but the system faced challenges: it was expensive, bulky, and incompatible with the millions of black-and-white TVs in use. Only about 200 color sets were sold, and production halted during the Korean War. RCA’s NTSC System (1953): RCA, a major player in TV manufacturing, developed a compatible color system based on the National Television System Committee (NTSC) standards. This system allowed black-and-white TVs to receive color broadcasts in monochrome, while color TVs could display full-color images. After intense lobbying and demonstrations, the FCC reversed its decision and adopted the NTSC standard on December 17, 1953. First Color Broadcasts (1954): RCA’s system launched commercially on January 1, 1954, with NBC (owned by RCA) airing the first nationwide color broadcast, the Tournament of Roses Parade. Early color broadcasts were limited, and color TVs were expensive—around $1,000 (equivalent to ~$10,000 today). Slow Adoption (1950s-1960s): Color TV adoption was gradual due to high costs and limited programming. By 1960, only 0.1% of U.S. households had color sets. Networks like NBC and CBS slowly increased color content, with shows like Walt Disney’s Wonderful World of Color (1961) boosting interest. RCA’s aggressive marketing and price reductions helped. Mass Adoption (Mid-1960s-1970s): By 1965, all three major networks (NBC, CBS, ABC) were broadcasting most prime-time shows in color. The FCC mandated that all new TVs sold after 1966 include color capability. By 1972, color TV sales surpassed black-and-white, and by the mid-1970s, over 50% of U.S. households owned color sets. Full-color broadcasting became standard by 1977. Technological Refinements (1980s-1990s): Color TV technology improved with better picture tubes, larger screens, and stereo sound. The NTSC standard remained dominant until the transition to digital TV in the 2000s. Cable and satellite TV expanded access to vivid color programming. Legacy and Digital Transition (2000s): The NTSC analog system was phased out in 2009, replaced by digital ATSC standards, which offered superior color fidelity and high-definition. Color TV became a cornerstone of home entertainment, paving the way for modern LED, OLED, and 4K displays. Key Milestones: 1950: CBS’s color system approved. 1953: NTSC standard adopted. 1954: First NTSC color broadcast. 1965: Full-color prime-time schedules. 1972: Color TV sales overtake black-and-white. 2009: Analog NTSC broadcasting ends. Below is a list of notable U.S. TV stations and networks, along with available data on when they began color broadcasting based on historical information. I have noted where specific station data and precise dates are unclear or unavailable. United States WCBS-TV (New York, NY, CBS Affiliate) Year: 1951 (limited), 1965–1966 (full transition) Details: WCBS-TV, a CBS owned-and-operated station, was among the first to broadcast in color during CBS’s experimental Field Sequential broadcasts starting June 25, 1951, from New York’s Studio 57. These were limited to a few hours daily and required special receivers, as they were incompatible with black-and-white sets. Only about 10.5 million monochrome sets existed in the U.S., and production of CBS’s color sets was halted by the Korean War. Regular color broadcasts using the NTSC standard likely began in the mid-1960s, with CBS equipping its Broadcast Center with GE PE-24 color film chains by 1965. WNBT (now WNBC, New York, NY, NBC Affiliate) Year: 1954 (regular broadcasts) Details: NBC’s flagship station in New York conducted color field tests as early as July 1951 using RCA’s dot sequential system. It broadcast the first nationwide color program, the Tournament of Roses Parade, on January 1, 1954, marking a significant milestone. WNBT was a leader in early color adoption due to NBC’s parent company, RCA, pushing the NTSC standard. WCAU-TV (Philadelphia, PA, CBS Affiliate at the time) Year: 1950–1951 (experimental), mid-1960s (full transition) Details: WCAU-TV received CBS’s experimental color broadcasts via coaxial cable from New York starting December 13, 1950, for public viewing on color receivers. These used CBS’s Field Sequential system. Full NTSC color broadcasting likely aligned with CBS’s broader adoption by the mid-1960s, as WCAU used RCA TK-42 cameras by 1966. WMT-TV (now KGAN-TV, Cedar Rapids, IA) Year: 1967 Details: WMT-TV, the first TV station in eastern Iowa, transitioned to color in 1967, as documented in a viral video showing news anchor Robert Bruner announcing the switch live on air. The station’s new color cameras improved monochrome pictures for black-and-white set viewers while enabling full color for those with color TVs. WQEX (now WINP-TV, Pittsburgh, PA, PBS Affiliate) Year: 1986 Details: One of the last North American stations to convert to color, WQEX began color broadcasting on October 16, 1986, after its 1950s-era black-and-white transmitter failed in February 1985. The station’s owner, WQED, raised pledge money to purchase a color transmitter, highlighting the financial barriers for smaller or public stations. WNEW-TV (now WNYW, New York, NY, Independent at the time) Year: Mid-1960s (approx. 1965–1966) Details: WNEW-TV, a major independent station, purchased three GE PE-24 color cameras in the mid-1960s, aligning with the industry’s push toward color. Exact dates are unclear, but this was part of the broader color adoption wave. WBBM-TV (Chicago, IL, CBS Affiliate) Year: 1967–1968 (approx.) Details: As a CBS owned-and-operated station, WBBM-TV used Marconi Mark VII color cameras starting in the 1967–68 season, indicating a full transition to color by this time. Earlier experimental broadcasts may have occurred in the mid-1960s. KMOX-TV (now KMOV, St. Louis, MO, CBS Affiliate at the time) Year: 1967–1968 (approx.) Details: Like WBBM-TV, KMOX-TV adopted Marconi Mark VII color cameras for the 1967–68 season, suggesting a full color transition by this period. KNXT (now KCBS-TV, Los Angeles, CA, CBS Affiliate) Year: 1967–1968 (approx.) KNXT became KCBS-TV on April 2, 1984, at noon. Details: KNXT, another CBS owned station, also used Marconi Mark VII cameras starting in 1967–68, aligning with CBS’s broader color adoption. NBC Network (Nationwide, affecting O&O and affiliate stations) Year: 1954 (partial), 1965 (full primetime) Details: NBC was the earliest adopter of color, driven by RCA’s development of the NTSC standard. It began regular color broadcasts with the Rose Parade on January 1, 1954, and was the first network to air a full-color primetime schedule in 1965. Shows like Walt Disney’s Wonderful World of Color (1961) and Bonanza were early color hits. NBC’s owned-and-operated stations (e.g., WRC-TV in Washington, D.C.) and affiliates followed, with about one-third of NBC’s O&O stations having color transmitters by 1954. CBS Network (Nationwide, affecting O&O and affiliate stations) Year: 1951 (experimental), 1966–1967 (full primetime) Details: CBS pioneered the first commercial color broadcast on June 25, 1951, with the show Premiere, but its Field Sequential system was incompatible and abandoned. By 1965, CBS had GE color film chains and was broadcasting color for primetime shows, with daytime soaps like The Secret Storm converting by 1967. A test episode of Perry Mason was shot in color in 1966. Affiliates in major markets followed, though smaller stations were slower. ABC Network (Nationwide, affecting O&O and affiliate stations) Year: 1962 (partial), 1966 (full primetime) Details: ABC lagged behind NBC and CBS due to financial constraints but began color broadcasts in the early 1960s, with shows like The Flintstones produced in color by 1962 (though some affiliates aired it in black-and-white). ABC used a mix of RCA, Norelco, and GE color equipment and achieved full primetime color by 1966. United Kingdom BBC2, London: July 1, 1967 – First UK station to broadcast in color, starting with the Wimbledon Championships. BBC1 and ITV, London: November 15, 1969 – Both began color broadcasts, covering London, Midlands, North-West, and Yorkshire regions. ITV Scotland: December 13, 1969 – First color programs aired. ITV Wales: April 6, 1970 – Began color broadcasts. ITV Northern Ireland: September 14, 1970 – Started color programming. Other Countries ATV (Associated Television), Australia: March 1, 1975 – Official switch to color, with a notable broadcast event. NRK, Norway: August 25, 1972 – First color broadcast, part of a gradual national transition. ORTF, France: October 1, 1967 – Began color broadcasts, with a famously understated switch. ARD, West Germany: August 25, 1967 – First color broadcast, slightly ahead of schedule due to technical efficiency. CCTV, China: May 25, 1973 – First experimental color broadcast using the American NTSC standard, with full adoption later. SABC, South Africa: January 5, 1976 – Began color broadcasts, delayed due to late adoption of television itself.
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HDTV Rewind Episode #3: 10 Things About Sound and Costco
05/06/2025
HDTV Rewind Episode #3: 10 Things About Sound and Costco
On this week’s show we go back to May of 2007 where we look at an article titled: 10 things about sound but were afraid to ask as well as revisiting a trip to Costco. We also look at the news and email of the day.
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Podcast #1199: TV Renewal Scorecard
05/02/2025
Podcast #1199: TV Renewal Scorecard
On this week’s show We rundown the recently concluded TV season and which shows are coming back for another season. We also read your emails and take a look at the week’s news. News: Other: TV Renewal Scorecard Each TV season we highlight the upcoming TV season in September and then around the end of April we take a look at which shows are coming back. This list is provided by TV Line and can be found . The Scorecard does not include unscripted series. The eight levels in TVLine’s annual renewal scorecard are as follows: Officially renewed A sure thing A safe bet Could go either way A long-shot Essentially cancelled Officially cancelled Too early to tell ABC : Officially renewed : Officially renewed : Officially cancelled/ending in 2025 : Could go either way : Officially renewed : Officially renewed : Officially renewed : Officially renewed : Officially renewed CBS : Officially cancelled (ended Dec. 13) : Officially renewed : Could go either way : Renewed through Season 9 : Officially cancelled : Officially cancelled : Officially renewed : Officially renewed : Officially renewed (through 2026-27 season) : Officially renewed : Officially renewed : Officially renewed : Officially renewed : Officially renewed for final season : Officially cancelled : Officially cancelled : Officially renewed : Officially renewed Not on the list is Survivor. There will be a season 50 at a minimum! CW : Could go either way : Cancelled by CTV (Season 4B premieres on CW June 18) : A safe bet : Officially ended (limited series) : Too soon to tell (premieres April 16) : Renewed in Canada; CW status TBD : Renewed in Canada; CW status TBD : Season 3 premieres May 7 : Cancelled : A safe bet Fox : Officially cancelled : Could go either way : Too soon to tell : A safe bet : Officially renewed (for another 4 seasons!) : Too soon to tell : Officially renewed : Officially renewed (for another 4 seasons!) : Could go either way : Could go either way : Could go either way : Officially renewed through Season 4 : Officially renewed : A safe bet : Officially renewed (for another 4 seasons!) : Officially renewed NBC : A safe bet : A sure thing : A sure thing : A sure thing : A safe bet : Officially renewed : A long-shot : Could go either way : Could go either way : Could go either way : A sure thing : Could go either way : A safe bet : Officially renewed : A long-shot Fun facts about the 2024-2025 TV Season CBS Dominates Viewership (Again): CBS claimed the title of the most-watched network for the 17th consecutive season, with shows like Tracker leading as the season’s top entertainment program, averaging a larger audience than its debut season. CBS also boasted eight of the top 10 most-watched programs, including new show hits Matlock and Georgie & Mandy’s First Marriage. Freshman Shows Boost Time Slots: New series like CBS’s reboot of Matlock and ABC’s High Potential and Shifting Gears improved their respective time slots’ viewership. Matlock became the season’s most-watched new series, while Georgie & Mandy’s First Marriage was the top comedy. Reboots and Spinoffs Rule: The season leaned heavily on familiar franchises. Examples include CBS’s NCIS: Origins (a prequel to NCIS), Georgie & Mandy’s First Marriage (a Young Sheldon spinoff), and NBC’s Happy’s Place (starring Reba McEntire, echoing her sitcom roots). This reflects a cautious approach by networks, favoring known brands over original concepts. Long-Running Shows Keep Going: Iconic animated series on Fox, like The Simpsons (renewed through its 40th season), Family Guy (through its 27th season), and Bob’s Burgers (through its 19th season), continued their historic runs, cementing their status as cultural staples. The CW’s Reboot Continues: The CW, now under new management, focused on sports and unscripted content, airing NASCAR Xfinity Series races and shows like Totally Funny Animals. It also renewed scripted series like Sullivan’s Crossing for a third season, signaling a shift from its former teen-drama-heavy identity. Broadcast TV Still Draws Older Viewers: Social media chatter on X suggested younger audiences are drifting from broadcast TV, with “boomers” as the primary viewers. This perception aligns with complaints about repetitive genres (cop, lawyer, doctor shows) and a lack of risk-taking, though hits like Tracker and High Potential still pulled diverse viewers.
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HDTV Rewind Episode #2: Dolby Surround and More HD-DVD Fun
04/30/2025
HDTV Rewind Episode #2: Dolby Surround and More HD-DVD Fun
In this episode we read some emails concerning mp3 bit rates and more on HDDVD. We also explain Dolby Surround. We finish with a TV Show Theme trivia game.
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Podcast #1198: Are You Satisfied With Your Streaming Providers?
04/25/2025
Podcast #1198: Are You Satisfied With Your Streaming Providers?
On this week’s show we ask, how satisfied are you with your streaming service providers? We also read your emails and take a look at the week’s news. News: Other: State of Streaming: Satisfaction with streaming providers (The Streamable) How are Americans really feeling about their streaming services? Recently, we surveyed nearly 1,500 cord-cutters to get a clearer picture of how people are watching, what they’re paying, and which services they are most satisfied with. The results reveal shifting habits in a saturated streaming market and point to what matters most as we speed right through 2025. Streaming services people use: YouTube TV: 30% Hulu + Live TV: 10% Sling TV: 7% DIRECTV STREAM – 6% Fubo: 3% Philo: 3% DIRECTV via internet: 2% Dish: 2% None of the above: 38% Are subscribers satisfied? Despite rising subscription costs and service fragmentation, 58% of users are satisfied with their streaming experience, 33% are neutral, and only 9% are dissatisfied. This high satisfaction rate, despite 2024's price hikes and content reshuffles, is likely due to improved app performance, better device compatibility, and more tailored subscription options. How many services do people use? In 2025, streaming is typically a multi-platform experience: 49% of households subscribe to 2-4 services, 38% use 5 or more, and only 12% stick to a single service. Content fragmentation drives users to stack subscriptions for their favorite shows and sports, a shift from the cable era, making multiple subscriptions the norm for convenience. Monthly spending on streaming The typical streaming bill has surged, with 35% of users spending $50-$100 monthly, often on live TV and multiple on-demand subscriptions. Additionally, 26% spend over $100, likely on premium plans or add-ons, while only 19% keep costs at $25 or less by limiting subscriptions or using free trials. Streaming costs and complexity now rival traditional cable bills. Bundled benefits Bundling is a popular cost-saving strategy, with 31% of respondents accessing streaming through Amazon Prime and 14% via phone bills, often getting discounted or free access to platforms like Netflix or Disney+. However, 36% prefer direct subscriptions or find their preferred platforms aren't bundled, showing bundling is common but not universal. Churn vs. loyalty In 2025, 70% of users showed strong loyalty to their existing services, indicating platform stickiness despite subscription fatigue. However, 50% canceled at least one streaming service in 2024, driven by cyclical pauses, price hikes, or lack of content. Unlike cable, streaming subscriptions are easily canceled, leading to dynamic, seasonal churn, with some users returning for new content. What matters most? Here are the features that matter most to users: Affordable pricing Access to local channels Live sports availability Device compatibility (smart TVs, streaming sticks, etc.) Channel variety Reliable streaming quality DVR functionality Support for 4K resolution and surround sound (less critical) Preferred streaming devices Smart TVs are the top choice for streaming, used by 56% of viewers, followed by Roku devices at 44%, then Fire TV, Apple TV, and web/mobile viewing. This highlights a trend toward living room, lean-back streaming experiences over desktop viewing, driven by widespread smart TV adoption and improved built-in apps.
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HDTV Rewind April 22 2007 Episode #1
04/22/2025
HDTV Rewind April 22 2007 Episode #1
I thought it would be fun to go back and listen to a few episodes from the "old" days. Thanks to Milton Scritsmier I now have access to our podcasts going back to 2007. Let me know if you would like me to continue
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Podcast #1197: Is GPMI the beginning of the end of HDMI?
04/18/2025
Podcast #1197: Is GPMI the beginning of the end of HDMI?
On this week’s show we look at a technology that could end HDMI. We also read your emails and take a look at the week’s news. News: Other: Is GPMI the beginning of the end of HDMI? Over 50 Chinese companies including Hisense and TCL have joined forces to back an HDMI alternative called GPMI (General Purpose Media Interface). This new wired communication standard is designed to integrate multiple functionalities into a single cable, aiming to rival HDMI, DisplayPort, and Thunderbolt. The following are some key features: High Bandwidth for Data Transmission - GPMI Type-B: Supports up to 192 Gbps bandwidth, significantly surpassing HDMI 2.1 (48 Gbps), HDMI 2.2 (96 Gbps), DisplayPort 2.1 (80 Gbps), and Thunderbolt 4 (40 Gbps). GPMI Type-C: Offers up to 96 Gbps, compatible with USB-C ports, doubling the 40 Gbps limit of USB4 with Extended Power Range (EPR) under USB PD 3.1. Enables ultra-high-definition video - including 8K at 120Hz or higher, suitable for next-generation displays, gaming, and professional applications. Power Delivery GPMI Type-B: Delivers up to 480W of power, far exceeding Thunderbolt 4 (100W) and USB4 (240W with EPR). GPMI Type-C: Provides up to 240W, matching USB4 EPR capabilities. This eliminates the need for separate power cables - simplifying setups for devices like TVs, monitors, and gaming laptops. All-in-One Cable Solution - Combines video, audio, data transfer, network connectivity, and power delivery into a single cable, reducing cable clutter. Supports bidirectional data transfer - allowing devices to send and receive data simultaneously. Compatibility and Connectivity - GPMI Type-C: Licensed by the USB Implementers Forum ensuring compatibility with existing USB-C ecosystems for smartphones, PCs, and TVs. GPMI Type-B: Uses a proprietary connector, which may face adoption challenges unless widely licensed. Backward-compatible with USB-C and DisplayPort standards - easing transitions without requiring immediate hardware replacements. Universal Control and Device Management - Supports a universal control standard similar to HDMI-CEC, allowing a single remote to control multiple GPMI-connected devices Security Features - Integrates the ADCP (Advanced Digital Content Protection) protocol for secure content transmission. Supports daisy-chaining - similar to DisplayPort, for connecting multiple devices in series. Limitations and Notes While GPMI supports 8K video, HDMI 2.1 and DisplayPort 2.1 can handle higher resolutions (10K and 16K, respectively), though without power delivery. Adoption is currently limited to Chinese companies (e.g., Huawei, Hisense, TCL), and global traction depends on integration into mainstream devices and compatibility with non-Chinese brands like Sony, Intel, or NVIDIA. The proprietary Type-B connector may face adoption hurdles compared to the USB-C-based Type-C variant. Commercialization is planned for Q1 2025, with consumer products expected by early 2026. GPMI's combination of high bandwidth, power delivery, and multifunctionality positions it as a potential game-changer, particularly for 8K content and simplified connectivity, though its success hinges on widespread adoption and global market acceptance.
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Podcast #1196: Will AI Drive Home Automation into the Next Decade?
04/11/2025
Podcast #1196: Will AI Drive Home Automation into the Next Decade?
On this week’s show look at five trends that are shaping home theaters in 2025 and we look at what will drive home automation into the next decade. Pulse we read your emails and take a look at the week’s news. News: Other: Here are Five Trends Shaping Home Theater Experiences in 2025: 1. Immersive Audio Systems: Dolby Atmos and DTS:X continue to dominate, with more homes adopting multi-dimensional sound setups. Ceiling speakers and soundbars with upward-firing drivers are increasingly popular, creating a cinema-like audio bubble. 2. 8K Resolution Adoption: While 4K remains standard, 8K TVs and projectors are gaining traction as prices drop and content becomes more available. Upscaling tech also enhances older media, making the jump to 8K more appealing. 3. Smart Integration: Home theaters are syncing up with smart home ecosystems—think voice-controlled lighting, motorized screens, and AI-driven content recommendations. Systems like Google Home or Alexa are seamlessly tied to AV receivers and streaming devices. 4. Modular and Compact Designs: Space-saving solutions are on the rise. All-in-one projectors with built-in streaming, or modular furniture with hidden speakers, cater to smaller living spaces without sacrificing quality. 5. Gaming-Centric Features: With next-gen consoles and PCs pushing boundaries, low-latency displays (120Hz+ refresh rates) and variable refresh rate (VRR) support are must-haves. Home theaters are doubling as gaming hubs, blending entertainment modes. Will AI Drive Home Automation into the Next Decade? One of the biggest advancements in home automation technology in recent years is the integration of artificial intelligence (AI) and machine learning into smart home systems. This has taken home automation beyond simple remote control and scheduling to a level where devices can learn from user habits, adapt to preferences, and make intelligent decisions autonomously. Those who are fans of AI point to smart thermostats like the Nest or Ecobee and claim that these devices don’t just follow a preset schedule anymore—they analyze your temperature preferences, daily routines, and even local weather patterns to optimize heating and cooling. Over time, they adjust themselves to save energy while keeping you comfortable, often without any manual input. But this isn’t really asking Ai to do much. Once you set a thermostat with your preferences it just needs to determine whether you are home or away and go into the appropriate mode. There is nothing revolutionary or even AI about it. However, AI-powered hubs like Amazon’s Alexa, Google Home, or Apple’s HomeKit have gotten smarter with natural language processing and interoperability. They c an now coordinate multiple devices—lights, locks, cameras, appliances—through a single voice command or trigger complex routines based on contextual cues like, “I’m home” could unlock the door, turn on lights, and start the coffee maker. The latest advancements also include predictive behavior, where systems anticipate needs—like dimming lights when it’s movie time or locking doors when you leave—based on historical data. What’s making this possible is the combination of faster processors, cheaper sensors, and cloud computing, alongside AI models that can crunch data in real time. Add in 5G and Matter (the new universal smart home standard), and you’ve got faster, more reliable communication between devices, even across different brands. But a real game-changer is edge AI—processing data locally on devices rather than in the cloud. This boosts speed, privacy, and reliability, even if your internet drops. Picture a security camera that instantly recognizes a package delivery and unlocks the door for the courier, all without checking with the cloud first. So what do you think will drive home automation in the future?
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Podcast #1195: Could Tiled TVs Become the Future for Very Large Format Displays?
04/04/2025
Podcast #1195: Could Tiled TVs Become the Future for Very Large Format Displays?
On this week’s show we discuss whether physical media is making a comeback and could a Bezel-less OLED be the future of large format TVs. We also read your emails and take a look at the week’s news. News: Other: Physical media is finally making a comeback, and here's the proof Despite a decline in overall physical media sales, which dipped below $1 billion in 2024, there are signs of resilience and growth in specific sectors. Major retailers like Best Buy and Target are phasing out physical media, but Sony's announcement of a new Blu-ray player, the UBP-X700/K, set for release in 2025, signals continued investment in the format. This player, while currently only available in Japan, supports 4K Blu-rays, which are region-free and growing in market share despite the higher cost compared to its predecessor. There is a niche but dedicated community keeping physical media alive, supported by boutique retailers like Criterion Collection and Arrow, which preserve films such as David Lynch’s catalog, including the upcoming 4K release of Twin Peaks: Fire Walk With Me. Mainstream releases still often get physical versions, and affordable options abound online and in thrift stores, offering DVDs, Blu-rays, and 4K discs compatible with modern players. There are personal advantages of physical ownership, like better quality and reliability compared to streaming, which can be plagued by shifting availability and rising costs. While consoles may soon abandon disc drives and companies like LG have discontinued Blu-ray players, the 4K Blu-ray market is a bright spot, with growing demand evidenced by the sell-out of Oppenheimer’s 4K release in 2023. The new Sony player supports Dolby Vision (though it requires manual toggling), enhancing the viewing experience over consoles like Xbox or PS5. The article concludes that 2025 is an opportune time to embrace physical media, especially for those frustrated with streaming, as it offers a tangible, cost-effective alternative with no risk of content disappearing—though it comes with minor inconveniences like disc-swapping for TV binges. The future remains uncertain, but the 4K sector offers hope for collectors. Bezel-less tile OLED TVs could be the future of large-screen displays (from Tom’s Guide) Samsung Display showcased a variety of innovative display technologies at MWC 2025, with a standout being their "bezel-less" OLED tile design. This concept involves combining smaller OLED panels, such as two 31.5-inch QD-OLED screens, to form larger displays with significantly reduced bezels—40% narrower than typical current market offerings. This makes the seams nearly invisible from a standard viewing distance, opening up possibilities for future OLED TV designs. The bezel-less OLED tiles could revolutionize large-screen TVs by improving portability and setup logistics. Unlike traditional massive TVs (e.g., 98- or 110-inch models), which are cumbersome and costly to ship and install, these tiles could be transported and assembled in smaller, manageable parts—ideal for urban dwellers in older buildings with limited access. Additionally, the design might simplify wall-mounting, potentially eliminating the need for complex mounts by allowing the tiles to sit flush against walls, reminiscent of concepts like Displace TV’s suction-cup OLEDs. This technology could particularly enhance lifestyle TVs, such as Samsung’s The Frame, by offering a sleek, frameless look that blends seamlessly into home decor. However, challenges remain—similar to MicroLED, the intricate engineering might make these TVs prohibitively expensive initially. While not yet ready for consumers, Samsung Display’s tile concept hints at an exciting future for bigger, better, and more practical OLED TVs. Let’s Discuss Why This is a Good Thing: Easier Transport and Setup for Large TVs Simplified Wall-Mounting Enhanced Design for Lifestyle TVs Scalability and Customization Improved Visual Experience Easier Transport and Setup for Large TVs The tiled OLED concept tackles the logistical nightmare of moving and installing massive TVs. By breaking a large display (like a 115-inch screen) into smaller, manageable pieces (e.g., two 31.5-inch QD-OLED panels), it becomes far more practical to transport and assemble. This is a game-changer for people in tricky living situations—like those in high-rise apartments with no elevators or tight staircases—where hauling a giant, crated TV is a non-starter. Instead of wrestling with one unwieldy unit, you’d handle smaller components, making setup less of a Herculean task. Simplified Wall-Mounting The ultra-thin, virtually bezel-less design hints at a future where wall-mounting could be a breeze. These tiles seem to sit flush against surfaces, potentially reducing or even eliminating the need for bulky wall mounts and toolkits. While it’s not clear if they’d use something like suction cups (à la Displace TV) or another method, the streamlined look suggests a setup that’s less about drilling and more about placement. This could make mounting a TV—especially over a fireplace or in tight spaces—more accessible and less intimidating. Enhanced Design for Lifestyle TVs The bezel-less tile concept aligns perfectly with the aesthetic goals of lifestyle TVs, like Samsung’s The Frame. A flush, frameless display could elevate the “TV as art” vibe, blending seamlessly into home decor. You could even add a custom frame around the tiles if desired, keeping the versatility intact. This design flexibility could redefine how TVs integrate into living spaces, making them less of an obtrusive tech piece and more of a stylish feature. Scalability and Customization Tiling smaller OLED panels to create a larger screen opens up possibilities for scalable TV sizes. Want a 65-inch TV today but a 98-inch tomorrow? In theory, you could add more tiles. While this might not be fully practical yet, the modular nature suggests a future where screen size isn’t fixed at purchase, offering a level of adaptability that current TVs lack. Improved Visual Experience Shrinking bezels by 40% compared to standard displays means the seams between tiles are nearly invisible at normal viewing distances. This creates a more immersive, uninterrupted picture—crucial for OLED’s strengths like deep blacks and vibrant colors. It’s a step toward making massive OLED screens feel cohesive rather than patchwork, enhancing the viewing experience for movies, gaming, or VR applications. It's Not All Good News: Cost and Accessibility Manufacturing and Durability Challenges Installation Complexity Wall-Mounting Uncertainties Potential Visual Trade-Offs Cost and Accessibility Complex engineering often leads to high costs. Much like MicroLED TVs, which are expensive due to their manufacturing processes, these bezel-less OLED tiles could follow a similar path. If they hit the market, they might be priced out of reach for the average consumer. Manufacturing and Durability Challenges Shrinking bezels by 40% and tiling multiple panels together sounds impressive, but it raises questions about production complexity and long-term durability. Seamlessly connecting 31.5-inch QD-OLED panels could introduce weak points where the tiles meet, potentially leading to issues like uneven wear, panel misalignment over time, or vulnerability to damage during transport or installation. The "bezel-less" claim might also exaggerate real-world performance if micro-gaps or seams remain faintly visible up close. Installation Complexity While the concept promises to simplify transporting and setting up XXL TVs by breaking them into smaller components, the assembly process could still be a hurdle. Consumers might need precise instructions—or even professional help—to align and connect the tiles perfectly. If the panels don’t lock together intuitively or require specialized tools, the setup could negate some of the portability benefits, especially for less tech-savvy users. Wall-Mounting Uncertainties The idea of tiles sitting flush against the wall (possibly without traditional mounts) is appealing, but it’s unclear how practical this would be. If Samsung Display isn’t using suction cups like Displace TV, the attachment method remains a mystery. Adhesive solutions could damage walls or lose strength over time, while a lack of standard mounting hardware might make the TVs harder to secure safely, especially in homes with kids or pets. The "glued-on" aesthetic might also limit repositioning or removal flexibility. Potential Visual Trade-Offs Tiling multiple OLED panels could introduce subtle visual inconsistencies, such as slight color or brightness variations between tiles, especially as they age. While the bezels are minimized, any imperfections in alignment or panel uniformity might become noticeable during close viewing or in scenes with solid colors, detracting from the premium OLED experience consumers expect.
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Podcast #1194: Twenty Years of the HDTV and Home Theater Podcast
03/31/2025
Podcast #1194: Twenty Years of the HDTV and Home Theater Podcast
On this week’s show we talk about 20 years of the HDTV and Home Theater Podcast! We also read your emails and take a look at the week’s news. News: Apple to Launch HomeOS Later This Year Apple is set to have an exciting year in software development with significant updates planned for iOS 19, macOS 16, and iPadOS 19. However, the tech giant is also preparing to introduce a completely new operating system called ‘homeOS.’ This new platform will accompany the launch of a novel device dubbed the ‘HomePad,’ a smart display that blends features of the iPad and HomePod. The homeOS is anticipated to share many characteristics with Apple’s existing platforms, yet it will be uniquely adapted for home use. It will feature a customizable Home Screen akin to those on iOS and iPadOS, allowing users to add widgets for weather, stocks, and reminders, launch apps from a grid, maintain a dock for favorite apps, and manage smart home controls. This familiarity should make it intuitive for current iPhone and iPad users. Additionally, Siri will play a pivotal role in homeOS, enhancing the integration of Apple Intelligence to provide a more context-aware and action-oriented voice experience, building on its capabilities from the HomePod and forthcoming iOS enhancements. In terms of applications, homeOS might not launch with a full App Store but it will come equipped with a robust suite of built-in Apple apps. Users can expect essentials like FaceTime, Notes, Calendar, Reminders, Home, Safari, Settings, News, Music, TV, Podcasts, Weather, and Photos. These apps will support the HomePad’s function as a central home device, offering both productivity and entertainment options right out of the box, with the potential for more apps to be added in the future. A distinctive feature of homeOS will be its dynamic responsiveness to user proximity, enabled by sensors in the HomePad that adjust the display based on how close a person is. For instance, when a user is far from the device, it might showcase a slideshow of photos via the Photos app or display StandBy-like widgets as a screensaver. As the user approaches, the system will seamlessly transition to the Home Screen. This adaptive functionality underscores homeOS’s design philosophy of “iOS, but for your home,” aiming to extend Apple’s ecosystem cohesively into home environments and potentially appealing to the vast iPhone user base when the HomePad debuts later this year. Twenty Years of the HDTV and Home Theater Podcast 2,567,649 Downloads ~128K per year or 10600 a month. Our Peak listenership was 2010 - 2015 with a blip in 2020 - 2021 Top ten countries for the current year: United States Canada Australia United Kingdom Sweden Germany Cambodia Spain New Zealand Netherlands
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Technical Issues - Please Stand By
03/28/2025
Technical Issues - Please Stand By
I had an issue with the creation of this week's show. I'll get it posted as soon as I can.
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Podcast #1193: Sony Develops Next-Generation Display System
03/21/2025
Podcast #1193: Sony Develops Next-Generation Display System
On this week’s show we look at where some Americans are spending nearly $100 a month on streaming services. We also look at some new tech from Sony that promises big improvements for LED TVs. All that plus your emails and the week’s news on this episode of the HDTV and Home Theater Podcast. News: Other: Many Americans Spend Over $100 per Month on Subscription Services A recent survey by Bango reveals that nearly 25% of Americans spend over $100 per month on subscription services, including streaming platforms and retail memberships like Amazon Prime. This trend marks a shift from the perception of subscriptions as cost-effective alternatives to traditional cable and satellite services, as consumers face rising costs—streaming plans alone have increased by over 20% in the past two years. To manage expenses, many consumers are turning to subscription bundles, with the average American holding 5.4 subscriptions, including 2 that come through bundled packages. A significant portion of these bundles is linked to mobile phone plans, with 55% of subscribers benefiting from such arrangements. Additionally, 44% of users report receiving services for free through bundles that they previously paid for. Convenience is another critical factor driving consumers toward bundles, as 41% express frustration with managing multiple subscriptions across different apps. A strong demand exists for unified platforms, with 63% of subscribers seeking more options like Verizon's +play. Sony Develops Next-Generation Display System Sony has developed a next-generation display system featuring a high-density LED backlight with independent drive RGB (red, green, and blue) control, designed for large screens. This innovative technology allows each RGB color to emit light independently, resulting in high color purity and the ability to reproduce a vibrant, wide color gamut. Key features of this display system include: Wide Color Gamut Performance: The system covers over 99% of the DCI-P3 color space and about 90% of the ITU-R BT.2020 standard, ensuring enhanced color reproduction. Advanced Backlight Control Technology: Sony's proprietary technology allows for precise control of light gradation, enabling subtle hues and detailed shading across the entire brightness range. This is particularly beneficial for cinematic productions, where accurate color representation is crucial for conveying narrative expression. Accurate Color Reproduction by a Dedicated Control Processor By individually controlling the brightness of the densely packed RGB LEDs, it is possible to render bright areas vividly without white clipping and to delicately depict the nuances of light in dark areas without black crushing. Additionally, the display system is equipped with approximately twice the processing power and pixel correction technology compared to conventional local dimming processing, allowing the reproduction of subtle color differences and accurate colors without color shifts. The display system aims to enhance film production and home viewing experiences, aligning with Sony's commitment to supporting creators through professional-grade monitors used for color grading and reference. Mass production of this new display system is set to begin in 2025, with plans for integration into consumer televisions and displays for content creation.
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Podcast #1192: Can AI Help Pick Your Next Projector?
03/14/2025
Podcast #1192: Can AI Help Pick Your Next Projector?
On this week’s show we asked three different AI LLMs “What is the best home theater projector for less than $5000?”. And we sort of got an answer. We also read your emails and look at the week’s news. News: Other: Can AI Help Pick Your Next Projector? We asked three different AI LLMs “What is the best home theater projector for less than $5000?”. And we sort of got an answer. Chat GPT When looking for the best home theater projector under $5,000, several factors come into play, such as picture quality, brightness, resolution, and features like smart capabilities. As of my last knowledge update in October 2023, here are some of the top options within this budget: Epson Home Cinema 5050UB () Resolution: 4K PRO-UHD (upscaled) Brightness: 2,600 lumens Contrast Ratio: 1,000,000:1 Features: HDR support, motorized lens settings, and a wide color gamut. It provides exceptional picture quality, especially for films in dark rooms. Google Gemini It's impossible to definitively say which is the "best" projector for you without knowing your specific needs and preferences. However, I can offer some great options in the $5,000 range. To help me recommend the perfect projector for you, tell me: What size is your screen? How far away will you be sitting from the screen? What resolution do you prefer (1080p, 4K)? Do you need 3D capability? What type of content will you be watching most often (movies, gaming, sports)? Do you have any specific features you are looking for (HDR, high refresh rate)? Once I have this information, I can give you a more personalized recommendation. In the meantime, here are some popular projectors in the $5,000 range: For 4K and high brightness: Sony VPL-VW270ES (this is a discontinued model): Offers excellent image quality, high brightness, and HDR capabilities. JVC DLA-N5 ): Known for its black levels and contrast ratio, perfect for dark rooms. For budget-friendly 4K: Epson Home Cinema 5050UB (): A great option for those looking for a solid 4K projector at a lower price point. For bright rooms: BenQ TK850 (this is a discontinued model): A powerful projector with high brightness and DLP technology, ideal for rooms with ambient light. I look forward to helping you find the perfect projector for your home theater! For fun I later updated my query with the following. What is the best home theater projector for less than $5000? More parameters to consider: 100” Screen size Seating will be 15 feet away I need 4K with HDR. I do not need 3D Capability I watch an even mix of TV, Movies, and Sports Gemini responded with a list of four projectors and a summary. The following is the summary: Based on your requirements, the BenQ TK850 or the Optoma UHD380X (Also unavailable) are excellent options. They offer a balance of 4K resolution, HDR support, and good brightness levels within your budget. It's recommended to read reviews and compare them to see which aligns better with your specific needs. Good luck with your projector hunt! Grok 3 Based on the available information and critical evaluation of projector options, the Epson Home Cinema LS11000 () stands out as the best home theater projector under $5,000. Here's why: This projector offers a compelling combination of high-end performance and features, making it ideal for creating a cinematic experience at home. It uses a laser light source, which provides consistent brightness (rated at 2,500 lumens) and a long lifespan of up to 20,000 hours, eliminating the need for frequent lamp replacements. Its 4K resolution is achieved through pixel-shifting technology, delivering sharp, detailed images that rival more expensive native 4K projectors. The LS11000 also excels in color accuracy, with excellent out-of-the-box performance, and supports HDR10, HLG, and HDR10+ for vibrant, dynamic visuals. Its high contrast ratio (up to 1,200,000:1) ensures deep blacks and excellent shadow detail, crucial for movie watching in dark environments. Additionally, the LS11000 is versatile, with features like motorized lens shift, zoom, and focus, making it easy to set up in various room configurations. It performs well in both dark home theaters and rooms with moderate ambient light, thanks to its brightness. While it lacks 3D support and built-in smart features like Wi-Fi or streaming apps, these are minor trade-offs for its price point, as you can easily add a streaming device. Compared to alternatives like the LG GRU510N, which offers higher brightness (5,000 lumens) but lower contrast and less refined color accuracy, or the Epson Home Cinema 5050UB, which is dimmer and uses a lamp instead of a laser, the LS11000 strikes the best balance of performance, value, and longevity. High-end native 4K projectors from brands like Sony or JVC, while excellent, exceed the $5,000 budget, making the LS11000 a top choice for enthusiasts seeking premium quality without breaking the bank. Keep in mind that to achieve the best results, you'll need a quality projector screen and a sound system, as the LS11000 lacks robust built-in speakers. Also, consider your room's lighting conditions—while it handles some ambient light, it performs best in a controlled, darker environment. Our Takeaway This was a fun exercise which had mixed results. In the end you have to do the work yourself and like Google Gemini says find one that fits your specific needs and preferences. In other words, AI is not taking over the world any time soon.
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Podcast #1191: Ten Innovations that have Transformed Our Home Theaters
03/07/2025
Podcast #1191: Ten Innovations that have Transformed Our Home Theaters
On this week’s show we review ten innovations we feel had the most impact on how we consume entertainment in our homes. We also read your emails and take a look at the week's news. News: Other: Digital Frame Digital Frame Ten Innovations that have Transformed Our Home Theaters Over the last decade, several innovations have significantly transformed the home theater experience. This week we will review ten innovations we feel had the most impact on how we consume entertainment in our homes. 4K HDR and 8K Resolution - The proliferation of 4K UHD content, along with High Dynamic Range (HDR) technology, has improved visual quality significantly, providing more vivid colors and enhanced contrast. Three-Dimensional Sound - Unlike traditional surround sound systems that rely on channels (e.g., 5.1 or 7.1 setups), object-based audio allows sound designers to place sounds as individual objects in a 3D space. This results in a more immersive audio experience, making viewers feel as if sound is coming from all around them, including overhead. Streaming Devices and Services - The rise of smart TVs and streaming devices has made it easier to access a vast library of content without the need for physical media, further enhancing the home theater experience. Flexible Speaker Configuration - Users are no longer limited to a fixed number of speakers. With object-based audio, systems can scale from simple soundbars to complex multi-speaker setups, adapting to the room's acoustics and the viewer's preferences. Enhanced Content Availability - Many streaming services and Blu-ray discs now offer content mixed in Atmos or similar formats, increasing the accessibility of high-quality audio experiences. Home Theater Integration - The growth of AV receivers and sound systems optimized for these formats has made it easier for consumers to integrate advanced audio technology into their home theater setups without needing extensive technical knowledge. Smart Home Integration - The integration of home theater systems with smart home devices (e.g., voice assistants, smart lighting) allows for a more personalized and convenient viewing experience. Projection Technology - Advancements in projector technology, including ultra-short throw projectors and improvements in brightness and contrast ratios, have made it possible to achieve a cinematic experience in various home sizes. Advanced Room Correction - Room correction technologies have improved significantly, allowing for better sound calibration in different environments. This ensures that the audio performance is optimized for the specific acoustics of your room. New Panel Technology - OLED, LED, Mini and Micro LED have not only improved the picture we look at but have brought down prices to the point where you can buy a 75” TV for a few hundred dollars. And the worst of these TVs are better than the best TVs that were available at the start of the HD revolution. Of this list, which do you think had the biggest impact? Is there something else you felt should be on this list? Let us know.
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Podcast #1190: Ford Patent - Apple HomePod 3 - DirecTV MySports Review
02/28/2025
Podcast #1190: Ford Patent - Apple HomePod 3 - DirecTV MySports Review
On this week’s show we look at a Ford Motor patent that has potential implications for home entertainment. We preview a potential Homepod 3 and we finish off with a listener review of DirecTV MySports. We also read your emails and take a look at the week’s news News: Others: Ford Seeks Patent For Multi-Vehicle Audio System Big tech companies like Apple file patents all the time. Some of these, like Apple’s patent for an AirPods case with a built-in display, or the one for an iPhone that folds in half, could easily become products if Apple thinks they’ll make money. But sometimes, these patents outline technologies that seem impossible, or at least unlikely. Apple HomePod 3: Everything We Know So Far (From Tom’s Guide) Apple is anticipated to launch the HomePod 3 later in 2025, marking a significant upgrade from its predecessors. Key rumored features include the introduction of a touchscreen, which could position it against competitors like Amazon and Google’s smart displays. Rumored Release Date: Analysts speculate that the HomePod 3 could be unveiled in either spring or summer 2025. However, there are rumors of a possible delay to the third quarter, coinciding with Apple's WWDC. Potential Price: No official pricing information has been released, but the current HomePod 2 retails for $299. Given the competitive landscape, analysts speculate the HomePod 3 might be priced around $249, but if bundled with accessories, the total could elevate to $499 or more. Display and Design: The standout feature of the HomePod 3 is expected to be its 6 to 7-inch OLED display, which would function as a smart home control hub. The device is anticipated to be slightly smaller than an iPad mini and could include a FaceTime camera for video calls and possibly act as a home security camera. Additionally, the HomePod 3 may incorporate presence sensors for smart home automation and feature a new custom-made Bluetooth and Wi-Fi chip. Interface:The Apple HomePod 3 is primarily designed as a smart home hub, with an interface focused on controlling HomeKit devices, possibly resembling the Apple TV's layout based on recent code findings. Reports suggest a strong emphasis on security, enabling users to view live feeds from compatible security cameras and interact with visitors, though compatibility with HomeKit remains limited compared to competitors. While the HomePod 3 will prioritize smart home functionality over audio, users will still be able to manage playlists. Interaction will occur through both touch and Siri voice commands for tasks like setting timers and family communication, and the integration of Apple Intelligence will enhance its smart capabilities, the specifics of which are yet to be clarified. What We Want to See: For the HomePod 3, there are several desirable features that users would like to see, starting with a larger interface, as a 6-inch screen feels limited compared to similarly sized smart displays from Amazon that support a variety of streaming services. Users hope for an interface akin to the Echo Hub, which visually represents the layout of a home and displays smart devices in their respective rooms for easier interaction. Additionally, an ambient mode that showcases images from Apple Photos would allow the device to function as a digital photo frame when not in use for controlling smart home devices. If Apple Intelligence is a prominent feature, it is desired that users can create smart home routines effortlessly, such as setting commands to turn on lights and play music simultaneously upon unlocking the front door. Updates regarding the HomePod 3 will follow as more information arises. DirecTV MySports (A Listener Review) Listener Quincy of, Channel, tried the five day trial of DirecTV’s MySports and has written us a brief review. I tried the 5-day trial of DTV's MySports and it's not bad, but not good enough for me to switch from YouTube TV. Although I'm paying $84 for YTTV against the 3-month promo price of $50 for DTV, I still love the convenience of YTTV. I won't bore you with a long essay, but in a nutshell I'll list some of my pros/cons. MySports Pros: The Sports Central section gives you nothing but sports-related material. You can set your favorite teams and easily follow/record their games as well as hide the scores to avoid spoilers. You also get all of the DTV free streaming channels, so there are over 100 channels available at sign-up (from what I've heard. I didn't count). You can get 3 months at $49.99/mo. before it goes to the regular price. Last day for the promo is 2/28. Unlimited DVR will keep your programming for up to 9 months. Two free 4K sports channels. MySports Cons: The two free 4K sports channels only offer a game or two per week. Some of them require a subscription to another package. I was only offered two local stations (FOX and NBC), so I have to rely on other apps in order to get ABC and CBS programming. The screen layout is not bad, but I still see a lot of non-sports stuff on the home page. You have to go to the Sports Central section to get away from most of that. You can only do a Season Pass/Wishlist for teams in men's sports. I tried to set a season pass for a women's college basketball team and a WNBA team and it forced me to record the entire league instead of just one specific team. It doesn't have Key Plays/Rapid Replay options to speed you through highlights to catch up to live TV for games. It would only allow me to fast-forward 15 seconds at a time instead of a continuous fast-forward other programs give you when you hold down the FF button. I just felt like I was stepping back into the past by switching to MySports, so I decided against it. Hopefully, they'll improve and modernize their features a bit. Although YouTube TV has its faults and a high price, as a sports fan, I love the Key Plays and the ease in finding any sports team or event and setting a season pass/wishlist. -Quincy Ridgeland, Mississippi
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Podcast #1189: Top 5 Home Theater Projectors less than $3K
02/21/2025
Podcast #1189: Top 5 Home Theater Projectors less than $3K
On this week’s show we look at the Top 5 Home Theater Projectors in the $1K - $3K price range. This list is compiled by the Projector Central website. We also read your emails and take a look at the week’s news. News: Top 5 Home Theater Projectors $1k - $3k The $1,000 to $2,999 price bracket is the sweet spot for home theater projectors, with high-value 4K UHD models featuring HDR playback starting at around $1,500. Projectors at the higher end of this range will add things like a longer zoom lens or greater lens shift capability for better placement flexibility, and sometimes improved contrast and black level. This list is taken from the Projector Central website. They have the top ten but we are only going through the top five. The is available on our website. How the list is generated: This list is not curated by our editorial staff and is generated by constantly monitoring the web traffic to our comprehensive projector database, our price-quote engine, our widely-used projector throw calculator, and our editorial product coverage and reviews to gauge which projectors are generating the most buzz and sales activity. #1 Resolution: 3840x2160 DLP Brightness: 3000 Lumens (ANSI)1 Light Source: Lamp Throw Distance: 6'-6" — 7'-10" at Image Size: 100" $1,699 May 2021 Model #2 Resolution: 3840x2160 DLP Brightness: 3200 Lumens (ANSI)1 Light Source: Laser Throw Distance: 5'-0" — 6'-0" at Image Size: 100" $1,999 Jun 2024 Model #3 Resolution: 3840x2160 DLP Brightness: 3200 Lumens (ANSI)1 Light Source: Laser Throw Distance: 8'-4" — 10'-11" at Image Size: 100" $1,799 Jun 2024 Model #4 Resolution: 3840x2160 DLP Brightness: 2500 Lumens (ANSI)1 Light Source: LED Throw Distance: 7'-3" — 9'-5" at Image Size: 100" $1,999 Jan 2025 Model #5 Resolution: 1920x1080 DLP Brightness: 3500 Lumens (ANSI)1 Light Source: Laser Throw Distance: 3'-7" at Image Size: 100" $1,199 Jun 2023 Model
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Podcast #1188: Audioengine Next Gen B1 Wireless Adapter Review and How Streaming Impacts TV Ratings
02/14/2025
Podcast #1188: Audioengine Next Gen B1 Wireless Adapter Review and How Streaming Impacts TV Ratings
On this week’s show we have a review of the Audioengine B1 Next Gen Bluetooth Music Receiver and we take a look at how Streaming impacts viewing on top network shows. We also read your emails and take a look at the week’s news. News: Audioengine B1 Next Gen Bluetooth Music Receiver I recently upgraded my audio setup with the new Audioengine B1 Next Gen Bluetooth Music Receiver (), because I like buying stuff! The previous model served me well but has gotten a bit long in the… wait for it, Bluetooth. Like the previous version, the Next Gen turns any wired stereo receiver or powered speaker system into a wireless one. The high-fidelity audio is outstanding, there is support for 16, 24, or even 32-bit quality with the advanced Bluetooth 5.3 and aptX Adaptive support. One cool feature is that the indicator light on the front panel turns orange when you have an aptX connection, so you know at a glance that you are listening at the highest fidelity. I had to borrow my brother-in-law’s android phone to test this out. Apple, why won’t you give me aptX?? The music sounded excellent. I did my best to A/B with the original B1 using AAC vs the next gen B1 using aptX listening to music I am intimately familiar with. It was hard to hear any major improvement. I could convince myself there was an improvement only after listening to specific parts of a track multiple times. Practically speaking, it really won’t matter. If you currently own the previous B1 I would recommend skipping this upgrade unless you stream from long distances. More on that in a bit. With that said, the high bitrate AAC files on the new B1 sounded excellent and I did not have too much aptX envy. Another impressive feature is the long-range connectivity. The specification says it will maintain a connection 100 feet away without any drop in sound quality. I walked to all corners of my house behind multiple doors, and could not break the connection. This is a big improvement over the original and is nice if you are responsible for the music at a get-together and you walk around the house chatting with your guests. The inclusion of both RCA and Optical output options means you can easily integrate it into any existing audio setup. The B1 has a sturdy aluminum housing and the fact that you don't need any special software makes setup a breeze! The Audioengine B1 is a recommended product for anyone looking to elevate their wired audio experience with wireless streaming. Here’s How Much Streaming Impacts Viewing on Top Network Shows It’s a pretty well-established fact that streaming has a sizable effect on ratings for shows that originate on broadcast networks. A new batch of data from Nielsen for this season shows just how big that impact can be.
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Podcast #1187: Five TV Innovations That Will Have Big Impact
02/07/2025
Podcast #1187: Five TV Innovations That Will Have Big Impact
On this week’s show we look at seven rules for your home security cameras and five TV innovations that will have the biggest effect on future TVs. We also read your emails and take a look at the week’s news. News: 7 Rules to Follow Before Installing a Home Security Camera Whether you're installing a new camera or repositioning an existing one, these tips will help you optimize performance and prevent potential issues. Avoid obstructions (even future obstructions) Windows can also be an obstruction Try not to surveil the great blue yonder Cameras near vents or heaters are at risk Blind spots aren't the most vulnerable areas Privacy and surveillance can be tricky Don't (accidentally) spy on your neighbors 5 TV Innovations on Display at CES 2025 These are that will have the biggest effect on the best OLED TVs and best mini-LED TVs in the future. According to Matt Bolton at RGB Backlighting (Micro LED) Four-Stack OLED Wireless Connection Boxes On-Device AI That’s Actually Useful Ultra-Precise Backlight Lenses
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Podcast #1186: 2024 Nielsen ARTEY Awards
01/31/2025
Podcast #1186: 2024 Nielsen ARTEY Awards
On this week’s show we run down the Nielsen ARTEY Awards which measures and rams shows based on total viewing minutes. We also read your emails and take a look at the week’s news. News: Other: The Nielsen ARTEY Awards For the , we focused solely on streaming programs, which are measured and ranked based on total viewing minutes. Within streaming, there are many different content types. We recognized the following: Top New Streaming Original Series Top Overall Streaming Programs Most Binged Streaming Title ARTEY Legacy Award Top New Streaming Original Series of 2024 The ARTEY Awards for Top New Streaming Original Series recognize streaming titles in drama, comedy and unscripted genres that were introduced in 2024 and received the most viewing. Top New Original Drama Series ARTEY WINNER: , Prime Video, 11.95 billion minutes (8.3/10 IMDB) Prime Video’s sci-fi-action-drama Fallout debuted on the platform in April and racked up 2.9 billion viewing minutes in its first few days of release. It accumulated nearly 12 billion total viewing minutes throughout the rest of the year, ultimately placing fifth among all streaming originals in 2024. Fallout, which only has eight episodes in its first season, was also the fifth most-watched streaming original among adults 18-34. RUNNER-UP: , Netflix, 10.89 billion minutes (6.8/10 IMDB) Top New Original Comedy Series ARTEY WINNER: , Netflix, 4.90 billion minutes (7.9/10 IMDB) Netflix rom-com Nobody Wants This enjoyed three weeks atop Nielsen’s streaming charts following its release in late September, and went on to accumulate nearly 5 billion minutes through the end of year. While the show’s audience skewed toward women (69%), it was fairly balanced from an age perspective, coming in at 51% adults 18-49 and 43% adults 50+. RUNNER UP: , Netflix, 2.94 billion minutes (7.9/10 IMDB) Top New Original Unscripted / Documentary Series ARTEY WINNER: , Netflix, 3.57 billion minutes (7.5/10 IMDB) This Netflix true-crime docuseries premiered on the platform with three episodes in January 2024. American Nightmare drove more than 1 billion viewing minutes in its opening week, and its viewing total reached over 3.5 billion throughout the year. The docuseries resonated most with women who made up 62% of the audience, as well as younger adult viewers, as 56% of the audience fell into the 18-49 age range. RUNNER UP: , Netflix, 2.50 billion minutes (7.1/10 IMDB) 2024 Top Overall Streaming Programs These ARTEY Awards recognize the most-watched streaming titles of the year across original series, acquired series, movies and overall. Top Overall Streaming Title & Top Acquired Series ARTEY WINNER: , 55.62 billion viewing minutes on Disney+ (9.3/10 IMDB) The ARTEY for Top Overall Streaming Title of 2024 goes to the Australian animated series Bluey, which put up over 55.6 billion minutes of watch time on Disney+, with 43% of its massive viewing total attributable to kids 2-11. RUNNER UP: , 47.85 billion viewing minutes on Hulu and Netflix (7.6/10 IMDB) Top Streaming Original Series ARTEY WINNER: , Netflix, 21.42 billion viewing minutes (7.6/10 IMDB) The ARTEY for Top Streaming Original Series in 2024 goes to Netflix’s Bridgerton, which posted over 21 billion viewing minutes in 2024. Netflix released eight new episodes between May and June, which accounted for 56% of Bridgerton’s viewing total. In terms of its performance in Nielsen’s Streaming Top 10, Bridgerton has 11 appearances at No. 1 overall, tying fellow Netflix original series Ozark for the most first place weeks for any streaming original. RUNNER UP: , Netflix, 16.45 billion viewing minutes (6.2/10 IMDB) Top Streaming Movie ARTEY WINNER: , 13.03 billion minutes viewed on Disney+ (7.6/10 IMDB) With over 13 billion viewing minutes accumulated on Disney+ in 2024, Moana finished as the most-watched streaming movie for a second consecutive year. The Disney favorite exhibited a bump in viewership towards the end of the year that coincided with the theatrical release of its sequel, Moana 2. This marks Moana’s most-streamed year ever and solidifies it as the most-streamed movie since 2020. RUNNER UP: , 11.72 billion minutes viewed on Netflix (7.0/10 IMDB) Most-Binged Title For this category, we examined streaming titles with extensive libraries (50+ episodes) and limited the calculations to viewers who had spent at least one episode’s worth of time with the show (20 min. or longer). While half-hour programs tend to be more binge-able, the level of dedication from audiences in viewing to programs across the board was astonishing. ARTEY WINNER: , 265.5 episodes per viewer on Max (8.1/10 IMDB) The Big Bang Theory has a total of 281 episodes available on Max, and dedicated viewers averaged just over 265 episodes each over the course of the year! (Note, this does not mean they watched 265 unique episodes, just that they spent the equivalent of 265 episodes worth of time). This put the show head and shoulders above the competition for the bingeing crown. Coming in at No. 7 overall among this year’s top streaming titles, Big Bang tallied 29.1 billion minutes in 2024, 58% of which were driven by adults 18-49. RUNNER UP: , 175.3 episodes per viewer on Hulu (7.4/10 IMDB) Legacy Award The ARTEY Legacy Award recognizes enduring, timeless programs that continue to entertain and captivate audiences today. ARTEY WINNER: , 13.25 billion minutes on Peacock (7.5/10 IMDB) Little House on the Prairie celebrated its 50th anniversary in 2024, having aired on NBC from 1974 to 1983. Whether it was nostalgia surrounding the anniversary milestone or the appeal of westerns among TV viewers, the show earned 13.3 billion minutes of viewing time on Peacock across the year. Adults 35-64 accounted for 63% of Little House’s overall viewing total, and it over-indexed among Black viewers, which comprised over 17% of its total viewership. ARTEY WINNER: , 10.23 billion minutes on Peacock / Paramount+ (8.1/10 IMDB)
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